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		<id>https://www.velvetroom.wiki/index.php?title=2026-05-13:_A_Mementos_Meeting&amp;diff=4909</id>
		<title>2026-05-13: A Mementos Meeting</title>
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		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Log: 26 05 13 - Mementos Meeting&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Suzume Fukura, Hitomi Mandai, Reiya Aomori, Ririka Kawase, Moriko Kumamoto *&amp;#039;&amp;#039;&amp;#039;Where: SEES Dorms, Iwatodai&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; May 13, 2026 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; November 8, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;After some of her experiments with Reiya, Suzume holds a SEES brainstorming meeting about Mementos and cognitive space.&amp;#039;&amp;#039;  ----    &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed. &amp;lt;poem&amp;gt;Suzume has been kind of busy sinc...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 26 05 13 - Mementos Meeting&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Suzume Fukura]], [[Hitomi Mandai]], [[Reiya Aomori]], [[Ririka Kawase]], [[Moriko Kumamoto]]&lt;br /&gt;
*&#039;&#039;&#039;Where: SEES Dorms, Iwatodai&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; May 13, 2026&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; November 8, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;After some of her experiments with Reiya, Suzume holds a SEES brainstorming meeting about Mementos and cognitive space.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume has been kind of busy since exams ended last month. She actually travelled out of Tokyo over a Sunday - not without knowledge; she did check in and it&#039;s not like she just vanished - and she&#039;s been to Mementos and Tartarus more than once. It&#039;s easy to suspect that she&#039;s Up To Something.&lt;br /&gt;
&lt;br /&gt;
The fact that Reiya had &amp;amp;#42;also&amp;amp;#42; been with her on the Sunday she left had said something too. Maybe.&lt;br /&gt;
&lt;br /&gt;
So when Suzume finally left a note on the SEES bulletin board saying that she wanted to meet up because she had some ideas she wanted to talk about, it might not have caught people entirely by surprise. She was a little vague in her post beyond saying it had something to do with Mementos and Shadows.&lt;br /&gt;
&lt;br /&gt;
Suzume is currently in the common room. The television is off but she&#039;s in the spot that would get the best view of it if it wasn&#039;t. She has a can of Moonkist and a slightly nervous attitude that she is successfully camoflaguing by keeping her hands busy, tossing a small straight wood bar up in a spin and catching it out of the air. About two thirds of the bar is painted white, and she always tries to catch it by the dark part. Her accuracy is improving.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi Mandai is here, and she lives here. So this is perhaps no great surprise. However, she does not lounge in like she&#039;s half asleep. (She came straight home after school and took a power nap, then put on civilian clothes.) &lt;br /&gt;
&lt;br /&gt;
She is wearing those clothes as she descends the staircase. Sweater, sweatpants, it&#039;s certainly lounge-around-the-dorm clothing, but she has put herself together. She lets out a &amp;quot;hey&amp;quot; as she spots Suzume, and it may be noted she is carrying a notebook with two pens tucked into the cover by their little... pen clip things. (Editor&#039;s note: Look this up later.) &lt;br /&gt;
&lt;br /&gt;
Hitomi pauses for a moment as she looks towards the kitchen, then goes straight on towards Suzume. &amp;quot;What&#039;s that thing?&amp;quot; she asks, eyes tracking the wooden tossy thing that Suzume is... well, tossing, even as she plants herself on the left side of one of the couches. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya has not been back to the dorm yet today. He&#039;s had things to do. Out there things! But he knew about the meeting, and so he is back, the dorm&#039;s door opening in silence and Reiya stepping through it, still in uniform. His blue hair is unruffled; his dark uniform is still tidy. &lt;br /&gt;
&lt;br /&gt;
And now, he looks around the entry hall and then steps over towards the circle of couches, having a seat on the one opposite Suzume&#039;s position. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hello,&amp;quot; Reiya says to those who have gathered. &amp;quot;I see I am not late.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka, who seems to keep her schedule pretty packed (too packed, probably), doesn&#039;t immediately see anything out of the ordinary with Suzume being extra busy. She&#039;s also not usually the type to read into anything like a trip taken with a friend.&lt;br /&gt;
&lt;br /&gt;
But she does pay attention to the bulletin board, at least, and she made sure to note it on her calendar. So she was sure she&#039;d make it tonight.&lt;br /&gt;
&lt;br /&gt;
She comes down in jeans and a long-sleeved flannel shirt over a t-shirt, humming to herself. She smiles to herself, tapping out something on her phone before stashing it in her pocket and taking a seat. Her fingers drum idly on her thigh.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey, everyone,&amp;quot; she says. &amp;quot;So... what&#039;s up?&amp;quot; She looks at the stick for a moment. &amp;quot;... are you practicing juggling?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Moriko&#039;s running late. She may have forgotten about the meeting today and only got a reminder when her alarm for it went off. Which explains why there&#039;s the distant sound of an engine revving. Then she&#039;s inside not long after. Peeling her helmet off and tucking it under her arm. Making her way over to the group. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Yo.&amp;quot; She offers with her usual dour look. Taking a heavy seat with an &#039;ooph&#039; when she lands. &lt;br /&gt;
 &lt;br /&gt;
 Resting her elbows on her knees, she presses her palms together and leans in. &amp;quot;Sorry.&amp;quot; She might be mentally catching up after the ride.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume is also in casual clothes. It&#039;s a little cooler now, so her previous light baseball T-shirt has been replaced by a slightly heavier one with a much more faded logo on it. She&#039;s still got the jeans, though.&lt;br /&gt;
&lt;br /&gt;
The clip on a pen is called... a pen clip. Now you know! And knowing is half the battle.&lt;br /&gt;
&lt;br /&gt;
Suzume flips the object up once more and catches it left-handed. She&#039;s not a leftie and she grabs it by the white part, not the smaller dark part, which gets a bit of a scowl. Now that it&#039;s not spinning, it&#039;s easier to see that it&#039;s roughly knife-shaped, but all wood and not sharp. It&#039;s the &#039;blade&#039; that&#039;s white.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I thought I&#039;d learn,&amp;quot; she says, slightly defensively. &amp;quot;I saw some people who did, like... knife tricks, on an online video. But the last thing you want to do is catch it by the sharp part. That&#039;s why part of it&#039;s painted white. Some of it&#039;s juggling, and sleight of hand, but I also want to get one for throwing at, like, targets.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume has always been the sort of person to dive into a new hobby or skill heavily for a while...&lt;br /&gt;
&lt;br /&gt;
Still, she sets the not-a-knife down. &amp;quot;Okay,&amp;quot; she says, before letting out a breath. &amp;quot;Okay. So, you guys know I&#039;ve been looking into Mementos for a while. It&#039;s kind of important, I think - not as urgent as Tartarus but still a big deal. But before I say what I was gonna, I want to know - what you know about Mementos? I mean, if anything.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Then I&#039;ll say what I - I mean, we,&amp;quot; she nods toward Reiya, &amp;quot;got up to. And what I think it means.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
(yo SEES) &lt;br /&gt;
&lt;br /&gt;
&amp;quot;For what?&amp;quot; Hitomi asks, her head turning to look directly at Moriko for a moment. &lt;br /&gt;
&lt;br /&gt;
But only a moment. &amp;quot;Oh nice,&amp;quot; she says, even as she opens up the notebook and gets one of her pens ready. She does swirls to confirm inkflow and then draws a little happy face at the top of the first sheat, crossing one leg over the other... &lt;br /&gt;
&lt;br /&gt;
And taking notes. (Important: These notes will be available later! If you, dweller of future year 6969, read this log, and are in SEES, you can assume IC knowledge! Things that are NOT recorded as of this entry will also be noted! There are also little :D and D: and :/ faces in the margins! Did you know Hitomi puts them in her school notes? Suzume might&#039;ve, anyway.) &lt;br /&gt;
&lt;br /&gt;
There is a question. Hitomi glances towards Ririka, then Reiya, and then speaks up. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Very little,&amp;quot; she says. &amp;quot;I&#039;ve only been there a couple of time. It sort of seems like a labyrinth or cave? I heard there&#039;s this giant hidden cavern under Tokyo they use when there&#039;s a typhoon just so the entire districts don&#039;t wash into the harbor and heap up on Destinyland... Oh, I guess it&#039;s more like a bunch of train lines.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She contemplates for a moment, and adds, &amp;quot;I guess we know the Group didn&#039;t cause it? Kirijo I mean. I assumed it was natural somehow. Maybe it&#039;s where they did research in the past?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi also scribbles that down, which silences her for a few seconds. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya observes the knife-shaped wood that Suzume is using to train her reflexes. He looks around at the others assembled, too, nodding to Moriko as she apologizes. &amp;quot;It&#039;s fine.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;It&#039;s good to practice,&amp;quot; Reiya agrees with Suzume, and then... what do they know? &lt;br /&gt;
&lt;br /&gt;
Reiya at first intends to say nothing--but, he speaks up after Hitomi asks. &amp;quot;You know what I know,&amp;quot; he says to Suzume first. &amp;quot;...and that includes that so far as we know, Kirijo did not create Mementos. We have no data on how long it&#039;s been around.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Hey, Kumamoto-chan. Don&#039;t worry, we haven&#039;t started yet,&amp;quot; says Ririka.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh, that&#039;s really cool,&amp;quot; she says as Suzume mentions that it is, at least in part, juggling. &amp;quot;I bet that&#039;s really good for hand-eye coordination, huh?&amp;quot; But it&#039;s for practice. &amp;quot;That&#039;s... probably a good idea. But good luck!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh, right, yeah,&amp;quot; she says as the subject shifts to Mementos. What do they know about Mementos?&lt;br /&gt;
&lt;br /&gt;
Ririka looks very far away for a moment. &amp;quot;... avoid the Grim Reaper,&amp;quot; she says, with a shiver.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But past that... the Shadows talk, you can find the Shadows of people there, uh... you shouldn&#039;t, &#039;&#039;kill&#039;&#039; the Shadows of people,&amp;quot; she says with a wince. &amp;quot;The layout changes, the Shadows really don&#039;t like it if you try to ride the train down deeper, there&#039;s that kid Jose who&#039;ll trade items for flowers, annnd...&amp;quot; She considers for a moment, fingers tapping as she hums to herself to trigger her memory.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... you can find these rare treasure Shadow tings. At least, I saw one deeper down once.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Moriko&#039;s eyes follow the block of wood up and down. Up and down. &amp;quot;Huh. Probably safer than what I was doing.&amp;quot; Not that she explains it. It&#039;s probably not hard to figure out that her dexterity training is probably related to her outfit though. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;I honestly.. don&#039;t know much about them at all.&amp;quot; Sounding a bit surpriseed after she had considered the situation. &amp;quot;I just know they&#039;re there. I should look into them though.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
 She fishes out her own little notebook. It&#039;s crumped, dubiously held together, but it works. And she begins to write things as well. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Good.&amp;quot; She notes, that she hasn&#039;t missed anything. Though there is a flurry of movement as she works her way out of the biker jacket. It&#039;s warmer inside. &lt;br /&gt;
 &lt;br /&gt;
 Ririka stating that gets a confused look, &amp;quot;The reaper?&amp;quot; Her mind immediately going to some classic rock song that is now stuck in her head. She manaages to hum a short amount of that song before catching herself. Other than that, she does write everything down Ririka notes. Though the pen is pointed to Reiya, &amp;quot;I want those notes later.&amp;quot; She knows him. It&#039;s less a problem being that forward. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;If we can&#039;t ride the trains down, is there another method? Like tunnels?&amp;quot; She hasn&#039;t been that far!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Hand-eye coordination, yeah,&amp;quot; Suzume agrees, though honestly she&#039;s mostly doing it because it seemed fun. She likes the challenge. Maybe she can learn how to hit a target with it? She&#039;s pretty sure there are clubs for that, if not at school...&lt;br /&gt;
&lt;br /&gt;
Suzume has borrowed Hitomi&#039;s notes before (and vice versa, for other courses). She is aware of Hitomi&#039;s tendency to doodle faces in the margins in the same way that Hitomi knows that Suzume draws little abstract geometric patterns and also has messy handwriting.&lt;br /&gt;
&lt;br /&gt;
Suzume takes in what people are saying and nods. &amp;quot;Yeah. It&#039;s a train system,&amp;quot; she agrees with Hitomi and Ririka. &amp;quot;Or it looks like one, anyway.&amp;quot; She explains to Moriko, &amp;quot;You can go deeper on the train to a point, but if you try to go too far down on foot it&#039;s blocked off, and the Shadows get agitated if you try to take the train past there too. There&#039;s Shadows of people in there, and treasure, and the Reaper...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume swings, leaning forward slightly. She&#039;s short enough that she has to scootch forward a little bit to get her feet back on the ground from the couch. &amp;quot;So the whole thing - Shadows, Mementos, Tartarus, Palaces, the whole nine yards - &amp;quot; She pauses. &amp;quot;Where&#039;s that saying come from, anyway? But whatever. All of it is &#039;cognitive space&#039;. Or that&#039;s what I&#039;ve heard it called.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Tartarus is obviously, uh... it&#039;s in one place,&amp;quot; Suzume says, looking in the vague direction of Gekkoukan. Or she would be if there weren&#039;t walls and buildings and such in the way. &amp;quot;Palaces - there&#039;s more than one of them, but they also don&#039;t really move around or anything. But Mementos is transit. It connects places, right? You can get into it from Tokyo, or Sumaru, or here. And they all connect as you go down.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So I had an idea to do an experiment. Kirijo-san said I could run operations in Mementos so I called it one of those. I went out to another town, Hakone - it&#039;s a bit further than Sumaru,&amp;quot; Suzume clarifies. Hakone is a touristy town of about ten thousand people, between ninety minutes and two hours by bus and train depending on your connections and ability to pay for a direct trip. It has a lot of onsen and museums. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s where I went the Sunday after exams. And I didn&#039;t go alone, I asked Reiya-san along, because... I wanted to see what was in Mementos there. If there WAS a Mementos there. Or if it was just Tokyo.&amp;quot; Suzume frowns. &amp;quot;I&#039;m explaining myself okay, right? I mean, so far.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Anyway, there was a Mementos there. But it wasn&#039;t quite the same Mementos. It was smaller. Kinda run-down looking. There were buses, too, not just trains,&amp;quot; Suzume says, &amp;quot;and they came less often. Like - well, like any rural stop. I guess. I&#039;ve never really travelled to many rural places in Japan. But it gave me some more ideas too.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi continues stenographing. &amp;quot;Well that&#039;s good,&amp;quot; she comments blandly to Reiya, before her eyes seem to turn around. She frowns, underlines a word (human) and leans back a bit in the seat for a moment. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now I want to go back and see one of these Treasure Shadows,&amp;quot; Hitomi says, her tone light but not quite joking. &amp;quot;Yeah, there&#039;s like a charm, I&#039;ll tell you it later,&amp;quot; that to Moriko, but then back to Suzume. Hitomi frowns for a moment. More narrative writing. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oho,&amp;quot; she says when Hakone comes up, and the face next to Hakone is a picture of a certain extremely marketable :|-faced girl whose adventures also happened in the general neighborhood of Hakone. Her eyes also turn towards Reiya. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah,&amp;quot; Hitomi says, about whether or not Suzume&#039;s evoking it right. (heh heh, evoker) But there is more to come. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s weird,&amp;quot; Hitomi says. &amp;quot;Maybe Mementos is like... the cognitive train world? And though I don&#039;t really get what&#039;s going on with Palaces, those were like dream fortresses, kind of, right? At least that&#039;s what I was getting out of them, even if they weren&#039;t nice dreams,&amp;quot; Hitomi continues. &lt;br /&gt;
&lt;br /&gt;
Her lips then purse. She taps her lower lip with the pen tip, barely avoiding an impromptu tattoo before writing some more stuff down. (More elaborating details from Suzume&#039;s remark. Observers can see Hitomi tends to skip wildly over a page at first and then goes back to write increasingly cramped details.) &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
That kid Jose... Reiya wonders what he is. &amp;quot;Most things are safer than what you do,&amp;quot; Reiya points out to Moriko. &lt;br /&gt;
&lt;br /&gt;
Reiya may also review Hitomi&#039;s notes, and so see the FACES of HITOMI. But not right now. Right now, the notes have to get made. &lt;br /&gt;
&lt;br /&gt;
Reiya looks to Hitomi as she mentions the Treasure Shadows again. &amp;quot;Those are good training,&amp;quot; he says. &amp;quot;And offer useful resources.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But Hakone! Reiya nods. Mementos there... and, well--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I would want to experiment to see if it was only superficially different or if we can &#039;meet&#039; others in Mementos from different places, as we can in the Tokyo area. That is, whether someone in Hakone&#039;s Mementos can encounter someone in Tokyo&#039;s Mementos.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But the dream fortresses... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yes. Palaces appear to be shaped by the mental state of one person. And yes, you are explaining yourself fine,&amp;quot; he offers Suzume. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Talking Shadows are still strange to me,&amp;quot; he admits. &amp;quot;Partly because I don&#039;t know why.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Yeaaaaah, big thing with massive guns, chains, it&#039;s, uh... you&#039;ll &#039;&#039;definitely&#039;&#039; know it if you see it. Just, uh... don&#039;t fight it. Get away as fasst as you can. I think if you don&#039;t stay in Mementos too long it&#039;s okay?&amp;quot; she frowns as she says that. That was the impression she got, at least, but... there was also a lot going on, and a poorly-timed Persona Break.&lt;br /&gt;
&lt;br /&gt;
Ririka also respects doing something because it&#039;s fun and/or a challenge.&lt;br /&gt;
&lt;br /&gt;
But different spaces, with different qualities... And then Hakone. &amp;quot;Oh yeah, you mentioned going there at Akiket, right?&amp;quot; She listens, and nods, when Suzume asks if she&#039;s explaining herself. &amp;quot;Yeah, that makes sense. You wanted to see if it was local or kept going further out, right?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So a Mementos with &#039;&#039;busses&#039;&#039;, huh... that&#039;s...&amp;quot; Ririka frowns. &amp;quot;Huh. You know, if we ever take another trip... Yamagishi-san and I should check out the Mementos there, maybe our Navigator abilities will tell us more...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ririka looks to Hitomi. &amp;quot;I&#039;ll help you look, if you want to see one. There was this group that got to the one I was tracking first, though, but hopefully we won&#039;t run into them again.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, I think Palaces are tied to the ruler... though there&#039;s also Kingdoms, that are in a specific place, kind of like a Palace? But... I guess it was tied to that girl, Maria Sakurai, though... she didn&#039;t exactly seem in charge, more like she was trapped...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ririka muses. &amp;quot;... kind of makes a Kingdom seem like an Atelier, except I&#039;m not sure where those actually &#039;are&#039;, yet.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Reiya mention meeting people in Memento. &amp;quot;Did you have any luck?&amp;quot; she asks, curious.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Moriko scratches her cheek at Suzume&#039;s explanation. &amp;quot;So like a gestalt accumulation?&amp;quot; Which is absolutely a scifi sort of concept and her drawing lines to what she knows. &amp;quot;You know. Like... a uh.&amp;quot; She frowns. &amp;quot;Why cannot I not think of the book. Dammit.&amp;quot; A look is shot to Reiya, like she expects he&#039;d know what she&#039;s on about. &lt;br /&gt;
 &lt;br /&gt;
 Guns, chains and more. &amp;quot;You sure it&#039;s the grim reaper? Sounds like a t-shirt.&amp;quot; She can&#039;t help it, she&#039;s seen those kinds of shirts online while looking at biker things. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Take me with you if you go. I&#039;d like to see. Maybe poke around back home even.&amp;quot; Not that she says it by name. Everyone knows she&#039;s got that drawl. &lt;br /&gt;
 &lt;br /&gt;
 Hitomi gets a quick nod, &amp;quot;A charm. Right.&amp;quot; Noting down in her own notebook &#039;Annoy Hitomi for charms.&#039; Which may confuse her when she wakes up tomorrow. &amp;quot;Train world?&amp;quot; That&#039;s a new one to her. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Well. I&#039;m down for hunting them if you guys are.&amp;quot; Said to both Reiya and Hitomi. &amp;quot;I need the practice. I&#039;m probably too sloppy. I want to work with you on that later.&amp;quot; Said to Reiya at the end there. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;They&#039;re there. There is there. We can get into chaos theory and adjacent realities.&amp;quot; She suggests to Ririka. &lt;br /&gt;
 &lt;br /&gt;
 She should probably stop citing random scifi books.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume makes a face. &amp;quot;I don&#039;t know what a &#039;gestalt accumulation&#039; is,&amp;quot; she says to Moriko. &amp;quot;But maybe I do. Lemme finish.&amp;quot; She glances at Hitomi too: &amp;quot;Oho &amp;amp;#42;what&amp;amp;#42;,&amp;quot; she asks, a little directly.&lt;br /&gt;
&lt;br /&gt;
Suzume puffs out her cheeks. &amp;quot;I don&#039;t think they connect,&amp;quot; she says to Reiya. &amp;quot;I mean - there wasn&#039;t a connection, like there is to Sumaru, in Mementos. It doesn&#039;t seem to be attached. And I had an idea why.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume pauses to take a drink from her Moonkist, because her throat&#039;s a little dry. She sets it down a few moments later. &amp;quot;So my theory is that cognitive space is what you get when you get a lot of people thinking in one place,&amp;quot; Suzume says. &amp;quot;Like how if you get a lot of mass in one place, you get gravity, if you get a lot of thinking in one place, you get cognitive... stuff.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;If Mementos was a place because of &amp;amp;#42;everybody thinking&amp;amp;#42;, then thinking more would make it bigger, and more complicated. Hakone&#039;s is smaller because there&#039;s less people there, and it&#039;s not connected because people in Hakone don&#039;t feel like part of Tokyo. I mean, Iwatodai may as well be part of Tokyo, it&#039;s so close to Aoyama-Itchome that you barely leave the city. Sumaru, too, is pretty close. But there&#039;s less people thinking in Hakone, and less people thinking &amp;amp;#42;about&amp;amp;#42; Hakone, than Tokyo, and it doesn&#039;t feel &amp;amp;#42;like&amp;amp;#42; Tokyo.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I wish we could check, like... Kyoto on a trip or something,&amp;quot; Suzume says. &amp;quot;Osaka. One of the other really big cities. Or, like... New York? Do they have Mementos or is it just a Japanese thing? Is it only in Tokyo and nearby spaces, or what? I want to know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But anyway, Tartarus was made after the experiment, right? We know that.&amp;quot; Suzume gestures. &amp;quot;But the Shadows had to be here &amp;amp;#42;before&amp;amp;#42; that because they experimented on Shadows. So what if it was just something that... happens, because of people? Maybe they came from a cognitive space that isn&#039;t Mementos, and that&#039;s where Tartarus stretches to, and what the experiment did was drill a hole from here to there. And the Dark Hour is what leaks out, and that&#039;s what we have to fix. I don&#039;t know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume talks faster as she gets more into it. &amp;quot;But I think &amp;amp;#42;thinking&amp;amp;#42; is important. It&#039;d explain why a lot of the demons look like yokai, or myths, too, right? If they&#039;re things people thought about, they&#039;re shapes for a cognitive being to be. Why there&#039;s Shadows of people there, if they had the right kind of thoughts, or the wrong kind... And why Tartarus Shadows &amp;amp;#42;don&#039;t&amp;amp;#42;, if they&#039;re from a different kind of space. Reiya pointed out - maybe that&#039;s why Kirijo Group had to do their work here, rather than, like, a secret island base in the middle of nowhere. Because there&#039;s only cognitive space, or power, where there&#039;s people.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;And then Palaces,&amp;quot; she says, glancing at Ririka, &amp;quot;are little cognitive spaces that are made by one person. Like a bubble or something. And that&#039;s why they fall apart when you deal with the person&#039;s Shadow.&amp;quot; Suzume doesn&#039;t mean kill. &amp;quot;I don&#039;t know about Kingdoms though.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So I guess... I want to know more,&amp;quot; Suzume finishes up. &amp;quot;But I think Mementos is important. And I think &amp;amp;#42;all&amp;amp;#42; of this is related, somehow. So, uh... I guess I&#039;m asking if anyone has any other ideas, too. Or if you&#039;re interested in still looking into this with me. I&#039;m gonna be planning trips back into Mementos soon.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
(After the next Full Moon Shadow.)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Oh, wow, I completely skipped over that. Is he like... Spanish? Mexican?&amp;quot; Hitomi guesses about Jose, which she knows perhaps to be a Spanish name. As she does this, she moves to the other page, and seems to be creating a new narrative space... and also doodling something else. &lt;br /&gt;
&lt;br /&gt;
A... figure, bending over, like to scoop water? It&#039;s &#039;gets OK grades in art class&#039; drawing, not &#039;the next hot mangaka&#039; drawing, but it&#039;s recognizable as a person. Oh, with wings. &lt;br /&gt;
&lt;br /&gt;
Her eyes turn towards Reiya. &amp;quot;If it&#039;s only trains, that might take a long time,&amp;quot; Hitomi says. &amp;quot;I guess you could go to a big city somewhere else in Japan, yeah. I went to Kyoto in like... sixth grade, otherwise it&#039;s just been the country and shit for me.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi loosk towards Ririka then, and says, &amp;quot;Oh thanks! At least it&#039;s going to pay for itself getting out there, right?&amp;quot; Scribble scribble. The girl isn&#039;t scooping water up, it&#039;s a Treasure Shadow. Which Hitomi is guessing looks like a big stereotypical diamond with a spooky o~o face on it. She may have guessed well. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;There wasn&#039;t a train on Yakushima, though,&amp;quot; Hitomi answers Ririka, &amp;quot;just that loop bus. We know there probably &amp;amp;#42;isn&#039;t&amp;amp;#42; one there, though, or we&#039;d have probably seen it, right? Or did you guys just sleep through the Dark Hour?&amp;quot; As she does this, she draws what looks to be a sort of generic fat-guy face with big T_T-faced tears and saying &#039;a ya na mi i i i i i i i i i i i&#039;&lt;br /&gt;
&lt;br /&gt;
Hitomi glances at Moriko and writes down GE RE SU TA TO (?) with two underlines next to it, and she says, &amp;quot;I&#039;m in too, if I&#039;m not busy or whatever. And yeah, I mean, tons of people are on trains every day and they have been for a hundred years or so, right?&amp;quot; Hitomi addressed that for Moriko. &amp;quot;What was that other one? That&#039;s the theory the dinosaurs used to escape, right?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Back to Suzume. &amp;quot;That makes sense. The train&#039;s a great place &amp;amp;#42;to&amp;amp;#42; think, right? Since you have basically nothing to do. You&#039;re just waiting for the train to get to where you want to go.&amp;quot; She writes down the rest of that, with exclamation points and question marks. &lt;br /&gt;
&lt;br /&gt;
The Tartarus facts are a quick note, so she adds some helpful labels to the picture she drew. &#039;earth (red)&#039; &#039;treasure (shadow)&#039; &#039;boobs (big)&#039;, and for the fat-guy face, &#039;dumbass (lol)&#039; Then Suzume speaks more and Hitomi&#039;s eyes narrow in thought. &amp;quot;Yeah, those places do have trains... that&#039;s how we got there, and it didn&#039;t LOOK different from Tokyo.&amp;quot; But Suzume has other thoughts. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... you&#039;re right, they do, huh,&amp;quot; Hitomi muses to herself. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... maybe it&#039;s the other way around, and Shadows sometimes made it out, or people had Personas but didn&#039;t understand it, or something,&amp;quot; she continues, in a tone of slightly halting speculation. &amp;quot;So, like, we know it&#039;s a youkai, but people saw the Shadow and called it a youkai. Maybe it heard?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi considers. &amp;quot;They all seem to know Japanese if they don&#039;t just go gruooooh, skronnnk. Maybe they&#039;re telepathic...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The Reaper... Reiya doesn&#039;t want to run into that. But for Hitomi, &amp;quot;I&#039;ve been a lot of places, but not since I awakened my Persona.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s a good idea,&amp;quot; Reiya says to Ririka about another trip. &amp;quot;I&#039;m sure we will at some point.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Kingdoms... and Ateliers. Reiya is thoughtful about that. But to the question, &amp;quot;No, i haven&#039;t tested it yet.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Moriko asks questions, and Reiya points out of the book, &amp;quot;American science fiction &#039;&#039;probably&#039;&#039; doesn&#039;t hold the answers we seek, unless Heinlein-san knew more than I think he did.&amp;quot; A beat, &amp;quot;But I will assist with your training. We can go hunting some night.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Suzume, though... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yes. I think you&#039;re probably right,&amp;quot; he says to Suzume of connecting. &amp;quot;I just want to test it if possible. Unfortunately, without the ability to coordinate... It might be difficult.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But Thinking. Suzume explains her ideas, and Reiya is quiet; he&#039;s heard some of them, of course. But the Shadows... Hmm. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;As we discussed,&amp;quot; he says to Suzume, &amp;quot;I suspect your hypotheses have some truth to them. My goal is to gather enough data that we can convince the Kirijo Group to do further research based on our findings. Then, we can learn more than we&#039;d be able to learn on our own.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Pause. &amp;quot;...And,&amp;quot; he admits, &amp;quot;They&#039;re less able to shut us out if we&#039;re the ones gathering the data,&amp;quot; though he doesn&#039;t &#039;&#039;like&#039;&#039; saying this one, because he is loyal to his mother. But Yukari would say it, if she were here--and so he feels obligated to raise the idea. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hmm...&amp;quot; Telepathic? Or the other way around? &amp;quot;...There are demons, as well. Demons who take the form of youkai but also western beings. ...I don&#039;t know whether they have any relation to Shadows.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hmmm...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Either way, I&#039;m of course in. I want to explore these ideas. Tartarus will remain my priority, but I have time for more than one investigation.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka gives Moriko a flat look. &amp;quot;It was basically indestructible and nearly killed me with a bullet that was the size of my head. So... yeah. If it&#039;s not &#039;&#039;the&#039;&#039; Grim Reaper it&#039;s at least &#039;&#039;a&#039;&#039; Grim Reaper. Besides, Yamagishi-san analyzed it.&amp;quot; Everybody knows that gets ou the name of the thing, right? Right.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Just promise me you&#039;ll run if you encounter it, okay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That was not a good day. They came out of it okay, but... she doesn&#039;t want to joke abou tit.&lt;br /&gt;
&lt;br /&gt;
She blinks at Moriko. &amp;quot;Uh... sure?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But Suzume has a theory, and Ririka considers it. &amp;quot;So if you get a lot of people together... I guess that makes sense... I... don&#039;t know if I can sense anything to confirm that one way or the other, but... I guess I could see that. It&#039;d be like... how those Rumors in Sumaru come true, right? When they get spread around enough?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, and like... I go to Sumaru all the time, to see my sister, and I go to Tokyo a lot, too, for the Philharmonic...&amp;quot; Ririka&#039;s slowly nodding as she considers it. &amp;quot;So I could see that. Like, they&#039;re separate, but they don&#039;t feel &#039;&#039;that&#039;&#039; far away.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
As for drilling holes, and taking stuff from other spaces, Ririka frowns as she considers. &amp;quot;I guess... but if it&#039;s stuff with drilling I don&#039;t think that&#039;s something we can fix with just fighting like we do...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Well, the one Palace we&#039;ve seen was located at a specific spot--in Maria Sakurai&#039;s case at the tracks for Sevens. Getting in was simpler though, but it had this kind of self-contained world, and... Sakurai-san was trapped there. And... Oh!&amp;quot; Ririka leans forward. &amp;quot;And it had a Sovereign, instead of a Ruler--two of them, actually. And the Shadows &#039;&#039;there&#039;&#039; were called Legionnaires, so... another different type of Shadow, in a different type of space. And I think they weren&#039;t like the normal Shadows or Demons we see, either. So that kind of goes with some of what you&#039;re saying, Fukura-chan.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m... not sure,&amp;quot; Ririka says to Hitomi, about Jose. &amp;quot;Maybe he&#039;s part of the Metaverse? He was able to drink those flowers, so...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And she nods, about the Treasure Shadow. &amp;quot;Hopefully! The one I saw in Mementos was deeper, though, in the second section of it, so... I dunno if we&#039;ll have to go that far to find some more.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ririka sighs. &amp;quot;I &#039;&#039;try&#039;&#039; to sleep through the Dark Hour.&amp;quot; She&#039;s not always successful. &amp;quot;But yeah, I didn&#039;t think to check there, either...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Cool,&amp;quot; Ririka says to Reiya with a nod. &amp;quot;And maybe... if we can get Yamagishi-san involved, we could do some tests to see if we could locate each other in Mementos, and how far away we can do that from...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
  &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I didn&#039;t have the theory yet when we went to Yakushima,&amp;quot; Suzume admits. &amp;quot;I didn&#039;t really start thinking about it seriously until after.&amp;quot; After the Kirijo Group was willing to spill some more of the beans. She didn&#039;t have enough knowledge to come to much before that.&lt;br /&gt;
&lt;br /&gt;
Suzume cranes around to try to look at Hitomi&#039;s drawings. What &amp;amp;#42;are&amp;amp;#42; those? she thinks to herself. The Treasure Shadow at least she can guess, but the rest of it... the labels don&#039;t help her put it all together either. Except maybe for dumbass.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Maybe,&amp;quot; Suzume says to Hitomi. &amp;quot;I mean, maybe the Shadows came first. Reiya-kun had that thought too. Like... there was a &#039;realm of the gods&#039;, or some actual myths, that was a cognitive space people used to have. Maybe that&#039;s why a lot of myths are in the past? But that&#039;s &amp;amp;#42;really&amp;amp;#42; not something we can test.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She nods to Ririka. &amp;quot;Palaces, yeah - they&#039;re specific places, like Tartarus. I think Mementos is different because it&#039;s... it &amp;amp;#42;has&amp;amp;#42; to be spread out because the whole thing is transit. Traffic. Connection...&amp;quot; Suzume is thinking again. There&#039;s something just out of reach... &amp;quot;Maybe it has to do with thinking about other things? Like... making links with your mind...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She frowns again. &amp;quot;I don&#039;t really just want to hand it to Kirijo Group,&amp;quot; she says to Reiya, a little slowly. &amp;quot;But I do think we might need to learn from them too. But if we can find anything about how Mementos works, first, or how it connects - maybe we could try your thing. With people in different train stations, if we had two groups that phoned each other right before they went in...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s thinking now. &amp;quot;Though honestly it would probably just be easier to see if we could get to Hakone from Tokyo Mementos or the other way around. Like how if you go in, you can come out in Sumaru, sometimes...&amp;quot; When the Mark gets used. &amp;quot;If we were in Hakone overnight I would&#039;ve seen if I could find the path to Port Island, but we weren&#039;t staying through midnight. Monday classes, ugh. But that&#039;d definitely be something you and Yamagishi-san can help with.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I think we&#039;re going to have to try to push deeper, too,&amp;quot; Suzume says. &amp;quot;So... yeah. Get ready for that, too. And thanks for listening. I just - I wanted to do more than sit on my butt and wait for a Full Moon Shadow. Still do. There&#039;s got to be &amp;amp;#42;something&amp;amp;#42; we can do.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi nods slightly to Reiya and then makes a few more inscriptions and - turns the page! It&#039;s a pretty big notebook and Hitomi is one of those freaks with small legible handwriting, even if it&#039;s not particularly pretty or neat. Still, those are some distinct-ass kanji. No wonder she had to go get a nice pen. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s a good idea,&amp;quot; Hitomi muses. &amp;quot;They&#039;ve got a real guilt complex about all of this, so you can probably get plenty of funding. I mean, I don&#039;t know if they would do more than give you some money, but.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She grows somewhat graver, though. &amp;quot;Yeah. I don&#039;t understand why any of that&#039;s happened in Sumaru. I guess it&#039;s not elsewhere... or it&#039;d just be easy to understand. Heh.&amp;quot; A memory seems to have surfaced, if not a good one, and Hitomi doesn&#039;t speak for a while, instead doodling someone in the lower right quadrant of the page she&#039;s working on. &lt;br /&gt;
&lt;br /&gt;
She pauses. Hitomi looks up at Ririka. &amp;quot;Like a hummingbird?&amp;quot; She sounds almost hopeful. &lt;br /&gt;
&lt;br /&gt;
The figure sketch begins then, and Hitomi basically writes down what Suzume says. She&#039;s even bulleting. She doesn&#039;t explain the doodles. &amp;quot;Hmm... yeah. I mean, do the gods exist because we came up with them, or did they exist and we just gave them names? Like if Susano-o is totally real - I don&#039;t remember if anyone&#039;s like, got... got him,&amp;quot; Hitomi seems to falter here for a moment. &amp;quot;I guess if someone had him for a Persona you can&#039;t really talk, huh.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Her pen doesn&#039;t move for several seconds. She&#039;s thinking. &lt;br /&gt;
&lt;br /&gt;
Or maybe weighing about the group. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;We can probably run everything through Mitsuru, if we need to,&amp;quot; Hitomi continues. &amp;quot;If you think like her dad was guilty, and I&#039;m pretty sure he was incredibly guilty, she&#039;s even guiltier. Hrm... maybe that&#039;d be the easy way to try this out, though. We could make them pay for a hot springs trip, winter break? Then we can do recon out there during the Dark Hour.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
The Moons probably won&#039;t cooperate, but hope springs eternal. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;No I get you, it&#039;s weird,&amp;quot; Hitomi continues even as she keeps drawing. &amp;quot;Just... sort of being here. It feels messed up to SAY but you know what I mean, right? All of you? I guess you maybe knew a lot more about it earlier, Aomori... but like...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi finishes the drawing. It is a picture of... Yukari? But she&#039;s in some kind of bodysuit hairclip situation, but still holding a bow and arrow. She is also saying &amp;quot;GOOTEN TAG&amp;quot; in English block letters. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;The novelty wore off,&amp;quot; Hitomi concludes, as she puts little dot-eyes on the doodle. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hmm... we should figure out some hypotheses we could test,&amp;quot; Hitomi concludes, looking up. &amp;quot;Like... how could you &amp;amp;#42;test&amp;amp;#42; if trains are connected to Mementos in specific, instead of... well you knew it was a bus, was it like in a tunnel or just on the surface? Or...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She trails off again. Disquieted again! &amp;amp;#42;Could you tell what the bus was like?&amp;amp;#42; Or is that between-cities night darkness simply... nothing? &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya sometimes sleeps through the Dark Hour, and sometimes doesn&#039;t. He often has things to do! ...But sometimes you gotta sleep through the night, or you get sick. That&#039;s how it works. &lt;br /&gt;
&lt;br /&gt;
But Suzume... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;It seems logical that at least some of the stories were based in or close to reality, given that we&#039;ve seen that such things aren&#039;t impossible. How much, which is which... That I don&#039;t know. But closing off avenues of investigation because of our assumptions won&#039;t get us anywhere.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Specific places... Transit. Hmm. Reiya has little to say about that. The Kirijo Group, though... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...And neither do I,&amp;quot; he admits. &amp;quot;I think their resources can test things we can&#039;t--but I don&#039;t want to stop being involved. They might say we&#039;re too young, that we lack the background...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;But we&#039;re old enough to fight Shadows, and we have practical experience.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
He nods. &amp;quot;I&#039;d appreciate trying that. It would be a way to solidify our data.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yes, Personas don&#039;t speak,&amp;quot; Reiya agrees. &amp;quot;But I wonder that too. Which came first?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...We shouldn&#039;t put everything on Kirijo-san,&amp;quot; Reiya thinks. &amp;quot;That&#039;s another good reason to continue investigating on our own; I worry that it would simply be added to her responsibility.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hmmm. Make them pay for a trip... &amp;quot;That could work. Maybe not a hot springs trip, but something during one of our breaks.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But being here... &amp;quot;Even I didn&#039;t know all of it,&amp;quot; Reiya admits. &amp;quot;...But I understand. I knew that these things were to be my duty. Most of us found out, and then chose. It&#039;s... not quite the same.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;The parts of Mementos that have any supernatural activity seem to be underground, though aboveground it was...&amp;quot; He considers the technical term. &amp;quot;Spooky.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Well they had a bunch of shadows, and they got loose in the accident, right? So I guess they had to come from &#039;&#039;somewhere&#039;&#039;...&amp;quot; She looks to Reiya. &amp;quot;Has anybody ever said where they came from?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Well, if you&#039;re talking about gods and myths... a lot of &#039;&#039;Personas&#039;&#039; come from mythology, right? Amphion is from Greek mythology, I looked him up...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Lots of people ride the subway trains... they connect in all kinds of different ways... there&#039;s lots of busses, and highways, too...&amp;quot; Ririka considers. &amp;quot;All those people thinking about connections... people in a rush on those trains full of Shadows...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Yeah, she&#039;s got nothing.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, if Kirjo Group isn&#039;t holding anything back from us, then... maybe they could help.&amp;quot; They did tell them a lot. Finally. But they weren&#039;t exactly forthcomig initially.&lt;br /&gt;
&lt;br /&gt;
Going to Hakone, and then trying to find the way back to Port Island. &amp;quot;Yeah, you should definitely bring along a Navigator for that, if you try it.&amp;quot; It&#039;s kind of in the name. &amp;quot;Just in case.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But thanks for listening. &amp;quot;Of course, Fukura-chan. Thank you and Aomori-san for going to Hakone to check that out for us. Now I&#039;m kind of curious what I&#039;d sense out there...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;They won&#039;t even pay for our equipment,&amp;quot; Ririka points out to Hitomi.&lt;br /&gt;
&lt;br /&gt;
About Jose. &amp;quot;Maybe? Except... he just sticks a straw in it, I think. And the flower isn&#039;t like, a &#039;&#039;flower&#039;&#039; flour it&#039;s like a flower on a bubble, or...&amp;quot; Ririka trails off. &amp;quot;... cognitive flowers, maybe? I&#039;m not sure.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;If we do another trip I want more warning next time so I can put it on my calendar... but a trip to go and check out supernatural spaces might be interesting...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But Kirijo Group... &amp;quot;We&#039;re not too young to be cleaning up their messes. And it&#039;s not like any of &#039;&#039;them&#039;&#039; have been to Tartarus.&amp;quot; She frowns. &amp;quot;... at least, I hope not.&amp;quot; It&#039;s kind of a dangerous place to go without a Persona.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll help with any experiments you want to do.&amp;quot; Scehdule permitting, of course.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Spooky how?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I&#039;m drawing from speculative scifi from all over.&amp;quot; Mostly the US, as Reiya ends up pointing out later. &amp;quot;Since scifi&#039;s kinda useful for drawing analogues when you&#039;re into the creative parts of it.&amp;quot; She holds a finger up as she talks. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Kinda that. A collective unconscious. Right?&amp;quot; Which is probably a better word for it now that she&#039;s thinking about it. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Maybe the experiment opened the way? Causing some bleed?&amp;quot; She&#039;s not sure, truth be told. She&#039;s clearly still riffing on books. Don&#039;t worry too much. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Knew a kid online that said he was Cuban with that name.&amp;quot; She supplies helpfully to Hitomi. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Hah! But there&#039;s no cat.&amp;quot; She seems briefly excited when Reiya makes the name in her head click. &amp;quot;Thank you. It was going to drive me around in circles.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;I think it&#039;s a cannon not a bullet at that point.&amp;quot; She adds helpfully to Ririka&#039;s description. &amp;quot;Time to leave is time to leave though, yeah.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
 The confused look is given a, &#039;I&#039;ll explain later.&#039; Look. &lt;br /&gt;
 &lt;br /&gt;
 Back to Suzume, she raises her pen, &amp;quot;So it&#039;s where people are, builds in a similar manner. Is out in the countryside even without usual connections.&amp;quot; Then she lowers it and chews on the lid for a moment. &lt;br /&gt;
 &lt;br /&gt;
 To Reiya again, &amp;quot;Maybe they shape each other.&amp;quot; The she sticks her tongue out, &amp;quot;Maybe I wasn&#039;t wrong drawing those lines. Hah.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
 She does agree with RIrika though, &amp;quot;Myths and not just common ones.&amp;quot; She taps her head. &amp;quot;The thing in my head&#039;s all kinda obscure.&amp;quot; She frowns. &amp;quot;I had to do a lot of digging to find anything about her.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
 She doesn&#039;t mention what happened to her either. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Still. I want to help. Call me.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;So&#039;s Atalanta,&amp;quot; Suzume replies to Ririka. &amp;quot;Greek, I mean.&amp;quot; And sometimes a catgirl. FATE is weird. (But Suzume&#039;s does have the cat eyes, so maybe it&#039;s not all wrong...)&lt;br /&gt;
&lt;br /&gt;
She&#039;s still watching Hitomi&#039;s doodle, and lets out a snort when she finishes. &amp;quot;Nice,&amp;quot; she says, before turning her attention back to an actual answer: &amp;quot;I couldn&#039;t explain Sumaru either. Didn&#039;t even try. ...Sorry. Sumaru&#039;s weird in its own way.&amp;quot; Hitomi knows more about Sumaru than she does, anyway.&lt;br /&gt;
&lt;br /&gt;
(Probably.)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t think they&#039;d pay for a hot springs trip,&amp;quot; Suzume says, &amp;quot;and I don&#039;t know if I WANT one, but maybe we can convince them to shell out for the museum. We actually blew some time at one of the outdoor exhibits since it seemed kind of stupid just to get to Hakone, check Mementos, turn around and come back right away... it was pretty cool. I wish I&#039;d had a better camera. But it&#039;d be good if we could go during the Dark Hour... hmm.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Her brow furrows. &amp;quot;Maybe if there&#039;s a school overnight trip we can convince her to let us do a special op. I bet THAT one&#039;s possible.&amp;quot; Suzume brightens. Now that&#039;s a possibility!&lt;br /&gt;
&lt;br /&gt;
Suzume seems cheerier now. &amp;quot;Well. Thanks for listening,&amp;quot; she says. &amp;quot;I guess that&#039;s all I got. Once we get some time I&#039;m going to put together another expedition into Mementos... and, yeah, Tartarus too. But I think we&#039;re good for the moment. So, uh... yeah.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She glances at Hitomi. &amp;quot;You mind if we share those notes around?&amp;quot; She figures that&#039;s why they were taken, but, well... &amp;quot;...maybe we should copy them WITHOUT the art before Takeba sees it.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Gotta be hot springs,&amp;quot; Hitomi adds, as she fades into stenography. It seems to be brightening her up, at least. &amp;quot;We can make it happen. But we could definitely get like a long weekend of art &amp;amp;#42;and&amp;amp;#42; a trip to a hot spring. For, like, cultural reasons.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Then she looks upwards. &lt;br /&gt;
&lt;br /&gt;
To Suzume, Hitomi says, &amp;quot;No. She should see it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Slowly, Hitomi smiles. &lt;br /&gt;
&lt;br /&gt;
(She will not object to others copying out her text without cryptic marginalia.) &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 2]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4638</id>
		<title>2026-03-18: Three Heroes and a Detective</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4638"/>
		<updated>2026-03-19T21:19:10Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: Three Heroes And A Detective&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Umie Akabane]], [[Akari Hoshi]], [[Hazuki Nakao]], [[Tamaki Uchida]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Aerospace Museum&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; March 19, 2026&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; October 16, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Two groups make their way to the Aerospace Museum. Nobody has a good time, except maybe Trish.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 MONAD: A party led by Umie Akabane has begun the event Aerospace Museum.&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 1: The Other Side - Challenge Level 2 ===========================- &lt;br /&gt;
  | Approach Options: Academics or Proficiency                                 | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Educational -        | &lt;br /&gt;
  | Academics Up L1, and Terrifying - Guts Down L2                             | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The Konan District&#039;s Aerospace Museum is easy enough to find, in part        &lt;br /&gt;
   because it has a life-sized Zeppelin replica attached to the building as      &lt;br /&gt;
   both exhibit and restaurant. Rumor has it that it can actually fly, but well  &lt;br /&gt;
   you can&#039;t believe everything you hear, right?                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   In the lobby, there&#039;s World War II memorabilia, including a Mitsubishi A6M    &lt;br /&gt;
   Zero hanging in pristine condition from the roof above. The lobby looks       &lt;br /&gt;
   empty save for a beautiful young man in the Kasugayama High uniform that      &lt;br /&gt;
   some may recognize as Jun Kashihara. He&#039;s looking around with a fretful       &lt;br /&gt;
   frown, as if searching for a museum employee; upon spotting you, he           &lt;br /&gt;
   approaches with a letter in hand to say:                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Excuse me--I don&#039;t mean to alarm you, but you should leave immediately.      &lt;br /&gt;
   Someone dangerous is coming here...&amp;quot;                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The letter in his hand is tightly clenched, but the eagle-eyed can make out   &lt;br /&gt;
   a message like &#039;cOMe aLOnE tO ThE AerOspAcE MuSEUM oR ELsE &amp;lt;3&#039; in a           &lt;br /&gt;
   scrawled, erratic hand.                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   No sooner does he start a conversation with you, when abruptly an entire      &lt;br /&gt;
   wall detonates into a great conflagration, as some incendiary device          &lt;br /&gt;
   detonates.                                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Kya-hahaha! Welcome to my walk down memory lane. Guess you ran into the      &lt;br /&gt;
   first of my bombs. The next will go off in the stairwell, then the other      &lt;br /&gt;
   floors will go up in flames one by one!&amp;quot;                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As flames of expiation light the heavens                                      &lt;br /&gt;
   The Lion&#039;s roar echoes far and wide                                           &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Don&#039;t you remember? It&#039;s just like the Other Side. There&#039;s a field trip      &lt;br /&gt;
   touring the museum right now. If you don&#039;t get those kids to the roof,        &lt;br /&gt;
   they&#039;ll become barbeque! Better hurry! Kya-hehehe-ahahahaha!&amp;quot;                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Your first challenge is rather simple, the voice wasn&#039;t kidding about the     &lt;br /&gt;
   stairwell going up in flames next. You have seconds to locate it, and run up  &lt;br /&gt;
   to the second floor before the fastest way to the second floor goes up in     &lt;br /&gt;
   flames.                                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Can you make it in time?                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC: The Red Text in this Monad represents Deja Vu moments from &#039;the Other    &lt;br /&gt;
   Side&#039;. If you&#039;ve determined that your character was not present in Innocent   &lt;br /&gt;
   Sin, or you haven&#039;t decided yet, then you can ignore these moments.           &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;amp;gt;&amp;amp;gt; Yeah&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; there&#039;s a Zeppelin replica upstairs&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; can&#039;t fly it exactly to check&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; meetup in lobby?&lt;br /&gt;
&lt;br /&gt;
    Umie fires some texts to Tamaki, alerting her wherever she may be in the museum.&lt;br /&gt;
&lt;br /&gt;
    Looking up as Jun approaches, looking around for a employee, Umie frowns. &amp;quot;Kashihara-kun?&amp;quot; She angles her head towards him. &amp;quot;... Something up?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes travel downwards towards the letter, immediately recognizing who it may be from. &amp;quot;Shit... !&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    &amp;amp;#42;&amp;amp;#42;&amp;amp;#42;BOOOM&amp;amp;#42;&amp;amp;#42;&amp;amp;#42;&lt;br /&gt;
&lt;br /&gt;
    As black smoke and red fire light the opening lobby of the museum, a strange malaise falls across the shocked Umie&#039;s expression.&lt;br /&gt;
&lt;br /&gt;
    The blonde&#039;s body sways slightly, reddish brown eyes glazing over to reflect the sparks of flame.&lt;br /&gt;
&lt;br /&gt;
    A mouth set rigid relaxes, and opens, quiet, meaningful words beginning to pour out of lips already dry from the spilling heat.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;As flames of expiation light the heavens &lt;br /&gt;
     The Lion&#039;s roar echoes far and wide...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her hand presses against her forehead as she comes it. &amp;quot;Damn it...&amp;quot; No mask to hide her here; there&#039;s just no time.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Academics toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Akari really wanted to see the Aerospace Museum because it had a rumour.&lt;br /&gt;
&lt;br /&gt;
That was really it. There was a rumour, therefore Akari - a magnet through which all rumours flow, even if she never really spread any of her own - was interested. Okay, so it wasn&#039;t quite as interesting as some rumours, but what if it really could fly?&lt;br /&gt;
&lt;br /&gt;
She actually has never been to the aerospace museum before, and it&#039;s not HER field trip that gets to go. It makes her a little uncomfortable for no reason she could clearly identify - there&#039;s nothing &amp;amp;#42;scary&amp;amp;#42; there, it&#039;s all planes and stuff, but she always has the vague feeling she shouldn&#039;t be there. So she invited Hazuki under the cover of &#039;want to see if the rumour&#039;s true?&#039; It&#039;s a good way to relax after the Atelier and before exams!&lt;br /&gt;
&lt;br /&gt;
(Akari is trying very very hard to not think about exams.)&lt;br /&gt;
&lt;br /&gt;
So that was all well and good before -&lt;br /&gt;
&lt;br /&gt;
An explosion!!&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
A few moments after the explosion, Ixquic - definitely Ixquic, helmet and outfit and sword and all - rushes out of the smoke. She is still trying to pull Hazuki along with her. Behind her helmet, her eyes are wide. &amp;quot;Up up up!&amp;quot; she demands, angling toward the stairs. She&#039;ll meet Umie (and anyone else) as soon as they&#039;re up there, or possibly before - it&#039;s not like Ixquic is exactly a &amp;amp;#42;subtle&amp;amp;#42; figure.&lt;br /&gt;
+monad&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Proficiency toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki is trapped in exam hell. She is not good at exams. So when she got an excuse to take a break at the Aerospace Museum, she took up Akari&#039;s offer.&lt;br /&gt;
&lt;br /&gt;
She&#039;d personally hoped that it could fly, though she wasn&#039;t sure how they&#039;d test it. She&#039;s unarmed, of course - no point in bringing a baseball bat - when the explosion goes off. As the smoke blasts out, she coughs for a moment, adrenaline flaring to make her think fast. &amp;quot;Ixquic-senpai, wait up!&amp;quot; she says on sight of Akari&#039;s transformation, charging after her into the stairwell.&lt;br /&gt;
&lt;br /&gt;
There&#039;s a mop in a bucket net to the stairwell, which she moves to steal. She can hear Umie as she does so... why does that feel so... familiar?&lt;br /&gt;
&lt;br /&gt;
Shaking her head, she pointed the mop out towards Umie. &amp;quot;Come on! We&#039;re running out of time!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Proceeding after Ixquic, her Transmutation begins to forge onto her, sliding in like ink on a canvas and weaving like threads being crafted together.&lt;br /&gt;
&lt;br /&gt;
It is harder to hold a mop in a winged pauldron, though, so she DOES slide it to the other arm. Just to be safe.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward The Other Side! Smarts and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The Zeppelin&#039;s just a replica. Some rumors do exist about it how it&#039;s not &#039;&#039;actually&#039;&#039; a replica, but it most certainly isn&#039;t. That&#039;s why they&#039;re there, to investigate the rumor and discourage its spread!&lt;br /&gt;
&lt;br /&gt;
    ... right?&lt;br /&gt;
&lt;br /&gt;
    As she ponders their exact reason for being there, Tamaki furrows her brow and idly stares at the small plane hanging on the roof above. Some part of her maintains with stubborn conviction that this rumor shouldn&#039;t be reified into a capital-R Rumor, but what she can&#039;t piece together is precisely &#039;&#039;why&#039;&#039;. Every time her mind tries to determine any potential reason for that to be the case, she just draws a blank.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s phone buzzes and snaps her out of her reverie. Seeing Umie&#039;s texts, she fires back a reply:&lt;br /&gt;
&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; ... what was your plan going to be if you &amp;amp;#42;could&amp;amp;#42; fly it&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; and sure, i&#039;m already there&lt;br /&gt;
&lt;br /&gt;
    Tamaki snaps her phone shut and looks around for Umie&#039;s approach. Soon enough, Umie arrives -- just as the two women notice another familiar face. Tamaki blinks several times and peers more closely at Jun, intoning nearly in-tandem with Umie, &amp;quot;Kashihara-kun?&amp;quot; The exact nature of Tamaki&#039;s apparent selective amnesia starts to become more clear to her. The sense of impending dread already has her in high alert, just before --&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;BOOM&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    If she had any doubt before, the words Umie recites basically confirm it. &#039;&#039;Think about something else, anything else -- or at least keep it contained to muscle memory and not conscious thought.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    As if by driven by pure instinct, Tamaki rushes up the stairs. Spotting the other two, Tamaki waves to them. &amp;quot;Nakao-san! Ixquic-san!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Along the way, she rummages through her bag and glances to Umie. &amp;quot; -- I might have a mask for you here, if you want, provided I can &#039;&#039;find&#039;&#039; the damn thing -- &amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Piece Together toward The Other Side! Automap!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== The Other Side - Round 1 ==============================================- &lt;br /&gt;
   Tamaki Uchida        Academics                              Success           &lt;br /&gt;
   Piece Together       Automap                        Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Proficiency                            Success           &lt;br /&gt;
   Proficiency          Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Educational-2, and Terrifying-2                 &lt;br /&gt;
   Final Conditions: Educational-1 and Terrifying-1                              &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 1/6 |=    |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; i didn&#039;t think that far&lt;br /&gt;
&lt;br /&gt;
    Which is likely why Umie is currently maskless, her purse far too small and her ability to predict trouble far too late.&lt;br /&gt;
&lt;br /&gt;
    The &#039;prophecy&#039;, late as it may seem, is at least over, for now, as Umie straightens, wiping sweat off her brow. &amp;quot;Ixquic-san. Nakao-san. You heard that asshole, right?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Up up up they need to go. &amp;quot;I can&#039;t believe our lives are going to depend on that rumor...&amp;quot; She looks towards Tamaki, now here, as she offers a mask. &amp;quot;That part&#039;s not as import...ant...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    _don&#039;t let it see you_&lt;br /&gt;
&lt;br /&gt;
    A partially covered hand is wordlessly held out to Tamaki, Umie&#039;s eyes looking anywhere but anyone&#039;s faces.&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t even pretend to hide when she puts it on, even; to everyone, it&#039;s plainly Umie, hair buns and all, _just with a half-mask_. &amp;quot;No way this can&#039;t get any worse, right?&amp;quot; she says, flatly, before she follows.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 2: Worst Field Trip Ever - Challenge Level 2 ====================- &lt;br /&gt;
  | Approach Options: Proficiency or Guts                                      | &lt;br /&gt;
  | Conditions: Clumsy - Proficiency Down L1, Educational - Academics Up L1,   | &lt;br /&gt;
  | Scary - Guts Down L1, and Terrifying - Guts Down L2                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The second floor of the Aerospace museum is already filling with smoke, as   &lt;br /&gt;
   flames from the first floor have already caught hold here, licking along      &lt;br /&gt;
   several particularly flammable spaces. Exhibits about the history of          &lt;br /&gt;
   aviation in Japan and in general are lined up with artifacts of prior         &lt;br /&gt;
   generations.                                                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Fifteen. Fifteen minutes. That&#039;s how long you have to find the kids and get   &lt;br /&gt;
   to the roof. You&#039;re not sure why you get that instinct.                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You&#039;ve gotta find those kids! Quick!                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Unfortunately there are demons coming down the hallway already. Horse-headed  &lt;br /&gt;
   creatures that stand on two-feet. With a whinny of rage, they come at you,    &lt;br /&gt;
   spreading more flames with Maragi spells.                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   And that&#039;s just the first group of them.                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You have to search this floor quickly AND thoroughly, fighting demons as you  &lt;br /&gt;
   go, paths that were open before closing off in flame.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +pot/last Hazuki&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I can&#039;t wait up! Heroes don&#039;t wait around! Also everything is on fire!&amp;quot; Despite her words, Ixquic does slow down just a little so that she doesn&#039;t outpace Hazuki too far.&lt;br /&gt;
&lt;br /&gt;
Ixquic is honestly glad to see Umie. Along with Hazuki, that makes three of them - four, with Umie&#039;s friend, who is vaguely familiar. Even if they haven&#039;t properly been introduced, it&#039;s not like they haven&#039;t yelled names (or, well, at least Ixquic certainly has) and they&#039;ve fought on the same side before.&lt;br /&gt;
&lt;br /&gt;
Good enough.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I heard him,&amp;quot; Ixquic agrees, &amp;quot;but I don&#039;t know why! Who&#039;d want to do something like that?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
you would&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s sense of unease increases. She feels the need to move, to get out of the fire - or at least the smoke, it&#039;s not all burning up here yet but it won&#039;t be long. But she&#039;s a hero! She can&#039;t abandon kids. Are they even younger than she is? Whatever - she won&#039;t.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;C&#039;mon!&amp;quot; she says, practically vibrating with energy as she hops from foot to foot, waiting for the others. That lasts about three seconds before a demon runs around the corner, a horse-headed, fireball-throwing demon.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You look!&amp;quot; she suggests. &amp;quot;I&#039;ll hold them off! Whoop-ass time!&amp;quot; Ixquic brandishes her enormous gold sword and swings it at one of the demons, too far away to hit but enough to get their attention. &amp;quot;Halt, demons!!&amp;quot; Ixquic points, dramatically. &amp;quot;Today you go no further!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Well, that&#039;s helping. But she can&#039;t stay there forever. She has to keep moving too or she&#039;s going to burn with everything else!&lt;br /&gt;
+act High Energy&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with High Energy toward Worst Field Trip Ever! Patra and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki makes it to the second floor, nodding to Umie and Tamaki. &amp;quot;Uchida-san, Akabane-san... we need to hurry. We have...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A pause.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...fifteen minutes,&amp;quot; she says, unsure why she said that, but it feels right. Uncomfortably right.&lt;br /&gt;
&lt;br /&gt;
As the flaming demons attack, however, Hazuki&#039;s moving. She takes her mop and moves to smash it into a demon. The mop will probably break...&lt;br /&gt;
&lt;br /&gt;
But it&#039;s a distraction to let Ixquic get the killing blow! &amp;quot;Ixquic-senpai! You&#039;ll have to do the melee, I&#039;ll focus on magic!&amp;quot; They&#039;re a team, after all, and this is definitely a team-worthy activity.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Guts toward Worst Field Trip Ever! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki replies to Umie, &amp;quot;Don&#039;t jinx it.&amp;quot; As Hazuki calls her by name, it takes Tamaki some restraint to not smack her own forehead.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Heaven calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Fifteen minutes. That&#039;s how much time they&#039;ve got. Tamaki &#039;&#039;shouldn&#039;t&#039;&#039; know that -- not to that degree of precision. All the same, she can put a number to it.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;The earth calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Clearly it&#039;s because she&#039;s been in other hectic situations before, right? Clearly, she&#039;s intuited an estimate from her time in both high schools and the last few months. There have been a number of arson attacks by the Joker Killer, so she&#039;s pulling from some detective sense brain blast ...&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;... what was the next part?&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Or so she tries to rationalize in the brief few moments before Hazuki&#039;s mention of &#039;&#039;that exact same estimate&#039;&#039; throws her for a loop. Those rationalizations of hers -- that&#039;s just not how things work, plain and simple. She stammers out, &amp;quot;Er -- right! Every second counts!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There are kids in trouble to rescue. There&#039;s no time to wait. Like Ixquic says, everything is on fire.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s seen her around and they&#039;ve fought on the same side. Good enough for now, introductions can wait. &amp;quot;Heroes don&#039;t wait around, like you say!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    While the others are focused on fighting, she&#039;ll turn her attention to searching. Every so often, Arianrhod &#039;&#039;does&#039;&#039; pop into existence to hinder the demons to soften them up for the others with more decisive blows.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Worst Field Trip Ever! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Fifteen minutes, huh,&amp;quot; Umie says, looking at Hazuki, then nods. She doesn&#039;t question that logic.&lt;br /&gt;
&lt;br /&gt;
    She has no weapons, but Badb will be enough. &amp;quot;I doubt any kid&#039;d come when I call,&amp;quot; Umie says, stifling a cough. The jacket worked far better against the chill of early autumn than it does here, stapled to her with body sweat. While she unzips it, she doesn&#039;t take it off completely, nor roll up her sleeves.&lt;br /&gt;
&lt;br /&gt;
    Yet, with Hazuki and Akari stepping up to work on the demons, Umie is forced to concede, slipping around.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hey, anyone in here?&amp;quot; she shouts, moving from room to room, working with Tamaki to made sure every room is looked over at least twice. &amp;quot;We&#039;re going to get you guys out of here. It may seem scary, but there&#039;s two superheroes right out here, holding the bad guys away.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Maybe by &#039;kids&#039;, Sudou meant &amp;amp;#42;older&amp;amp;#42; kids, but it&#039;s worth a shot, right?    &lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Can you do this? toward Worst Field Trip Ever! Specialty!&lt;br /&gt;
 +act/complete&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Worst Field Trip Ever - Round 2 =======================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Proficiency                            Success           &lt;br /&gt;
   Can you do this?     Specialty                      Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   High Energy          Patra and Efficient            Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Clumsy-2, Educational-1, Scary-2, and Terrifying-1       &lt;br /&gt;
   Final Conditions: Scary-1                                                     &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 2/6 |==   |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fighting off the demons isn&#039;t going to find the kids, but it&#039;s vital if you want to stay alive, and keep them alive. Ixquic and Hazuki focus on that to start, and they&#039;re getting used to working as a team; Ixquic is a lot faster than anyone who uses a sword that big seems likely to be, and she keeps tying demons down in melee while Hazuki focuses on her magic.&lt;br /&gt;
&lt;br /&gt;
That lets the others focus on looking. And while there aren&#039;t &amp;amp;#42;all&amp;amp;#42; the kids on this floor, there&#039;s at least a couple. &lt;br /&gt;
&lt;br /&gt;
...Unfortunately, they &amp;amp;#42;are&amp;amp;#42; elementary students, which means that Sudou definitely meant younger kids. The pair that Umie finds and the singleton Tamaki does are eager to escape, especially given - &amp;quot;Superheroes!&amp;quot; That brightens them up, even if it&#039;s a very scary situation...&lt;br /&gt;
&lt;br /&gt;
But that&#039;s not the whole class by any means. Where ARE they? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;They must be further up,&amp;quot; is Ixquic&#039;s guess. &amp;quot;I mean, this floor doesn&#039;t have the coolest exhibits on it...&amp;quot; She gives Hazuki a high-five, though, when the first wave of demons falls, and the others a big thumbs up.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 3: Grab Your Asses! - Challenge Level 2 =========================- &lt;br /&gt;
  | Approach Options: Charm or Understanding                                   | &lt;br /&gt;
  | Conditions: Scary - Guts Down L1, Smooth - Charm Up L1, and Soft -         | &lt;br /&gt;
  | Understanding Up L1                                                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    Entering an exhibit on the events leading up to Westernisation and the       &lt;br /&gt;
   birth of Aviation in Japan after the Meiji Restoration, you find about a      &lt;br /&gt;
   dozen elementary schoolers huddled close to the floor, due to the smoke       &lt;br /&gt;
   already spilling into the room, even before it was opened.                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Are you firefighters?&amp;quot;                                                       &lt;br /&gt;
   &amp;quot;Please get us out of here!&amp;quot;                                                  &lt;br /&gt;
   &amp;quot;I&#039;m scared...&amp;quot;                                                               &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some kids are outright crying on the floor, shaking, in little state to even  &lt;br /&gt;
   move, much less to follow your directions in demon infested burning           &lt;br /&gt;
   hallways.                                                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Now is the time to change that. What do you say to them!?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki returns the high-five, unaware she broke Umie&#039;s PERFECT COVER. Instead, as they take out the first wave of demons, the group can proceed to an exhibition on the birth of Aviation in Japan.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Are you firefighters?&amp;quot;&lt;br /&gt;
&amp;quot;Please get us out of here!&amp;quot;&lt;br /&gt;
&amp;quot;I&#039;m scared...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
They&#039;re definitely elementary students. A dozen of them, huddled by the floor, as smoke spilled in. There&#039;s crying and shaking kids, unable to even listen or follow directions. They&#039;re scared. Terrified.&lt;br /&gt;
&lt;br /&gt;
It breaks Hazuki&#039;s heart. She has to do something. Maybe, in that outfit, she can.&lt;br /&gt;
&lt;br /&gt;
Stepping a foot onto an exhibit, Hazuki throws her voice, a far cry from the gloomy girl she usually is. &amp;quot;Students! I, the Hero of Light, have come to vanquish the flames and the evil alike! The demons will no longer harm you! Their king will not lay a hand on you! You will survive the night and return to your families, if you can listen to us! Please, follow along!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s inspiring. It&#039;d be even more inspiring if it wasn&#039;t cribbed from an old Drake Adventure.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Gamer Talk toward Grab Your Asses!! Specialty!&lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Just one kid alone? &amp;quot;Hey, which way&#039;s your buddy, do you know?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Two heroes? Overhearing this, Tamaki points at Umie&#039;s borrowed half-mask and grins confidently. &amp;quot;Three, by my count!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her thoughts were already going in that direction, but after hearing Hazuki&#039;s boasts, Tamaki mimes yelling into a microphone and despite the chaos of the moment, she puts on a brave face for the children and gleefully announces,&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;(Right, right right right, that was the line.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Heaven calls! Earth calls! The people call! Thaaaaat&#039;s right, your heroes are here to save the day!&amp;quot; With her hand splayed out in Hazuki&#039;s direction, she proclaims, &amp;quot;The Hero of Light!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She claps for a few moments and then holds out the faux-microphone in Umie&#039;s direction. She &#039;&#039;did&#039;&#039; say she counted three. &amp;quot;But! What is light without its counterpart? Also presenting, the Hero of Dark! Care to demonstrate for the crowd here?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    she&#039;s a little sorry for putting Umie on the spot here but look she&#039;s trying to play hype girl to get these kids to move up and out to safety&lt;br /&gt;
&lt;br /&gt;
    Last but not least, she gestures to Ixquic. &amp;quot;Aaaaaand last but not least, well -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    okay she didn&#039;t think this one all the way through&lt;br /&gt;
&lt;br /&gt;
    &amp;quot; -- Ixquic! Any inspiring words for the audience?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward Grab Your Asses!! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic actually falls behind this time.&lt;br /&gt;
&lt;br /&gt;
She&#039;s slowed as the group passes a sign pointing to a display up a little further: a Zero. She can&#039;t see the display from here, quite, but - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If she stays there any longer, she&#039;ll die!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
- she can&#039;t stop looking at the sign, like something about it had caught her attention. And it&#039;s the way they&#039;re going.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s heart tightens with... panic? It&#039;s for the kids, she tells herself. She has to get the kids out of here. It&#039;s only the children that&#039;s making her feel like this.&lt;br /&gt;
&lt;br /&gt;
She picks up the pace, &amp;amp;#42;running&amp;amp;#42; to catch up, and so she doesn&#039;t just arrive in the room with the trapped children: she bursts in, cloak flapping from the speed of her movement and her suddenly slamming through the door. She&#039;s a little out of breath. (It&#039;s the smoke. Probably.)&lt;br /&gt;
&lt;br /&gt;
And then Tamaki takes &amp;amp;#42;that instant&amp;amp;#42; to gesture at her.&lt;br /&gt;
&lt;br /&gt;
Ixquic draws herself up to her full height. Be Ixquic, she tells herself. Ixquic wouldn&#039;t be scared. Ixquic is brave, even if Akari isn&#039;t. Just be her, and not you - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I am the magical warrior Ixquic, reincarnated from the depths of perpetuity - &amp;quot; She&#039;s finally learned that word! Good for her! &amp;quot; - and I&#039;m here to save you all!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
just like she did for you&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come on! We&#039;ll get you out. It&#039;ll be safer on the roof!&amp;quot; Ixquic is suddenly sure about that. It&#039;s where she&#039;d run to, if she was trapped... isn&#039;t it? &amp;quot;You&#039;ll be safe as long as you&#039;re with us heroes!&amp;quot;&lt;br /&gt;
+attacks&lt;br /&gt;
&lt;br /&gt;
(|=== Arcana +stats: Akari Hoshi, Persona Legendary Magical Warrior Ixquic ===|)&lt;br /&gt;
| []Dual Slice                         Wk Phys SLS PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Huge Swing                         Wk Phys SLS PL 2           ----- +2L    |&lt;br /&gt;
|    Weapon, Critical1, and Heavy                                              |&lt;br /&gt;
| ==Holy Sword                         Wk Phys LGH PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Heavy Impact                       Wk Phys SLS PL 1           ----- +2L    |&lt;br /&gt;
|    Boost, Weapon, Critical2, Heavy, and Paralyze                             |&lt;br /&gt;
| ==Assault Charge                     Wk Phys STR PL 2 (2xHit)   12 HP +2L    |&lt;br /&gt;
|    Blast                                                                     |&lt;br /&gt;
| ==Crashbrand                         Wk Phys ELC PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Spin Slash                         Wk Phys SLS PL 1 (3xHit)   17 HP +2L    |&lt;br /&gt;
|    Area                                                                      |&lt;br /&gt;
| ==Wild Slash                         Wk Phys SLS PL 2           12 HP +2L    |&lt;br /&gt;
|    Wild                                                                      |&lt;br /&gt;
| ==Rikaja                             Wk Magi REC PL 0           10 SP +2L    |&lt;br /&gt;
|    Renew                                                                     |&lt;br /&gt;
| ==Absolutely Fatal End               St Phys SLS PL 4           22 HP  0L    |&lt;br /&gt;
|    Signature, Critical3, and Masochism                                       |&lt;br /&gt;
| ==Hyper Slash                        St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    All_Out3 and Critical3                                                    |&lt;br /&gt;
| ==Giantslayer Lance                  St Phys PRC PL 4           25 HP  0L    |&lt;br /&gt;
|    Signature, All_Out2, Anti_Block, and Critical1                            |&lt;br /&gt;
| ==Mind Slice                         St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    Panic and Area                                                            |&lt;br /&gt;
| ==Heroic Dream                       St Magi REC PL 0           32 SP +1L    |&lt;br /&gt;
|    Crt_Up, Atk_Up, and Area                                                  |&lt;br /&gt;
| ==Fated Duel                         St Magi SLS PL 0           20 SP +1L    |&lt;br /&gt;
|    Slash_Break, Panic, and Rage                                              |&lt;br /&gt;
| ==Rocinante                          Fi Phys SLS PL 6           35 HP  1L    |&lt;br /&gt;
|    Tandem, Critical1, Heavy, and Theurgy                                     |&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Everybody&#039;s Hero toward Grab Your Asses!! Friendliness and Focus!&lt;br /&gt;
 WHO&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    It&#039;s okay, Hazuki, Umie breaks Umie&#039;s PERFECT COVER.&lt;br /&gt;
&lt;br /&gt;
    Hazuki makes her appeal to the audience, posing impressively as a Hero of Light, followed by Tamaki, who poses as--&lt;br /&gt;
&lt;br /&gt;
    ... an announcer. Because she&#039;s announcing Umie as the &#039;Hero of Dark&#039;.&lt;br /&gt;
&lt;br /&gt;
    The others of their happy little heroic group will certainly see Umie&#039;s eyes widen from behind the mask Tamaki lent Umie, which so happens to be the one Tamaki wore to the sanitarium.&lt;br /&gt;
&lt;br /&gt;
    damn it, Tamaki, why do you do this to her&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Right. I&#039;m...&amp;quot; ... It&#039;s been all about scaring or charming demons; nothing about that could really work here, with scared children. Think, Umie. Think. Hero of Dark. Hero of Dar-- oh no, she couldn&#039;t pull &amp;amp;#42;that&amp;amp;#42; off &lt;br /&gt;
&lt;br /&gt;
    HA HA TOO LATE SHE&#039;S TRYING IT LIVE screw it&lt;br /&gt;
&lt;br /&gt;
    Borrowing from her stint as the boy butler, she bows, placing a hand to her waist, the other held out. &amp;quot;That&#039;s right, I&#039;m the Hero of Dark!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Lips open in a sauve, reckless grin (level it out, Umie, don&#039;t do what you normally do) as she poses, placing a hand to her mask, as she proclaims, before gesturing her hands out: &amp;quot;And I&#039;m here to steal the Old Maid&#039;s show!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An awkward pause.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Did you forget your costume, miss?&amp;quot; asks a confused child.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s angled grin twitches. &amp;quot;.... Aha... A true hero of Dark blends right in.&amp;quot; RIGHT.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward Grab Your Asses!! Focus and Find!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Grab Your Asses! - Round 3 ============================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Charm                                  Success           &lt;br /&gt;
   Everybody&#039;s Hero     Friendliness and Focus         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Charm                                  Success           &lt;br /&gt;
   Gamer Talk           Specialty                      Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Scary-1, Smooth-2, and Soft-2                            &lt;br /&gt;
   Final Conditions: Smooth-1 and Soft-1                                         &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 3/6 |===  |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;As the HERO OF LIGHT, HERO OF DARK, IXQUIC, and SOME ANNOUNCER LADY declare their heroism to the children, they actually do buy it. The heroic displays, costumes, and whatever the hell Tamaki and Umie are doing get the children to wipe their tears and start to rise, and soon, they have a tiny army of children following them up.&lt;br /&gt;
&lt;br /&gt;
Hazuki does, however, whisper to her team as she passes by. &amp;quot;Wait. Old Maid? ...isn&#039;t that that serial killer...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sumaru is absolutely not Hazuki&#039;s space.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 4: SCREAM for Ice Cream - Challenge Level 2 =====================- &lt;br /&gt;
  | Approach Options: Charm or Academics                                       | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Fairy - Subtract 1   | &lt;br /&gt;
  | Fatigue on success., Smooth - Charm Up L1, and Soft - Understanding Up L1  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    It&#039;s only getting worse as more devices are going off, the hallways are      &lt;br /&gt;
   choked with smoke, and the kids are coughing the whole way.                   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But! Sanctuary! Glorious sanctuary! You see the outline of a doorway which    &lt;br /&gt;
   leads to a certain money-grubbing fairy&#039;s shrine.                             &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Entering the spring is an instant relief. The kids breathe easier. You&#039;ll     &lt;br /&gt;
   have to move before long, but any reprieve is welcome.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Hey rugrats! Nothing in life is free, and that includes fresh air!&amp;quot; Trish    &lt;br /&gt;
   crosses her arms, tapping a riding crop, &amp;quot;Since you&#039;re exceeding maximum      &lt;br /&gt;
   occupancy, I&#039;ll have you know that I&#039;m charging by the minute. I&#039;d put it on  &lt;br /&gt;
   your tab but... ha! You don&#039;t have one. Tabs are for deadbeats and losers.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Then, with a grin, the fairy suddenly goes to stand behind a new fixture in   &lt;br /&gt;
   her fountain, covered by a bright red cloth, which she pulls off with a       &lt;br /&gt;
   sudden flourish, to reveal an ICE CREAM COUNTER and brandishes a scoop.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Also I&#039;d like to introduce you all to the latest addition to my business,    &lt;br /&gt;
   the Trish Refreshment Stand. Who wants Ice Cream? Only 5000 yen per scoop.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Me!&amp;quot;                                                                         &lt;br /&gt;
   &amp;quot;Please! My throat feels like it&#039;s on fire!&amp;quot;                                  &lt;br /&gt;
   &amp;quot;Is she a real fairy!?&amp;quot; &amp;quot;Nah, it&#039;s gotta be a costume.&amp;quot;                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;That&#039;s right kiddos.&amp;quot; She winks at them, before looking at all of you.       &lt;br /&gt;
   &amp;quot;Just a costume.&amp;quot; She makes a gesture of two fingers rubbing against each     &lt;br /&gt;
   other at you. You start to realize, you&#039;ve been CONNED! She&#039;s definitely      &lt;br /&gt;
   price-gouging in the middle of the raging inferno, tugging on your heart      &lt;br /&gt;
   strings and using the kids as props.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Are you really gonna let these kids go without ice cream?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Maybe you can convince her to be reasonable. That&#039;s one big maybe.            &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Ohhh, that&#039;s her deal, then. &amp;quot;Ixquic, the undying star! Follow her example, and don&#039;t stay down when you get discouraged -- get right back up!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Tamaki at least tries to further sell the direction Umie takes things in. &amp;quot;That&#039;s right, she&#039;s incognito! She could be anyone! Anywhere! She could strike at any time! Evildoers bewaaare!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Lead the way, Hero of Light!&amp;quot; She gestures for Hazuki and more quietly adds, &amp;quot; -- and thanks for the idea. I think it lifted their spirits.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The roof is a fair distance away, still. The crowd proceeds, but it&#039;s not without its obstacles. The rising smoke makes it difficult to breathe.&lt;br /&gt;
&lt;br /&gt;
    There&#039;s some hope, though -- a brief respite, a place to surface for air. A sanctuary --&lt;br /&gt;
&lt;br /&gt;
    -- with a goddamned money-grubbing fairy in it. Tamaki&#039;s &#039;&#039;heard&#039;&#039; of her, but only via her St. Hermelin classmates.&lt;br /&gt;
&lt;br /&gt;
    Tamaki lets her elbow rest on the counter and she gives Trish a bright grin. &amp;quot;Ahhh, c&#039;monnnn, think of the long tail. You&#039;re gonna gouge first-time customers? That&#039;ll kill repeat business, you know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Something in her smile strains. It&#039;s then that she makes the decision to try and lightly hold that riding crop in place. &#039;&#039;Stop that.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward SCREAM for Ice Cream! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The undying star! That&#039;s a new title for Ixquic... but she thinks she likes it. Under her helmet, Ixquic beams.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Hero of Darkness doesn&#039;t need a mask,&amp;quot; she says, &amp;quot;because the shadows itself are her mask! Evildoers will never see her coming! ...but you&#039;re not evil, so you can see her fine,&amp;quot; Ixquic adds. &amp;quot;And it&#039;s good to have something for the smoke...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She does not like the smoke.&lt;br /&gt;
&lt;br /&gt;
The crowd proceeds. Ixquic goes ahead at one point, then behind at another to make sure demons aren&#039;t about to ambush the party. So she is not with the group when they walk into Trish&#039;s fairy fountain/ice cream shop...&lt;br /&gt;
&lt;br /&gt;
...actually, where &amp;amp;#42;is&amp;amp;#42; Ixquic?&lt;br /&gt;
&lt;br /&gt;
She&#039;s fallen behind again because, as the group goes up, she walked past one of the open hallways. From here you can see all the way down to the first floor, which is on fire, and up, to the higher floors.&lt;br /&gt;
&lt;br /&gt;
Hanging there is a plane. A Zero, the same one she saw the sign for before. (It&#039;s a model, not that she realizes it.) Ixquic can&#039;t look away from it. She&#039;s frozen, despite everything.&lt;br /&gt;
&lt;br /&gt;
&#039;Hey, lady! Please help me...!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic both can&#039;t bring herself to look at it for very long but has trouble looking away. She grips the railing, leaning far out so she can see up to it; she can feel the heat on her shoulders, on her arms, as she looks at the Zero.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s grip tightens to the point her knuckles whiten. She holds it for about two seconds - and then she flees, running. Why does it feel this way to her? Why is she panicking about crashing it? She&#039;s never been in a plane in her life! &lt;br /&gt;
&lt;br /&gt;
She runs - and, like the others, sees freedom.&lt;br /&gt;
&lt;br /&gt;
Freedom is barging into an ice cream fountain (not literally) late, and shaking. She&#039;s not going to be any use with convincing Trish to NOT gouge, come on.&lt;br /&gt;
&lt;br /&gt;
Well, except for one bit: &amp;quot;It&#039;s definitely costume day around here...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Academics toward SCREAM for Ice Cream! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Well, it worked as a template. And hey, no wonder Joker sometimes looks like he&#039;s having fun when he&#039;s playing the part! She&#039;d just like to make sure he never finds out, ha ha ha&lt;br /&gt;
&lt;br /&gt;
    Umie just continues along like nothing ever happened because NONE OF WHAT JUST HAPPENED ACTUALLY HAPPENED ahem&lt;br /&gt;
&lt;br /&gt;
    .....&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Yeah. That&#039;s who set this fire,&amp;quot; Umie says quietly to Hazuki. &amp;quot;Though that&#039;s just what the police call him. He&#039;s better known as the Joker Killer. That letter that Kashihara-kun had... the Old Maid&#039;s been relentlessly harassing him.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    They continue on, and... Umie frowns, coughing into her hand. &amp;quot;Give me a second...&amp;quot; Eyes watering, she closes them as she summons the Badb in a brief flare of blue light. &amp;quot;.... Left.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The doorway may have been visible before Umie had used Badb, but now, it&#039;s confirmed, at the very least.&lt;br /&gt;
&lt;br /&gt;
    Crowding in, Umie breathes in the blessed, blessed cool air of Trish&#039;s fountain dimension, before looking up at...&lt;br /&gt;
    .... an.... ice cream display...        &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... how low can you get, Trish-san,&amp;quot; Umie winces.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Shortstuff!!&amp;quot; exclaims Trish. &amp;quot;Well, you don&#039;t want these kids to have to endure your torment, do you? All those nights, trying to wrestle up loose change for me. But you were such a &amp;amp;#42;cutey patoety&amp;amp;#42; back then~~&amp;amp;lt;3&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s lips seal into a grim little fake smile as she begins digging around her jacket. &amp;quot;Eheheh... let&#039;s not bring up the past in front of people~~&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Wait a minute. Umie looks back over her shoulder. &amp;quot;... Hey, did Ixquic-san follow us in, or did she slip back out?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s about the moment Ixquic barges in, shaking. &amp;quot;Hey, are you okay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hold on, I&#039;m prepared.&amp;quot; Digging out a coin purse, she opens a little pocket inside the flap and, carefully, she draws out a diamond, one of many that were embedded in her from that fight in Eiji Kamiya&#039;s Palace.&lt;br /&gt;
&lt;br /&gt;
    Oh boy, this is going to make Trish raise her prices whenever she sees her in the group from now on, isn&#039;t it&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki leads the way, and they make it to...&lt;br /&gt;
&lt;br /&gt;
THE ICE CREAM STAND???&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What?&amp;quot; Hazuki says, stone-faced, as the kids run up to get ice cream from a con artist fairy that Hazuki has never heard of. She scratches the back of her head. And then, as the others try to negotiate, Ixquic is-&lt;br /&gt;
&lt;br /&gt;
Nowhere to be found. Hazuki&#039;s actually about to double back to find her, when she shows up.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic-senpai, are you okay...?&amp;quot; she asks, before turning to Trish. &amp;quot;Hey! Where&#039;s our group discount for being such a large group?!&amp;quot; wait what&lt;br /&gt;
&lt;br /&gt;
Hazuki&#039;s trying to fast talk the fast talker, and hopefully, it&#039;ll help contribute! But she&#039;s more worried about Akari right now.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward SCREAM for Ice Cream! Smarts and Efficient!&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward SCREAM for Ice Cream! Focus and Find!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== SCREAM for Ice Cream - Round 4 ========================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Fairy-0, Smooth-1, and Soft-1                   &lt;br /&gt;
   Final Conditions:                                                             &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 4/6 |==== |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki&#039;s attempt to strongarm Trish right back only serves to prolong matters. They glare at each other, caught in stubborn deadlock. &amp;quot;Why should I bend when I&#039;ve got you right where I want you?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t spring for Hazuki&#039;s idea, but it &#039;&#039;does&#039;&#039; wear her down even further. &amp;quot;Ehhhhh? Group discount? This isn&#039;t that kind of establishment! The price stands as -- as -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s when she sees the diamond. That, plus the fatigue from the negotiations so far short-circuit whatever exact price Trish had in mind, certain that this will be enough to cover it all once it&#039;s appraised. &amp;quot;Oh my goodness, thaaank you! You&#039;ve certainly upgraded from loose change!&amp;quot; Trish&#039;s avaricious smile looms, both now and in future deals.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It&#039;s a deal!&amp;quot; The kids raise their hands and cheer as they partake of some of the most expensive ice cream around.&lt;br /&gt;
&lt;br /&gt;
    Tamaki sighs in relief and deflates. &amp;quot;Yaaaaaay,&amp;quot; she flatly cheers. &amp;quot; -- and yeah, that&#039;s one of the names the police call him,&amp;quot; she confirms.&lt;br /&gt;
&lt;br /&gt;
    That said, she had been so focused on the kids that she didn&#039;t think to check on the newly-named Undying Star. &amp;quot; -- Ixquic-san?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The very much not-costumed apprentice detective steps over to her, uncertain as to what&#039;s going on. She missed something.&lt;br /&gt;
&lt;br /&gt;
    From Tamaki&#039;s perspective, the climb up hasn&#039;t been so rough, but ... she can&#039;t shake her sense of dread about what&#039;s at the top.&lt;br /&gt;
&lt;br /&gt;
    ... also from Tamaki&#039;s perspective, when she&#039;s shaken, she&#039;d want food. Maybe the offer will help out here. &amp;quot;... what, ah -- what flavor would you like?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Umie Akabane has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 5: Déjà View - Challenge Level 1 ================================- &lt;br /&gt;
  | Approach Options: Guts or Understanding                                    | &lt;br /&gt;
  | Conditions: Hard - Understanding Down L1 and Heartening - Guts Up L1       | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You rush into one of the hanging displays in the Aerospace Museum. A         &lt;br /&gt;
   life-sized model airplane hangs from the ceiling over an open floor plan. A   &lt;br /&gt;
   portion of the floor acts as a walkway that leads right up to it. There&#039;s no  &lt;br /&gt;
   reason to approach it, given that the place is actively on fire and you       &lt;br /&gt;
   still have a ways to go before you reach the roof.                            &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But... you could swear--some of you--that you hear a young girl screaming     &lt;br /&gt;
   for help from over where the model airplane is. No matter how much you look,  &lt;br /&gt;
   though, there&#039;s no one there. Eerie.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Not everyone will hear. Just those who might be getting reminded of a past    &lt;br /&gt;
   that never was, if they were a part of it. Those who wouldn&#039;t are simply met  &lt;br /&gt;
   with another empty room.                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Whether you hear or not, do you move on, or do you double down? Tick tock...  &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    That has to be about the most expensive scoop of strawberry ice cream ever.&lt;br /&gt;
&lt;br /&gt;
    With the kids all getting their own ice cream and cooled down, Umie has to hope that Trish&#039;s space has those time refractive properties she&#039;s long suspected. (... not that she&#039;s ever been able to &amp;amp;#42;test&amp;amp;#42; them.)&lt;br /&gt;
&lt;br /&gt;
    After all, she doesn&#039;t want to test whether Hazuki&#039;s &#039;prophecy&#039; of fifteen minutes is true.&lt;br /&gt;
&lt;br /&gt;
    Getting their motley group of kids situated and filing out, Umie summons the ghastly smiling form of Badb once more, trusting that the kids will be none the wiser, outside of a confused glance upward or two. &amp;quot;This way, I think. Should be an airplane model to our right. Just keep on the walkway, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Someone is screaming from the airplane; at least, it &amp;amp;#42;sounds&amp;amp;#42; like it, though the fire&#039;s noise may be distorting the noise. Whether it&#039;s real or not, all the more reason to check, right?&lt;br /&gt;
&lt;br /&gt;
    .... Right, Umie Akabane?&lt;br /&gt;
&lt;br /&gt;
    Umie, strangely, keeps walking on, as if she hears nothing concerning, up until one of the kids speaks up.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Miss Dark Hero... I think someone&#039;s there...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie blinks, then looks towards the plane. &amp;quot;I... didn&#039;t hear anything, I don&#039;t think.&amp;quot; She looks to the others. &amp;quot;No resonance, either, but there&#039;s plenty of us that can hide theirs. And if a kid&#039;s in there...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Understanding toward Déjà View! Base!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I&#039;m &amp;amp;#42;fine&amp;amp;#42;,&amp;quot; Ixquic repeats.&lt;br /&gt;
&lt;br /&gt;
She&#039;s so not fine she doesn&#039;t even comment on the world&#039;s priciest ice cream. Or get any for herself, even when Tamaki asks her; it&#039;s like she doesn&#039;t realize it&#039;s for her. SHE doesn&#039;t have any diamonds in her pockets, after all, and somehow she doesn&#039;t think Trish will react the same way to a gift of clownskin.&lt;br /&gt;
&lt;br /&gt;
Ixquic still has not found anyone who will take that stuff off her hands. It&#039;s just going to live in her pocket until the end of time at this rate.&lt;br /&gt;
&lt;br /&gt;
She sticks with the group this time, though, so she&#039;s behaving-fine even if she&#039;s not feeling-fine.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, the airplane model is this way,&amp;quot; she agrees with Umie. &amp;quot;That&#039;s what I went to look at, because...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...because I did.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But this time, there&#039;s a voice.&lt;br /&gt;
&lt;br /&gt;
Ixquic does not actually recognize the voice, the first time it calls. You don&#039;t ordinarily hear &amp;amp;#42;your own&amp;amp;#42; voice from the outside, and if you do it frequently doesn&#039;t sound quite right to you. She knows she&#039;s heard it before, but she can&#039;t place it...&lt;br /&gt;
&lt;br /&gt;
&#039;Noooo! Help meeee!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic freezes up. Again. Ixquic may not always be the most dependable, sometimes; she&#039;s kind of erratic, a little detached from reality, prone to running off and doing her own thing. But it&#039;s almost unheard of for her to do nothing at all, and nothing at all is what she does this time.&lt;br /&gt;
&lt;br /&gt;
&#039;She&#039;s going to die if she stays in there much longer! What should we do?&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;No!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Akari claps her hands over her ears. This doesn&#039;t actually do anything - her helmet&#039;s in the way - but it&#039;s a reflex as she hunches down, trembling. Because back then, she couldn&#039;t do anything at all. She had to be rescued. &lt;br /&gt;
&lt;br /&gt;
She would have died. She should have died. It would have been &amp;amp;#42;easier&amp;amp;#42; for them to let her die and they didn&#039;t even though she tried to kill them and she never understood why - &lt;br /&gt;
&lt;br /&gt;
But when was that time? She can&#039;t remember. She can&#039;t remember... but... it&#039;s real. Like when she looked into that face. Like when she heard that &amp;amp;#42;other&amp;amp;#42; voice, the one that wasn&#039;t her. Like the first time she heard the Joker Killer speak.&lt;br /&gt;
&lt;br /&gt;
Ixquic is of no help at all. Her eyes are squeezed shut behind her mask. She can&#039;t even think straight. All she can think about is the flames and the fear and the time she failed to be a hero.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Guts toward Déjà View! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic says she&#039;s fine, and Hazuki doesn&#039;t think she is, but she just nods. But when they all reach the empty room with the airplane model, Hazuki pauses.&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t hear a thing, though something is unsettlign nonetheless.&lt;br /&gt;
&lt;br /&gt;
But &amp;amp;#42;Akari&amp;amp;#42; clearly does, and Hazuki&#039;s eyes widen. &amp;quot;Ixquic-senpai, we need to go...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But it&#039;s unlikely she&#039;ll get a response from that. And if Akari stays here, they&#039;re in trouble. They&#039;re running out of time. The fire&#039;s coming. Fifteen minutes...&lt;br /&gt;
&lt;br /&gt;
Hazuki steps to Ixquic&#039;s side, and tries to hug her. She doesn&#039;t pull her, simply squeezing her to try and give her some form of distraction and comfort. It&#039;s a bit of a boundary breach, but the alternative is worse.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic, please! Just a little longer... we&#039;re almost there! These kids need our help...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
If Akari seems like she&#039;ll do so, Hazuki will literally try to lead her by the hand, if she&#039;ll move it off her head. Just until she can get her bearings enough to fight.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Let The Mask Slip toward Déjà View! Bravery and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Given how much attention Tamaki pays to food blogs, she has reason to believe that at least at the original price point before diamonds got involved, it might &#039;&#039;not&#039;&#039; actually be the most expensive ... but the ones that &#039;&#039;do&#039;&#039; exceed the 5000 yen price tag cheat by including ingredients like gold flakes. They conflate monetary value for actual quality and -- look, she has very strong opinions on the topic.&lt;br /&gt;
&lt;br /&gt;
    Ixquic turns down the offer. Tamaki swallows a spoonful of sea salt caramel and remarks, &amp;quot;... yeah, I don&#039;t blame you.&amp;quot; Not that it&#039;s bad, but the precarious situation is doing a lot more of the heavy lifting than the taste is.&lt;br /&gt;
&lt;br /&gt;
    Even before they reach the roof, it turns out that Tamaki has plenty to dread, right here and now. She&#039;d break out into a cold sweat if she weren&#039;t already perspiring from being caught in a building&#039;s fire while wearing her usual business suit.&lt;br /&gt;
&lt;br /&gt;
    Tamaki cranes her neck to see where the source of a certain sound is coming from. Her voice hovers just on the edge of panic and comes out strained and breathless. &amp;quot;Hey. Hey, you hear that? Did we miss someone?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie &#039;&#039;doesn&#039;t&#039;&#039; hear it, which causes Tamaki&#039;s breathing to become more ragged and her eyes to dart around the room. &amp;quot; -- really? &#039;&#039;You&#039;&#039; can&#039;t sense it?&amp;quot; Between the two of them, Umie&#039;s perception is definitely better.&lt;br /&gt;
&lt;br /&gt;
    Even so, she still does her damnedest to thoroughly search for the voice. Nothing, nothing, and more nothing -- no one gets left behind. &amp;quot;I could have sworn -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &#039;No!&#039;&lt;br /&gt;
&lt;br /&gt;
    Tamaki jerks upright and turns in Ixquic&#039;s direction.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Oh.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    She walks over to the pair of students, stretches out a hand, and gently offers, &amp;quot;It&#039;s okay, it&#039;s okay. Everyone has their low points. I should know, speaking from experience.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There&#039;s a determination that shines through her eyes in her otherwise blank expression. It&#039;s always easier to be strong for someone else&#039;s sake instead of your own, isn&#039;t it? &amp;quot;Just don&#039;t let it keep you down for good. We believe in you. C&#039;mon, Ixquic-san. Show them what it means to be an Undying Star.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Déjà View! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Déjà View - Round 5 ===================================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Understanding                          Success           &lt;br /&gt;
   Understanding        Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Let The Mask Slip    Bravery and Patra              Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Hard-2 and Heartening-2                                  &lt;br /&gt;
   Final Conditions: Heartening-1                                                &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 6/6 |=====|  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 6: A Page from an Old Script - Challenge Level 1 ================- &lt;br /&gt;
  | Approach Options: None                                                     | &lt;br /&gt;
  | Conditions: Revelation - The best result.                                  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You burst out of the third floor&#039;s entrance, where the Zero hangs from the   &lt;br /&gt;
   ceiling; the entire ground floor is up in flames now.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some of you may get a sense you&#039;ve seen this before. A sudden fear that       &lt;br /&gt;
   someone might fall into the blaze. But when you search, no one is here.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As soon as you make it to the next floor, you feel it.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Sound effect: https://www.youtube.com/watch?v=RARotEaobh0                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The world shifts into a monochromatic hue, and nausea churns in your gut. A   &lt;br /&gt;
   familiar presence awaits you on the rooftop.                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You feel as if you&#039;re repeating the same actions. Reading from the same       &lt;br /&gt;
   script. That&#039;s impossible.                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You know he&#039;s there. Steeling your resolve, you head up to the roof.          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC Note: If you got this card, you&#039;ll start the next battle with the         &lt;br /&gt;
   Prophecy buff.                                                                &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Final Loot: 2 Items, 1 boxes of Money, and 1 Pieces of Gear!                  &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;... because I did.&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Eeh?&amp;quot; Umie peers over her shoulder back at Ixquic. &amp;quot;Earlier, you mean?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes meet Tamaki&#039;s; Umie&#039;s lips dip in a grimace. &amp;quot;No, but that narrows things down, doesn&#039;t it?&amp;quot; She holds up her index finger. &amp;quot;This is a delus--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Never would Umie expect Ixquic, normally indomitable, to be the one to &#039;crack&#039;, if that is, indeed, what all this is. &lt;br /&gt;
&lt;br /&gt;
    (This is a lock, and she needs to find her way around it.)&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;_Ixquic-san_.&amp;quot; Umie does her best to project her voice, raspy as it is, as Hazuki helps her up. &amp;quot;Just let it go. It&#039;s all part of the Old Maid&#039;s delusion.&amp;quot; Calling the Joker Killer has a nice side effect here, however: it&#039;s a far more innocuous title for the kids to hear than something with the word &#039;killer&#039; in it. &amp;quot;Listen to Nakao-san and Uchida-san. All this deja vu stuff is because of the Old Maid&#039;s machinations. He&#039;s using Sumaru City&#039;s tendency to turn rumors into reality to create one &amp;amp;#42;he&amp;amp;#42; thinks is reality.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But how can she be so sure of it, Umie thinks. She&#039;s not to the level of someone like Fuuka or Ririka. Is there something she&#039;s missing?&lt;br /&gt;
&lt;br /&gt;
    Ushering the students up the stairs to the next floor, that sense of deja vu feels stronger and stronger for some in the party...&lt;br /&gt;
&lt;br /&gt;
    .... but not Umie Akabane, who keeps looking back and telling people to keep on course. &amp;quot;We&#039;re close. C&#039;mon. It&#039;s...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But, when that wave of familiar nausea hits the blonde, she nearly tips down the stairs as she begins to crouch, holding her head.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... can&#039;t see me.... can&#039;t see me... not here. No one is here, there is no one...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There is a just blackbird here, nothing special. No, wait, that&#039;s Umie.&lt;br /&gt;
    But there is just a cardboard blackbird here. But no, that&#039;s Umie.&lt;br /&gt;
    There is Umie. There is just Umie.&lt;br /&gt;
&lt;br /&gt;
    That is enough.&lt;br /&gt;
&lt;br /&gt;
    &#039;Now, it&#039;s up to you all to succeed where I failed. None of you deserve to go it alone.&#039; In her mind&#039;s eye, she imagines the white crow.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;....&amp;quot; Umie holds her hand to her face, pressing Tamaki&#039;s mask close to her face as she straightens. &amp;quot;The Old Maid is here. Please... be ready.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fifteen minutes... Less now. They&#039;ve been in here a while, as it still burns. &lt;br /&gt;
&lt;br /&gt;
And Ixquic does not straighten, not at first. Only Tamaki of the others can hear the voice, but Akari can, more clearly than anyone. Of course she can.&lt;br /&gt;
&lt;br /&gt;
It&#039;s her.&lt;br /&gt;
&lt;br /&gt;
Hazuki hugs Ixquic, and she kind of just takes it for a moment, barely moving, before she lets out something - is she crying? Maybe a little. &lt;br /&gt;
&lt;br /&gt;
And Tamaki and Umie, too, try to raise her spirits. Tamaki especially. To be an undying star... she has to at least try, doesn&#039;t she? She&#039;s a hero. The kids need her. She &amp;amp;#42;will be&amp;amp;#42; a hero. No matter what. She reaches up to wipe at her face, fails because of the mask, and gives up on that.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m okay,&amp;quot; she says, stepping away from Hazuki. Not far; half a step at most. She&#039;s clearly not trying to escape her, just wants some space back. &amp;quot;I&#039;m sorry! I just thought - I felt...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari trails off. She felt like she was going to fall from the plane into the fire. Even though she&#039;s not &amp;amp;#42;on&amp;amp;#42; the plane, and even then, she didn&#039;t fall. Someone saved her. Someone... who? Who was it? She can barely remember the face, wavery and uncertain. She doesn&#039;t think she knows them, except she &amp;amp;#42;does&amp;amp;#42; know them at the same time.&lt;br /&gt;
&lt;br /&gt;
It&#039;s not a delusion, she wants to yell at Umie. It&#039;s real. Isn&#039;t it? It feels real. But if it&#039;s something the Joker Killer is doing - but she knows &amp;amp;#42;his&amp;amp;#42; voice, too, when she shouldn&#039;t. She knows - &lt;br /&gt;
&lt;br /&gt;
She knows his name, as the deja vu rises. It&#039;s stronger here. She feels like she&#039;s retracing her steps, but she&#039;s never been here before.&lt;br /&gt;
&lt;br /&gt;
The Old Maid is here, Umie says. And Ixquic can&#039;t hold it back.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Leo!&amp;quot; Ixquic unshoulders her sword, clenching it defensively. &amp;quot;His name is Leo.&amp;quot; I called him Leo, is what she means, as that sense of saying the same things rises up, as the pulse of monochrome memory hits her.&lt;br /&gt;
&lt;br /&gt;
She grips the sword tighter. &amp;quot;We need to go,&amp;quot; she says - and then she runs, cloak billowing behind her. So much for slowing down the party.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;You felt ...&amp;quot; Tamaki trails off in her reply to Ixquic, but nods. Her gaze flits to Umie and doubt sets in.&lt;br /&gt;
&lt;br /&gt;
    It could be a delusion. It could be the truth. There&#039;s not enough information to conclude. She pointedly avoids calling it a &#039;delusion&#039;, but she does want to indicate to Ixquic that she heard it, too. &amp;quot;... something. Yeah.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An overconfident Tamaki, foolishly emboldened by the notion that she knows more than anyone, would have -- and once did -- run ahead on her own. With knowledge comes the burden of responsibility, right?&lt;br /&gt;
&lt;br /&gt;
    Now? Now she&#039;s aware of both her own talents &#039;&#039;and&#039;&#039; shortcomings. She&#039;s paying this matter the respect it truly deserves, and she isn&#039;t alone in this.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s already offered her help, both now and in other circumstances.&lt;br /&gt;
&lt;br /&gt;
    Hazuki draws strength from the bonds of connection, working in unison with others.&lt;br /&gt;
&lt;br /&gt;
    Ixquic and her share some strange connection to this set of events which have threatened to resurface memories that shouldn&#039;t exist.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;All together, now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    This &#039;&#039;won&#039;t&#039;&#039; be like last time. So she promises to herself as she runs behind Ixquic, newfound confidence rising within her.&lt;br /&gt;
&lt;br /&gt;
    -- right up until her arms and legs immediately feel like lead when she hears what Ixquic called him just now. Oh, she&#039;s got a bad feeling about this.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4637</id>
		<title>2026-03-18: Three Heroes and a Detective</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4637"/>
		<updated>2026-03-19T21:18:46Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: Three Heroes And A Detective&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Umie Akabane]], [[Akari Hoshi]], [[Hazuki Nakao]], [[Tamaki Uchida]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Aerospace Museum&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; March 19, 2026&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; October 16, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Two groups make their way to the Aerospace Museum. Nobody has a good time, except maybe Trish.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 MONAD: A party led by Umie Akabane has begun the event Aerospace Museum.&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 1: The Other Side - Challenge Level 2 ===========================- &lt;br /&gt;
  | Approach Options: Academics or Proficiency                                 | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Educational -        | &lt;br /&gt;
  | Academics Up L1, and Terrifying - Guts Down L2                             | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The Konan District&#039;s Aerospace Museum is easy enough to find, in part        &lt;br /&gt;
   because it has a life-sized Zeppelin replica attached to the building as      &lt;br /&gt;
   both exhibit and restaurant. Rumor has it that it can actually fly, but well  &lt;br /&gt;
   you can&#039;t believe everything you hear, right?                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   In the lobby, there&#039;s World War II memorabilia, including a Mitsubishi A6M    &lt;br /&gt;
   Zero hanging in pristine condition from the roof above. The lobby looks       &lt;br /&gt;
   empty save for a beautiful young man in the Kasugayama High uniform that      &lt;br /&gt;
   some may recognize as Jun Kashihara. He&#039;s looking around with a fretful       &lt;br /&gt;
   frown, as if searching for a museum employee; upon spotting you, he           &lt;br /&gt;
   approaches with a letter in hand to say:                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Excuse me--I don&#039;t mean to alarm you, but you should leave immediately.      &lt;br /&gt;
   Someone dangerous is coming here...&amp;quot;                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The letter in his hand is tightly clenched, but the eagle-eyed can make out   &lt;br /&gt;
   a message like &#039;cOMe aLOnE tO ThE AerOspAcE MuSEUM oR ELsE &amp;lt;3&#039; in a           &lt;br /&gt;
   scrawled, erratic hand.                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   No sooner does he start a conversation with you, when abruptly an entire      &lt;br /&gt;
   wall detonates into a great conflagration, as some incendiary device          &lt;br /&gt;
   detonates.                                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Kya-hahaha! Welcome to my walk down memory lane. Guess you ran into the      &lt;br /&gt;
   first of my bombs. The next will go off in the stairwell, then the other      &lt;br /&gt;
   floors will go up in flames one by one!&amp;quot;                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As flames of expiation light the heavens                                      &lt;br /&gt;
   The Lion&#039;s roar echoes far and wide                                           &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Don&#039;t you remember? It&#039;s just like the Other Side. There&#039;s a field trip      &lt;br /&gt;
   touring the museum right now. If you don&#039;t get those kids to the roof,        &lt;br /&gt;
   they&#039;ll become barbeque! Better hurry! Kya-hehehe-ahahahaha!&amp;quot;                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Your first challenge is rather simple, the voice wasn&#039;t kidding about the     &lt;br /&gt;
   stairwell going up in flames next. You have seconds to locate it, and run up  &lt;br /&gt;
   to the second floor before the fastest way to the second floor goes up in     &lt;br /&gt;
   flames.                                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Can you make it in time?                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC: The Red Text in this Monad represents Deja Vu moments from &#039;the Other    &lt;br /&gt;
   Side&#039;. If you&#039;ve determined that your character was not present in Innocent   &lt;br /&gt;
   Sin, or you haven&#039;t decided yet, then you can ignore these moments.           &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;amp;gt;&amp;amp;gt; Yeah&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; there&#039;s a Zeppelin replica upstairs&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; can&#039;t fly it exactly to check&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; meetup in lobby?&lt;br /&gt;
&lt;br /&gt;
    Umie fires some texts to Tamaki, alerting her wherever she may be in the museum.&lt;br /&gt;
&lt;br /&gt;
    Looking up as Jun approaches, looking around for a employee, Umie frowns. &amp;quot;Kashihara-kun?&amp;quot; She angles her head towards him. &amp;quot;... Something up?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes travel downwards towards the letter, immediately recognizing who it may be from. &amp;quot;Shit... !&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    &amp;amp;#42;&amp;amp;#42;&amp;amp;#42;BOOOM&amp;amp;#42;&amp;amp;#42;&amp;amp;#42;&lt;br /&gt;
&lt;br /&gt;
    As black smoke and red fire light the opening lobby of the museum, a strange malaise falls across the shocked Umie&#039;s expression.&lt;br /&gt;
&lt;br /&gt;
    The blonde&#039;s body sways slightly, reddish brown eyes glazing over to reflect the sparks of flame.&lt;br /&gt;
&lt;br /&gt;
    A mouth set rigid relaxes, and opens, quiet, meaningful words beginning to pour out of lips already dry from the spilling heat.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;As flames of expiation light the heavens &lt;br /&gt;
     The Lion&#039;s roar echoes far and wide...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her hand presses against her forehead as she comes it. &amp;quot;Damn it...&amp;quot; No mask to hide her here; there&#039;s just no time.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Academics toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Akari really wanted to see the Aerospace Museum because it had a rumour.&lt;br /&gt;
&lt;br /&gt;
That was really it. There was a rumour, therefore Akari - a magnet through which all rumours flow, even if she never really spread any of her own - was interested. Okay, so it wasn&#039;t quite as interesting as some rumours, but what if it really could fly?&lt;br /&gt;
&lt;br /&gt;
She actually has never been to the aerospace museum before, and it&#039;s not HER field trip that gets to go. It makes her a little uncomfortable for no reason she could clearly identify - there&#039;s nothing &amp;amp;#42;scary&amp;amp;#42; there, it&#039;s all planes and stuff, but she always has the vague feeling she shouldn&#039;t be there. So she invited Hazuki under the cover of &#039;want to see if the rumour&#039;s true?&#039; It&#039;s a good way to relax after the Atelier and before exams!&lt;br /&gt;
&lt;br /&gt;
(Akari is trying very very hard to not think about exams.)&lt;br /&gt;
&lt;br /&gt;
So that was all well and good before -&lt;br /&gt;
&lt;br /&gt;
An explosion!!&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
A few moments after the explosion, Ixquic - definitely Ixquic, helmet and outfit and sword and all - rushes out of the smoke. She is still trying to pull Hazuki along with her. Behind her helmet, her eyes are wide. &amp;quot;Up up up!&amp;quot; she demands, angling toward the stairs. She&#039;ll meet Umie (and anyone else) as soon as they&#039;re up there, or possibly before - it&#039;s not like Ixquic is exactly a &amp;amp;#42;subtle&amp;amp;#42; figure.&lt;br /&gt;
+monad&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Proficiency toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki is trapped in exam hell. She is not good at exams. So when she got an excuse to take a break at the Aerospace Museum, she took up Akari&#039;s offer.&lt;br /&gt;
&lt;br /&gt;
She&#039;d personally hoped that it could fly, though she wasn&#039;t sure how they&#039;d test it. She&#039;s unarmed, of course - no point in bringing a baseball bat - when the explosion goes off. As the smoke blasts out, she coughs for a moment, adrenaline flaring to make her think fast. &amp;quot;Ixquic-senpai, wait up!&amp;quot; she says on sight of Akari&#039;s transformation, charging after her into the stairwell.&lt;br /&gt;
&lt;br /&gt;
There&#039;s a mop in a bucket net to the stairwell, which she moves to steal. She can hear Umie as she does so... why does that feel so... familiar?&lt;br /&gt;
&lt;br /&gt;
Shaking her head, she pointed the mop out towards Umie. &amp;quot;Come on! We&#039;re running out of time!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Proceeding after Ixquic, her Transmutation begins to forge onto her, sliding in like ink on a canvas and weaving like threads being crafted together.&lt;br /&gt;
&lt;br /&gt;
It is harder to hold a mop in a winged pauldron, though, so she DOES slide it to the other arm. Just to be safe.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward The Other Side! Smarts and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The Zeppelin&#039;s just a replica. Some rumors do exist about it how it&#039;s not &#039;&#039;actually&#039;&#039; a replica, but it most certainly isn&#039;t. That&#039;s why they&#039;re there, to investigate the rumor and discourage its spread!&lt;br /&gt;
&lt;br /&gt;
    ... right?&lt;br /&gt;
&lt;br /&gt;
    As she ponders their exact reason for being there, Tamaki furrows her brow and idly stares at the small plane hanging on the roof above. Some part of her maintains with stubborn conviction that this rumor shouldn&#039;t be reified into a capital-R Rumor, but what she can&#039;t piece together is precisely &#039;&#039;why&#039;&#039;. Every time her mind tries to determine any potential reason for that to be the case, she just draws a blank.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s phone buzzes and snaps her out of her reverie. Seeing Umie&#039;s texts, she fires back a reply:&lt;br /&gt;
&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; ... what was your plan going to be if you &amp;amp;#42;could&amp;amp;#42; fly it&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; and sure, i&#039;m already there&lt;br /&gt;
&lt;br /&gt;
    Tamaki snaps her phone shut and looks around for Umie&#039;s approach. Soon enough, Umie arrives -- just as the two women notice another familiar face. Tamaki blinks several times and peers more closely at Jun, intoning nearly in-tandem with Umie, &amp;quot;Kashihara-kun?&amp;quot; The exact nature of Tamaki&#039;s apparent selective amnesia starts to become more clear to her. The sense of impending dread already has her in high alert, just before --&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;BOOM&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    If she had any doubt before, the words Umie recites basically confirm it. &#039;&#039;Think about something else, anything else -- or at least keep it contained to muscle memory and not conscious thought.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    As if by driven by pure instinct, Tamaki rushes up the stairs. Spotting the other two, Tamaki waves to them. &amp;quot;Nakao-san! Ixquic-san!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Along the way, she rummages through her bag and glances to Umie. &amp;quot; -- I might have a mask for you here, if you want, provided I can &#039;&#039;find&#039;&#039; the damn thing -- &amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Piece Together toward The Other Side! Automap!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== The Other Side - Round 1 ==============================================- &lt;br /&gt;
   Tamaki Uchida        Academics                              Success           &lt;br /&gt;
   Piece Together       Automap                        Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Proficiency                            Success           &lt;br /&gt;
   Proficiency          Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Educational-2, and Terrifying-2                 &lt;br /&gt;
   Final Conditions: Educational-1 and Terrifying-1                              &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 1/6 |=    |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; i didn&#039;t think that far&lt;br /&gt;
&lt;br /&gt;
    Which is likely why Umie is currently maskless, her purse far too small and her ability to predict trouble far too late.&lt;br /&gt;
&lt;br /&gt;
    The &#039;prophecy&#039;, late as it may seem, is at least over, for now, as Umie straightens, wiping sweat off her brow. &amp;quot;Ixquic-san. Nakao-san. You heard that asshole, right?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Up up up they need to go. &amp;quot;I can&#039;t believe our lives are going to depend on that rumor...&amp;quot; She looks towards Tamaki, now here, as she offers a mask. &amp;quot;That part&#039;s not as import...ant...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    _don&#039;t let it see you_&lt;br /&gt;
&lt;br /&gt;
    A partially covered hand is wordlessly held out to Tamaki, Umie&#039;s eyes looking anywhere but anyone&#039;s faces.&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t even pretend to hide when she puts it on, even; to everyone, it&#039;s plainly Umie, hair buns and all, _just with a half-mask_. &amp;quot;No way this can&#039;t get any worse, right?&amp;quot; she says, flatly, before she follows.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 2: Worst Field Trip Ever - Challenge Level 2 ====================- &lt;br /&gt;
  | Approach Options: Proficiency or Guts                                      | &lt;br /&gt;
  | Conditions: Clumsy - Proficiency Down L1, Educational - Academics Up L1,   | &lt;br /&gt;
  | Scary - Guts Down L1, and Terrifying - Guts Down L2                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The second floor of the Aerospace museum is already filling with smoke, as   &lt;br /&gt;
   flames from the first floor have already caught hold here, licking along      &lt;br /&gt;
   several particularly flammable spaces. Exhibits about the history of          &lt;br /&gt;
   aviation in Japan and in general are lined up with artifacts of prior         &lt;br /&gt;
   generations.                                                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Fifteen. Fifteen minutes. That&#039;s how long you have to find the kids and get   &lt;br /&gt;
   to the roof. You&#039;re not sure why you get that instinct.                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You&#039;ve gotta find those kids! Quick!                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Unfortunately there are demons coming down the hallway already. Horse-headed  &lt;br /&gt;
   creatures that stand on two-feet. With a whinny of rage, they come at you,    &lt;br /&gt;
   spreading more flames with Maragi spells.                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   And that&#039;s just the first group of them.                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You have to search this floor quickly AND thoroughly, fighting demons as you  &lt;br /&gt;
   go, paths that were open before closing off in flame.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +pot/last Hazuki&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I can&#039;t wait up! Heroes don&#039;t wait around! Also everything is on fire!&amp;quot; Despite her words, Ixquic does slow down just a little so that she doesn&#039;t outpace Hazuki too far.&lt;br /&gt;
&lt;br /&gt;
Ixquic is honestly glad to see Umie. Along with Hazuki, that makes three of them - four, with Umie&#039;s friend, who is vaguely familiar. Even if they haven&#039;t properly been introduced, it&#039;s not like they haven&#039;t yelled names (or, well, at least Ixquic certainly has) and they&#039;ve fought on the same side before.&lt;br /&gt;
&lt;br /&gt;
Good enough.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I heard him,&amp;quot; Ixquic agrees, &amp;quot;but I don&#039;t know why! Who&#039;d want to do something like that?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
you would&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s sense of unease increases. She feels the need to move, to get out of the fire - or at least the smoke, it&#039;s not all burning up here yet but it won&#039;t be long. But she&#039;s a hero! She can&#039;t abandon kids. Are they even younger than she is? Whatever - she won&#039;t.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;C&#039;mon!&amp;quot; she says, practically vibrating with energy as she hops from foot to foot, waiting for the others. That lasts about three seconds before a demon runs around the corner, a horse-headed, fireball-throwing demon.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You look!&amp;quot; she suggests. &amp;quot;I&#039;ll hold them off! Whoop-ass time!&amp;quot; Ixquic brandishes her enormous gold sword and swings it at one of the demons, too far away to hit but enough to get their attention. &amp;quot;Halt, demons!!&amp;quot; Ixquic points, dramatically. &amp;quot;Today you go no further!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Well, that&#039;s helping. But she can&#039;t stay there forever. She has to keep moving too or she&#039;s going to burn with everything else!&lt;br /&gt;
+act High Energy&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with High Energy toward Worst Field Trip Ever! Patra and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki makes it to the second floor, nodding to Umie and Tamaki. &amp;quot;Uchida-san, Akabane-san... we need to hurry. We have...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A pause.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...fifteen minutes,&amp;quot; she says, unsure why she said that, but it feels right. Uncomfortably right.&lt;br /&gt;
&lt;br /&gt;
As the flaming demons attack, however, Hazuki&#039;s moving. She takes her mop and moves to smash it into a demon. The mop will probably break...&lt;br /&gt;
&lt;br /&gt;
But it&#039;s a distraction to let Ixquic get the killing blow! &amp;quot;Ixquic-senpai! You&#039;ll have to do the melee, I&#039;ll focus on magic!&amp;quot; They&#039;re a team, after all, and this is definitely a team-worthy activity.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Guts toward Worst Field Trip Ever! Base!&lt;br /&gt;
 +OOC brb in 5, sorry, rl&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki replies to Umie, &amp;quot;Don&#039;t jinx it.&amp;quot; As Hazuki calls her by name, it takes Tamaki some restraint to not smack her own forehead.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Heaven calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Fifteen minutes. That&#039;s how much time they&#039;ve got. Tamaki &#039;&#039;shouldn&#039;t&#039;&#039; know that -- not to that degree of precision. All the same, she can put a number to it.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;The earth calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Clearly it&#039;s because she&#039;s been in other hectic situations before, right? Clearly, she&#039;s intuited an estimate from her time in both high schools and the last few months. There have been a number of arson attacks by the Joker Killer, so she&#039;s pulling from some detective sense brain blast ...&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;... what was the next part?&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Or so she tries to rationalize in the brief few moments before Hazuki&#039;s mention of &#039;&#039;that exact same estimate&#039;&#039; throws her for a loop. Those rationalizations of hers -- that&#039;s just not how things work, plain and simple. She stammers out, &amp;quot;Er -- right! Every second counts!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There are kids in trouble to rescue. There&#039;s no time to wait. Like Ixquic says, everything is on fire.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s seen her around and they&#039;ve fought on the same side. Good enough for now, introductions can wait. &amp;quot;Heroes don&#039;t wait around, like you say!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    While the others are focused on fighting, she&#039;ll turn her attention to searching. Every so often, Arianrhod &#039;&#039;does&#039;&#039; pop into existence to hinder the demons to soften them up for the others with more decisive blows.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Worst Field Trip Ever! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Fifteen minutes, huh,&amp;quot; Umie says, looking at Hazuki, then nods. She doesn&#039;t question that logic.&lt;br /&gt;
&lt;br /&gt;
    She has no weapons, but Badb will be enough. &amp;quot;I doubt any kid&#039;d come when I call,&amp;quot; Umie says, stifling a cough. The jacket worked far better against the chill of early autumn than it does here, stapled to her with body sweat. While she unzips it, she doesn&#039;t take it off completely, nor roll up her sleeves.&lt;br /&gt;
&lt;br /&gt;
    Yet, with Hazuki and Akari stepping up to work on the demons, Umie is forced to concede, slipping around.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hey, anyone in here?&amp;quot; she shouts, moving from room to room, working with Tamaki to made sure every room is looked over at least twice. &amp;quot;We&#039;re going to get you guys out of here. It may seem scary, but there&#039;s two superheroes right out here, holding the bad guys away.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Maybe by &#039;kids&#039;, Sudou meant &amp;amp;#42;older&amp;amp;#42; kids, but it&#039;s worth a shot, right?    &lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Can you do this? toward Worst Field Trip Ever! Specialty!&lt;br /&gt;
 +act/complete&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Worst Field Trip Ever - Round 2 =======================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Proficiency                            Success           &lt;br /&gt;
   Can you do this?     Specialty                      Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   High Energy          Patra and Efficient            Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Clumsy-2, Educational-1, Scary-2, and Terrifying-1       &lt;br /&gt;
   Final Conditions: Scary-1                                                     &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 2/6 |==   |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +OOC Yaay&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fighting off the demons isn&#039;t going to find the kids, but it&#039;s vital if you want to stay alive, and keep them alive. Ixquic and Hazuki focus on that to start, and they&#039;re getting used to working as a team; Ixquic is a lot faster than anyone who uses a sword that big seems likely to be, and she keeps tying demons down in melee while Hazuki focuses on her magic.&lt;br /&gt;
&lt;br /&gt;
That lets the others focus on looking. And while there aren&#039;t &amp;amp;#42;all&amp;amp;#42; the kids on this floor, there&#039;s at least a couple. &lt;br /&gt;
&lt;br /&gt;
...Unfortunately, they &amp;amp;#42;are&amp;amp;#42; elementary students, which means that Sudou definitely meant younger kids. The pair that Umie finds and the singleton Tamaki does are eager to escape, especially given - &amp;quot;Superheroes!&amp;quot; That brightens them up, even if it&#039;s a very scary situation...&lt;br /&gt;
&lt;br /&gt;
But that&#039;s not the whole class by any means. Where ARE they? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;They must be further up,&amp;quot; is Ixquic&#039;s guess. &amp;quot;I mean, this floor doesn&#039;t have the coolest exhibits on it...&amp;quot; She gives Hazuki a high-five, though, when the first wave of demons falls, and the others a big thumbs up.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 3: Grab Your Asses! - Challenge Level 2 =========================- &lt;br /&gt;
  | Approach Options: Charm or Understanding                                   | &lt;br /&gt;
  | Conditions: Scary - Guts Down L1, Smooth - Charm Up L1, and Soft -         | &lt;br /&gt;
  | Understanding Up L1                                                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    Entering an exhibit on the events leading up to Westernisation and the       &lt;br /&gt;
   birth of Aviation in Japan after the Meiji Restoration, you find about a      &lt;br /&gt;
   dozen elementary schoolers huddled close to the floor, due to the smoke       &lt;br /&gt;
   already spilling into the room, even before it was opened.                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Are you firefighters?&amp;quot;                                                       &lt;br /&gt;
   &amp;quot;Please get us out of here!&amp;quot;                                                  &lt;br /&gt;
   &amp;quot;I&#039;m scared...&amp;quot;                                                               &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some kids are outright crying on the floor, shaking, in little state to even  &lt;br /&gt;
   move, much less to follow your directions in demon infested burning           &lt;br /&gt;
   hallways.                                                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Now is the time to change that. What do you say to them!?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki returns the high-five, unaware she broke Umie&#039;s PERFECT COVER. Instead, as they take out the first wave of demons, the group can proceed to an exhibition on the birth of Aviation in Japan.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Are you firefighters?&amp;quot;&lt;br /&gt;
&amp;quot;Please get us out of here!&amp;quot;&lt;br /&gt;
&amp;quot;I&#039;m scared...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
They&#039;re definitely elementary students. A dozen of them, huddled by the floor, as smoke spilled in. There&#039;s crying and shaking kids, unable to even listen or follow directions. They&#039;re scared. Terrified.&lt;br /&gt;
&lt;br /&gt;
It breaks Hazuki&#039;s heart. She has to do something. Maybe, in that outfit, she can.&lt;br /&gt;
&lt;br /&gt;
Stepping a foot onto an exhibit, Hazuki throws her voice, a far cry from the gloomy girl she usually is. &amp;quot;Students! I, the Hero of Light, have come to vanquish the flames and the evil alike! The demons will no longer harm you! Their king will not lay a hand on you! You will survive the night and return to your families, if you can listen to us! Please, follow along!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s inspiring. It&#039;d be even more inspiring if it wasn&#039;t cribbed from an old Drake Adventure.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Gamer Talk toward Grab Your Asses!! Specialty!&lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Just one kid alone? &amp;quot;Hey, which way&#039;s your buddy, do you know?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Two heroes? Overhearing this, Tamaki points at Umie&#039;s borrowed half-mask and grins confidently. &amp;quot;Three, by my count!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her thoughts were already going in that direction, but after hearing Hazuki&#039;s boasts, Tamaki mimes yelling into a microphone and despite the chaos of the moment, she puts on a brave face for the children and gleefully announces,&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;(Right, right right right, that was the line.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Heaven calls! Earth calls! The people call! Thaaaaat&#039;s right, your heroes are here to save the day!&amp;quot; With her hand splayed out in Hazuki&#039;s direction, she proclaims, &amp;quot;The Hero of Light!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She claps for a few moments and then holds out the faux-microphone in Umie&#039;s direction. She &#039;&#039;did&#039;&#039; say she counted three. &amp;quot;But! What is light without its counterpart? Also presenting, the Hero of Dark! Care to demonstrate for the crowd here?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    she&#039;s a little sorry for putting Umie on the spot here but look she&#039;s trying to play hype girl to get these kids to move up and out to safety&lt;br /&gt;
&lt;br /&gt;
    Last but not least, she gestures to Ixquic. &amp;quot;Aaaaaand last but not least, well -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    okay she didn&#039;t think this one all the way through&lt;br /&gt;
&lt;br /&gt;
    &amp;quot; -- Ixquic! Any inspiring words for the audience?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward Grab Your Asses!! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic actually falls behind this time.&lt;br /&gt;
&lt;br /&gt;
She&#039;s slowed as the group passes a sign pointing to a display up a little further: a Zero. She can&#039;t see the display from here, quite, but - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If she stays there any longer, she&#039;ll die!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
- she can&#039;t stop looking at the sign, like something about it had caught her attention. And it&#039;s the way they&#039;re going.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s heart tightens with... panic? It&#039;s for the kids, she tells herself. She has to get the kids out of here. It&#039;s only the children that&#039;s making her feel like this.&lt;br /&gt;
&lt;br /&gt;
She picks up the pace, &amp;amp;#42;running&amp;amp;#42; to catch up, and so she doesn&#039;t just arrive in the room with the trapped children: she bursts in, cloak flapping from the speed of her movement and her suddenly slamming through the door. She&#039;s a little out of breath. (It&#039;s the smoke. Probably.)&lt;br /&gt;
&lt;br /&gt;
And then Tamaki takes &amp;amp;#42;that instant&amp;amp;#42; to gesture at her.&lt;br /&gt;
&lt;br /&gt;
Ixquic draws herself up to her full height. Be Ixquic, she tells herself. Ixquic wouldn&#039;t be scared. Ixquic is brave, even if Akari isn&#039;t. Just be her, and not you - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I am the magical warrior Ixquic, reincarnated from the depths of perpetuity - &amp;quot; She&#039;s finally learned that word! Good for her! &amp;quot; - and I&#039;m here to save you all!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
just like she did for you&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come on! We&#039;ll get you out. It&#039;ll be safer on the roof!&amp;quot; Ixquic is suddenly sure about that. It&#039;s where she&#039;d run to, if she was trapped... isn&#039;t it? &amp;quot;You&#039;ll be safe as long as you&#039;re with us heroes!&amp;quot;&lt;br /&gt;
+attacks&lt;br /&gt;
&lt;br /&gt;
(|=== Arcana +stats: Akari Hoshi, Persona Legendary Magical Warrior Ixquic ===|)&lt;br /&gt;
| []Dual Slice                         Wk Phys SLS PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Huge Swing                         Wk Phys SLS PL 2           ----- +2L    |&lt;br /&gt;
|    Weapon, Critical1, and Heavy                                              |&lt;br /&gt;
| ==Holy Sword                         Wk Phys LGH PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Heavy Impact                       Wk Phys SLS PL 1           ----- +2L    |&lt;br /&gt;
|    Boost, Weapon, Critical2, Heavy, and Paralyze                             |&lt;br /&gt;
| ==Assault Charge                     Wk Phys STR PL 2 (2xHit)   12 HP +2L    |&lt;br /&gt;
|    Blast                                                                     |&lt;br /&gt;
| ==Crashbrand                         Wk Phys ELC PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Spin Slash                         Wk Phys SLS PL 1 (3xHit)   17 HP +2L    |&lt;br /&gt;
|    Area                                                                      |&lt;br /&gt;
| ==Wild Slash                         Wk Phys SLS PL 2           12 HP +2L    |&lt;br /&gt;
|    Wild                                                                      |&lt;br /&gt;
| ==Rikaja                             Wk Magi REC PL 0           10 SP +2L    |&lt;br /&gt;
|    Renew                                                                     |&lt;br /&gt;
| ==Absolutely Fatal End               St Phys SLS PL 4           22 HP  0L    |&lt;br /&gt;
|    Signature, Critical3, and Masochism                                       |&lt;br /&gt;
| ==Hyper Slash                        St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    All_Out3 and Critical3                                                    |&lt;br /&gt;
| ==Giantslayer Lance                  St Phys PRC PL 4           25 HP  0L    |&lt;br /&gt;
|    Signature, All_Out2, Anti_Block, and Critical1                            |&lt;br /&gt;
| ==Mind Slice                         St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    Panic and Area                                                            |&lt;br /&gt;
| ==Heroic Dream                       St Magi REC PL 0           32 SP +1L    |&lt;br /&gt;
|    Crt_Up, Atk_Up, and Area                                                  |&lt;br /&gt;
| ==Fated Duel                         St Magi SLS PL 0           20 SP +1L    |&lt;br /&gt;
|    Slash_Break, Panic, and Rage                                              |&lt;br /&gt;
| ==Rocinante                          Fi Phys SLS PL 6           35 HP  1L    |&lt;br /&gt;
|    Tandem, Critical1, Heavy, and Theurgy                                     |&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Everybody&#039;s Hero toward Grab Your Asses!! Friendliness and Focus!&lt;br /&gt;
 WHO&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    It&#039;s okay, Hazuki, Umie breaks Umie&#039;s PERFECT COVER.&lt;br /&gt;
&lt;br /&gt;
    Hazuki makes her appeal to the audience, posing impressively as a Hero of Light, followed by Tamaki, who poses as--&lt;br /&gt;
&lt;br /&gt;
    ... an announcer. Because she&#039;s announcing Umie as the &#039;Hero of Dark&#039;.&lt;br /&gt;
&lt;br /&gt;
    The others of their happy little heroic group will certainly see Umie&#039;s eyes widen from behind the mask Tamaki lent Umie, which so happens to be the one Tamaki wore to the sanitarium.&lt;br /&gt;
&lt;br /&gt;
    damn it, Tamaki, why do you do this to her&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Right. I&#039;m...&amp;quot; ... It&#039;s been all about scaring or charming demons; nothing about that could really work here, with scared children. Think, Umie. Think. Hero of Dark. Hero of Dar-- oh no, she couldn&#039;t pull &amp;amp;#42;that&amp;amp;#42; off &lt;br /&gt;
&lt;br /&gt;
    HA HA TOO LATE SHE&#039;S TRYING IT LIVE screw it&lt;br /&gt;
&lt;br /&gt;
    Borrowing from her stint as the boy butler, she bows, placing a hand to her waist, the other held out. &amp;quot;That&#039;s right, I&#039;m the Hero of Dark!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Lips open in a sauve, reckless grin (level it out, Umie, don&#039;t do what you normally do) as she poses, placing a hand to her mask, as she proclaims, before gesturing her hands out: &amp;quot;And I&#039;m here to steal the Old Maid&#039;s show!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An awkward pause.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Did you forget your costume, miss?&amp;quot; asks a confused child.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s angled grin twitches. &amp;quot;.... Aha... A true hero of Dark blends right in.&amp;quot; RIGHT.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward Grab Your Asses!! Focus and Find!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Grab Your Asses! - Round 3 ============================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Charm                                  Success           &lt;br /&gt;
   Everybody&#039;s Hero     Friendliness and Focus         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Charm                                  Success           &lt;br /&gt;
   Gamer Talk           Specialty                      Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Scary-1, Smooth-2, and Soft-2                            &lt;br /&gt;
   Final Conditions: Smooth-1 and Soft-1                                         &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 3/6 |===  |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;As the HERO OF LIGHT, HERO OF DARK, IXQUIC, and SOME ANNOUNCER LADY declare their heroism to the children, they actually do buy it. The heroic displays, costumes, and whatever the hell Tamaki and Umie are doing get the children to wipe their tears and start to rise, and soon, they have a tiny army of children following them up.&lt;br /&gt;
&lt;br /&gt;
Hazuki does, however, whisper to her team as she passes by. &amp;quot;Wait. Old Maid? ...isn&#039;t that that serial killer...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sumaru is absolutely not Hazuki&#039;s space.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 4: SCREAM for Ice Cream - Challenge Level 2 =====================- &lt;br /&gt;
  | Approach Options: Charm or Academics                                       | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Fairy - Subtract 1   | &lt;br /&gt;
  | Fatigue on success., Smooth - Charm Up L1, and Soft - Understanding Up L1  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    It&#039;s only getting worse as more devices are going off, the hallways are      &lt;br /&gt;
   choked with smoke, and the kids are coughing the whole way.                   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But! Sanctuary! Glorious sanctuary! You see the outline of a doorway which    &lt;br /&gt;
   leads to a certain money-grubbing fairy&#039;s shrine.                             &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Entering the spring is an instant relief. The kids breathe easier. You&#039;ll     &lt;br /&gt;
   have to move before long, but any reprieve is welcome.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Hey rugrats! Nothing in life is free, and that includes fresh air!&amp;quot; Trish    &lt;br /&gt;
   crosses her arms, tapping a riding crop, &amp;quot;Since you&#039;re exceeding maximum      &lt;br /&gt;
   occupancy, I&#039;ll have you know that I&#039;m charging by the minute. I&#039;d put it on  &lt;br /&gt;
   your tab but... ha! You don&#039;t have one. Tabs are for deadbeats and losers.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Then, with a grin, the fairy suddenly goes to stand behind a new fixture in   &lt;br /&gt;
   her fountain, covered by a bright red cloth, which she pulls off with a       &lt;br /&gt;
   sudden flourish, to reveal an ICE CREAM COUNTER and brandishes a scoop.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Also I&#039;d like to introduce you all to the latest addition to my business,    &lt;br /&gt;
   the Trish Refreshment Stand. Who wants Ice Cream? Only 5000 yen per scoop.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Me!&amp;quot;                                                                         &lt;br /&gt;
   &amp;quot;Please! My throat feels like it&#039;s on fire!&amp;quot;                                  &lt;br /&gt;
   &amp;quot;Is she a real fairy!?&amp;quot; &amp;quot;Nah, it&#039;s gotta be a costume.&amp;quot;                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;That&#039;s right kiddos.&amp;quot; She winks at them, before looking at all of you.       &lt;br /&gt;
   &amp;quot;Just a costume.&amp;quot; She makes a gesture of two fingers rubbing against each     &lt;br /&gt;
   other at you. You start to realize, you&#039;ve been CONNED! She&#039;s definitely      &lt;br /&gt;
   price-gouging in the middle of the raging inferno, tugging on your heart      &lt;br /&gt;
   strings and using the kids as props.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Are you really gonna let these kids go without ice cream?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Maybe you can convince her to be reasonable. That&#039;s one big maybe.            &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Ohhh, that&#039;s her deal, then. &amp;quot;Ixquic, the undying star! Follow her example, and don&#039;t stay down when you get discouraged -- get right back up!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Tamaki at least tries to further sell the direction Umie takes things in. &amp;quot;That&#039;s right, she&#039;s incognito! She could be anyone! Anywhere! She could strike at any time! Evildoers bewaaare!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Lead the way, Hero of Light!&amp;quot; She gestures for Hazuki and more quietly adds, &amp;quot; -- and thanks for the idea. I think it lifted their spirits.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The roof is a fair distance away, still. The crowd proceeds, but it&#039;s not without its obstacles. The rising smoke makes it difficult to breathe.&lt;br /&gt;
&lt;br /&gt;
    There&#039;s some hope, though -- a brief respite, a place to surface for air. A sanctuary --&lt;br /&gt;
&lt;br /&gt;
    -- with a goddamned money-grubbing fairy in it. Tamaki&#039;s &#039;&#039;heard&#039;&#039; of her, but only via her St. Hermelin classmates.&lt;br /&gt;
&lt;br /&gt;
    Tamaki lets her elbow rest on the counter and she gives Trish a bright grin. &amp;quot;Ahhh, c&#039;monnnn, think of the long tail. You&#039;re gonna gouge first-time customers? That&#039;ll kill repeat business, you know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Something in her smile strains. It&#039;s then that she makes the decision to try and lightly hold that riding crop in place. &#039;&#039;Stop that.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward SCREAM for Ice Cream! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The undying star! That&#039;s a new title for Ixquic... but she thinks she likes it. Under her helmet, Ixquic beams.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Hero of Darkness doesn&#039;t need a mask,&amp;quot; she says, &amp;quot;because the shadows itself are her mask! Evildoers will never see her coming! ...but you&#039;re not evil, so you can see her fine,&amp;quot; Ixquic adds. &amp;quot;And it&#039;s good to have something for the smoke...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She does not like the smoke.&lt;br /&gt;
&lt;br /&gt;
The crowd proceeds. Ixquic goes ahead at one point, then behind at another to make sure demons aren&#039;t about to ambush the party. So she is not with the group when they walk into Trish&#039;s fairy fountain/ice cream shop...&lt;br /&gt;
&lt;br /&gt;
...actually, where &amp;amp;#42;is&amp;amp;#42; Ixquic?&lt;br /&gt;
&lt;br /&gt;
She&#039;s fallen behind again because, as the group goes up, she walked past one of the open hallways. From here you can see all the way down to the first floor, which is on fire, and up, to the higher floors.&lt;br /&gt;
&lt;br /&gt;
Hanging there is a plane. A Zero, the same one she saw the sign for before. (It&#039;s a model, not that she realizes it.) Ixquic can&#039;t look away from it. She&#039;s frozen, despite everything.&lt;br /&gt;
&lt;br /&gt;
&#039;Hey, lady! Please help me...!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic both can&#039;t bring herself to look at it for very long but has trouble looking away. She grips the railing, leaning far out so she can see up to it; she can feel the heat on her shoulders, on her arms, as she looks at the Zero.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s grip tightens to the point her knuckles whiten. She holds it for about two seconds - and then she flees, running. Why does it feel this way to her? Why is she panicking about crashing it? She&#039;s never been in a plane in her life! &lt;br /&gt;
&lt;br /&gt;
She runs - and, like the others, sees freedom.&lt;br /&gt;
&lt;br /&gt;
Freedom is barging into an ice cream fountain (not literally) late, and shaking. She&#039;s not going to be any use with convincing Trish to NOT gouge, come on.&lt;br /&gt;
&lt;br /&gt;
Well, except for one bit: &amp;quot;It&#039;s definitely costume day around here...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Academics toward SCREAM for Ice Cream! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Well, it worked as a template. And hey, no wonder Joker sometimes looks like he&#039;s having fun when he&#039;s playing the part! She&#039;d just like to make sure he never finds out, ha ha ha&lt;br /&gt;
&lt;br /&gt;
    Umie just continues along like nothing ever happened because NONE OF WHAT JUST HAPPENED ACTUALLY HAPPENED ahem&lt;br /&gt;
&lt;br /&gt;
    .....&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Yeah. That&#039;s who set this fire,&amp;quot; Umie says quietly to Hazuki. &amp;quot;Though that&#039;s just what the police call him. He&#039;s better known as the Joker Killer. That letter that Kashihara-kun had... the Old Maid&#039;s been relentlessly harassing him.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    They continue on, and... Umie frowns, coughing into her hand. &amp;quot;Give me a second...&amp;quot; Eyes watering, she closes them as she summons the Badb in a brief flare of blue light. &amp;quot;.... Left.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The doorway may have been visible before Umie had used Badb, but now, it&#039;s confirmed, at the very least.&lt;br /&gt;
&lt;br /&gt;
    Crowding in, Umie breathes in the blessed, blessed cool air of Trish&#039;s fountain dimension, before looking up at...&lt;br /&gt;
    .... an.... ice cream display...        &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... how low can you get, Trish-san,&amp;quot; Umie winces.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Shortstuff!!&amp;quot; exclaims Trish. &amp;quot;Well, you don&#039;t want these kids to have to endure your torment, do you? All those nights, trying to wrestle up loose change for me. But you were such a &amp;amp;#42;cutey patoety&amp;amp;#42; back then~~&amp;amp;lt;3&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s lips seal into a grim little fake smile as she begins digging around her jacket. &amp;quot;Eheheh... let&#039;s not bring up the past in front of people~~&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Wait a minute. Umie looks back over her shoulder. &amp;quot;... Hey, did Ixquic-san follow us in, or did she slip back out?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s about the moment Ixquic barges in, shaking. &amp;quot;Hey, are you okay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hold on, I&#039;m prepared.&amp;quot; Digging out a coin purse, she opens a little pocket inside the flap and, carefully, she draws out a diamond, one of many that were embedded in her from that fight in Eiji Kamiya&#039;s Palace.&lt;br /&gt;
&lt;br /&gt;
    Oh boy, this is going to make Trish raise her prices whenever she sees her in the group from now on, isn&#039;t it&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki leads the way, and they make it to...&lt;br /&gt;
&lt;br /&gt;
THE ICE CREAM STAND???&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What?&amp;quot; Hazuki says, stone-faced, as the kids run up to get ice cream from a con artist fairy that Hazuki has never heard of. She scratches the back of her head. And then, as the others try to negotiate, Ixquic is-&lt;br /&gt;
&lt;br /&gt;
Nowhere to be found. Hazuki&#039;s actually about to double back to find her, when she shows up.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic-senpai, are you okay...?&amp;quot; she asks, before turning to Trish. &amp;quot;Hey! Where&#039;s our group discount for being such a large group?!&amp;quot; wait what&lt;br /&gt;
&lt;br /&gt;
Hazuki&#039;s trying to fast talk the fast talker, and hopefully, it&#039;ll help contribute! But she&#039;s more worried about Akari right now.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward SCREAM for Ice Cream! Smarts and Efficient!&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward SCREAM for Ice Cream! Focus and Find!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== SCREAM for Ice Cream - Round 4 ========================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Fairy-0, Smooth-1, and Soft-1                   &lt;br /&gt;
   Final Conditions:                                                             &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 4/6 |==== |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki&#039;s attempt to strongarm Trish right back only serves to prolong matters. They glare at each other, caught in stubborn deadlock. &amp;quot;Why should I bend when I&#039;ve got you right where I want you?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t spring for Hazuki&#039;s idea, but it &#039;&#039;does&#039;&#039; wear her down even further. &amp;quot;Ehhhhh? Group discount? This isn&#039;t that kind of establishment! The price stands as -- as -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s when she sees the diamond. That, plus the fatigue from the negotiations so far short-circuit whatever exact price Trish had in mind, certain that this will be enough to cover it all once it&#039;s appraised. &amp;quot;Oh my goodness, thaaank you! You&#039;ve certainly upgraded from loose change!&amp;quot; Trish&#039;s avaricious smile looms, both now and in future deals.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It&#039;s a deal!&amp;quot; The kids raise their hands and cheer as they partake of some of the most expensive ice cream around.&lt;br /&gt;
&lt;br /&gt;
    Tamaki sighs in relief and deflates. &amp;quot;Yaaaaaay,&amp;quot; she flatly cheers. &amp;quot; -- and yeah, that&#039;s one of the names the police call him,&amp;quot; she confirms.&lt;br /&gt;
&lt;br /&gt;
    That said, she had been so focused on the kids that she didn&#039;t think to check on the newly-named Undying Star. &amp;quot; -- Ixquic-san?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The very much not-costumed apprentice detective steps over to her, uncertain as to what&#039;s going on. She missed something.&lt;br /&gt;
&lt;br /&gt;
    From Tamaki&#039;s perspective, the climb up hasn&#039;t been so rough, but ... she can&#039;t shake her sense of dread about what&#039;s at the top.&lt;br /&gt;
&lt;br /&gt;
    ... also from Tamaki&#039;s perspective, when she&#039;s shaken, she&#039;d want food. Maybe the offer will help out here. &amp;quot;... what, ah -- what flavor would you like?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Umie Akabane has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 5: Déjà View - Challenge Level 1 ================================- &lt;br /&gt;
  | Approach Options: Guts or Understanding                                    | &lt;br /&gt;
  | Conditions: Hard - Understanding Down L1 and Heartening - Guts Up L1       | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You rush into one of the hanging displays in the Aerospace Museum. A         &lt;br /&gt;
   life-sized model airplane hangs from the ceiling over an open floor plan. A   &lt;br /&gt;
   portion of the floor acts as a walkway that leads right up to it. There&#039;s no  &lt;br /&gt;
   reason to approach it, given that the place is actively on fire and you       &lt;br /&gt;
   still have a ways to go before you reach the roof.                            &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But... you could swear--some of you--that you hear a young girl screaming     &lt;br /&gt;
   for help from over where the model airplane is. No matter how much you look,  &lt;br /&gt;
   though, there&#039;s no one there. Eerie.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Not everyone will hear. Just those who might be getting reminded of a past    &lt;br /&gt;
   that never was, if they were a part of it. Those who wouldn&#039;t are simply met  &lt;br /&gt;
   with another empty room.                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Whether you hear or not, do you move on, or do you double down? Tick tock...  &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    That has to be about the most expensive scoop of strawberry ice cream ever.&lt;br /&gt;
&lt;br /&gt;
    With the kids all getting their own ice cream and cooled down, Umie has to hope that Trish&#039;s space has those time refractive properties she&#039;s long suspected. (... not that she&#039;s ever been able to &amp;amp;#42;test&amp;amp;#42; them.)&lt;br /&gt;
&lt;br /&gt;
    After all, she doesn&#039;t want to test whether Hazuki&#039;s &#039;prophecy&#039; of fifteen minutes is true.&lt;br /&gt;
&lt;br /&gt;
    Getting their motley group of kids situated and filing out, Umie summons the ghastly smiling form of Badb once more, trusting that the kids will be none the wiser, outside of a confused glance upward or two. &amp;quot;This way, I think. Should be an airplane model to our right. Just keep on the walkway, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Someone is screaming from the airplane; at least, it &amp;amp;#42;sounds&amp;amp;#42; like it, though the fire&#039;s noise may be distorting the noise. Whether it&#039;s real or not, all the more reason to check, right?&lt;br /&gt;
&lt;br /&gt;
    .... Right, Umie Akabane?&lt;br /&gt;
&lt;br /&gt;
    Umie, strangely, keeps walking on, as if she hears nothing concerning, up until one of the kids speaks up.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Miss Dark Hero... I think someone&#039;s there...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie blinks, then looks towards the plane. &amp;quot;I... didn&#039;t hear anything, I don&#039;t think.&amp;quot; She looks to the others. &amp;quot;No resonance, either, but there&#039;s plenty of us that can hide theirs. And if a kid&#039;s in there...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Understanding toward Déjà View! Base!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I&#039;m &amp;amp;#42;fine&amp;amp;#42;,&amp;quot; Ixquic repeats.&lt;br /&gt;
&lt;br /&gt;
She&#039;s so not fine she doesn&#039;t even comment on the world&#039;s priciest ice cream. Or get any for herself, even when Tamaki asks her; it&#039;s like she doesn&#039;t realize it&#039;s for her. SHE doesn&#039;t have any diamonds in her pockets, after all, and somehow she doesn&#039;t think Trish will react the same way to a gift of clownskin.&lt;br /&gt;
&lt;br /&gt;
Ixquic still has not found anyone who will take that stuff off her hands. It&#039;s just going to live in her pocket until the end of time at this rate.&lt;br /&gt;
&lt;br /&gt;
She sticks with the group this time, though, so she&#039;s behaving-fine even if she&#039;s not feeling-fine.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, the airplane model is this way,&amp;quot; she agrees with Umie. &amp;quot;That&#039;s what I went to look at, because...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...because I did.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But this time, there&#039;s a voice.&lt;br /&gt;
&lt;br /&gt;
Ixquic does not actually recognize the voice, the first time it calls. You don&#039;t ordinarily hear &amp;amp;#42;your own&amp;amp;#42; voice from the outside, and if you do it frequently doesn&#039;t sound quite right to you. She knows she&#039;s heard it before, but she can&#039;t place it...&lt;br /&gt;
&lt;br /&gt;
&#039;Noooo! Help meeee!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic freezes up. Again. Ixquic may not always be the most dependable, sometimes; she&#039;s kind of erratic, a little detached from reality, prone to running off and doing her own thing. But it&#039;s almost unheard of for her to do nothing at all, and nothing at all is what she does this time.&lt;br /&gt;
&lt;br /&gt;
&#039;She&#039;s going to die if she stays in there much longer! What should we do?&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;No!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Akari claps her hands over her ears. This doesn&#039;t actually do anything - her helmet&#039;s in the way - but it&#039;s a reflex as she hunches down, trembling. Because back then, she couldn&#039;t do anything at all. She had to be rescued. &lt;br /&gt;
&lt;br /&gt;
She would have died. She should have died. It would have been &amp;amp;#42;easier&amp;amp;#42; for them to let her die and they didn&#039;t even though she tried to kill them and she never understood why - &lt;br /&gt;
&lt;br /&gt;
But when was that time? She can&#039;t remember. She can&#039;t remember... but... it&#039;s real. Like when she looked into that face. Like when she heard that &amp;amp;#42;other&amp;amp;#42; voice, the one that wasn&#039;t her. Like the first time she heard the Joker Killer speak.&lt;br /&gt;
&lt;br /&gt;
Ixquic is of no help at all. Her eyes are squeezed shut behind her mask. She can&#039;t even think straight. All she can think about is the flames and the fear and the time she failed to be a hero.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Guts toward Déjà View! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic says she&#039;s fine, and Hazuki doesn&#039;t think she is, but she just nods. But when they all reach the empty room with the airplane model, Hazuki pauses.&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t hear a thing, though something is unsettlign nonetheless.&lt;br /&gt;
&lt;br /&gt;
But &amp;amp;#42;Akari&amp;amp;#42; clearly does, and Hazuki&#039;s eyes widen. &amp;quot;Ixquic-senpai, we need to go...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But it&#039;s unlikely she&#039;ll get a response from that. And if Akari stays here, they&#039;re in trouble. They&#039;re running out of time. The fire&#039;s coming. Fifteen minutes...&lt;br /&gt;
&lt;br /&gt;
Hazuki steps to Ixquic&#039;s side, and tries to hug her. She doesn&#039;t pull her, simply squeezing her to try and give her some form of distraction and comfort. It&#039;s a bit of a boundary breach, but the alternative is worse.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic, please! Just a little longer... we&#039;re almost there! These kids need our help...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
If Akari seems like she&#039;ll do so, Hazuki will literally try to lead her by the hand, if she&#039;ll move it off her head. Just until she can get her bearings enough to fight.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Let The Mask Slip toward Déjà View! Bravery and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Given how much attention Tamaki pays to food blogs, she has reason to believe that at least at the original price point before diamonds got involved, it might &#039;&#039;not&#039;&#039; actually be the most expensive ... but the ones that &#039;&#039;do&#039;&#039; exceed the 5000 yen price tag cheat by including ingredients like gold flakes. They conflate monetary value for actual quality and -- look, she has very strong opinions on the topic.&lt;br /&gt;
&lt;br /&gt;
    Ixquic turns down the offer. Tamaki swallows a spoonful of sea salt caramel and remarks, &amp;quot;... yeah, I don&#039;t blame you.&amp;quot; Not that it&#039;s bad, but the precarious situation is doing a lot more of the heavy lifting than the taste is.&lt;br /&gt;
&lt;br /&gt;
    Even before they reach the roof, it turns out that Tamaki has plenty to dread, right here and now. She&#039;d break out into a cold sweat if she weren&#039;t already perspiring from being caught in a building&#039;s fire while wearing her usual business suit.&lt;br /&gt;
&lt;br /&gt;
    Tamaki cranes her neck to see where the source of a certain sound is coming from. Her voice hovers just on the edge of panic and comes out strained and breathless. &amp;quot;Hey. Hey, you hear that? Did we miss someone?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie &#039;&#039;doesn&#039;t&#039;&#039; hear it, which causes Tamaki&#039;s breathing to become more ragged and her eyes to dart around the room. &amp;quot; -- really? &#039;&#039;You&#039;&#039; can&#039;t sense it?&amp;quot; Between the two of them, Umie&#039;s perception is definitely better.&lt;br /&gt;
&lt;br /&gt;
    Even so, she still does her damnedest to thoroughly search for the voice. Nothing, nothing, and more nothing -- no one gets left behind. &amp;quot;I could have sworn -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &#039;No!&#039;&lt;br /&gt;
&lt;br /&gt;
    Tamaki jerks upright and turns in Ixquic&#039;s direction.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Oh.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    She walks over to the pair of students, stretches out a hand, and gently offers, &amp;quot;It&#039;s okay, it&#039;s okay. Everyone has their low points. I should know, speaking from experience.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There&#039;s a determination that shines through her eyes in her otherwise blank expression. It&#039;s always easier to be strong for someone else&#039;s sake instead of your own, isn&#039;t it? &amp;quot;Just don&#039;t let it keep you down for good. We believe in you. C&#039;mon, Ixquic-san. Show them what it means to be an Undying Star.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Déjà View! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Déjà View - Round 5 ===================================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Understanding                          Success           &lt;br /&gt;
   Understanding        Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Let The Mask Slip    Bravery and Patra              Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Hard-2 and Heartening-2                                  &lt;br /&gt;
   Final Conditions: Heartening-1                                                &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 6/6 |=====|  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 6: A Page from an Old Script - Challenge Level 1 ================- &lt;br /&gt;
  | Approach Options: None                                                     | &lt;br /&gt;
  | Conditions: Revelation - The best result.                                  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You burst out of the third floor&#039;s entrance, where the Zero hangs from the   &lt;br /&gt;
   ceiling; the entire ground floor is up in flames now.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some of you may get a sense you&#039;ve seen this before. A sudden fear that       &lt;br /&gt;
   someone might fall into the blaze. But when you search, no one is here.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As soon as you make it to the next floor, you feel it.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Sound effect: https://www.youtube.com/watch?v=RARotEaobh0                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The world shifts into a monochromatic hue, and nausea churns in your gut. A   &lt;br /&gt;
   familiar presence awaits you on the rooftop.                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You feel as if you&#039;re repeating the same actions. Reading from the same       &lt;br /&gt;
   script. That&#039;s impossible.                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You know he&#039;s there. Steeling your resolve, you head up to the roof.          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC Note: If you got this card, you&#039;ll start the next battle with the         &lt;br /&gt;
   Prophecy buff.                                                                &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Final Loot: 2 Items, 1 boxes of Money, and 1 Pieces of Gear!                  &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;... because I did.&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Eeh?&amp;quot; Umie peers over her shoulder back at Ixquic. &amp;quot;Earlier, you mean?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes meet Tamaki&#039;s; Umie&#039;s lips dip in a grimace. &amp;quot;No, but that narrows things down, doesn&#039;t it?&amp;quot; She holds up her index finger. &amp;quot;This is a delus--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Never would Umie expect Ixquic, normally indomitable, to be the one to &#039;crack&#039;, if that is, indeed, what all this is. &lt;br /&gt;
&lt;br /&gt;
    (This is a lock, and she needs to find her way around it.)&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;_Ixquic-san_.&amp;quot; Umie does her best to project her voice, raspy as it is, as Hazuki helps her up. &amp;quot;Just let it go. It&#039;s all part of the Old Maid&#039;s delusion.&amp;quot; Calling the Joker Killer has a nice side effect here, however: it&#039;s a far more innocuous title for the kids to hear than something with the word &#039;killer&#039; in it. &amp;quot;Listen to Nakao-san and Uchida-san. All this deja vu stuff is because of the Old Maid&#039;s machinations. He&#039;s using Sumaru City&#039;s tendency to turn rumors into reality to create one &amp;amp;#42;he&amp;amp;#42; thinks is reality.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But how can she be so sure of it, Umie thinks. She&#039;s not to the level of someone like Fuuka or Ririka. Is there something she&#039;s missing?&lt;br /&gt;
&lt;br /&gt;
    Ushering the students up the stairs to the next floor, that sense of deja vu feels stronger and stronger for some in the party...&lt;br /&gt;
&lt;br /&gt;
    .... but not Umie Akabane, who keeps looking back and telling people to keep on course. &amp;quot;We&#039;re close. C&#039;mon. It&#039;s...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But, when that wave of familiar nausea hits the blonde, she nearly tips down the stairs as she begins to crouch, holding her head.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... can&#039;t see me.... can&#039;t see me... not here. No one is here, there is no one...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There is a just blackbird here, nothing special. No, wait, that&#039;s Umie.&lt;br /&gt;
    But there is just a cardboard blackbird here. But no, that&#039;s Umie.&lt;br /&gt;
    There is Umie. There is just Umie.&lt;br /&gt;
&lt;br /&gt;
    That is enough.&lt;br /&gt;
&lt;br /&gt;
    &#039;Now, it&#039;s up to you all to succeed where I failed. None of you deserve to go it alone.&#039; In her mind&#039;s eye, she imagines the white crow.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;....&amp;quot; Umie holds her hand to her face, pressing Tamaki&#039;s mask close to her face as she straightens. &amp;quot;The Old Maid is here. Please... be ready.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fifteen minutes... Less now. They&#039;ve been in here a while, as it still burns. &lt;br /&gt;
&lt;br /&gt;
And Ixquic does not straighten, not at first. Only Tamaki of the others can hear the voice, but Akari can, more clearly than anyone. Of course she can.&lt;br /&gt;
&lt;br /&gt;
It&#039;s her.&lt;br /&gt;
&lt;br /&gt;
Hazuki hugs Ixquic, and she kind of just takes it for a moment, barely moving, before she lets out something - is she crying? Maybe a little. &lt;br /&gt;
&lt;br /&gt;
And Tamaki and Umie, too, try to raise her spirits. Tamaki especially. To be an undying star... she has to at least try, doesn&#039;t she? She&#039;s a hero. The kids need her. She &amp;amp;#42;will be&amp;amp;#42; a hero. No matter what. She reaches up to wipe at her face, fails because of the mask, and gives up on that.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m okay,&amp;quot; she says, stepping away from Hazuki. Not far; half a step at most. She&#039;s clearly not trying to escape her, just wants some space back. &amp;quot;I&#039;m sorry! I just thought - I felt...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari trails off. She felt like she was going to fall from the plane into the fire. Even though she&#039;s not &amp;amp;#42;on&amp;amp;#42; the plane, and even then, she didn&#039;t fall. Someone saved her. Someone... who? Who was it? She can barely remember the face, wavery and uncertain. She doesn&#039;t think she knows them, except she &amp;amp;#42;does&amp;amp;#42; know them at the same time.&lt;br /&gt;
&lt;br /&gt;
It&#039;s not a delusion, she wants to yell at Umie. It&#039;s real. Isn&#039;t it? It feels real. But if it&#039;s something the Joker Killer is doing - but she knows &amp;amp;#42;his&amp;amp;#42; voice, too, when she shouldn&#039;t. She knows - &lt;br /&gt;
&lt;br /&gt;
She knows his name, as the deja vu rises. It&#039;s stronger here. She feels like she&#039;s retracing her steps, but she&#039;s never been here before.&lt;br /&gt;
&lt;br /&gt;
The Old Maid is here, Umie says. And Ixquic can&#039;t hold it back.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Leo!&amp;quot; Ixquic unshoulders her sword, clenching it defensively. &amp;quot;His name is Leo.&amp;quot; I called him Leo, is what she means, as that sense of saying the same things rises up, as the pulse of monochrome memory hits her.&lt;br /&gt;
&lt;br /&gt;
She grips the sword tighter. &amp;quot;We need to go,&amp;quot; she says - and then she runs, cloak billowing behind her. So much for slowing down the party.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;You felt ...&amp;quot; Tamaki trails off in her reply to Ixquic, but nods. Her gaze flits to Umie and doubt sets in.&lt;br /&gt;
&lt;br /&gt;
    It could be a delusion. It could be the truth. There&#039;s not enough information to conclude. She pointedly avoids calling it a &#039;delusion&#039;, but she does want to indicate to Ixquic that she heard it, too. &amp;quot;... something. Yeah.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An overconfident Tamaki, foolishly emboldened by the notion that she knows more than anyone, would have -- and once did -- run ahead on her own. With knowledge comes the burden of responsibility, right?&lt;br /&gt;
&lt;br /&gt;
    Now? Now she&#039;s aware of both her own talents &#039;&#039;and&#039;&#039; shortcomings. She&#039;s paying this matter the respect it truly deserves, and she isn&#039;t alone in this.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s already offered her help, both now and in other circumstances.&lt;br /&gt;
&lt;br /&gt;
    Hazuki draws strength from the bonds of connection, working in unison with others.&lt;br /&gt;
&lt;br /&gt;
    Ixquic and her share some strange connection to this set of events which have threatened to resurface memories that shouldn&#039;t exist.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;All together, now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    This &#039;&#039;won&#039;t&#039;&#039; be like last time. So she promises to herself as she runs behind Ixquic, newfound confidence rising within her.&lt;br /&gt;
&lt;br /&gt;
    -- right up until her arms and legs immediately feel like lead when she hears what Ixquic called him just now. Oh, she&#039;s got a bad feeling about this.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4636</id>
		<title>2026-03-18: Three Heroes and a Detective</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4636"/>
		<updated>2026-03-19T21:18:18Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: Three Heroes And A Detective&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Umie Akabane]], [[Akari Hoshi]], [[Hazuki Nakao]], [[Tamaki Uchida]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Aerospace Museum&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; March 19, 2026&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; October 16, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Two groups make their way to the Aerospace Museum. Nobody has a good time, except maybe Trish.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 MONAD: A party led by Umie Akabane has begun the event Aerospace Museum.&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 1: The Other Side - Challenge Level 2 ===========================- &lt;br /&gt;
  | Approach Options: Academics or Proficiency                                 | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Educational -        | &lt;br /&gt;
  | Academics Up L1, and Terrifying - Guts Down L2                             | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The Konan District&#039;s Aerospace Museum is easy enough to find, in part        &lt;br /&gt;
   because it has a life-sized Zeppelin replica attached to the building as      &lt;br /&gt;
   both exhibit and restaurant. Rumor has it that it can actually fly, but well  &lt;br /&gt;
   you can&#039;t believe everything you hear, right?                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   In the lobby, there&#039;s World War II memorabilia, including a Mitsubishi A6M    &lt;br /&gt;
   Zero hanging in pristine condition from the roof above. The lobby looks       &lt;br /&gt;
   empty save for a beautiful young man in the Kasugayama High uniform that      &lt;br /&gt;
   some may recognize as Jun Kashihara. He&#039;s looking around with a fretful       &lt;br /&gt;
   frown, as if searching for a museum employee; upon spotting you, he           &lt;br /&gt;
   approaches with a letter in hand to say:                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Excuse me--I don&#039;t mean to alarm you, but you should leave immediately.      &lt;br /&gt;
   Someone dangerous is coming here...&amp;quot;                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The letter in his hand is tightly clenched, but the eagle-eyed can make out   &lt;br /&gt;
   a message like &#039;cOMe aLOnE tO ThE AerOspAcE MuSEUM oR ELsE &amp;lt;3&#039; in a           &lt;br /&gt;
   scrawled, erratic hand.                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   No sooner does he start a conversation with you, when abruptly an entire      &lt;br /&gt;
   wall detonates into a great conflagration, as some incendiary device          &lt;br /&gt;
   detonates.                                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Kya-hahaha! Welcome to my walk down memory lane. Guess you ran into the      &lt;br /&gt;
   first of my bombs. The next will go off in the stairwell, then the other      &lt;br /&gt;
   floors will go up in flames one by one!&amp;quot;                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As flames of expiation light the heavens                                      &lt;br /&gt;
   The Lion&#039;s roar echoes far and wide                                           &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Don&#039;t you remember? It&#039;s just like the Other Side. There&#039;s a field trip      &lt;br /&gt;
   touring the museum right now. If you don&#039;t get those kids to the roof,        &lt;br /&gt;
   they&#039;ll become barbeque! Better hurry! Kya-hehehe-ahahahaha!&amp;quot;                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Your first challenge is rather simple, the voice wasn&#039;t kidding about the     &lt;br /&gt;
   stairwell going up in flames next. You have seconds to locate it, and run up  &lt;br /&gt;
   to the second floor before the fastest way to the second floor goes up in     &lt;br /&gt;
   flames.                                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Can you make it in time?                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC: The Red Text in this Monad represents Deja Vu moments from &#039;the Other    &lt;br /&gt;
   Side&#039;. If you&#039;ve determined that your character was not present in Innocent   &lt;br /&gt;
   Sin, or you haven&#039;t decided yet, then you can ignore these moments.           &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +OOC :looks at Akari on the other side�+OOC I promise not to freak out too much. probably. yet&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;amp;gt;&amp;amp;gt; Yeah&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; there&#039;s a Zeppelin replica upstairs&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; can&#039;t fly it exactly to check&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; meetup in lobby?&lt;br /&gt;
&lt;br /&gt;
    Umie fires some texts to Tamaki, alerting her wherever she may be in the museum.&lt;br /&gt;
&lt;br /&gt;
    Looking up as Jun approaches, looking around for a employee, Umie frowns. &amp;quot;Kashihara-kun?&amp;quot; She angles her head towards him. &amp;quot;... Something up?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes travel downwards towards the letter, immediately recognizing who it may be from. &amp;quot;Shit... !&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    &amp;amp;#42;&amp;amp;#42;&amp;amp;#42;BOOOM&amp;amp;#42;&amp;amp;#42;&amp;amp;#42;&lt;br /&gt;
&lt;br /&gt;
    As black smoke and red fire light the opening lobby of the museum, a strange malaise falls across the shocked Umie&#039;s expression.&lt;br /&gt;
&lt;br /&gt;
    The blonde&#039;s body sways slightly, reddish brown eyes glazing over to reflect the sparks of flame.&lt;br /&gt;
&lt;br /&gt;
    A mouth set rigid relaxes, and opens, quiet, meaningful words beginning to pour out of lips already dry from the spilling heat.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;As flames of expiation light the heavens &lt;br /&gt;
     The Lion&#039;s roar echoes far and wide...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her hand presses against her forehead as she comes it. &amp;quot;Damn it...&amp;quot; No mask to hide her here; there&#039;s just no time.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Academics toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Akari really wanted to see the Aerospace Museum because it had a rumour.&lt;br /&gt;
&lt;br /&gt;
That was really it. There was a rumour, therefore Akari - a magnet through which all rumours flow, even if she never really spread any of her own - was interested. Okay, so it wasn&#039;t quite as interesting as some rumours, but what if it really could fly?&lt;br /&gt;
&lt;br /&gt;
She actually has never been to the aerospace museum before, and it&#039;s not HER field trip that gets to go. It makes her a little uncomfortable for no reason she could clearly identify - there&#039;s nothing &amp;amp;#42;scary&amp;amp;#42; there, it&#039;s all planes and stuff, but she always has the vague feeling she shouldn&#039;t be there. So she invited Hazuki under the cover of &#039;want to see if the rumour&#039;s true?&#039; It&#039;s a good way to relax after the Atelier and before exams!&lt;br /&gt;
&lt;br /&gt;
(Akari is trying very very hard to not think about exams.)&lt;br /&gt;
&lt;br /&gt;
So that was all well and good before -&lt;br /&gt;
&lt;br /&gt;
An explosion!!&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
A few moments after the explosion, Ixquic - definitely Ixquic, helmet and outfit and sword and all - rushes out of the smoke. She is still trying to pull Hazuki along with her. Behind her helmet, her eyes are wide. &amp;quot;Up up up!&amp;quot; she demands, angling toward the stairs. She&#039;ll meet Umie (and anyone else) as soon as they&#039;re up there, or possibly before - it&#039;s not like Ixquic is exactly a &amp;amp;#42;subtle&amp;amp;#42; figure.&lt;br /&gt;
+monad&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Proficiency toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki is trapped in exam hell. She is not good at exams. So when she got an excuse to take a break at the Aerospace Museum, she took up Akari&#039;s offer.&lt;br /&gt;
&lt;br /&gt;
She&#039;d personally hoped that it could fly, though she wasn&#039;t sure how they&#039;d test it. She&#039;s unarmed, of course - no point in bringing a baseball bat - when the explosion goes off. As the smoke blasts out, she coughs for a moment, adrenaline flaring to make her think fast. &amp;quot;Ixquic-senpai, wait up!&amp;quot; she says on sight of Akari&#039;s transformation, charging after her into the stairwell.&lt;br /&gt;
&lt;br /&gt;
There&#039;s a mop in a bucket net to the stairwell, which she moves to steal. She can hear Umie as she does so... why does that feel so... familiar?&lt;br /&gt;
&lt;br /&gt;
Shaking her head, she pointed the mop out towards Umie. &amp;quot;Come on! We&#039;re running out of time!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Proceeding after Ixquic, her Transmutation begins to forge onto her, sliding in like ink on a canvas and weaving like threads being crafted together.&lt;br /&gt;
&lt;br /&gt;
It is harder to hold a mop in a winged pauldron, though, so she DOES slide it to the other arm. Just to be safe.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward The Other Side! Smarts and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The Zeppelin&#039;s just a replica. Some rumors do exist about it how it&#039;s not &#039;&#039;actually&#039;&#039; a replica, but it most certainly isn&#039;t. That&#039;s why they&#039;re there, to investigate the rumor and discourage its spread!&lt;br /&gt;
&lt;br /&gt;
    ... right?&lt;br /&gt;
&lt;br /&gt;
    As she ponders their exact reason for being there, Tamaki furrows her brow and idly stares at the small plane hanging on the roof above. Some part of her maintains with stubborn conviction that this rumor shouldn&#039;t be reified into a capital-R Rumor, but what she can&#039;t piece together is precisely &#039;&#039;why&#039;&#039;. Every time her mind tries to determine any potential reason for that to be the case, she just draws a blank.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s phone buzzes and snaps her out of her reverie. Seeing Umie&#039;s texts, she fires back a reply:&lt;br /&gt;
&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; ... what was your plan going to be if you &amp;amp;#42;could&amp;amp;#42; fly it&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; and sure, i&#039;m already there&lt;br /&gt;
&lt;br /&gt;
    Tamaki snaps her phone shut and looks around for Umie&#039;s approach. Soon enough, Umie arrives -- just as the two women notice another familiar face. Tamaki blinks several times and peers more closely at Jun, intoning nearly in-tandem with Umie, &amp;quot;Kashihara-kun?&amp;quot; The exact nature of Tamaki&#039;s apparent selective amnesia starts to become more clear to her. The sense of impending dread already has her in high alert, just before --&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;BOOM&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    If she had any doubt before, the words Umie recites basically confirm it. &#039;&#039;Think about something else, anything else -- or at least keep it contained to muscle memory and not conscious thought.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    As if by driven by pure instinct, Tamaki rushes up the stairs. Spotting the other two, Tamaki waves to them. &amp;quot;Nakao-san! Ixquic-san!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Along the way, she rummages through her bag and glances to Umie. &amp;quot; -- I might have a mask for you here, if you want, provided I can &#039;&#039;find&#039;&#039; the damn thing -- &amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Piece Together toward The Other Side! Automap!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== The Other Side - Round 1 ==============================================- &lt;br /&gt;
   Tamaki Uchida        Academics                              Success           &lt;br /&gt;
   Piece Together       Automap                        Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Proficiency                            Success           &lt;br /&gt;
   Proficiency          Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Educational-2, and Terrifying-2                 &lt;br /&gt;
   Final Conditions: Educational-1 and Terrifying-1                              &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 1/6 |=    |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; i didn&#039;t think that far&lt;br /&gt;
&lt;br /&gt;
    Which is likely why Umie is currently maskless, her purse far too small and her ability to predict trouble far too late.&lt;br /&gt;
&lt;br /&gt;
    The &#039;prophecy&#039;, late as it may seem, is at least over, for now, as Umie straightens, wiping sweat off her brow. &amp;quot;Ixquic-san. Nakao-san. You heard that asshole, right?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Up up up they need to go. &amp;quot;I can&#039;t believe our lives are going to depend on that rumor...&amp;quot; She looks towards Tamaki, now here, as she offers a mask. &amp;quot;That part&#039;s not as import...ant...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    _don&#039;t let it see you_&lt;br /&gt;
&lt;br /&gt;
    A partially covered hand is wordlessly held out to Tamaki, Umie&#039;s eyes looking anywhere but anyone&#039;s faces.&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t even pretend to hide when she puts it on, even; to everyone, it&#039;s plainly Umie, hair buns and all, _just with a half-mask_. &amp;quot;No way this can&#039;t get any worse, right?&amp;quot; she says, flatly, before she follows.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 2: Worst Field Trip Ever - Challenge Level 2 ====================- &lt;br /&gt;
  | Approach Options: Proficiency or Guts                                      | &lt;br /&gt;
  | Conditions: Clumsy - Proficiency Down L1, Educational - Academics Up L1,   | &lt;br /&gt;
  | Scary - Guts Down L1, and Terrifying - Guts Down L2                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The second floor of the Aerospace museum is already filling with smoke, as   &lt;br /&gt;
   flames from the first floor have already caught hold here, licking along      &lt;br /&gt;
   several particularly flammable spaces. Exhibits about the history of          &lt;br /&gt;
   aviation in Japan and in general are lined up with artifacts of prior         &lt;br /&gt;
   generations.                                                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Fifteen. Fifteen minutes. That&#039;s how long you have to find the kids and get   &lt;br /&gt;
   to the roof. You&#039;re not sure why you get that instinct.                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You&#039;ve gotta find those kids! Quick!                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Unfortunately there are demons coming down the hallway already. Horse-headed  &lt;br /&gt;
   creatures that stand on two-feet. With a whinny of rage, they come at you,    &lt;br /&gt;
   spreading more flames with Maragi spells.                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   And that&#039;s just the first group of them.                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You have to search this floor quickly AND thoroughly, fighting demons as you  &lt;br /&gt;
   go, paths that were open before closing off in flame.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +pot/last Hazuki&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I can&#039;t wait up! Heroes don&#039;t wait around! Also everything is on fire!&amp;quot; Despite her words, Ixquic does slow down just a little so that she doesn&#039;t outpace Hazuki too far.&lt;br /&gt;
&lt;br /&gt;
Ixquic is honestly glad to see Umie. Along with Hazuki, that makes three of them - four, with Umie&#039;s friend, who is vaguely familiar. Even if they haven&#039;t properly been introduced, it&#039;s not like they haven&#039;t yelled names (or, well, at least Ixquic certainly has) and they&#039;ve fought on the same side before.&lt;br /&gt;
&lt;br /&gt;
Good enough.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I heard him,&amp;quot; Ixquic agrees, &amp;quot;but I don&#039;t know why! Who&#039;d want to do something like that?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
you would&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s sense of unease increases. She feels the need to move, to get out of the fire - or at least the smoke, it&#039;s not all burning up here yet but it won&#039;t be long. But she&#039;s a hero! She can&#039;t abandon kids. Are they even younger than she is? Whatever - she won&#039;t.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;C&#039;mon!&amp;quot; she says, practically vibrating with energy as she hops from foot to foot, waiting for the others. That lasts about three seconds before a demon runs around the corner, a horse-headed, fireball-throwing demon.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You look!&amp;quot; she suggests. &amp;quot;I&#039;ll hold them off! Whoop-ass time!&amp;quot; Ixquic brandishes her enormous gold sword and swings it at one of the demons, too far away to hit but enough to get their attention. &amp;quot;Halt, demons!!&amp;quot; Ixquic points, dramatically. &amp;quot;Today you go no further!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Well, that&#039;s helping. But she can&#039;t stay there forever. She has to keep moving too or she&#039;s going to burn with everything else!&lt;br /&gt;
+act High Energy&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with High Energy toward Worst Field Trip Ever! Patra and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki makes it to the second floor, nodding to Umie and Tamaki. &amp;quot;Uchida-san, Akabane-san... we need to hurry. We have...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A pause.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...fifteen minutes,&amp;quot; she says, unsure why she said that, but it feels right. Uncomfortably right.&lt;br /&gt;
&lt;br /&gt;
As the flaming demons attack, however, Hazuki&#039;s moving. She takes her mop and moves to smash it into a demon. The mop will probably break...&lt;br /&gt;
&lt;br /&gt;
But it&#039;s a distraction to let Ixquic get the killing blow! &amp;quot;Ixquic-senpai! You&#039;ll have to do the melee, I&#039;ll focus on magic!&amp;quot; They&#039;re a team, after all, and this is definitely a team-worthy activity.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Guts toward Worst Field Trip Ever! Base!&lt;br /&gt;
 +OOC brb in 5, sorry, rl&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki replies to Umie, &amp;quot;Don&#039;t jinx it.&amp;quot; As Hazuki calls her by name, it takes Tamaki some restraint to not smack her own forehead.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Heaven calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Fifteen minutes. That&#039;s how much time they&#039;ve got. Tamaki &#039;&#039;shouldn&#039;t&#039;&#039; know that -- not to that degree of precision. All the same, she can put a number to it.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;The earth calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Clearly it&#039;s because she&#039;s been in other hectic situations before, right? Clearly, she&#039;s intuited an estimate from her time in both high schools and the last few months. There have been a number of arson attacks by the Joker Killer, so she&#039;s pulling from some detective sense brain blast ...&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;... what was the next part?&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Or so she tries to rationalize in the brief few moments before Hazuki&#039;s mention of &#039;&#039;that exact same estimate&#039;&#039; throws her for a loop. Those rationalizations of hers -- that&#039;s just not how things work, plain and simple. She stammers out, &amp;quot;Er -- right! Every second counts!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There are kids in trouble to rescue. There&#039;s no time to wait. Like Ixquic says, everything is on fire.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s seen her around and they&#039;ve fought on the same side. Good enough for now, introductions can wait. &amp;quot;Heroes don&#039;t wait around, like you say!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    While the others are focused on fighting, she&#039;ll turn her attention to searching. Every so often, Arianrhod &#039;&#039;does&#039;&#039; pop into existence to hinder the demons to soften them up for the others with more decisive blows.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Worst Field Trip Ever! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Fifteen minutes, huh,&amp;quot; Umie says, looking at Hazuki, then nods. She doesn&#039;t question that logic.&lt;br /&gt;
&lt;br /&gt;
    She has no weapons, but Badb will be enough. &amp;quot;I doubt any kid&#039;d come when I call,&amp;quot; Umie says, stifling a cough. The jacket worked far better against the chill of early autumn than it does here, stapled to her with body sweat. While she unzips it, she doesn&#039;t take it off completely, nor roll up her sleeves.&lt;br /&gt;
&lt;br /&gt;
    Yet, with Hazuki and Akari stepping up to work on the demons, Umie is forced to concede, slipping around.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hey, anyone in here?&amp;quot; she shouts, moving from room to room, working with Tamaki to made sure every room is looked over at least twice. &amp;quot;We&#039;re going to get you guys out of here. It may seem scary, but there&#039;s two superheroes right out here, holding the bad guys away.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Maybe by &#039;kids&#039;, Sudou meant &amp;amp;#42;older&amp;amp;#42; kids, but it&#039;s worth a shot, right?    &lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Can you do this? toward Worst Field Trip Ever! Specialty!&lt;br /&gt;
 +act/complete&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Worst Field Trip Ever - Round 2 =======================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Proficiency                            Success           &lt;br /&gt;
   Can you do this?     Specialty                      Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   High Energy          Patra and Efficient            Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Clumsy-2, Educational-1, Scary-2, and Terrifying-1       &lt;br /&gt;
   Final Conditions: Scary-1                                                     &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 2/6 |==   |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +OOC Yaay&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fighting off the demons isn&#039;t going to find the kids, but it&#039;s vital if you want to stay alive, and keep them alive. Ixquic and Hazuki focus on that to start, and they&#039;re getting used to working as a team; Ixquic is a lot faster than anyone who uses a sword that big seems likely to be, and she keeps tying demons down in melee while Hazuki focuses on her magic.&lt;br /&gt;
&lt;br /&gt;
That lets the others focus on looking. And while there aren&#039;t &amp;amp;#42;all&amp;amp;#42; the kids on this floor, there&#039;s at least a couple. &lt;br /&gt;
&lt;br /&gt;
...Unfortunately, they &amp;amp;#42;are&amp;amp;#42; elementary students, which means that Sudou definitely meant younger kids. The pair that Umie finds and the singleton Tamaki does are eager to escape, especially given - &amp;quot;Superheroes!&amp;quot; That brightens them up, even if it&#039;s a very scary situation...&lt;br /&gt;
&lt;br /&gt;
But that&#039;s not the whole class by any means. Where ARE they? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;They must be further up,&amp;quot; is Ixquic&#039;s guess. &amp;quot;I mean, this floor doesn&#039;t have the coolest exhibits on it...&amp;quot; She gives Hazuki a high-five, though, when the first wave of demons falls, and the others a big thumbs up.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 3: Grab Your Asses! - Challenge Level 2 =========================- &lt;br /&gt;
  | Approach Options: Charm or Understanding                                   | &lt;br /&gt;
  | Conditions: Scary - Guts Down L1, Smooth - Charm Up L1, and Soft -         | &lt;br /&gt;
  | Understanding Up L1                                                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    Entering an exhibit on the events leading up to Westernisation and the       &lt;br /&gt;
   birth of Aviation in Japan after the Meiji Restoration, you find about a      &lt;br /&gt;
   dozen elementary schoolers huddled close to the floor, due to the smoke       &lt;br /&gt;
   already spilling into the room, even before it was opened.                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Are you firefighters?&amp;quot;                                                       &lt;br /&gt;
   &amp;quot;Please get us out of here!&amp;quot;                                                  &lt;br /&gt;
   &amp;quot;I&#039;m scared...&amp;quot;                                                               &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some kids are outright crying on the floor, shaking, in little state to even  &lt;br /&gt;
   move, much less to follow your directions in demon infested burning           &lt;br /&gt;
   hallways.                                                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Now is the time to change that. What do you say to them!?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki returns the high-five, unaware she broke Umie&#039;s PERFECT COVER. Instead, as they take out the first wave of demons, the group can proceed to an exhibition on the birth of Aviation in Japan.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Are you firefighters?&amp;quot;&lt;br /&gt;
&amp;quot;Please get us out of here!&amp;quot;&lt;br /&gt;
&amp;quot;I&#039;m scared...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
They&#039;re definitely elementary students. A dozen of them, huddled by the floor, as smoke spilled in. There&#039;s crying and shaking kids, unable to even listen or follow directions. They&#039;re scared. Terrified.&lt;br /&gt;
&lt;br /&gt;
It breaks Hazuki&#039;s heart. She has to do something. Maybe, in that outfit, she can.&lt;br /&gt;
&lt;br /&gt;
Stepping a foot onto an exhibit, Hazuki throws her voice, a far cry from the gloomy girl she usually is. &amp;quot;Students! I, the Hero of Light, have come to vanquish the flames and the evil alike! The demons will no longer harm you! Their king will not lay a hand on you! You will survive the night and return to your families, if you can listen to us! Please, follow along!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s inspiring. It&#039;d be even more inspiring if it wasn&#039;t cribbed from an old Drake Adventure.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Gamer Talk toward Grab Your Asses!! Specialty!&lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Just one kid alone? &amp;quot;Hey, which way&#039;s your buddy, do you know?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Two heroes? Overhearing this, Tamaki points at Umie&#039;s borrowed half-mask and grins confidently. &amp;quot;Three, by my count!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her thoughts were already going in that direction, but after hearing Hazuki&#039;s boasts, Tamaki mimes yelling into a microphone and despite the chaos of the moment, she puts on a brave face for the children and gleefully announces,&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;(Right, right right right, that was the line.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Heaven calls! Earth calls! The people call! Thaaaaat&#039;s right, your heroes are here to save the day!&amp;quot; With her hand splayed out in Hazuki&#039;s direction, she proclaims, &amp;quot;The Hero of Light!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She claps for a few moments and then holds out the faux-microphone in Umie&#039;s direction. She &#039;&#039;did&#039;&#039; say she counted three. &amp;quot;But! What is light without its counterpart? Also presenting, the Hero of Dark! Care to demonstrate for the crowd here?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    she&#039;s a little sorry for putting Umie on the spot here but look she&#039;s trying to play hype girl to get these kids to move up and out to safety&lt;br /&gt;
&lt;br /&gt;
    Last but not least, she gestures to Ixquic. &amp;quot;Aaaaaand last but not least, well -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    okay she didn&#039;t think this one all the way through&lt;br /&gt;
&lt;br /&gt;
    &amp;quot; -- Ixquic! Any inspiring words for the audience?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward Grab Your Asses!! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic actually falls behind this time.&lt;br /&gt;
&lt;br /&gt;
She&#039;s slowed as the group passes a sign pointing to a display up a little further: a Zero. She can&#039;t see the display from here, quite, but - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If she stays there any longer, she&#039;ll die!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
- she can&#039;t stop looking at the sign, like something about it had caught her attention. And it&#039;s the way they&#039;re going.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s heart tightens with... panic? It&#039;s for the kids, she tells herself. She has to get the kids out of here. It&#039;s only the children that&#039;s making her feel like this.&lt;br /&gt;
&lt;br /&gt;
She picks up the pace, &amp;amp;#42;running&amp;amp;#42; to catch up, and so she doesn&#039;t just arrive in the room with the trapped children: she bursts in, cloak flapping from the speed of her movement and her suddenly slamming through the door. She&#039;s a little out of breath. (It&#039;s the smoke. Probably.)&lt;br /&gt;
&lt;br /&gt;
And then Tamaki takes &amp;amp;#42;that instant&amp;amp;#42; to gesture at her.&lt;br /&gt;
&lt;br /&gt;
Ixquic draws herself up to her full height. Be Ixquic, she tells herself. Ixquic wouldn&#039;t be scared. Ixquic is brave, even if Akari isn&#039;t. Just be her, and not you - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I am the magical warrior Ixquic, reincarnated from the depths of perpetuity - &amp;quot; She&#039;s finally learned that word! Good for her! &amp;quot; - and I&#039;m here to save you all!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
just like she did for you&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come on! We&#039;ll get you out. It&#039;ll be safer on the roof!&amp;quot; Ixquic is suddenly sure about that. It&#039;s where she&#039;d run to, if she was trapped... isn&#039;t it? &amp;quot;You&#039;ll be safe as long as you&#039;re with us heroes!&amp;quot;&lt;br /&gt;
+attacks&lt;br /&gt;
&lt;br /&gt;
(|=== Arcana +stats: Akari Hoshi, Persona Legendary Magical Warrior Ixquic ===|)&lt;br /&gt;
| []Dual Slice                         Wk Phys SLS PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Huge Swing                         Wk Phys SLS PL 2           ----- +2L    |&lt;br /&gt;
|    Weapon, Critical1, and Heavy                                              |&lt;br /&gt;
| ==Holy Sword                         Wk Phys LGH PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Heavy Impact                       Wk Phys SLS PL 1           ----- +2L    |&lt;br /&gt;
|    Boost, Weapon, Critical2, Heavy, and Paralyze                             |&lt;br /&gt;
| ==Assault Charge                     Wk Phys STR PL 2 (2xHit)   12 HP +2L    |&lt;br /&gt;
|    Blast                                                                     |&lt;br /&gt;
| ==Crashbrand                         Wk Phys ELC PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Spin Slash                         Wk Phys SLS PL 1 (3xHit)   17 HP +2L    |&lt;br /&gt;
|    Area                                                                      |&lt;br /&gt;
| ==Wild Slash                         Wk Phys SLS PL 2           12 HP +2L    |&lt;br /&gt;
|    Wild                                                                      |&lt;br /&gt;
| ==Rikaja                             Wk Magi REC PL 0           10 SP +2L    |&lt;br /&gt;
|    Renew                                                                     |&lt;br /&gt;
| ==Absolutely Fatal End               St Phys SLS PL 4           22 HP  0L    |&lt;br /&gt;
|    Signature, Critical3, and Masochism                                       |&lt;br /&gt;
| ==Hyper Slash                        St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    All_Out3 and Critical3                                                    |&lt;br /&gt;
| ==Giantslayer Lance                  St Phys PRC PL 4           25 HP  0L    |&lt;br /&gt;
|    Signature, All_Out2, Anti_Block, and Critical1                            |&lt;br /&gt;
| ==Mind Slice                         St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    Panic and Area                                                            |&lt;br /&gt;
| ==Heroic Dream                       St Magi REC PL 0           32 SP +1L    |&lt;br /&gt;
|    Crt_Up, Atk_Up, and Area                                                  |&lt;br /&gt;
| ==Fated Duel                         St Magi SLS PL 0           20 SP +1L    |&lt;br /&gt;
|    Slash_Break, Panic, and Rage                                              |&lt;br /&gt;
| ==Rocinante                          Fi Phys SLS PL 6           35 HP  1L    |&lt;br /&gt;
|    Tandem, Critical1, Heavy, and Theurgy                                     |&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Everybody&#039;s Hero toward Grab Your Asses!! Friendliness and Focus!&lt;br /&gt;
 WHO&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    It&#039;s okay, Hazuki, Umie breaks Umie&#039;s PERFECT COVER.&lt;br /&gt;
&lt;br /&gt;
    Hazuki makes her appeal to the audience, posing impressively as a Hero of Light, followed by Tamaki, who poses as--&lt;br /&gt;
&lt;br /&gt;
    ... an announcer. Because she&#039;s announcing Umie as the &#039;Hero of Dark&#039;.&lt;br /&gt;
&lt;br /&gt;
    The others of their happy little heroic group will certainly see Umie&#039;s eyes widen from behind the mask Tamaki lent Umie, which so happens to be the one Tamaki wore to the sanitarium.&lt;br /&gt;
&lt;br /&gt;
    damn it, Tamaki, why do you do this to her&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Right. I&#039;m...&amp;quot; ... It&#039;s been all about scaring or charming demons; nothing about that could really work here, with scared children. Think, Umie. Think. Hero of Dark. Hero of Dar-- oh no, she couldn&#039;t pull &amp;amp;#42;that&amp;amp;#42; off &lt;br /&gt;
&lt;br /&gt;
    HA HA TOO LATE SHE&#039;S TRYING IT LIVE screw it&lt;br /&gt;
&lt;br /&gt;
    Borrowing from her stint as the boy butler, she bows, placing a hand to her waist, the other held out. &amp;quot;That&#039;s right, I&#039;m the Hero of Dark!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Lips open in a sauve, reckless grin (level it out, Umie, don&#039;t do what you normally do) as she poses, placing a hand to her mask, as she proclaims, before gesturing her hands out: &amp;quot;And I&#039;m here to steal the Old Maid&#039;s show!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An awkward pause.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Did you forget your costume, miss?&amp;quot; asks a confused child.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s angled grin twitches. &amp;quot;.... Aha... A true hero of Dark blends right in.&amp;quot; RIGHT.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward Grab Your Asses!! Focus and Find!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Grab Your Asses! - Round 3 ============================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Charm                                  Success           &lt;br /&gt;
   Everybody&#039;s Hero     Friendliness and Focus         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Charm                                  Success           &lt;br /&gt;
   Gamer Talk           Specialty                      Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Scary-1, Smooth-2, and Soft-2                            &lt;br /&gt;
   Final Conditions: Smooth-1 and Soft-1                                         &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 3/6 |===  |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;As the HERO OF LIGHT, HERO OF DARK, IXQUIC, and SOME ANNOUNCER LADY declare their heroism to the children, they actually do buy it. The heroic displays, costumes, and whatever the hell Tamaki and Umie are doing get the children to wipe their tears and start to rise, and soon, they have a tiny army of children following them up.&lt;br /&gt;
&lt;br /&gt;
Hazuki does, however, whisper to her team as she passes by. &amp;quot;Wait. Old Maid? ...isn&#039;t that that serial killer...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sumaru is absolutely not Hazuki&#039;s space.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 4: SCREAM for Ice Cream - Challenge Level 2 =====================- &lt;br /&gt;
  | Approach Options: Charm or Academics                                       | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Fairy - Subtract 1   | &lt;br /&gt;
  | Fatigue on success., Smooth - Charm Up L1, and Soft - Understanding Up L1  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    It&#039;s only getting worse as more devices are going off, the hallways are      &lt;br /&gt;
   choked with smoke, and the kids are coughing the whole way.                   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But! Sanctuary! Glorious sanctuary! You see the outline of a doorway which    &lt;br /&gt;
   leads to a certain money-grubbing fairy&#039;s shrine.                             &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Entering the spring is an instant relief. The kids breathe easier. You&#039;ll     &lt;br /&gt;
   have to move before long, but any reprieve is welcome.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Hey rugrats! Nothing in life is free, and that includes fresh air!&amp;quot; Trish    &lt;br /&gt;
   crosses her arms, tapping a riding crop, &amp;quot;Since you&#039;re exceeding maximum      &lt;br /&gt;
   occupancy, I&#039;ll have you know that I&#039;m charging by the minute. I&#039;d put it on  &lt;br /&gt;
   your tab but... ha! You don&#039;t have one. Tabs are for deadbeats and losers.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Then, with a grin, the fairy suddenly goes to stand behind a new fixture in   &lt;br /&gt;
   her fountain, covered by a bright red cloth, which she pulls off with a       &lt;br /&gt;
   sudden flourish, to reveal an ICE CREAM COUNTER and brandishes a scoop.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Also I&#039;d like to introduce you all to the latest addition to my business,    &lt;br /&gt;
   the Trish Refreshment Stand. Who wants Ice Cream? Only 5000 yen per scoop.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Me!&amp;quot;                                                                         &lt;br /&gt;
   &amp;quot;Please! My throat feels like it&#039;s on fire!&amp;quot;                                  &lt;br /&gt;
   &amp;quot;Is she a real fairy!?&amp;quot; &amp;quot;Nah, it&#039;s gotta be a costume.&amp;quot;                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;That&#039;s right kiddos.&amp;quot; She winks at them, before looking at all of you.       &lt;br /&gt;
   &amp;quot;Just a costume.&amp;quot; She makes a gesture of two fingers rubbing against each     &lt;br /&gt;
   other at you. You start to realize, you&#039;ve been CONNED! She&#039;s definitely      &lt;br /&gt;
   price-gouging in the middle of the raging inferno, tugging on your heart      &lt;br /&gt;
   strings and using the kids as props.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Are you really gonna let these kids go without ice cream?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Maybe you can convince her to be reasonable. That&#039;s one big maybe.            &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Ohhh, that&#039;s her deal, then. &amp;quot;Ixquic, the undying star! Follow her example, and don&#039;t stay down when you get discouraged -- get right back up!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Tamaki at least tries to further sell the direction Umie takes things in. &amp;quot;That&#039;s right, she&#039;s incognito! She could be anyone! Anywhere! She could strike at any time! Evildoers bewaaare!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Lead the way, Hero of Light!&amp;quot; She gestures for Hazuki and more quietly adds, &amp;quot; -- and thanks for the idea. I think it lifted their spirits.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The roof is a fair distance away, still. The crowd proceeds, but it&#039;s not without its obstacles. The rising smoke makes it difficult to breathe.&lt;br /&gt;
&lt;br /&gt;
    There&#039;s some hope, though -- a brief respite, a place to surface for air. A sanctuary --&lt;br /&gt;
&lt;br /&gt;
    -- with a goddamned money-grubbing fairy in it. Tamaki&#039;s &#039;&#039;heard&#039;&#039; of her, but only via her St. Hermelin classmates.&lt;br /&gt;
&lt;br /&gt;
    Tamaki lets her elbow rest on the counter and she gives Trish a bright grin. &amp;quot;Ahhh, c&#039;monnnn, think of the long tail. You&#039;re gonna gouge first-time customers? That&#039;ll kill repeat business, you know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Something in her smile strains. It&#039;s then that she makes the decision to try and lightly hold that riding crop in place. &#039;&#039;Stop that.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward SCREAM for Ice Cream! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The undying star! That&#039;s a new title for Ixquic... but she thinks she likes it. Under her helmet, Ixquic beams.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Hero of Darkness doesn&#039;t need a mask,&amp;quot; she says, &amp;quot;because the shadows itself are her mask! Evildoers will never see her coming! ...but you&#039;re not evil, so you can see her fine,&amp;quot; Ixquic adds. &amp;quot;And it&#039;s good to have something for the smoke...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She does not like the smoke.&lt;br /&gt;
&lt;br /&gt;
The crowd proceeds. Ixquic goes ahead at one point, then behind at another to make sure demons aren&#039;t about to ambush the party. So she is not with the group when they walk into Trish&#039;s fairy fountain/ice cream shop...&lt;br /&gt;
&lt;br /&gt;
...actually, where &amp;amp;#42;is&amp;amp;#42; Ixquic?&lt;br /&gt;
&lt;br /&gt;
She&#039;s fallen behind again because, as the group goes up, she walked past one of the open hallways. From here you can see all the way down to the first floor, which is on fire, and up, to the higher floors.&lt;br /&gt;
&lt;br /&gt;
Hanging there is a plane. A Zero, the same one she saw the sign for before. (It&#039;s a model, not that she realizes it.) Ixquic can&#039;t look away from it. She&#039;s frozen, despite everything.&lt;br /&gt;
&lt;br /&gt;
&#039;Hey, lady! Please help me...!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic both can&#039;t bring herself to look at it for very long but has trouble looking away. She grips the railing, leaning far out so she can see up to it; she can feel the heat on her shoulders, on her arms, as she looks at the Zero.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s grip tightens to the point her knuckles whiten. She holds it for about two seconds - and then she flees, running. Why does it feel this way to her? Why is she panicking about crashing it? She&#039;s never been in a plane in her life! &lt;br /&gt;
&lt;br /&gt;
She runs - and, like the others, sees freedom.&lt;br /&gt;
&lt;br /&gt;
Freedom is barging into an ice cream fountain (not literally) late, and shaking. She&#039;s not going to be any use with convincing Trish to NOT gouge, come on.&lt;br /&gt;
&lt;br /&gt;
Well, except for one bit: &amp;quot;It&#039;s definitely costume day around here...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Academics toward SCREAM for Ice Cream! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Well, it worked as a template. And hey, no wonder Joker sometimes looks like he&#039;s having fun when he&#039;s playing the part! She&#039;d just like to make sure he never finds out, ha ha ha&lt;br /&gt;
&lt;br /&gt;
    Umie just continues along like nothing ever happened because NONE OF WHAT JUST HAPPENED ACTUALLY HAPPENED ahem&lt;br /&gt;
&lt;br /&gt;
    .....&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Yeah. That&#039;s who set this fire,&amp;quot; Umie says quietly to Hazuki. &amp;quot;Though that&#039;s just what the police call him. He&#039;s better known as the Joker Killer. That letter that Kashihara-kun had... the Old Maid&#039;s been relentlessly harassing him.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    They continue on, and... Umie frowns, coughing into her hand. &amp;quot;Give me a second...&amp;quot; Eyes watering, she closes them as she summons the Badb in a brief flare of blue light. &amp;quot;.... Left.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The doorway may have been visible before Umie had used Badb, but now, it&#039;s confirmed, at the very least.&lt;br /&gt;
&lt;br /&gt;
    Crowding in, Umie breathes in the blessed, blessed cool air of Trish&#039;s fountain dimension, before looking up at...&lt;br /&gt;
    .... an.... ice cream display...        &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... how low can you get, Trish-san,&amp;quot; Umie winces.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Shortstuff!!&amp;quot; exclaims Trish. &amp;quot;Well, you don&#039;t want these kids to have to endure your torment, do you? All those nights, trying to wrestle up loose change for me. But you were such a &amp;amp;#42;cutey patoety&amp;amp;#42; back then~~&amp;amp;lt;3&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s lips seal into a grim little fake smile as she begins digging around her jacket. &amp;quot;Eheheh... let&#039;s not bring up the past in front of people~~&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Wait a minute. Umie looks back over her shoulder. &amp;quot;... Hey, did Ixquic-san follow us in, or did she slip back out?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s about the moment Ixquic barges in, shaking. &amp;quot;Hey, are you okay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hold on, I&#039;m prepared.&amp;quot; Digging out a coin purse, she opens a little pocket inside the flap and, carefully, she draws out a diamond, one of many that were embedded in her from that fight in Eiji Kamiya&#039;s Palace.&lt;br /&gt;
&lt;br /&gt;
    Oh boy, this is going to make Trish raise her prices whenever she sees her in the group from now on, isn&#039;t it&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki leads the way, and they make it to...&lt;br /&gt;
&lt;br /&gt;
THE ICE CREAM STAND???&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What?&amp;quot; Hazuki says, stone-faced, as the kids run up to get ice cream from a con artist fairy that Hazuki has never heard of. She scratches the back of her head. And then, as the others try to negotiate, Ixquic is-&lt;br /&gt;
&lt;br /&gt;
Nowhere to be found. Hazuki&#039;s actually about to double back to find her, when she shows up.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic-senpai, are you okay...?&amp;quot; she asks, before turning to Trish. &amp;quot;Hey! Where&#039;s our group discount for being such a large group?!&amp;quot; wait what&lt;br /&gt;
&lt;br /&gt;
Hazuki&#039;s trying to fast talk the fast talker, and hopefully, it&#039;ll help contribute! But she&#039;s more worried about Akari right now.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward SCREAM for Ice Cream! Smarts and Efficient!&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward SCREAM for Ice Cream! Focus and Find!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== SCREAM for Ice Cream - Round 4 ========================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Fairy-0, Smooth-1, and Soft-1                   &lt;br /&gt;
   Final Conditions:                                                             &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 4/6 |==== |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki&#039;s attempt to strongarm Trish right back only serves to prolong matters. They glare at each other, caught in stubborn deadlock. &amp;quot;Why should I bend when I&#039;ve got you right where I want you?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t spring for Hazuki&#039;s idea, but it &#039;&#039;does&#039;&#039; wear her down even further. &amp;quot;Ehhhhh? Group discount? This isn&#039;t that kind of establishment! The price stands as -- as -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s when she sees the diamond. That, plus the fatigue from the negotiations so far short-circuit whatever exact price Trish had in mind, certain that this will be enough to cover it all once it&#039;s appraised. &amp;quot;Oh my goodness, thaaank you! You&#039;ve certainly upgraded from loose change!&amp;quot; Trish&#039;s avaricious smile looms, both now and in future deals.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It&#039;s a deal!&amp;quot; The kids raise their hands and cheer as they partake of some of the most expensive ice cream around.&lt;br /&gt;
&lt;br /&gt;
    Tamaki sighs in relief and deflates. &amp;quot;Yaaaaaay,&amp;quot; she flatly cheers. &amp;quot; -- and yeah, that&#039;s one of the names the police call him,&amp;quot; she confirms.&lt;br /&gt;
&lt;br /&gt;
    That said, she had been so focused on the kids that she didn&#039;t think to check on the newly-named Undying Star. &amp;quot; -- Ixquic-san?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The very much not-costumed apprentice detective steps over to her, uncertain as to what&#039;s going on. She missed something.&lt;br /&gt;
&lt;br /&gt;
    From Tamaki&#039;s perspective, the climb up hasn&#039;t been so rough, but ... she can&#039;t shake her sense of dread about what&#039;s at the top.&lt;br /&gt;
&lt;br /&gt;
    ... also from Tamaki&#039;s perspective, when she&#039;s shaken, she&#039;d want food. Maybe the offer will help out here. &amp;quot;... what, ah -- what flavor would you like?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Umie Akabane has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 5: Déjà View - Challenge Level 1 ================================- &lt;br /&gt;
  | Approach Options: Guts or Understanding                                    | &lt;br /&gt;
  | Conditions: Hard - Understanding Down L1 and Heartening - Guts Up L1       | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You rush into one of the hanging displays in the Aerospace Museum. A         &lt;br /&gt;
   life-sized model airplane hangs from the ceiling over an open floor plan. A   &lt;br /&gt;
   portion of the floor acts as a walkway that leads right up to it. There&#039;s no  &lt;br /&gt;
   reason to approach it, given that the place is actively on fire and you       &lt;br /&gt;
   still have a ways to go before you reach the roof.                            &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But... you could swear--some of you--that you hear a young girl screaming     &lt;br /&gt;
   for help from over where the model airplane is. No matter how much you look,  &lt;br /&gt;
   though, there&#039;s no one there. Eerie.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Not everyone will hear. Just those who might be getting reminded of a past    &lt;br /&gt;
   that never was, if they were a part of it. Those who wouldn&#039;t are simply met  &lt;br /&gt;
   with another empty room.                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Whether you hear or not, do you move on, or do you double down? Tick tock...  &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    That has to be about the most expensive scoop of strawberry ice cream ever.&lt;br /&gt;
&lt;br /&gt;
    With the kids all getting their own ice cream and cooled down, Umie has to hope that Trish&#039;s space has those time refractive properties she&#039;s long suspected. (... not that she&#039;s ever been able to &amp;amp;#42;test&amp;amp;#42; them.)&lt;br /&gt;
&lt;br /&gt;
    After all, she doesn&#039;t want to test whether Hazuki&#039;s &#039;prophecy&#039; of fifteen minutes is true.&lt;br /&gt;
&lt;br /&gt;
    Getting their motley group of kids situated and filing out, Umie summons the ghastly smiling form of Badb once more, trusting that the kids will be none the wiser, outside of a confused glance upward or two. &amp;quot;This way, I think. Should be an airplane model to our right. Just keep on the walkway, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Someone is screaming from the airplane; at least, it &amp;amp;#42;sounds&amp;amp;#42; like it, though the fire&#039;s noise may be distorting the noise. Whether it&#039;s real or not, all the more reason to check, right?&lt;br /&gt;
&lt;br /&gt;
    .... Right, Umie Akabane?&lt;br /&gt;
&lt;br /&gt;
    Umie, strangely, keeps walking on, as if she hears nothing concerning, up until one of the kids speaks up.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Miss Dark Hero... I think someone&#039;s there...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie blinks, then looks towards the plane. &amp;quot;I... didn&#039;t hear anything, I don&#039;t think.&amp;quot; She looks to the others. &amp;quot;No resonance, either, but there&#039;s plenty of us that can hide theirs. And if a kid&#039;s in there...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Understanding toward Déjà View! Base!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I&#039;m &amp;amp;#42;fine&amp;amp;#42;,&amp;quot; Ixquic repeats.&lt;br /&gt;
&lt;br /&gt;
She&#039;s so not fine she doesn&#039;t even comment on the world&#039;s priciest ice cream. Or get any for herself, even when Tamaki asks her; it&#039;s like she doesn&#039;t realize it&#039;s for her. SHE doesn&#039;t have any diamonds in her pockets, after all, and somehow she doesn&#039;t think Trish will react the same way to a gift of clownskin.&lt;br /&gt;
&lt;br /&gt;
Ixquic still has not found anyone who will take that stuff off her hands. It&#039;s just going to live in her pocket until the end of time at this rate.&lt;br /&gt;
&lt;br /&gt;
She sticks with the group this time, though, so she&#039;s behaving-fine even if she&#039;s not feeling-fine.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, the airplane model is this way,&amp;quot; she agrees with Umie. &amp;quot;That&#039;s what I went to look at, because...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...because I did.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But this time, there&#039;s a voice.&lt;br /&gt;
&lt;br /&gt;
Ixquic does not actually recognize the voice, the first time it calls. You don&#039;t ordinarily hear &amp;amp;#42;your own&amp;amp;#42; voice from the outside, and if you do it frequently doesn&#039;t sound quite right to you. She knows she&#039;s heard it before, but she can&#039;t place it...&lt;br /&gt;
&lt;br /&gt;
&#039;Noooo! Help meeee!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic freezes up. Again. Ixquic may not always be the most dependable, sometimes; she&#039;s kind of erratic, a little detached from reality, prone to running off and doing her own thing. But it&#039;s almost unheard of for her to do nothing at all, and nothing at all is what she does this time.&lt;br /&gt;
&lt;br /&gt;
&#039;She&#039;s going to die if she stays in there much longer! What should we do?&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;No!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Akari claps her hands over her ears. This doesn&#039;t actually do anything - her helmet&#039;s in the way - but it&#039;s a reflex as she hunches down, trembling. Because back then, she couldn&#039;t do anything at all. She had to be rescued. &lt;br /&gt;
&lt;br /&gt;
She would have died. She should have died. It would have been &amp;amp;#42;easier&amp;amp;#42; for them to let her die and they didn&#039;t even though she tried to kill them and she never understood why - &lt;br /&gt;
&lt;br /&gt;
But when was that time? She can&#039;t remember. She can&#039;t remember... but... it&#039;s real. Like when she looked into that face. Like when she heard that &amp;amp;#42;other&amp;amp;#42; voice, the one that wasn&#039;t her. Like the first time she heard the Joker Killer speak.&lt;br /&gt;
&lt;br /&gt;
Ixquic is of no help at all. Her eyes are squeezed shut behind her mask. She can&#039;t even think straight. All she can think about is the flames and the fear and the time she failed to be a hero.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Guts toward Déjà View! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic says she&#039;s fine, and Hazuki doesn&#039;t think she is, but she just nods. But when they all reach the empty room with the airplane model, Hazuki pauses.&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t hear a thing, though something is unsettlign nonetheless.&lt;br /&gt;
&lt;br /&gt;
But &amp;amp;#42;Akari&amp;amp;#42; clearly does, and Hazuki&#039;s eyes widen. &amp;quot;Ixquic-senpai, we need to go...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But it&#039;s unlikely she&#039;ll get a response from that. And if Akari stays here, they&#039;re in trouble. They&#039;re running out of time. The fire&#039;s coming. Fifteen minutes...&lt;br /&gt;
&lt;br /&gt;
Hazuki steps to Ixquic&#039;s side, and tries to hug her. She doesn&#039;t pull her, simply squeezing her to try and give her some form of distraction and comfort. It&#039;s a bit of a boundary breach, but the alternative is worse.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic, please! Just a little longer... we&#039;re almost there! These kids need our help...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
If Akari seems like she&#039;ll do so, Hazuki will literally try to lead her by the hand, if she&#039;ll move it off her head. Just until she can get her bearings enough to fight.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Let The Mask Slip toward Déjà View! Bravery and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Given how much attention Tamaki pays to food blogs, she has reason to believe that at least at the original price point before diamonds got involved, it might &#039;&#039;not&#039;&#039; actually be the most expensive ... but the ones that &#039;&#039;do&#039;&#039; exceed the 5000 yen price tag cheat by including ingredients like gold flakes. They conflate monetary value for actual quality and -- look, she has very strong opinions on the topic.&lt;br /&gt;
&lt;br /&gt;
    Ixquic turns down the offer. Tamaki swallows a spoonful of sea salt caramel and remarks, &amp;quot;... yeah, I don&#039;t blame you.&amp;quot; Not that it&#039;s bad, but the precarious situation is doing a lot more of the heavy lifting than the taste is.&lt;br /&gt;
&lt;br /&gt;
    Even before they reach the roof, it turns out that Tamaki has plenty to dread, right here and now. She&#039;d break out into a cold sweat if she weren&#039;t already perspiring from being caught in a building&#039;s fire while wearing her usual business suit.&lt;br /&gt;
&lt;br /&gt;
    Tamaki cranes her neck to see where the source of a certain sound is coming from. Her voice hovers just on the edge of panic and comes out strained and breathless. &amp;quot;Hey. Hey, you hear that? Did we miss someone?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie &#039;&#039;doesn&#039;t&#039;&#039; hear it, which causes Tamaki&#039;s breathing to become more ragged and her eyes to dart around the room. &amp;quot; -- really? &#039;&#039;You&#039;&#039; can&#039;t sense it?&amp;quot; Between the two of them, Umie&#039;s perception is definitely better.&lt;br /&gt;
&lt;br /&gt;
    Even so, she still does her damnedest to thoroughly search for the voice. Nothing, nothing, and more nothing -- no one gets left behind. &amp;quot;I could have sworn -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &#039;No!&#039;&lt;br /&gt;
&lt;br /&gt;
    Tamaki jerks upright and turns in Ixquic&#039;s direction.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Oh.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    She walks over to the pair of students, stretches out a hand, and gently offers, &amp;quot;It&#039;s okay, it&#039;s okay. Everyone has their low points. I should know, speaking from experience.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There&#039;s a determination that shines through her eyes in her otherwise blank expression. It&#039;s always easier to be strong for someone else&#039;s sake instead of your own, isn&#039;t it? &amp;quot;Just don&#039;t let it keep you down for good. We believe in you. C&#039;mon, Ixquic-san. Show them what it means to be an Undying Star.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Déjà View! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Déjà View - Round 5 ===================================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Understanding                          Success           &lt;br /&gt;
   Understanding        Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Let The Mask Slip    Bravery and Patra              Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Hard-2 and Heartening-2                                  &lt;br /&gt;
   Final Conditions: Heartening-1                                                &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 6/6 |=====|  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 6: A Page from an Old Script - Challenge Level 1 ================- &lt;br /&gt;
  | Approach Options: None                                                     | &lt;br /&gt;
  | Conditions: Revelation - The best result.                                  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You burst out of the third floor&#039;s entrance, where the Zero hangs from the   &lt;br /&gt;
   ceiling; the entire ground floor is up in flames now.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some of you may get a sense you&#039;ve seen this before. A sudden fear that       &lt;br /&gt;
   someone might fall into the blaze. But when you search, no one is here.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As soon as you make it to the next floor, you feel it.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Sound effect: https://www.youtube.com/watch?v=RARotEaobh0                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The world shifts into a monochromatic hue, and nausea churns in your gut. A   &lt;br /&gt;
   familiar presence awaits you on the rooftop.                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You feel as if you&#039;re repeating the same actions. Reading from the same       &lt;br /&gt;
   script. That&#039;s impossible.                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You know he&#039;s there. Steeling your resolve, you head up to the roof.          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC Note: If you got this card, you&#039;ll start the next battle with the         &lt;br /&gt;
   Prophecy buff.                                                                &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Final Loot: 2 Items, 1 boxes of Money, and 1 Pieces of Gear!                  &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;... because I did.&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Eeh?&amp;quot; Umie peers over her shoulder back at Ixquic. &amp;quot;Earlier, you mean?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes meet Tamaki&#039;s; Umie&#039;s lips dip in a grimace. &amp;quot;No, but that narrows things down, doesn&#039;t it?&amp;quot; She holds up her index finger. &amp;quot;This is a delus--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Never would Umie expect Ixquic, normally indomitable, to be the one to &#039;crack&#039;, if that is, indeed, what all this is. &lt;br /&gt;
&lt;br /&gt;
    (This is a lock, and she needs to find her way around it.)&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;_Ixquic-san_.&amp;quot; Umie does her best to project her voice, raspy as it is, as Hazuki helps her up. &amp;quot;Just let it go. It&#039;s all part of the Old Maid&#039;s delusion.&amp;quot; Calling the Joker Killer has a nice side effect here, however: it&#039;s a far more innocuous title for the kids to hear than something with the word &#039;killer&#039; in it. &amp;quot;Listen to Nakao-san and Uchida-san. All this deja vu stuff is because of the Old Maid&#039;s machinations. He&#039;s using Sumaru City&#039;s tendency to turn rumors into reality to create one &amp;amp;#42;he&amp;amp;#42; thinks is reality.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But how can she be so sure of it, Umie thinks. She&#039;s not to the level of someone like Fuuka or Ririka. Is there something she&#039;s missing?&lt;br /&gt;
&lt;br /&gt;
    Ushering the students up the stairs to the next floor, that sense of deja vu feels stronger and stronger for some in the party...&lt;br /&gt;
&lt;br /&gt;
    .... but not Umie Akabane, who keeps looking back and telling people to keep on course. &amp;quot;We&#039;re close. C&#039;mon. It&#039;s...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But, when that wave of familiar nausea hits the blonde, she nearly tips down the stairs as she begins to crouch, holding her head.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... can&#039;t see me.... can&#039;t see me... not here. No one is here, there is no one...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There is a just blackbird here, nothing special. No, wait, that&#039;s Umie.&lt;br /&gt;
    But there is just a cardboard blackbird here. But no, that&#039;s Umie.&lt;br /&gt;
    There is Umie. There is just Umie.&lt;br /&gt;
&lt;br /&gt;
    That is enough.&lt;br /&gt;
&lt;br /&gt;
    &#039;Now, it&#039;s up to you all to succeed where I failed. None of you deserve to go it alone.&#039; In her mind&#039;s eye, she imagines the white crow.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;....&amp;quot; Umie holds her hand to her face, pressing Tamaki&#039;s mask close to her face as she straightens. &amp;quot;The Old Maid is here. Please... be ready.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fifteen minutes... Less now. They&#039;ve been in here a while, as it still burns. &lt;br /&gt;
&lt;br /&gt;
And Ixquic does not straighten, not at first. Only Tamaki of the others can hear the voice, but Akari can, more clearly than anyone. Of course she can.&lt;br /&gt;
&lt;br /&gt;
It&#039;s her.&lt;br /&gt;
&lt;br /&gt;
Hazuki hugs Ixquic, and she kind of just takes it for a moment, barely moving, before she lets out something - is she crying? Maybe a little. &lt;br /&gt;
&lt;br /&gt;
And Tamaki and Umie, too, try to raise her spirits. Tamaki especially. To be an undying star... she has to at least try, doesn&#039;t she? She&#039;s a hero. The kids need her. She &amp;amp;#42;will be&amp;amp;#42; a hero. No matter what. She reaches up to wipe at her face, fails because of the mask, and gives up on that.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m okay,&amp;quot; she says, stepping away from Hazuki. Not far; half a step at most. She&#039;s clearly not trying to escape her, just wants some space back. &amp;quot;I&#039;m sorry! I just thought - I felt...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari trails off. She felt like she was going to fall from the plane into the fire. Even though she&#039;s not &amp;amp;#42;on&amp;amp;#42; the plane, and even then, she didn&#039;t fall. Someone saved her. Someone... who? Who was it? She can barely remember the face, wavery and uncertain. She doesn&#039;t think she knows them, except she &amp;amp;#42;does&amp;amp;#42; know them at the same time.&lt;br /&gt;
&lt;br /&gt;
It&#039;s not a delusion, she wants to yell at Umie. It&#039;s real. Isn&#039;t it? It feels real. But if it&#039;s something the Joker Killer is doing - but she knows &amp;amp;#42;his&amp;amp;#42; voice, too, when she shouldn&#039;t. She knows - &lt;br /&gt;
&lt;br /&gt;
She knows his name, as the deja vu rises. It&#039;s stronger here. She feels like she&#039;s retracing her steps, but she&#039;s never been here before.&lt;br /&gt;
&lt;br /&gt;
The Old Maid is here, Umie says. And Ixquic can&#039;t hold it back.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Leo!&amp;quot; Ixquic unshoulders her sword, clenching it defensively. &amp;quot;His name is Leo.&amp;quot; I called him Leo, is what she means, as that sense of saying the same things rises up, as the pulse of monochrome memory hits her.&lt;br /&gt;
&lt;br /&gt;
She grips the sword tighter. &amp;quot;We need to go,&amp;quot; she says - and then she runs, cloak billowing behind her. So much for slowing down the party.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;You felt ...&amp;quot; Tamaki trails off in her reply to Ixquic, but nods. Her gaze flits to Umie and doubt sets in.&lt;br /&gt;
&lt;br /&gt;
    It could be a delusion. It could be the truth. There&#039;s not enough information to conclude. She pointedly avoids calling it a &#039;delusion&#039;, but she does want to indicate to Ixquic that she heard it, too. &amp;quot;... something. Yeah.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An overconfident Tamaki, foolishly emboldened by the notion that she knows more than anyone, would have -- and once did -- run ahead on her own. With knowledge comes the burden of responsibility, right?&lt;br /&gt;
&lt;br /&gt;
    Now? Now she&#039;s aware of both her own talents &#039;&#039;and&#039;&#039; shortcomings. She&#039;s paying this matter the respect it truly deserves, and she isn&#039;t alone in this.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s already offered her help, both now and in other circumstances.&lt;br /&gt;
&lt;br /&gt;
    Hazuki draws strength from the bonds of connection, working in unison with others.&lt;br /&gt;
&lt;br /&gt;
    Ixquic and her share some strange connection to this set of events which have threatened to resurface memories that shouldn&#039;t exist.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;All together, now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    This &#039;&#039;won&#039;t&#039;&#039; be like last time. So she promises to herself as she runs behind Ixquic, newfound confidence rising within her.&lt;br /&gt;
&lt;br /&gt;
    -- right up until her arms and legs immediately feel like lead when she hears what Ixquic called him just now. Oh, she&#039;s got a bad feeling about this.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4635</id>
		<title>2026-03-18: Three Heroes and a Detective</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2026-03-18:_Three_Heroes_and_a_Detective&amp;diff=4635"/>
		<updated>2026-03-19T21:17:52Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Log: Three Heroes And A Detective&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Umie Akabane, Akari Hoshi, Hazuki Nakao, Tamaki Uchida *&amp;#039;&amp;#039;&amp;#039;Where: Aerospace Museum&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; March 19, 2026 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; October 16, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Two groups make their way to the Aerospace Museum. Nobody has a good time, except maybe Trish.&amp;#039;&amp;#039;  ----    MONAD: A party led by Umie Akabane has begun the event Aerospace Museum.     (|======================== Monad - Aerospace Museum...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: Three Heroes And A Detective&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Umie Akabane]], [[Akari Hoshi]], [[Hazuki Nakao]], [[Tamaki Uchida]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Aerospace Museum&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; March 19, 2026&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; October 16, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Two groups make their way to the Aerospace Museum. Nobody has a good time, except maybe Trish.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 MONAD: A party led by Umie Akabane has begun the event Aerospace Museum.&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 1: The Other Side - Challenge Level 2 ===========================- &lt;br /&gt;
  | Approach Options: Academics or Proficiency                                 | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Educational -        | &lt;br /&gt;
  | Academics Up L1, and Terrifying - Guts Down L2                             | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The Konan District&#039;s Aerospace Museum is easy enough to find, in part        &lt;br /&gt;
   because it has a life-sized Zeppelin replica attached to the building as      &lt;br /&gt;
   both exhibit and restaurant. Rumor has it that it can actually fly, but well  &lt;br /&gt;
   you can&#039;t believe everything you hear, right?                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   In the lobby, there&#039;s World War II memorabilia, including a Mitsubishi A6M    &lt;br /&gt;
   Zero hanging in pristine condition from the roof above. The lobby looks       &lt;br /&gt;
   empty save for a beautiful young man in the Kasugayama High uniform that      &lt;br /&gt;
   some may recognize as Jun Kashihara. He&#039;s looking around with a fretful       &lt;br /&gt;
   frown, as if searching for a museum employee; upon spotting you, he           &lt;br /&gt;
   approaches with a letter in hand to say:                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Excuse me--I don&#039;t mean to alarm you, but you should leave immediately.      &lt;br /&gt;
   Someone dangerous is coming here...&amp;quot;                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The letter in his hand is tightly clenched, but the eagle-eyed can make out   &lt;br /&gt;
   a message like &#039;cOMe aLOnE tO ThE AerOspAcE MuSEUM oR ELsE &amp;lt;3&#039; in a           &lt;br /&gt;
   scrawled, erratic hand.                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   No sooner does he start a conversation with you, when abruptly an entire      &lt;br /&gt;
   wall detonates into a great conflagration, as some incendiary device          &lt;br /&gt;
   detonates.                                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Kya-hahaha! Welcome to my walk down memory lane. Guess you ran into the      &lt;br /&gt;
   first of my bombs. The next will go off in the stairwell, then the other      &lt;br /&gt;
   floors will go up in flames one by one!&amp;quot;                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As flames of expiation light the heavens                                      &lt;br /&gt;
   The Lion&#039;s roar echoes far and wide                                           &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Don&#039;t you remember? It&#039;s just like the Other Side. There&#039;s a field trip      &lt;br /&gt;
   touring the museum right now. If you don&#039;t get those kids to the roof,        &lt;br /&gt;
   they&#039;ll become barbeque! Better hurry! Kya-hehehe-ahahahaha!&amp;quot;                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Your first challenge is rather simple, the voice wasn&#039;t kidding about the     &lt;br /&gt;
   stairwell going up in flames next. You have seconds to locate it, and run up  &lt;br /&gt;
   to the second floor before the fastest way to the second floor goes up in     &lt;br /&gt;
   flames.                                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Can you make it in time?                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC: The Red Text in this Monad represents Deja Vu moments from &#039;the Other    &lt;br /&gt;
   Side&#039;. If you&#039;ve determined that your character was not present in Innocent   &lt;br /&gt;
   Sin, or you haven&#039;t decided yet, then you can ignore these moments.           &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +OOC :looks at Akari on the other side�+OOC I promise not to freak out too much. probably. yet&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;amp;gt;&amp;amp;gt; Yeah&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; there&#039;s a Zeppelin replica upstairs&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; can&#039;t fly it exactly to check&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; meetup in lobby?&lt;br /&gt;
&lt;br /&gt;
    Umie fires some texts to Tamaki, alerting her wherever she may be in the museum.&lt;br /&gt;
&lt;br /&gt;
    Looking up as Jun approaches, looking around for a employee, Umie frowns. &amp;quot;Kashihara-kun?&amp;quot; She angles her head towards him. &amp;quot;... Something up?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes travel downwards towards the letter, immediately recognizing who it may be from. &amp;quot;Shit... !&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    &amp;amp;#42;&amp;amp;#42;&amp;amp;#42;BOOOM&amp;amp;#42;&amp;amp;#42;&amp;amp;#42;&lt;br /&gt;
&lt;br /&gt;
    As black smoke and red fire light the opening lobby of the museum, a strange malaise falls across the shocked Umie&#039;s expression.&lt;br /&gt;
&lt;br /&gt;
    The blonde&#039;s body sways slightly, reddish brown eyes glazing over to reflect the sparks of flame.&lt;br /&gt;
&lt;br /&gt;
    A mouth set rigid relaxes, and opens, quiet, meaningful words beginning to pour out of lips already dry from the spilling heat.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;As flames of expiation light the heavens &lt;br /&gt;
     The Lion&#039;s roar echoes far and wide...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her hand presses against her forehead as she comes it. &amp;quot;Damn it...&amp;quot; No mask to hide her here; there&#039;s just no time.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Academics toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Akari really wanted to see the Aerospace Museum because it had a rumour.&lt;br /&gt;
&lt;br /&gt;
That was really it. There was a rumour, therefore Akari - a magnet through which all rumours flow, even if she never really spread any of her own - was interested. Okay, so it wasn&#039;t quite as interesting as some rumours, but what if it really could fly?&lt;br /&gt;
&lt;br /&gt;
She actually has never been to the aerospace museum before, and it&#039;s not HER field trip that gets to go. It makes her a little uncomfortable for no reason she could clearly identify - there&#039;s nothing &amp;amp;#42;scary&amp;amp;#42; there, it&#039;s all planes and stuff, but she always has the vague feeling she shouldn&#039;t be there. So she invited Hazuki under the cover of &#039;want to see if the rumour&#039;s true?&#039; It&#039;s a good way to relax after the Atelier and before exams!&lt;br /&gt;
&lt;br /&gt;
(Akari is trying very very hard to not think about exams.)&lt;br /&gt;
&lt;br /&gt;
So that was all well and good before -&lt;br /&gt;
&lt;br /&gt;
An explosion!!&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
A few moments after the explosion, Ixquic - definitely Ixquic, helmet and outfit and sword and all - rushes out of the smoke. She is still trying to pull Hazuki along with her. Behind her helmet, her eyes are wide. &amp;quot;Up up up!&amp;quot; she demands, angling toward the stairs. She&#039;ll meet Umie (and anyone else) as soon as they&#039;re up there, or possibly before - it&#039;s not like Ixquic is exactly a &amp;amp;#42;subtle&amp;amp;#42; figure.&lt;br /&gt;
+monad&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: You can&#039;t view others&#039; stats.&lt;br /&gt;
 +monad/act Proficiency&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Proficiency toward The Other Side! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki is trapped in exam hell. She is not good at exams. So when she got an excuse to take a break at the Aerospace Museum, she took up Akari&#039;s offer.&lt;br /&gt;
&lt;br /&gt;
She&#039;d personally hoped that it could fly, though she wasn&#039;t sure how they&#039;d test it. She&#039;s unarmed, of course - no point in bringing a baseball bat - when the explosion goes off. As the smoke blasts out, she coughs for a moment, adrenaline flaring to make her think fast. &amp;quot;Ixquic-senpai, wait up!&amp;quot; she says on sight of Akari&#039;s transformation, charging after her into the stairwell.&lt;br /&gt;
&lt;br /&gt;
There&#039;s a mop in a bucket net to the stairwell, which she moves to steal. She can hear Umie as she does so... why does that feel so... familiar?&lt;br /&gt;
&lt;br /&gt;
Shaking her head, she pointed the mop out towards Umie. &amp;quot;Come on! We&#039;re running out of time!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Proceeding after Ixquic, her Transmutation begins to forge onto her, sliding in like ink on a canvas and weaving like threads being crafted together.&lt;br /&gt;
&lt;br /&gt;
It is harder to hold a mop in a winged pauldron, though, so she DOES slide it to the other arm. Just to be safe.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward The Other Side! Smarts and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The Zeppelin&#039;s just a replica. Some rumors do exist about it how it&#039;s not &#039;&#039;actually&#039;&#039; a replica, but it most certainly isn&#039;t. That&#039;s why they&#039;re there, to investigate the rumor and discourage its spread!&lt;br /&gt;
&lt;br /&gt;
    ... right?&lt;br /&gt;
&lt;br /&gt;
    As she ponders their exact reason for being there, Tamaki furrows her brow and idly stares at the small plane hanging on the roof above. Some part of her maintains with stubborn conviction that this rumor shouldn&#039;t be reified into a capital-R Rumor, but what she can&#039;t piece together is precisely &#039;&#039;why&#039;&#039;. Every time her mind tries to determine any potential reason for that to be the case, she just draws a blank.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s phone buzzes and snaps her out of her reverie. Seeing Umie&#039;s texts, she fires back a reply:&lt;br /&gt;
&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; ... what was your plan going to be if you &amp;amp;#42;could&amp;amp;#42; fly it&lt;br /&gt;
 &amp;amp;gt;&amp;amp;gt; and sure, i&#039;m already there&lt;br /&gt;
&lt;br /&gt;
    Tamaki snaps her phone shut and looks around for Umie&#039;s approach. Soon enough, Umie arrives -- just as the two women notice another familiar face. Tamaki blinks several times and peers more closely at Jun, intoning nearly in-tandem with Umie, &amp;quot;Kashihara-kun?&amp;quot; The exact nature of Tamaki&#039;s apparent selective amnesia starts to become more clear to her. The sense of impending dread already has her in high alert, just before --&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;BOOM&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    If she had any doubt before, the words Umie recites basically confirm it. &#039;&#039;Think about something else, anything else -- or at least keep it contained to muscle memory and not conscious thought.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    As if by driven by pure instinct, Tamaki rushes up the stairs. Spotting the other two, Tamaki waves to them. &amp;quot;Nakao-san! Ixquic-san!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Along the way, she rummages through her bag and glances to Umie. &amp;quot; -- I might have a mask for you here, if you want, provided I can &#039;&#039;find&#039;&#039; the damn thing -- &amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Piece Together toward The Other Side! Automap!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== The Other Side - Round 1 ==============================================- &lt;br /&gt;
   Tamaki Uchida        Academics                              Success           &lt;br /&gt;
   Piece Together       Automap                        Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Proficiency                            Success           &lt;br /&gt;
   Proficiency          Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Educational-2, and Terrifying-2                 &lt;br /&gt;
   Final Conditions: Educational-1 and Terrifying-1                              &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 1/6 |=    |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;amp;gt;&amp;amp;gt; i didn&#039;t think that far&lt;br /&gt;
&lt;br /&gt;
    Which is likely why Umie is currently maskless, her purse far too small and her ability to predict trouble far too late.&lt;br /&gt;
&lt;br /&gt;
    The &#039;prophecy&#039;, late as it may seem, is at least over, for now, as Umie straightens, wiping sweat off her brow. &amp;quot;Ixquic-san. Nakao-san. You heard that asshole, right?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Up up up they need to go. &amp;quot;I can&#039;t believe our lives are going to depend on that rumor...&amp;quot; She looks towards Tamaki, now here, as she offers a mask. &amp;quot;That part&#039;s not as import...ant...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    _don&#039;t let it see you_&lt;br /&gt;
&lt;br /&gt;
    A partially covered hand is wordlessly held out to Tamaki, Umie&#039;s eyes looking anywhere but anyone&#039;s faces.&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t even pretend to hide when she puts it on, even; to everyone, it&#039;s plainly Umie, hair buns and all, _just with a half-mask_. &amp;quot;No way this can&#039;t get any worse, right?&amp;quot; she says, flatly, before she follows.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 2: Worst Field Trip Ever - Challenge Level 2 ====================- &lt;br /&gt;
  | Approach Options: Proficiency or Guts                                      | &lt;br /&gt;
  | Conditions: Clumsy - Proficiency Down L1, Educational - Academics Up L1,   | &lt;br /&gt;
  | Scary - Guts Down L1, and Terrifying - Guts Down L2                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    The second floor of the Aerospace museum is already filling with smoke, as   &lt;br /&gt;
   flames from the first floor have already caught hold here, licking along      &lt;br /&gt;
   several particularly flammable spaces. Exhibits about the history of          &lt;br /&gt;
   aviation in Japan and in general are lined up with artifacts of prior         &lt;br /&gt;
   generations.                                                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Fifteen. Fifteen minutes. That&#039;s how long you have to find the kids and get   &lt;br /&gt;
   to the roof. You&#039;re not sure why you get that instinct.                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You&#039;ve gotta find those kids! Quick!                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Unfortunately there are demons coming down the hallway already. Horse-headed  &lt;br /&gt;
   creatures that stand on two-feet. With a whinny of rage, they come at you,    &lt;br /&gt;
   spreading more flames with Maragi spells.                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   And that&#039;s just the first group of them.                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You have to search this floor quickly AND thoroughly, fighting demons as you  &lt;br /&gt;
   go, paths that were open before closing off in flame.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +pot/last Hazuki&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I can&#039;t wait up! Heroes don&#039;t wait around! Also everything is on fire!&amp;quot; Despite her words, Ixquic does slow down just a little so that she doesn&#039;t outpace Hazuki too far.&lt;br /&gt;
&lt;br /&gt;
Ixquic is honestly glad to see Umie. Along with Hazuki, that makes three of them - four, with Umie&#039;s friend, who is vaguely familiar. Even if they haven&#039;t properly been introduced, it&#039;s not like they haven&#039;t yelled names (or, well, at least Ixquic certainly has) and they&#039;ve fought on the same side before.&lt;br /&gt;
&lt;br /&gt;
Good enough.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I heard him,&amp;quot; Ixquic agrees, &amp;quot;but I don&#039;t know why! Who&#039;d want to do something like that?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
you would&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s sense of unease increases. She feels the need to move, to get out of the fire - or at least the smoke, it&#039;s not all burning up here yet but it won&#039;t be long. But she&#039;s a hero! She can&#039;t abandon kids. Are they even younger than she is? Whatever - she won&#039;t.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;C&#039;mon!&amp;quot; she says, practically vibrating with energy as she hops from foot to foot, waiting for the others. That lasts about three seconds before a demon runs around the corner, a horse-headed, fireball-throwing demon.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You look!&amp;quot; she suggests. &amp;quot;I&#039;ll hold them off! Whoop-ass time!&amp;quot; Ixquic brandishes her enormous gold sword and swings it at one of the demons, too far away to hit but enough to get their attention. &amp;quot;Halt, demons!!&amp;quot; Ixquic points, dramatically. &amp;quot;Today you go no further!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Well, that&#039;s helping. But she can&#039;t stay there forever. She has to keep moving too or she&#039;s going to burn with everything else!&lt;br /&gt;
+act High Energy&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with High Energy toward Worst Field Trip Ever! Patra and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki makes it to the second floor, nodding to Umie and Tamaki. &amp;quot;Uchida-san, Akabane-san... we need to hurry. We have...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A pause.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...fifteen minutes,&amp;quot; she says, unsure why she said that, but it feels right. Uncomfortably right.&lt;br /&gt;
&lt;br /&gt;
As the flaming demons attack, however, Hazuki&#039;s moving. She takes her mop and moves to smash it into a demon. The mop will probably break...&lt;br /&gt;
&lt;br /&gt;
But it&#039;s a distraction to let Ixquic get the killing blow! &amp;quot;Ixquic-senpai! You&#039;ll have to do the melee, I&#039;ll focus on magic!&amp;quot; They&#039;re a team, after all, and this is definitely a team-worthy activity.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Guts toward Worst Field Trip Ever! Base!&lt;br /&gt;
 +OOC brb in 5, sorry, rl&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki replies to Umie, &amp;quot;Don&#039;t jinx it.&amp;quot; As Hazuki calls her by name, it takes Tamaki some restraint to not smack her own forehead.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Heaven calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Fifteen minutes. That&#039;s how much time they&#039;ve got. Tamaki &#039;&#039;shouldn&#039;t&#039;&#039; know that -- not to that degree of precision. All the same, she can put a number to it.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;The earth calls!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Clearly it&#039;s because she&#039;s been in other hectic situations before, right? Clearly, she&#039;s intuited an estimate from her time in both high schools and the last few months. There have been a number of arson attacks by the Joker Killer, so she&#039;s pulling from some detective sense brain blast ...&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;... what was the next part?&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Or so she tries to rationalize in the brief few moments before Hazuki&#039;s mention of &#039;&#039;that exact same estimate&#039;&#039; throws her for a loop. Those rationalizations of hers -- that&#039;s just not how things work, plain and simple. She stammers out, &amp;quot;Er -- right! Every second counts!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There are kids in trouble to rescue. There&#039;s no time to wait. Like Ixquic says, everything is on fire.&lt;br /&gt;
&lt;br /&gt;
    Tamaki&#039;s seen her around and they&#039;ve fought on the same side. Good enough for now, introductions can wait. &amp;quot;Heroes don&#039;t wait around, like you say!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    While the others are focused on fighting, she&#039;ll turn her attention to searching. Every so often, Arianrhod &#039;&#039;does&#039;&#039; pop into existence to hinder the demons to soften them up for the others with more decisive blows.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Worst Field Trip Ever! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Fifteen minutes, huh,&amp;quot; Umie says, looking at Hazuki, then nods. She doesn&#039;t question that logic.&lt;br /&gt;
&lt;br /&gt;
    She has no weapons, but Badb will be enough. &amp;quot;I doubt any kid&#039;d come when I call,&amp;quot; Umie says, stifling a cough. The jacket worked far better against the chill of early autumn than it does here, stapled to her with body sweat. While she unzips it, she doesn&#039;t take it off completely, nor roll up her sleeves.&lt;br /&gt;
&lt;br /&gt;
    Yet, with Hazuki and Akari stepping up to work on the demons, Umie is forced to concede, slipping around.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hey, anyone in here?&amp;quot; she shouts, moving from room to room, working with Tamaki to made sure every room is looked over at least twice. &amp;quot;We&#039;re going to get you guys out of here. It may seem scary, but there&#039;s two superheroes right out here, holding the bad guys away.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Maybe by &#039;kids&#039;, Sudou meant &amp;amp;#42;older&amp;amp;#42; kids, but it&#039;s worth a shot, right?    &lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Can you do this? toward Worst Field Trip Ever! Specialty!&lt;br /&gt;
 +act/complete&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Worst Field Trip Ever - Round 2 =======================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Proficiency                            Success           &lt;br /&gt;
   Can you do this?     Specialty                      Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   High Energy          Patra and Efficient            Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Clumsy-2, Educational-1, Scary-2, and Terrifying-1       &lt;br /&gt;
   Final Conditions: Scary-1                                                     &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 2/6 |==   |  ===================================================- &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +OOC Yaay&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fighting off the demons isn&#039;t going to find the kids, but it&#039;s vital if you want to stay alive, and keep them alive. Ixquic and Hazuki focus on that to start, and they&#039;re getting used to working as a team; Ixquic is a lot faster than anyone who uses a sword that big seems likely to be, and she keeps tying demons down in melee while Hazuki focuses on her magic.&lt;br /&gt;
&lt;br /&gt;
That lets the others focus on looking. And while there aren&#039;t &amp;amp;#42;all&amp;amp;#42; the kids on this floor, there&#039;s at least a couple. &lt;br /&gt;
&lt;br /&gt;
...Unfortunately, they &amp;amp;#42;are&amp;amp;#42; elementary students, which means that Sudou definitely meant younger kids. The pair that Umie finds and the singleton Tamaki does are eager to escape, especially given - &amp;quot;Superheroes!&amp;quot; That brightens them up, even if it&#039;s a very scary situation...&lt;br /&gt;
&lt;br /&gt;
But that&#039;s not the whole class by any means. Where ARE they? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;They must be further up,&amp;quot; is Ixquic&#039;s guess. &amp;quot;I mean, this floor doesn&#039;t have the coolest exhibits on it...&amp;quot; She gives Hazuki a high-five, though, when the first wave of demons falls, and the others a big thumbs up.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 3: Grab Your Asses! - Challenge Level 2 =========================- &lt;br /&gt;
  | Approach Options: Charm or Understanding                                   | &lt;br /&gt;
  | Conditions: Scary - Guts Down L1, Smooth - Charm Up L1, and Soft -         | &lt;br /&gt;
  | Understanding Up L1                                                        | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    Entering an exhibit on the events leading up to Westernisation and the       &lt;br /&gt;
   birth of Aviation in Japan after the Meiji Restoration, you find about a      &lt;br /&gt;
   dozen elementary schoolers huddled close to the floor, due to the smoke       &lt;br /&gt;
   already spilling into the room, even before it was opened.                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Are you firefighters?&amp;quot;                                                       &lt;br /&gt;
   &amp;quot;Please get us out of here!&amp;quot;                                                  &lt;br /&gt;
   &amp;quot;I&#039;m scared...&amp;quot;                                                               &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some kids are outright crying on the floor, shaking, in little state to even  &lt;br /&gt;
   move, much less to follow your directions in demon infested burning           &lt;br /&gt;
   hallways.                                                                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Now is the time to change that. What do you say to them!?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki returns the high-five, unaware she broke Umie&#039;s PERFECT COVER. Instead, as they take out the first wave of demons, the group can proceed to an exhibition on the birth of Aviation in Japan.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Are you firefighters?&amp;quot;&lt;br /&gt;
&amp;quot;Please get us out of here!&amp;quot;&lt;br /&gt;
&amp;quot;I&#039;m scared...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
They&#039;re definitely elementary students. A dozen of them, huddled by the floor, as smoke spilled in. There&#039;s crying and shaking kids, unable to even listen or follow directions. They&#039;re scared. Terrified.&lt;br /&gt;
&lt;br /&gt;
It breaks Hazuki&#039;s heart. She has to do something. Maybe, in that outfit, she can.&lt;br /&gt;
&lt;br /&gt;
Stepping a foot onto an exhibit, Hazuki throws her voice, a far cry from the gloomy girl she usually is. &amp;quot;Students! I, the Hero of Light, have come to vanquish the flames and the evil alike! The demons will no longer harm you! Their king will not lay a hand on you! You will survive the night and return to your families, if you can listen to us! Please, follow along!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s inspiring. It&#039;d be even more inspiring if it wasn&#039;t cribbed from an old Drake Adventure.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Gamer Talk toward Grab Your Asses!! Specialty!&lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Just one kid alone? &amp;quot;Hey, which way&#039;s your buddy, do you know?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Two heroes? Overhearing this, Tamaki points at Umie&#039;s borrowed half-mask and grins confidently. &amp;quot;Three, by my count!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her thoughts were already going in that direction, but after hearing Hazuki&#039;s boasts, Tamaki mimes yelling into a microphone and despite the chaos of the moment, she puts on a brave face for the children and gleefully announces,&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;(Right, right right right, that was the line.)&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Heaven calls! Earth calls! The people call! Thaaaaat&#039;s right, your heroes are here to save the day!&amp;quot; With her hand splayed out in Hazuki&#039;s direction, she proclaims, &amp;quot;The Hero of Light!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She claps for a few moments and then holds out the faux-microphone in Umie&#039;s direction. She &#039;&#039;did&#039;&#039; say she counted three. &amp;quot;But! What is light without its counterpart? Also presenting, the Hero of Dark! Care to demonstrate for the crowd here?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    she&#039;s a little sorry for putting Umie on the spot here but look she&#039;s trying to play hype girl to get these kids to move up and out to safety&lt;br /&gt;
&lt;br /&gt;
    Last but not least, she gestures to Ixquic. &amp;quot;Aaaaaand last but not least, well -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    okay she didn&#039;t think this one all the way through&lt;br /&gt;
&lt;br /&gt;
    &amp;quot; -- Ixquic! Any inspiring words for the audience?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward Grab Your Asses!! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic actually falls behind this time.&lt;br /&gt;
&lt;br /&gt;
She&#039;s slowed as the group passes a sign pointing to a display up a little further: a Zero. She can&#039;t see the display from here, quite, but - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If she stays there any longer, she&#039;ll die!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
- she can&#039;t stop looking at the sign, like something about it had caught her attention. And it&#039;s the way they&#039;re going.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s heart tightens with... panic? It&#039;s for the kids, she tells herself. She has to get the kids out of here. It&#039;s only the children that&#039;s making her feel like this.&lt;br /&gt;
&lt;br /&gt;
She picks up the pace, &amp;amp;#42;running&amp;amp;#42; to catch up, and so she doesn&#039;t just arrive in the room with the trapped children: she bursts in, cloak flapping from the speed of her movement and her suddenly slamming through the door. She&#039;s a little out of breath. (It&#039;s the smoke. Probably.)&lt;br /&gt;
&lt;br /&gt;
And then Tamaki takes &amp;amp;#42;that instant&amp;amp;#42; to gesture at her.&lt;br /&gt;
&lt;br /&gt;
Ixquic draws herself up to her full height. Be Ixquic, she tells herself. Ixquic wouldn&#039;t be scared. Ixquic is brave, even if Akari isn&#039;t. Just be her, and not you - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I am the magical warrior Ixquic, reincarnated from the depths of perpetuity - &amp;quot; She&#039;s finally learned that word! Good for her! &amp;quot; - and I&#039;m here to save you all!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
just like she did for you&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come on! We&#039;ll get you out. It&#039;ll be safer on the roof!&amp;quot; Ixquic is suddenly sure about that. It&#039;s where she&#039;d run to, if she was trapped... isn&#039;t it? &amp;quot;You&#039;ll be safe as long as you&#039;re with us heroes!&amp;quot;&lt;br /&gt;
+attacks&lt;br /&gt;
&lt;br /&gt;
(|=== Arcana +stats: Akari Hoshi, Persona Legendary Magical Warrior Ixquic ===|)&lt;br /&gt;
| []Dual Slice                         Wk Phys SLS PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Huge Swing                         Wk Phys SLS PL 2           ----- +2L    |&lt;br /&gt;
|    Weapon, Critical1, and Heavy                                              |&lt;br /&gt;
| ==Holy Sword                         Wk Phys LGH PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Heavy Impact                       Wk Phys SLS PL 1           ----- +2L    |&lt;br /&gt;
|    Boost, Weapon, Critical2, Heavy, and Paralyze                             |&lt;br /&gt;
| ==Assault Charge                     Wk Phys STR PL 2 (2xHit)   12 HP +2L    |&lt;br /&gt;
|    Blast                                                                     |&lt;br /&gt;
| ==Crashbrand                         Wk Phys ELC PL 2 (2xHit)   15 HP +2L    |&lt;br /&gt;
|    Tandem and Heavy                                                          |&lt;br /&gt;
| ==Spin Slash                         Wk Phys SLS PL 1 (3xHit)   17 HP +2L    |&lt;br /&gt;
|    Area                                                                      |&lt;br /&gt;
| ==Wild Slash                         Wk Phys SLS PL 2           12 HP +2L    |&lt;br /&gt;
|    Wild                                                                      |&lt;br /&gt;
| ==Rikaja                             Wk Magi REC PL 0           10 SP +2L    |&lt;br /&gt;
|    Renew                                                                     |&lt;br /&gt;
| ==Absolutely Fatal End               St Phys SLS PL 4           22 HP  0L    |&lt;br /&gt;
|    Signature, Critical3, and Masochism                                       |&lt;br /&gt;
| ==Hyper Slash                        St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    All_Out3 and Critical3                                                    |&lt;br /&gt;
| ==Giantslayer Lance                  St Phys PRC PL 4           25 HP  0L    |&lt;br /&gt;
|    Signature, All_Out2, Anti_Block, and Critical1                            |&lt;br /&gt;
| ==Mind Slice                         St Phys SLS PL 3           25 HP +1L    |&lt;br /&gt;
|    Panic and Area                                                            |&lt;br /&gt;
| ==Heroic Dream                       St Magi REC PL 0           32 SP +1L    |&lt;br /&gt;
|    Crt_Up, Atk_Up, and Area                                                  |&lt;br /&gt;
| ==Fated Duel                         St Magi SLS PL 0           20 SP +1L    |&lt;br /&gt;
|    Slash_Break, Panic, and Rage                                              |&lt;br /&gt;
| ==Rocinante                          Fi Phys SLS PL 6           35 HP  1L    |&lt;br /&gt;
|    Tandem, Critical1, Heavy, and Theurgy                                     |&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Everybody&#039;s Hero toward Grab Your Asses!! Friendliness and Focus!&lt;br /&gt;
 WHO&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    It&#039;s okay, Hazuki, Umie breaks Umie&#039;s PERFECT COVER.&lt;br /&gt;
&lt;br /&gt;
    Hazuki makes her appeal to the audience, posing impressively as a Hero of Light, followed by Tamaki, who poses as--&lt;br /&gt;
&lt;br /&gt;
    ... an announcer. Because she&#039;s announcing Umie as the &#039;Hero of Dark&#039;.&lt;br /&gt;
&lt;br /&gt;
    The others of their happy little heroic group will certainly see Umie&#039;s eyes widen from behind the mask Tamaki lent Umie, which so happens to be the one Tamaki wore to the sanitarium.&lt;br /&gt;
&lt;br /&gt;
    damn it, Tamaki, why do you do this to her&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Right. I&#039;m...&amp;quot; ... It&#039;s been all about scaring or charming demons; nothing about that could really work here, with scared children. Think, Umie. Think. Hero of Dark. Hero of Dar-- oh no, she couldn&#039;t pull &amp;amp;#42;that&amp;amp;#42; off &lt;br /&gt;
&lt;br /&gt;
    HA HA TOO LATE SHE&#039;S TRYING IT LIVE screw it&lt;br /&gt;
&lt;br /&gt;
    Borrowing from her stint as the boy butler, she bows, placing a hand to her waist, the other held out. &amp;quot;That&#039;s right, I&#039;m the Hero of Dark!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Lips open in a sauve, reckless grin (level it out, Umie, don&#039;t do what you normally do) as she poses, placing a hand to her mask, as she proclaims, before gesturing her hands out: &amp;quot;And I&#039;m here to steal the Old Maid&#039;s show!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An awkward pause.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Did you forget your costume, miss?&amp;quot; asks a confused child.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s angled grin twitches. &amp;quot;.... Aha... A true hero of Dark blends right in.&amp;quot; RIGHT.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward Grab Your Asses!! Focus and Find!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Grab Your Asses! - Round 3 ============================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Charm                                  Success           &lt;br /&gt;
   Everybody&#039;s Hero     Friendliness and Focus         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Charm                                  Success           &lt;br /&gt;
   Gamer Talk           Specialty                      Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Scary-1, Smooth-2, and Soft-2                            &lt;br /&gt;
   Final Conditions: Smooth-1 and Soft-1                                         &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 3/6 |===  |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;As the HERO OF LIGHT, HERO OF DARK, IXQUIC, and SOME ANNOUNCER LADY declare their heroism to the children, they actually do buy it. The heroic displays, costumes, and whatever the hell Tamaki and Umie are doing get the children to wipe their tears and start to rise, and soon, they have a tiny army of children following them up.&lt;br /&gt;
&lt;br /&gt;
Hazuki does, however, whisper to her team as she passes by. &amp;quot;Wait. Old Maid? ...isn&#039;t that that serial killer...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sumaru is absolutely not Hazuki&#039;s space.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Tamaki Uchida has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 4: SCREAM for Ice Cream - Challenge Level 2 =====================- &lt;br /&gt;
  | Approach Options: Charm or Academics                                       | &lt;br /&gt;
  | Conditions: Curse - -1 to Group Roll (Per Character), Fairy - Subtract 1   | &lt;br /&gt;
  | Fatigue on success., Smooth - Charm Up L1, and Soft - Understanding Up L1  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    It&#039;s only getting worse as more devices are going off, the hallways are      &lt;br /&gt;
   choked with smoke, and the kids are coughing the whole way.                   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But! Sanctuary! Glorious sanctuary! You see the outline of a doorway which    &lt;br /&gt;
   leads to a certain money-grubbing fairy&#039;s shrine.                             &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Entering the spring is an instant relief. The kids breathe easier. You&#039;ll     &lt;br /&gt;
   have to move before long, but any reprieve is welcome.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Hey rugrats! Nothing in life is free, and that includes fresh air!&amp;quot; Trish    &lt;br /&gt;
   crosses her arms, tapping a riding crop, &amp;quot;Since you&#039;re exceeding maximum      &lt;br /&gt;
   occupancy, I&#039;ll have you know that I&#039;m charging by the minute. I&#039;d put it on  &lt;br /&gt;
   your tab but... ha! You don&#039;t have one. Tabs are for deadbeats and losers.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Then, with a grin, the fairy suddenly goes to stand behind a new fixture in   &lt;br /&gt;
   her fountain, covered by a bright red cloth, which she pulls off with a       &lt;br /&gt;
   sudden flourish, to reveal an ICE CREAM COUNTER and brandishes a scoop.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Also I&#039;d like to introduce you all to the latest addition to my business,    &lt;br /&gt;
   the Trish Refreshment Stand. Who wants Ice Cream? Only 5000 yen per scoop.&amp;quot;   &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;Me!&amp;quot;                                                                         &lt;br /&gt;
   &amp;quot;Please! My throat feels like it&#039;s on fire!&amp;quot;                                  &lt;br /&gt;
   &amp;quot;Is she a real fairy!?&amp;quot; &amp;quot;Nah, it&#039;s gotta be a costume.&amp;quot;                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   &amp;quot;That&#039;s right kiddos.&amp;quot; She winks at them, before looking at all of you.       &lt;br /&gt;
   &amp;quot;Just a costume.&amp;quot; She makes a gesture of two fingers rubbing against each     &lt;br /&gt;
   other at you. You start to realize, you&#039;ve been CONNED! She&#039;s definitely      &lt;br /&gt;
   price-gouging in the middle of the raging inferno, tugging on your heart      &lt;br /&gt;
   strings and using the kids as props.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Are you really gonna let these kids go without ice cream?                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Maybe you can convince her to be reasonable. That&#039;s one big maybe.            &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Ohhh, that&#039;s her deal, then. &amp;quot;Ixquic, the undying star! Follow her example, and don&#039;t stay down when you get discouraged -- get right back up!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Tamaki at least tries to further sell the direction Umie takes things in. &amp;quot;That&#039;s right, she&#039;s incognito! She could be anyone! Anywhere! She could strike at any time! Evildoers bewaaare!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Lead the way, Hero of Light!&amp;quot; She gestures for Hazuki and more quietly adds, &amp;quot; -- and thanks for the idea. I think it lifted their spirits.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The roof is a fair distance away, still. The crowd proceeds, but it&#039;s not without its obstacles. The rising smoke makes it difficult to breathe.&lt;br /&gt;
&lt;br /&gt;
    There&#039;s some hope, though -- a brief respite, a place to surface for air. A sanctuary --&lt;br /&gt;
&lt;br /&gt;
    -- with a goddamned money-grubbing fairy in it. Tamaki&#039;s &#039;&#039;heard&#039;&#039; of her, but only via her St. Hermelin classmates.&lt;br /&gt;
&lt;br /&gt;
    Tamaki lets her elbow rest on the counter and she gives Trish a bright grin. &amp;quot;Ahhh, c&#039;monnnn, think of the long tail. You&#039;re gonna gouge first-time customers? That&#039;ll kill repeat business, you know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Something in her smile strains. It&#039;s then that she makes the decision to try and lightly hold that riding crop in place. &#039;&#039;Stop that.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Demon Friends toward SCREAM for Ice Cream! Friendliness and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The undying star! That&#039;s a new title for Ixquic... but she thinks she likes it. Under her helmet, Ixquic beams.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Hero of Darkness doesn&#039;t need a mask,&amp;quot; she says, &amp;quot;because the shadows itself are her mask! Evildoers will never see her coming! ...but you&#039;re not evil, so you can see her fine,&amp;quot; Ixquic adds. &amp;quot;And it&#039;s good to have something for the smoke...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She does not like the smoke.&lt;br /&gt;
&lt;br /&gt;
The crowd proceeds. Ixquic goes ahead at one point, then behind at another to make sure demons aren&#039;t about to ambush the party. So she is not with the group when they walk into Trish&#039;s fairy fountain/ice cream shop...&lt;br /&gt;
&lt;br /&gt;
...actually, where &amp;amp;#42;is&amp;amp;#42; Ixquic?&lt;br /&gt;
&lt;br /&gt;
She&#039;s fallen behind again because, as the group goes up, she walked past one of the open hallways. From here you can see all the way down to the first floor, which is on fire, and up, to the higher floors.&lt;br /&gt;
&lt;br /&gt;
Hanging there is a plane. A Zero, the same one she saw the sign for before. (It&#039;s a model, not that she realizes it.) Ixquic can&#039;t look away from it. She&#039;s frozen, despite everything.&lt;br /&gt;
&lt;br /&gt;
&#039;Hey, lady! Please help me...!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic both can&#039;t bring herself to look at it for very long but has trouble looking away. She grips the railing, leaning far out so she can see up to it; she can feel the heat on her shoulders, on her arms, as she looks at the Zero.&lt;br /&gt;
&lt;br /&gt;
Ixquic&#039;s grip tightens to the point her knuckles whiten. She holds it for about two seconds - and then she flees, running. Why does it feel this way to her? Why is she panicking about crashing it? She&#039;s never been in a plane in her life! &lt;br /&gt;
&lt;br /&gt;
She runs - and, like the others, sees freedom.&lt;br /&gt;
&lt;br /&gt;
Freedom is barging into an ice cream fountain (not literally) late, and shaking. She&#039;s not going to be any use with convincing Trish to NOT gouge, come on.&lt;br /&gt;
&lt;br /&gt;
Well, except for one bit: &amp;quot;It&#039;s definitely costume day around here...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Academics toward SCREAM for Ice Cream! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Well, it worked as a template. And hey, no wonder Joker sometimes looks like he&#039;s having fun when he&#039;s playing the part! She&#039;d just like to make sure he never finds out, ha ha ha&lt;br /&gt;
&lt;br /&gt;
    Umie just continues along like nothing ever happened because NONE OF WHAT JUST HAPPENED ACTUALLY HAPPENED ahem&lt;br /&gt;
&lt;br /&gt;
    .....&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Yeah. That&#039;s who set this fire,&amp;quot; Umie says quietly to Hazuki. &amp;quot;Though that&#039;s just what the police call him. He&#039;s better known as the Joker Killer. That letter that Kashihara-kun had... the Old Maid&#039;s been relentlessly harassing him.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    They continue on, and... Umie frowns, coughing into her hand. &amp;quot;Give me a second...&amp;quot; Eyes watering, she closes them as she summons the Badb in a brief flare of blue light. &amp;quot;.... Left.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The doorway may have been visible before Umie had used Badb, but now, it&#039;s confirmed, at the very least.&lt;br /&gt;
&lt;br /&gt;
    Crowding in, Umie breathes in the blessed, blessed cool air of Trish&#039;s fountain dimension, before looking up at...&lt;br /&gt;
    .... an.... ice cream display...        &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... how low can you get, Trish-san,&amp;quot; Umie winces.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Shortstuff!!&amp;quot; exclaims Trish. &amp;quot;Well, you don&#039;t want these kids to have to endure your torment, do you? All those nights, trying to wrestle up loose change for me. But you were such a &amp;amp;#42;cutey patoety&amp;amp;#42; back then~~&amp;amp;lt;3&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s lips seal into a grim little fake smile as she begins digging around her jacket. &amp;quot;Eheheh... let&#039;s not bring up the past in front of people~~&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Wait a minute. Umie looks back over her shoulder. &amp;quot;... Hey, did Ixquic-san follow us in, or did she slip back out?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s about the moment Ixquic barges in, shaking. &amp;quot;Hey, are you okay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hold on, I&#039;m prepared.&amp;quot; Digging out a coin purse, she opens a little pocket inside the flap and, carefully, she draws out a diamond, one of many that were embedded in her from that fight in Eiji Kamiya&#039;s Palace.&lt;br /&gt;
&lt;br /&gt;
    Oh boy, this is going to make Trish raise her prices whenever she sees her in the group from now on, isn&#039;t it&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hazuki leads the way, and they make it to...&lt;br /&gt;
&lt;br /&gt;
THE ICE CREAM STAND???&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What?&amp;quot; Hazuki says, stone-faced, as the kids run up to get ice cream from a con artist fairy that Hazuki has never heard of. She scratches the back of her head. And then, as the others try to negotiate, Ixquic is-&lt;br /&gt;
&lt;br /&gt;
Nowhere to be found. Hazuki&#039;s actually about to double back to find her, when she shows up.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic-senpai, are you okay...?&amp;quot; she asks, before turning to Trish. &amp;quot;Hey! Where&#039;s our group discount for being such a large group?!&amp;quot; wait what&lt;br /&gt;
&lt;br /&gt;
Hazuki&#039;s trying to fast talk the fast talker, and hopefully, it&#039;ll help contribute! But she&#039;s more worried about Akari right now.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Think Fast toward SCREAM for Ice Cream! Smarts and Efficient!&lt;br /&gt;
 MONAD: Umie Akabane has acted with String Theory toward SCREAM for Ice Cream! Focus and Find!&lt;br /&gt;
 &lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== SCREAM for Ice Cream - Round 4 ========================================- &lt;br /&gt;
   Tamaki Uchida        Charm                                  Success           &lt;br /&gt;
   Demon Friends        Friendliness and Patra         Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Charm                                  Success           &lt;br /&gt;
   String Theory        Focus and Find                 Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Academics                              Success           &lt;br /&gt;
   Academics            Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Academics                              Success           &lt;br /&gt;
   Think Fast           Smarts and Efficient           Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Curse-0, Fairy-0, Smooth-1, and Soft-1                   &lt;br /&gt;
   Final Conditions:                                                             &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 4/6 |==== |  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 +monad&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Tamaki&#039;s attempt to strongarm Trish right back only serves to prolong matters. They glare at each other, caught in stubborn deadlock. &amp;quot;Why should I bend when I&#039;ve got you right where I want you?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She doesn&#039;t spring for Hazuki&#039;s idea, but it &#039;&#039;does&#039;&#039; wear her down even further. &amp;quot;Ehhhhh? Group discount? This isn&#039;t that kind of establishment! The price stands as -- as -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s when she sees the diamond. That, plus the fatigue from the negotiations so far short-circuit whatever exact price Trish had in mind, certain that this will be enough to cover it all once it&#039;s appraised. &amp;quot;Oh my goodness, thaaank you! You&#039;ve certainly upgraded from loose change!&amp;quot; Trish&#039;s avaricious smile looms, both now and in future deals.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It&#039;s a deal!&amp;quot; The kids raise their hands and cheer as they partake of some of the most expensive ice cream around.&lt;br /&gt;
&lt;br /&gt;
    Tamaki sighs in relief and deflates. &amp;quot;Yaaaaaay,&amp;quot; she flatly cheers. &amp;quot; -- and yeah, that&#039;s one of the names the police call him,&amp;quot; she confirms.&lt;br /&gt;
&lt;br /&gt;
    That said, she had been so focused on the kids that she didn&#039;t think to check on the newly-named Undying Star. &amp;quot; -- Ixquic-san?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The very much not-costumed apprentice detective steps over to her, uncertain as to what&#039;s going on. She missed something.&lt;br /&gt;
&lt;br /&gt;
    From Tamaki&#039;s perspective, the climb up hasn&#039;t been so rough, but ... she can&#039;t shake her sense of dread about what&#039;s at the top.&lt;br /&gt;
&lt;br /&gt;
    ... also from Tamaki&#039;s perspective, when she&#039;s shaken, she&#039;d want food. Maybe the offer will help out here. &amp;quot;... what, ah -- what flavor would you like?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Umie Akabane has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 5: Déjà View - Challenge Level 1 ================================- &lt;br /&gt;
  | Approach Options: Guts or Understanding                                    | &lt;br /&gt;
  | Conditions: Hard - Understanding Down L1 and Heartening - Guts Up L1       | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You rush into one of the hanging displays in the Aerospace Museum. A         &lt;br /&gt;
   life-sized model airplane hangs from the ceiling over an open floor plan. A   &lt;br /&gt;
   portion of the floor acts as a walkway that leads right up to it. There&#039;s no  &lt;br /&gt;
   reason to approach it, given that the place is actively on fire and you       &lt;br /&gt;
   still have a ways to go before you reach the roof.                            &lt;br /&gt;
                                                                                 &lt;br /&gt;
   But... you could swear--some of you--that you hear a young girl screaming     &lt;br /&gt;
   for help from over where the model airplane is. No matter how much you look,  &lt;br /&gt;
   though, there&#039;s no one there. Eerie.                                          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Not everyone will hear. Just those who might be getting reminded of a past    &lt;br /&gt;
   that never was, if they were a part of it. Those who wouldn&#039;t are simply met  &lt;br /&gt;
   with another empty room.                                                      &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Whether you hear or not, do you move on, or do you double down? Tick tock...  &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    That has to be about the most expensive scoop of strawberry ice cream ever.&lt;br /&gt;
&lt;br /&gt;
    With the kids all getting their own ice cream and cooled down, Umie has to hope that Trish&#039;s space has those time refractive properties she&#039;s long suspected. (... not that she&#039;s ever been able to &amp;amp;#42;test&amp;amp;#42; them.)&lt;br /&gt;
&lt;br /&gt;
    After all, she doesn&#039;t want to test whether Hazuki&#039;s &#039;prophecy&#039; of fifteen minutes is true.&lt;br /&gt;
&lt;br /&gt;
    Getting their motley group of kids situated and filing out, Umie summons the ghastly smiling form of Badb once more, trusting that the kids will be none the wiser, outside of a confused glance upward or two. &amp;quot;This way, I think. Should be an airplane model to our right. Just keep on the walkway, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Someone is screaming from the airplane; at least, it &amp;amp;#42;sounds&amp;amp;#42; like it, though the fire&#039;s noise may be distorting the noise. Whether it&#039;s real or not, all the more reason to check, right?&lt;br /&gt;
&lt;br /&gt;
    .... Right, Umie Akabane?&lt;br /&gt;
&lt;br /&gt;
    Umie, strangely, keeps walking on, as if she hears nothing concerning, up until one of the kids speaks up.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Miss Dark Hero... I think someone&#039;s there...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie blinks, then looks towards the plane. &amp;quot;I... didn&#039;t hear anything, I don&#039;t think.&amp;quot; She looks to the others. &amp;quot;No resonance, either, but there&#039;s plenty of us that can hide theirs. And if a kid&#039;s in there...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Umie Akabane has acted with Understanding toward Déjà View! Base!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I&#039;m &amp;amp;#42;fine&amp;amp;#42;,&amp;quot; Ixquic repeats.&lt;br /&gt;
&lt;br /&gt;
She&#039;s so not fine she doesn&#039;t even comment on the world&#039;s priciest ice cream. Or get any for herself, even when Tamaki asks her; it&#039;s like she doesn&#039;t realize it&#039;s for her. SHE doesn&#039;t have any diamonds in her pockets, after all, and somehow she doesn&#039;t think Trish will react the same way to a gift of clownskin.&lt;br /&gt;
&lt;br /&gt;
Ixquic still has not found anyone who will take that stuff off her hands. It&#039;s just going to live in her pocket until the end of time at this rate.&lt;br /&gt;
&lt;br /&gt;
She sticks with the group this time, though, so she&#039;s behaving-fine even if she&#039;s not feeling-fine.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, the airplane model is this way,&amp;quot; she agrees with Umie. &amp;quot;That&#039;s what I went to look at, because...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...because I did.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But this time, there&#039;s a voice.&lt;br /&gt;
&lt;br /&gt;
Ixquic does not actually recognize the voice, the first time it calls. You don&#039;t ordinarily hear &amp;amp;#42;your own&amp;amp;#42; voice from the outside, and if you do it frequently doesn&#039;t sound quite right to you. She knows she&#039;s heard it before, but she can&#039;t place it...&lt;br /&gt;
&lt;br /&gt;
&#039;Noooo! Help meeee!&#039;&lt;br /&gt;
&lt;br /&gt;
Ixquic freezes up. Again. Ixquic may not always be the most dependable, sometimes; she&#039;s kind of erratic, a little detached from reality, prone to running off and doing her own thing. But it&#039;s almost unheard of for her to do nothing at all, and nothing at all is what she does this time.&lt;br /&gt;
&lt;br /&gt;
&#039;She&#039;s going to die if she stays in there much longer! What should we do?&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;No!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Akari claps her hands over her ears. This doesn&#039;t actually do anything - her helmet&#039;s in the way - but it&#039;s a reflex as she hunches down, trembling. Because back then, she couldn&#039;t do anything at all. She had to be rescued. &lt;br /&gt;
&lt;br /&gt;
She would have died. She should have died. It would have been &amp;amp;#42;easier&amp;amp;#42; for them to let her die and they didn&#039;t even though she tried to kill them and she never understood why - &lt;br /&gt;
&lt;br /&gt;
But when was that time? She can&#039;t remember. She can&#039;t remember... but... it&#039;s real. Like when she looked into that face. Like when she heard that &amp;amp;#42;other&amp;amp;#42; voice, the one that wasn&#039;t her. Like the first time she heard the Joker Killer speak.&lt;br /&gt;
&lt;br /&gt;
Ixquic is of no help at all. Her eyes are squeezed shut behind her mask. She can&#039;t even think straight. All she can think about is the flames and the fear and the time she failed to be a hero.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Akari Hoshi has acted with Guts toward Déjà View! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hazuki Nakao has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ixquic says she&#039;s fine, and Hazuki doesn&#039;t think she is, but she just nods. But when they all reach the empty room with the airplane model, Hazuki pauses.&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t hear a thing, though something is unsettlign nonetheless.&lt;br /&gt;
&lt;br /&gt;
But &amp;amp;#42;Akari&amp;amp;#42; clearly does, and Hazuki&#039;s eyes widen. &amp;quot;Ixquic-senpai, we need to go...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But it&#039;s unlikely she&#039;ll get a response from that. And if Akari stays here, they&#039;re in trouble. They&#039;re running out of time. The fire&#039;s coming. Fifteen minutes...&lt;br /&gt;
&lt;br /&gt;
Hazuki steps to Ixquic&#039;s side, and tries to hug her. She doesn&#039;t pull her, simply squeezing her to try and give her some form of distraction and comfort. It&#039;s a bit of a boundary breach, but the alternative is worse.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ixquic, please! Just a little longer... we&#039;re almost there! These kids need our help...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
If Akari seems like she&#039;ll do so, Hazuki will literally try to lead her by the hand, if she&#039;ll move it off her head. Just until she can get her bearings enough to fight.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hazuki Nakao has acted with Let The Mask Slip toward Déjà View! Bravery and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Given how much attention Tamaki pays to food blogs, she has reason to believe that at least at the original price point before diamonds got involved, it might &#039;&#039;not&#039;&#039; actually be the most expensive ... but the ones that &#039;&#039;do&#039;&#039; exceed the 5000 yen price tag cheat by including ingredients like gold flakes. They conflate monetary value for actual quality and -- look, she has very strong opinions on the topic.&lt;br /&gt;
&lt;br /&gt;
    Ixquic turns down the offer. Tamaki swallows a spoonful of sea salt caramel and remarks, &amp;quot;... yeah, I don&#039;t blame you.&amp;quot; Not that it&#039;s bad, but the precarious situation is doing a lot more of the heavy lifting than the taste is.&lt;br /&gt;
&lt;br /&gt;
    Even before they reach the roof, it turns out that Tamaki has plenty to dread, right here and now. She&#039;d break out into a cold sweat if she weren&#039;t already perspiring from being caught in a building&#039;s fire while wearing her usual business suit.&lt;br /&gt;
&lt;br /&gt;
    Tamaki cranes her neck to see where the source of a certain sound is coming from. Her voice hovers just on the edge of panic and comes out strained and breathless. &amp;quot;Hey. Hey, you hear that? Did we miss someone?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie &#039;&#039;doesn&#039;t&#039;&#039; hear it, which causes Tamaki&#039;s breathing to become more ragged and her eyes to dart around the room. &amp;quot; -- really? &#039;&#039;You&#039;&#039; can&#039;t sense it?&amp;quot; Between the two of them, Umie&#039;s perception is definitely better.&lt;br /&gt;
&lt;br /&gt;
    Even so, she still does her damnedest to thoroughly search for the voice. Nothing, nothing, and more nothing -- no one gets left behind. &amp;quot;I could have sworn -- &amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &#039;No!&#039;&lt;br /&gt;
&lt;br /&gt;
    Tamaki jerks upright and turns in Ixquic&#039;s direction.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;Oh.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    She walks over to the pair of students, stretches out a hand, and gently offers, &amp;quot;It&#039;s okay, it&#039;s okay. Everyone has their low points. I should know, speaking from experience.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There&#039;s a determination that shines through her eyes in her otherwise blank expression. It&#039;s always easier to be strong for someone else&#039;s sake instead of your own, isn&#039;t it? &amp;quot;Just don&#039;t let it keep you down for good. We believe in you. C&#039;mon, Ixquic-san. Show them what it means to be an Undying Star.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Tamaki Uchida has acted with Never Burn Out toward Déjà View! Escape and Efficient!&lt;br /&gt;
&lt;br /&gt;
  (|============================ Monad - Results =============================|) &lt;br /&gt;
  -==== Déjà View - Round 5 ===================================================- &lt;br /&gt;
   Tamaki Uchida        Guts                                   Success           &lt;br /&gt;
   Never Burn Out       Escape and Efficient           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Umie Akabane         Understanding                          Success           &lt;br /&gt;
   Understanding        Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Akari Hoshi          Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                &lt;br /&gt;
  ------------------------------------------------------------------------------&lt;br /&gt;
   Hazuki Nakao         Guts                                   Success           &lt;br /&gt;
   Let The Mask Slip    Bravery and Patra              Fatigue: 0                 &lt;br /&gt;
  -============================ Party Conditions: =============================- &lt;br /&gt;
   Starting Conditions: Hard-2 and Heartening-2                                  &lt;br /&gt;
   Final Conditions: Heartening-1                                                &lt;br /&gt;
  -====================================== Party Result: Success: Reach Up! ====- &lt;br /&gt;
  -==== Reach: 6/6 |=====|  ===================================================- &lt;br /&gt;
  -==== Loot So Far: ==========================================================- &lt;br /&gt;
   Items: 2, Money: 1, Gear: 1                                                   &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &lt;br /&gt;
  (|======================== Monad - Aerospace Museum ========================|) &lt;br /&gt;
  -==== Round 6: A Page from an Old Script - Challenge Level 1 ================- &lt;br /&gt;
  | Approach Options: None                                                     | &lt;br /&gt;
  | Conditions: Revelation - The best result.                                  | &lt;br /&gt;
  -==== Challenge =============================================================- &lt;br /&gt;
                                                                                 &lt;br /&gt;
    You burst out of the third floor&#039;s entrance, where the Zero hangs from the   &lt;br /&gt;
   ceiling; the entire ground floor is up in flames now.                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Some of you may get a sense you&#039;ve seen this before. A sudden fear that       &lt;br /&gt;
   someone might fall into the blaze. But when you search, no one is here.       &lt;br /&gt;
                                                                                 &lt;br /&gt;
   As soon as you make it to the next floor, you feel it.                        &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Sound effect: https://www.youtube.com/watch?v=RARotEaobh0                     &lt;br /&gt;
                                                                                 &lt;br /&gt;
   The world shifts into a monochromatic hue, and nausea churns in your gut. A   &lt;br /&gt;
   familiar presence awaits you on the rooftop.                                  &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You feel as if you&#039;re repeating the same actions. Reading from the same       &lt;br /&gt;
   script. That&#039;s impossible.                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
   You know he&#039;s there. Steeling your resolve, you head up to the roof.          &lt;br /&gt;
                                                                                 &lt;br /&gt;
   OOC Note: If you got this card, you&#039;ll start the next battle with the         &lt;br /&gt;
   Prophecy buff.                                                                &lt;br /&gt;
                                                                                 &lt;br /&gt;
                                                                                 &lt;br /&gt;
   Final Loot: 2 Items, 1 boxes of Money, and 1 Pieces of Gear!                  &lt;br /&gt;
  (|=========================================================== Monad 1.1 ====|) &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;... because I did.&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Eeh?&amp;quot; Umie peers over her shoulder back at Ixquic. &amp;quot;Earlier, you mean?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her eyes meet Tamaki&#039;s; Umie&#039;s lips dip in a grimace. &amp;quot;No, but that narrows things down, doesn&#039;t it?&amp;quot; She holds up her index finger. &amp;quot;This is a delus--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Never would Umie expect Ixquic, normally indomitable, to be the one to &#039;crack&#039;, if that is, indeed, what all this is. &lt;br /&gt;
&lt;br /&gt;
    (This is a lock, and she needs to find her way around it.)&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;_Ixquic-san_.&amp;quot; Umie does her best to project her voice, raspy as it is, as Hazuki helps her up. &amp;quot;Just let it go. It&#039;s all part of the Old Maid&#039;s delusion.&amp;quot; Calling the Joker Killer has a nice side effect here, however: it&#039;s a far more innocuous title for the kids to hear than something with the word &#039;killer&#039; in it. &amp;quot;Listen to Nakao-san and Uchida-san. All this deja vu stuff is because of the Old Maid&#039;s machinations. He&#039;s using Sumaru City&#039;s tendency to turn rumors into reality to create one &amp;amp;#42;he&amp;amp;#42; thinks is reality.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But how can she be so sure of it, Umie thinks. She&#039;s not to the level of someone like Fuuka or Ririka. Is there something she&#039;s missing?&lt;br /&gt;
&lt;br /&gt;
    Ushering the students up the stairs to the next floor, that sense of deja vu feels stronger and stronger for some in the party...&lt;br /&gt;
&lt;br /&gt;
    .... but not Umie Akabane, who keeps looking back and telling people to keep on course. &amp;quot;We&#039;re close. C&#039;mon. It&#039;s...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But, when that wave of familiar nausea hits the blonde, she nearly tips down the stairs as she begins to crouch, holding her head.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... can&#039;t see me.... can&#039;t see me... not here. No one is here, there is no one...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There is a just blackbird here, nothing special. No, wait, that&#039;s Umie.&lt;br /&gt;
    But there is just a cardboard blackbird here. But no, that&#039;s Umie.&lt;br /&gt;
    There is Umie. There is just Umie.&lt;br /&gt;
&lt;br /&gt;
    That is enough.&lt;br /&gt;
&lt;br /&gt;
    &#039;Now, it&#039;s up to you all to succeed where I failed. None of you deserve to go it alone.&#039; In her mind&#039;s eye, she imagines the white crow.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;....&amp;quot; Umie holds her hand to her face, pressing Tamaki&#039;s mask close to her face as she straightens. &amp;quot;The Old Maid is here. Please... be ready.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akari Hoshi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Fifteen minutes... Less now. They&#039;ve been in here a while, as it still burns. &lt;br /&gt;
&lt;br /&gt;
And Ixquic does not straighten, not at first. Only Tamaki of the others can hear the voice, but Akari can, more clearly than anyone. Of course she can.&lt;br /&gt;
&lt;br /&gt;
It&#039;s her.&lt;br /&gt;
&lt;br /&gt;
Hazuki hugs Ixquic, and she kind of just takes it for a moment, barely moving, before she lets out something - is she crying? Maybe a little. &lt;br /&gt;
&lt;br /&gt;
And Tamaki and Umie, too, try to raise her spirits. Tamaki especially. To be an undying star... she has to at least try, doesn&#039;t she? She&#039;s a hero. The kids need her. She &amp;amp;#42;will be&amp;amp;#42; a hero. No matter what. She reaches up to wipe at her face, fails because of the mask, and gives up on that.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m okay,&amp;quot; she says, stepping away from Hazuki. Not far; half a step at most. She&#039;s clearly not trying to escape her, just wants some space back. &amp;quot;I&#039;m sorry! I just thought - I felt...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari trails off. She felt like she was going to fall from the plane into the fire. Even though she&#039;s not &amp;amp;#42;on&amp;amp;#42; the plane, and even then, she didn&#039;t fall. Someone saved her. Someone... who? Who was it? She can barely remember the face, wavery and uncertain. She doesn&#039;t think she knows them, except she &amp;amp;#42;does&amp;amp;#42; know them at the same time.&lt;br /&gt;
&lt;br /&gt;
It&#039;s not a delusion, she wants to yell at Umie. It&#039;s real. Isn&#039;t it? It feels real. But if it&#039;s something the Joker Killer is doing - but she knows &amp;amp;#42;his&amp;amp;#42; voice, too, when she shouldn&#039;t. She knows - &lt;br /&gt;
&lt;br /&gt;
She knows his name, as the deja vu rises. It&#039;s stronger here. She feels like she&#039;s retracing her steps, but she&#039;s never been here before.&lt;br /&gt;
&lt;br /&gt;
The Old Maid is here, Umie says. And Ixquic can&#039;t hold it back.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Leo!&amp;quot; Ixquic unshoulders her sword, clenching it defensively. &amp;quot;His name is Leo.&amp;quot; I called him Leo, is what she means, as that sense of saying the same things rises up, as the pulse of monochrome memory hits her.&lt;br /&gt;
&lt;br /&gt;
She grips the sword tighter. &amp;quot;We need to go,&amp;quot; she says - and then she runs, cloak billowing behind her. So much for slowing down the party.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tamaki Uchida has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;You felt ...&amp;quot; Tamaki trails off in her reply to Ixquic, but nods. Her gaze flits to Umie and doubt sets in.&lt;br /&gt;
&lt;br /&gt;
    It could be a delusion. It could be the truth. There&#039;s not enough information to conclude. She pointedly avoids calling it a &#039;delusion&#039;, but she does want to indicate to Ixquic that she heard it, too. &amp;quot;... something. Yeah.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    An overconfident Tamaki, foolishly emboldened by the notion that she knows more than anyone, would have -- and once did -- run ahead on her own. With knowledge comes the burden of responsibility, right?&lt;br /&gt;
&lt;br /&gt;
    Now? Now she&#039;s aware of both her own talents &#039;&#039;and&#039;&#039; shortcomings. She&#039;s paying this matter the respect it truly deserves, and she isn&#039;t alone in this.&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s already offered her help, both now and in other circumstances.&lt;br /&gt;
&lt;br /&gt;
    Hazuki draws strength from the bonds of connection, working in unison with others.&lt;br /&gt;
&lt;br /&gt;
    Ixquic and her share some strange connection to this set of events which have threatened to resurface memories that shouldn&#039;t exist.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;All together, now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    This &#039;&#039;won&#039;t&#039;&#039; be like last time. So she promises to herself as she runs behind Ixquic, newfound confidence rising within her.&lt;br /&gt;
&lt;br /&gt;
    -- right up until her arms and legs immediately feel like lead when she hears what Ixquic called him just now. Oh, she&#039;s got a bad feeling about this.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2026-03-17:_Bring_Your_Homework_To_Mementos_Day&amp;diff=4634</id>
		<title>2026-03-17: Bring Your Homework To Mementos Day</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2026-03-17:_Bring_Your_Homework_To_Mementos_Day&amp;diff=4634"/>
		<updated>2026-03-18T23:56:01Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Log: Bring Your Homework To Mementos Day&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Suzume Fukura, Reiya Aomori *&amp;#039;&amp;#039;&amp;#039;Where:&amp;#039;&amp;#039;&amp;#039; Mementos - Entrance *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; March 17, 2026 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; October 11, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Suzume and Reiya take a break from studying to hit Mementos... and come up with a plan. Certainly this isn&amp;#039;t going to lead to any misunderstandings as to what they&amp;#039;re up to!&amp;#039;&amp;#039;  ----   (|=========================== Mementos - Entrance ===========================...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: Bring Your Homework To Mementos Day&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Suzume Fukura]], [[Reiya Aomori]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; Mementos - Entrance&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; March 17, 2026&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; October 11, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Suzume and Reiya take a break from studying to hit Mementos... and come up with a plan. Certainly this isn&#039;t going to lead to any misunderstandings as to what they&#039;re up to!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
 (|=========================== Mementos - Entrance ============================|)&lt;br /&gt;
 -====================================================== Tokyo/Shibuya Ward ====-&lt;br /&gt;
 Once you enter Mementos, however you manage it, the world will transform around &lt;br /&gt;
 you. It&#039;s subtle at first. Initially, while you remain just before the entrance &lt;br /&gt;
 of what should be Shibuya Station&#039;s Underground Mall entrance, there&#039;s just a   &lt;br /&gt;
 soft, fractal blueness at the edge of your vision. The city itself seems normal,&lt;br /&gt;
 but all the people are gone, and it feels like you&#039;re walking on air.           &lt;br /&gt;
                                                                                 &lt;br /&gt;
 Head down the stairs and no subtlety remains. Disturbingly vein-y lines,        &lt;br /&gt;
 dark-ish and reddish, dig through the floor, walls, columns, and ceiling. A set &lt;br /&gt;
 of turnstiles mark the bottom of the stairs at your back, and in front, there&#039;s &lt;br /&gt;
 a set of escalators leading deeper within. Snow plays on TV screens to either   &lt;br /&gt;
 side, and past them, would-be electric maps display cracked and broken.         &lt;br /&gt;
                                                                                 &lt;br /&gt;
 Those Persona Users whose outfits transform will, while they were in their      &lt;br /&gt;
 normal clothes above, find them transformed here. No Shadows lurk in the        &lt;br /&gt;
 entrance, but they can still sense your presence at this point--so this is your &lt;br /&gt;
 last chance to turn back.                                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
 BGM: Mementos - https://www.youtube.com/watch?v=l_Jkz_ZC9Yc                     &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume should probably be studying.&lt;br /&gt;
&lt;br /&gt;
And, to her credit, she actually &amp;amp;#42;was&amp;amp;#42;. She got some solid work done on math, her least favourite subject - better than she expected. Is she actually going to be a credit to SEES with her grades this time? Has putting in the work actually paid off?&lt;br /&gt;
&lt;br /&gt;
Well, maybe, but she eventually declared that if she thought any more her head was going to explode (that was exactly how she&#039;d announced it) and that she needed to work off some energy. Since she&#039;d been allowed - encouraged even - to organize trips into Mementos, she, well... she did that.&lt;br /&gt;
&lt;br /&gt;
The nice part about going to Mementos instead of Tartarus is that you don&#039;t have to stay up until midnight. If you get the urge to go in, say, the evening, instead of overnight, you can do that. With such a small group (two) Suzume was absolutely not willing to go very deep, but the shallowest levels are still relatively safe even for such a small team and good practice. Plus, there&#039;s occasional gems or coins to pick up.&lt;br /&gt;
&lt;br /&gt;
Suzume is in her usual hunting outfit: the jacket with big pockets that comes down past her hips to midthigh, swallowtail-cut for maximum leg mobility, similar to Junpei&#039;s (though he wears his around his waist, usually) or Ken&#039;s. The jacket is short-sleeved so that her tonfa don&#039;t tangle in her lower sleeves - it simply doesn&#039;t have them, cuffed just above the elbow. Underneath it she has pants rather than the skirt all her other uniforms have, black and neat but with that bit of stretch to it that gym clothes have. The top is a short-sleeved shirt with polo-style buttons. It&#039;s loose-fit, but in a way that looks deliberate rather than Suzume&#039;s usual approach to baggy clothes, and seems vaguely sporty even though it is still clearly a uniform.&lt;br /&gt;
&lt;br /&gt;
Also the cat-ear headband. Sigh. At least the slightly dragonfly-wing-styled tonfa don&#039;t look too ridiculous.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I still think we need to press deeper,&amp;quot; Suzume says - right now they&#039;re just travelling, this particular area is cleared of Shadows. &amp;quot;I mean, not TODAY, just in general. There&#039;s gotta be something down there. Just like there&#039;s gotta be something up Tartarus.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya has been studying, but he&#039;s been studying between exam periods, too. Thus, he&#039;s more willing to go get some exercise instead of cramming tonight. ...Besides, he did bring a bag with some of his work, for if he gets a seat on the train to take the time to review. &lt;br /&gt;
&lt;br /&gt;
Reiya is in his usual clothes; slacks and a nice button-down. But there are a few things hidden on his person to make battle easier, and once they got into Mementos, he pulled out his weapons. The Peacebringers are made up of bronze, steel, and brown leather with Latin inscriptions, patterned after a Roman god of war. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I agree,&amp;quot; Reiya says as they travel, &amp;quot;But I think some of us may be a little gunshy on it now... after what happened with being lost in the depths, and having to return.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m still willing, of course.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;It never occured to Suzume you could bring your homework to Mementos. It&#039;s probably for the best.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Nice,&amp;quot; Suzume said, about the &#039;peacebringers&#039;. They&#039;re a weapon of Reiya&#039;s she hasn&#039;t seen before.&lt;br /&gt;
&lt;br /&gt;
Suzume pauses for a moment to stick her head inside a room, just to be sure. Nope. No Shadows. They&#039;ll have to move downstairs before they find any more, but she&#039;s not in a rush to do that; she goes in to check for treasure boxes or other anomalies.&lt;br /&gt;
&lt;br /&gt;
She&#039;s careful, and she&#039;s quiet until she&#039;s sure they&#039;re alone. &amp;quot;Yeah, well,&amp;quot; she admits. &amp;quot;I wasn&#039;t there.&amp;quot; She wishes she was - not because she particularly wants to be trapped (she still has nightmares about it occasionally that she refuses to admit) but simply because Suzume &amp;amp;#42;should&amp;amp;#42; have been there, it wasn&#039;t an operation she should have skipped.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;They&#039;ll have to get over it eventually,&amp;quot; she says. And if she doesn&#039;t &amp;amp;#42;sound&amp;amp;#42; sympathetic she at least feels it, a little. &amp;quot;If you and me are willing to go, we can&#039;t be the only ones.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Thanks,&amp;quot; Reiya says. &amp;quot;I was able to get them thanks to an object I found down here.&amp;quot; That, and some tarot cards, and the Velvet Room! But Reiya doesn&#039;t notice any Shadows, either--though the advantage to coming down here with Reiya is that it gets much easier to get the drop on what Shadows there &#039;&#039;are&#039;&#039; thanks to his anti-navigator abilities. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I wasn&#039;t either,&amp;quot; he says. &amp;quot;Maybe the two of us can make the difference next time.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Reiya isn&#039;t always good at picking up on tone; social engineering is his weak point in espionage. Nevertheless, &amp;quot;I&#039;m sure we won&#039;t be. It just occured to me that some might need gentle treatment to start back up again.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Any more chests?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
As it happens, &#039;&#039;Reiya&#039;&#039; can pick the locks on the locked ones.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;That&#039;s where I got these.&amp;quot; Suzume wiggles her tonfa toward Reiya. It has a vaguely dragonfly-wing style...&lt;br /&gt;
&lt;br /&gt;
Wait, no, that&#039;s styled like a Pixie wing! Not the kind with curved wings, the kind with straighter ones. If Reiya has also done this, suddenly it makes a lot more sense. ...even if it doesn&#039;t at all explain the cat ear headband, half-buried in her hair. (She needs a haircut again even if it&#039;s not as bad as it could be.)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So,&amp;quot; she says, &amp;quot;maybe we won&#039;t push it until after exams.&amp;quot; Much as she&#039;d like to take her mind off them... &amp;quot;But then we can. And Tartarus too. Maybe we should offer to go there first - I mean, it&#039;s the first priority anyway - and then see if they&#039;ll come back here... they can&#039;t run away forever.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
As for treasure?&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, actually,&amp;quot; she says, before rapping it sharply with her tonfa. &amp;quot;It&#039;s not locked though.&amp;quot; And it only has a Life Stone in it - well, it&#039;s better than nothing.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Pixie wings! That&#039;s a little surprising, considering, but maybe not out of the realm of possibility. &amp;quot;Nice,&amp;quot; he answers, and does not comment on the headband. Sometimes people want to be cute... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Right. And I&#039;m not sure any of them are inclined to run--it&#039;s just... I wouldn&#039;t blame them being shy on it. It&#039;s important to anticipate things like that.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A Life Stone! That&#039;s not too bad. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Besides,&amp;quot; he says, &amp;quot;Mementos is linked to many supernatural phenomena. I&#039;m interested in understanding how and why.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Sometimes people want to be cute, but Suzume is mostly accepting of the cat ear headband. It helps that nobody makes fun of her.&lt;br /&gt;
&lt;br /&gt;
Much.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Well, chickening out is like running,&amp;quot; Suzume says, with a scowl. &amp;quot;Not that I think any of them would, like... STAY chickened out. But if they stay away too long we&#039;re gonna lose valuable... investigation time.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A life stone isn&#039;t too bad. Suzume puts it in one of her big coat pockets for lack of anywhere else to put it; her tonfa take up both hands, after all, she&#039;s not going to carry it around in one of them. It&#039;s not the only supplies she has in her pockets either.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Yeah,&amp;quot; she says. &amp;quot;I mean, why here? Why now? Does it have to do with the rumours in Sumaru or what? Or does it have to do with the Dark Hour? It&#039;s all weird shit! And then there&#039;s the Kirijo Group stuff - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Well, it&#039;s Reiya so she can trust him with it. &amp;quot;Whatever,&amp;quot; she says, with a sigh. &amp;quot;We gotta survive exams first anyway. I don&#039;t want Kirijo-san to kick my ass because I didn&#039;t do so well.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Caution can be healthy... in moderation. But if we don&#039;t investigate more soon, then others will learn what we haven&#039;t. I know we arent necessarily against the Phantom Thieves, but they&#039;re only one group that investigates these things.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
His sai are at his belt, at the moment. And then... Hm. &amp;quot;That&#039;s a good set of questions,&amp;quot; he says. &amp;quot;And I wonder if this opened due to the Kirijo Incident, like Tartarus. It&#039;s not lost on me that Mementos goes down instead of up. But if so, why here?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I have a potential theory about that. Well, more a hypothesis. I imagine it has to do with the population density of Tokyo.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I can&#039;t say whether it&#039;s linked to Tartarus at all.... But I&#039;m sure that the &#039;people&#039; here have to do with what it is.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A nod, then. &amp;quot;Do you feel prepared?&amp;quot; he asks of exams.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume makes another face at the Phantom Thieves.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t trust them,&amp;quot; Suzume says, &amp;quot;but we need to know what they know; that&#039;s why I said that Ririka-chan should get in touch with them if she thought they had information she needed. If I could find it all myself in here, I&#039;d do that instead...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume doesn&#039;t say anything for a few moments because she&#039;s navigating. Out of this side room, back down a hallway. They saw the stairs already, it&#039;s just a matter of getting over to them without tripping over the tracks. Mysteriously, she worries about that.&lt;br /&gt;
&lt;br /&gt;
She also picks up the pace as she goes, roving a little ahead of Reiya. For someone with short legs, she walks fast.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;It&#039;s not just in Tokyo though,&amp;quot; she says. &amp;quot;It&#039;s in - well, it&#039;s here too, and you can get to it in Sumaru. I don&#039;t know if you can get to it from any further away. If we had a trip to... I don&#039;t know, Osaka or something, I&#039;d check if it works in THEIR train station. Maybe that&#039;s what I should do some weekend. Take a train out to some other city and check.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Now she&#039;s thinking about it...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But it does look like it has to be cities, though, right? With the transit stations and all...&amp;quot; Suzume looks frustrated for a moment.&lt;br /&gt;
&lt;br /&gt;
The frustration remains at exams. &amp;quot;No,&amp;quot; she says, &amp;quot;but who is? I made a deal with myself, though, I get a day off if I do well. Actually, I got a question for you. If you&#039;re interested.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;I don&#039;t either,&amp;quot; Reiya admits freely. &amp;quot;But I&#039;m willing to believe that they &#039;&#039;may&#039;&#039; be operating in good faith. Nevertheless... They&#039;re using the supernatural to affect the natural world. That&#039;s not something I can leave alone.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But if she could... Hm. &amp;quot;Right. It&#039;s better to do your own study if you can.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Reiya makes use of his abilities in that respect; while Suzume navigates, Reiya continues to silence their steps and Resonance, stepping across the tracks carefully. &lt;br /&gt;
&lt;br /&gt;
He is slower, on account of being stealthier. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;True,&amp;quot; Reiya answers. &amp;quot;That&#039;s a good idea. Hmm. If you do, consider bringing a friend,&amp;quot; he suggests. &amp;quot;Just in case.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
He&#039;d go! &lt;br /&gt;
&lt;br /&gt;
&amp;quot;It does. It furthers my hypothesis if it&#039;s cities in general.&amp;quot; But then he pauses. &amp;quot;I think i&#039;m reasonably prepared,&amp;quot; he says. &amp;quot;But I can become moreso.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A pause. &amp;quot;Oh? Do tell.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume is now coming up with a PLAN.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Okay,&amp;quot; Suzume says, after a moment&#039;s thought. She walks backwards so she can talk to Reiya, realizes she can get away with that on a sidewalk and not in Mementos, and walks forward again. &amp;quot;Bring a friend, huh? Since the two of us had the idea, why don&#039;t we partner up on it? We can pick a weekend and go to Kamakura and, uuuuh...&amp;quot; Her mind blanks for a moment. &amp;quot;...Hakone?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Kamakura is a city of a couple hundred thousand, but it used to be a historic capital and is still a major travel hub and tourist destination, about an hour away by train from Tokyo. Hakone is a mountain spa town up near Mount Fuji and is much smaller, but still only a couple hours away - definitely day trip possible.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;ll let us know how small it can be and still work, right? And if neither of them work we can check one of the bigger cities, but they take longer to get to.&amp;quot; Suzume pauses, near the rest stop near the stairs down now.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Anyway, I was going to go up to one of the bashos - uh, the sumo tournament. I can get tickets for one of the small boxes. Two people, for one Sunday. You watch sometimes with me. You want the other seat? Assuming I don&#039;t bomb exams.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Probably better not to walk backwards in Mementos. Though there might be a rumor in that... &lt;br /&gt;
&lt;br /&gt;
Partner up on it? Reiya blinks slowly, which might be hard to read as anything other than thinking about it, though in truth he&#039;s pretty surprised. A weekend trip with a girl is one thing; a weekend trip to a tourist hub like that... Especially with the spa town. &lt;br /&gt;
&lt;br /&gt;
It&#039;s probably not that, though. It&#039;s probably just practical. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s good thinking,&amp;quot; he settles on saying, because he doesn&#039;t want to get the wrong idea. &amp;quot;That would be a good set of test cases to start with. And at worst, there&#039;s some historical value in traveling to Kamakura especially...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But anyway? Reiya is no longer so sure that it&#039;s &#039;the wrong idea&#039;. He&#039;s quiet for a moment. &amp;quot;I do like sumo.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A small box... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yes,&amp;quot; he answers. &amp;quot;I&#039;ll go with you.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Now he&#039;s going to be wondering, but he needs to set that aside for the mission down here... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;It is better not to go alone.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume isn&#039;t thinking much about it. Of course it&#039;s just practical. She wanted to check other cities; Reiya got her thinking about population density. Do you need so many people to do it? Does having the extra traffic in Kamakura help? &lt;br /&gt;
&lt;br /&gt;
It&#039;s not something she&#039;s ever had to think about before...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ve never actually been to Kamakura except for once, on a school trip,&amp;quot; Suzume says; an hour&#039;s trip is short enough to see some of the temples, including the Kencho-ji. &amp;quot;So yeah, there&#039;s definitely a lot of history stuff there. Bring your coins,&amp;quot; she jokes, thinking of one of the shrines; her crooked grin returns. &amp;quot;I know I will.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And her grin stays. &amp;quot;Great,&amp;quot; she says. &amp;quot;I mean, I&#039;d go myself, but it&#039;s better with someone. It should be some good matches, I hope.&amp;quot; You never know until you get there, of course. &amp;quot;But that involves passing exams first. I&#039;m trying to reward myself for a good job.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She fidgets a moment. &amp;quot;But don&#039;t worry. I&#039;ll do fine.&amp;quot; Probably. Hopefully. Great, now she&#039;s got the same kind of worry she had LAST time, except it&#039;s over Reiya instead of Mitsuru. That&#039;s a plus, maybe...?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya has had to think about it! It&#039;s a skill he&#039;s picked up. You don&#039;t want people getting the wrong idea all the itme... &lt;br /&gt;
&lt;br /&gt;
But two is probably sufficient for the actual mission. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I haven&#039;t been often either,&amp;quot; he says. A nod, then. &amp;quot;Definitely.&amp;quot; coins! &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll hope the same. But I am.. optimistic.&amp;quot; About good matches. &amp;quot;Very well. No exam success, no basho.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
As Suzume fidgets, Reiya stays still. He&#039;s pretty good at that. &amp;quot;Good! Then we should make the most of our time away from the books.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
At least Reiya does fewer executions? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Of course, even if it&#039;s for research purposes, they won&#039;t reimburse us,&amp;quot; he says. He might be kidding. But it&#039;s true either way.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;It&#039;s never come up for Suzume before. She&#039;s never been in a position to worry about it. Nobdoy cares about sumo but her, and she doesn&#039;t exactly travel very much...&lt;br /&gt;
&lt;br /&gt;
Her grin broadens. &amp;quot;Thanks,&amp;quot; she says, without going into much detail about &amp;amp;#42;what&amp;amp;#42; she&#039;s thanking Reiya for. The idea? Giving her something to do that isn&#039;t just brute force? Travelling with her? She&#039;s not going to explain!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;If they&#039;re not gonna give us a budget,&amp;quot; Suzume says, &amp;quot;we&#039;d better make the best of our trip to Mementos, huh? Maybe we can scrounge up a gem before we gotta turn back.&amp;quot; She looks at the stairs, then: &amp;quot;Shall we?&amp;quot;&lt;br /&gt;
WHO&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Sure.&amp;quot; Reiya gets the wrong idea. It happens. But surely it won&#039;t go &#039;&#039;that&#039;&#039; wrong. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Heh,&amp;quot; Reiya answers on budget. &amp;quot;That would be useful. Sure, let&#039;s keep looking.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Let&#039;s see if we can get the drop on a few more Shadows.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
This, at least, should be fun.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2026-02-24:_My_Tamagoyaki&amp;diff=4535</id>
		<title>2026-02-24: My Tamagoyaki</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2026-02-24:_My_Tamagoyaki&amp;diff=4535"/>
		<updated>2026-03-01T17:55:12Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 2026-02-24 My Tamagoyaki&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Hibari Aoki]], [[Ren Amamiya]], [[Morgana]] (NPCed by Ren Amamiya)&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; Inokashira Park, Tokyo&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; February 26, 2026&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; Sunday, September 30, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Now that the two of them know the other&#039;s secret identity, Hibari and Ren meet up to chat and discuss how the Phantom Thieves came to be, as well as the Mementos Shadow of the one who got Hibari disgraced and sent to Kasugayama High. They also discuss Ren&#039;s ongoing saxophone practice to impress their girlfriend, and more specifically the cooking lessons she&#039;s been giving them and what the next step should be. Ren will have a new eatery to share with her by next time...&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
 (|============================= Inokashira Park ==============================|)&lt;br /&gt;
 -========================================================= Tokyo/Kichijoji ====-&lt;br /&gt;
 A large park just outside Kichijoji, Inokashira Park boasts a host of cherry    &lt;br /&gt;
 trees, cypresses, and red pines along its walking paths and benches with        &lt;br /&gt;
 Inokashira Pond at its center. Cherry blossoms turn the place pink in the       &lt;br /&gt;
 spring, while summer enjoys blooming magenta azalea bushes, then red leaves in  &lt;br /&gt;
 autumn as they change colors and fall. Even winter has plenty of beauty to      &lt;br /&gt;
 offer, as the park is host to many migrating birds during that season.          &lt;br /&gt;
                                                                                 &lt;br /&gt;
 The park also hosts a small temple dedicated to Benzaiten, a Buddhist goddess of&lt;br /&gt;
 eloquence, which itself hosts a petting zoo and an aquarium. Vendors, musicians,&lt;br /&gt;
 artists, and street performers gather there, taking advantage of the bustling   &lt;br /&gt;
 crowds who gather on weekends and holidays and especially during cherry blossom &lt;br /&gt;
 season.                                                                         &lt;br /&gt;
                                                                                 &lt;br /&gt;
 The pond in particular offers boat rentals for visitors, from normal rowboats to&lt;br /&gt;
 colorful yellow-roofed boats to swan-shaped boats. Lights among the cherry trees&lt;br /&gt;
 illuminate their reflections on the waters at night, and wooden post fences keep&lt;br /&gt;
 visitors from falling in.                                                       &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hibari Aoki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hibari has had a... let&#039;s say &#039;event-filled&#039; week. Between Tsubasa&#039;s capture (which she was present for, and unable to stop) and rescue, and having to deal with Kurou afterwards as part of the Thorn Gang - which she didn&#039;t enjoy much - and some personal matters mixed in... well.&lt;br /&gt;
&lt;br /&gt;
And it&#039;s not exactly letting up, but some of the events are less unpleasant than others. And there&#039;s at least one loose string she &amp;amp;#42;definitely&amp;amp;#42; wants to follow up on.&lt;br /&gt;
&lt;br /&gt;
Which is why Ren got some texts. &lt;br /&gt;
&lt;br /&gt;
&amp;amp;gt; Hey Ren!&lt;br /&gt;
&amp;amp;gt; There&#039;s some things I&#039;d like to talk to you about. A bit about last week... but that&#039;s not all of it. We&#039;ve got our own deal too, right? :) And I wanted to ask how you were coming along.&lt;br /&gt;
&amp;amp;gt; I&#039;ll be in Tokyo Sunday, if you want to meet up?&lt;br /&gt;
&lt;br /&gt;
Hibari is one of those people who types more or less correctly when she&#039;s texting, apparently.&lt;br /&gt;
&lt;br /&gt;
The rest was just organizational. Hibari knows Tokyo less well than she knows Sumaru, but she has a vague idea of some districts and her phone will help her with the rest. And she&#039;s been to Kichijoji before, though never to the park...&lt;br /&gt;
&lt;br /&gt;
Hibari is about five minutes late for the arranged time because she misjudged some transit. So she&#039;s walking briskly down the path to her destination, in a dark skirt and a green top with a faint pattern; not quite solid green, but several greens in almost vine-like curls and arcs.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ren Amamiya has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Ren gets it. They&#039;re in the same boat--the &#039;&#039;exact&#039;&#039; same boat, for some of those events. They haven&#039;t seen Kurou again since that battle, but they &#039;&#039;are&#039;&#039; going to see Umie soon, and considering what he knows about their respective situation... hopefully they can get some answers.&lt;br /&gt;
    &lt;br /&gt;
    But that&#039;s tomorrow. Yesterday, they&#039;d gotten several texts from Hibari. Like so:&lt;br /&gt;
    &lt;br /&gt;
    &amp;amp;gt; Hey. Sounds good to me.&lt;br /&gt;
    &amp;amp;gt; How about Inokashira Park? It&#039;s a nice place for a quiet talk.&lt;br /&gt;
    &lt;br /&gt;
    They welcome the chance to meet up--and once Saturday is over and Sunday has come, they&#039;ll welcome it even more. They go to meet Yoshida in Shibuya for the earlier part of the day, and in the later afternoon, they&#039;re in Inokashira Park, practicing the saxophone as they wait for Hibari to show up.&lt;br /&gt;
    &lt;br /&gt;
    Morgana&#039;s sitting on the bench next to them as they do so. They&#039;re doing better. They can actually hit the correct notes most of the time now.&lt;br /&gt;
    &lt;br /&gt;
    When Hibari arrives, he looks up at her. &amp;quot;Hey, Hibari,&amp;quot; he greets her, raising a paw. No need to pretend he can&#039;t talk, now that they all know each other&#039;s true identities. &amp;quot;I hope you don&#039;t mind me hanging out--but if you do, I can go for a walk.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    Ren takes their lips off the sax&#039;s reed and gives her a nod. &amp;quot;I like your outfit,&amp;quot; they remark, nodding at the subtly patterned top.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hibari Aoki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;It was mostly awkward for Hibari in that meeting because Kurou didn&#039;t know half the people he was talking to were Ogre and Mujina, and she didn&#039;t know what to say - plus, while some of the Thorn Gang fights, Hibari&#039;s position in Kasugayama is a little more complicated than that. Also, she doesn&#039;t like confrontations like that. But she needed to be there, and she &amp;amp;#42;wanted&amp;amp;#42; to be there for Tsubasa, so... it&#039;s a mess. At least she doesn&#039;t have to deal with Umie too!&lt;br /&gt;
&lt;br /&gt;
(Because she doesn&#039;t know Umie.)&lt;br /&gt;
&lt;br /&gt;
Hibari likes parks as long as they&#039;re not raining on her, and the weather is predicted to be maybe a little cloudy but not raining, so...&lt;br /&gt;
&lt;br /&gt;
&amp;amp;gt; That works for me!&lt;br /&gt;
&amp;amp;gt; I&#039;ll meet you there tomorrow afternoon.&lt;br /&gt;
&lt;br /&gt;
Hibari was not actually aware that Ren was musically inclined...&lt;br /&gt;
&lt;br /&gt;
...or, well, sort of musically inclined. That was hardly a perfect run. But that&#039;s why you practice, and she&#039;s not going to put them down about it. &amp;quot;When&#039;d you start?&amp;quot; she asks instead, nodding toward the saxophone once Ren is no longer actively playing.&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t play any instrument actively, but she&#039;s aware of how hard they can be to get started on.&lt;br /&gt;
&lt;br /&gt;
Hibari gives Morgana a smile as she sits too. &amp;quot;I don&#039;t mind if you stay,&amp;quot; she says, though she does make a quick glance to see if anyone&#039;s going to notice her talking to a cat. The answer is no, but... &amp;quot;You had me fooled before,&amp;quot; she admits, remembering him from the first time she went to Leblanc with Ichika. &lt;br /&gt;
&lt;br /&gt;
To Ren, the smile is bigger. &amp;quot;Thanks!&amp;quot; she says, brightly. &amp;quot;One of the things that happened since I came out this way was I got more interested in clothes. Sumaru and Tokyo have &amp;amp;#42;way&amp;amp;#42; bigger selections than Inaba ever did.&amp;quot; Not really a surprise, that.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ren Amamiya has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Ren never &#039;&#039;used&#039;&#039; to be musically inclined, certainly. They like listening to music, but have never shown an interest in playing.&lt;br /&gt;
    &lt;br /&gt;
    Case in point: &amp;quot;A few weeks ago,&amp;quot; they reply. &amp;quot;Someone suggested it to me right before summer vacation, and I decided to take the plunge right after.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    For having started that recently, they&#039;re not bad, honestly. They&#039;re no future professional musician, but they could swing learning how to, say, skillfully play a sexy piece of music to woo a lover. Their entire vibe is subdued right now, though. A good time for practicing the basics and ingraining them into their lungs and fingers.&lt;br /&gt;
    &lt;br /&gt;
    But with Hibari here, they set their secondhand sax aside in its case and carefully shut it. If it &#039;&#039;does&#039;&#039; start drizzling, they don&#039;t want it to get wet.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Heh heh~&amp;quot; Morgana&#039;s tail curls as he smirks at Hibari&#039;s admission. &amp;quot;I&#039;ve gotten good at playing the part!&amp;quot; He pokes Ren with a paw. &amp;quot;Following this guy around all day means I&#039;ve got to be careful when I speak up!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    Ren smiles briefly, but that&#039;s all. Hibari&#039;s clearly in a much better mood than they are. They nod in agreement--no surprise at all. &amp;quot;I&#039;ve been meaning to get some new clothes, myself. There&#039;s this boutique in the town over from where I live that I&#039;ve been wanting to check out, but they&#039;re really expensive...&amp;quot; They scoot over to make room for Hibari. &amp;quot;So what&#039;s up?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hibari Aoki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Huh! I figured it would be longer.&amp;quot; Hibari was wondering if he&#039;d decided to join the band or something. Though given what she knows about Ren&#039;s position at Shujin, that seems pretty unlikely.&lt;br /&gt;
&lt;br /&gt;
Maybe it is all about the romance...&lt;br /&gt;
&lt;br /&gt;
Hibari is the sort of person who tries to put on a pleasant face whether or not she is actually in a good mood or not. She smiles a lot, and easily, and always has. But she doesn&#039;t seem in a horribly &amp;amp;#42;bad&amp;amp;#42; mood, at least; even she can&#039;t (or wouldn&#039;t) hide something like that.&lt;br /&gt;
&lt;br /&gt;
She&#039;s happy, at least, to keep it up for Morgana. &amp;quot;Well, I don&#039;t remember you sounding anything like a cat the first time we met,&amp;quot; Hibari says, &amp;quot;so you&#039;re doing it pretty well.&amp;quot; Of course, she hadn&#039;t met him in the Metaverse then so that&#039;s less of a surprise than it seems - Hibari isn&#039;t entirely clear on what lets you hear Morgana and has just assumed he&#039;s a good actor.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s always a problem,&amp;quot; Hibari agrees with Ren. &amp;quot;Big city, big prices... I tend to keep an eye out for deals, but if you&#039;re looking for a specific place or for a specific item, sometimes it takes a while. Which one is that?&amp;quot; Even if she hasn&#039;t heard of it, it never hurts to know.&lt;br /&gt;
&lt;br /&gt;
So what&#039;s up?&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Well, I could ask something like &#039;how long were you keeping this a secret&#039;,&amp;quot; Hibari says, with another smile. &amp;quot;But instead first I&#039;m going to say &#039;thank you&#039;. I don&#039;t think we could have helped Tsubasa-san without you and your friends. I knew you knew Phoenix but I didn&#039;t know that you knew everything about them. When Ogre suggested we talk I wasn&#039;t sure if you folks would go for it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I &amp;amp;#42;am&amp;amp;#42; curious, though. Don&#039;t worry,&amp;quot; she adds. &amp;quot;I promised I&#039;d keep things to myself, and I meant it. I&#039;m a Rumourmonger - I know Tokyo doesn&#039;t have those - but there are some things I don&#039;t tell people.&amp;quot; She just likes to &amp;amp;#42;know&amp;amp;#42;.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;And then... you can tell me how your cooking has been going.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ren Amamiya has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Yeah, it&#039;s hard,&amp;quot; Ren says, looking down at their saxophone case. &amp;quot;It&#039;s weirdly satisfying, though. Learning how to play means getting that much closer to making something...&amp;quot; They rub the back of their neck. They know in their own head that this is &#039;&#039;not&#039;&#039; a Minako-oriented thing to say, but still-- &amp;quot;...beautiful.&amp;quot; --it&#039;s true.&lt;br /&gt;
    &lt;br /&gt;
    They definitely haven&#039;t joined the band. Shujin&#039;s student body would never accept them. The student librarian barely lets them use the library, and only with great and open discomfort. Ren doesn&#039;t bother to mention that, though. They&#039;re probably still better off than the average Kasugayama High student. At least anyone who doesn&#039;t go to school with them will see their uniform and assume based on appearances that they&#039;re a normal student. &amp;quot;Cuss High&amp;quot; kids don&#039;t get that privilege.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Good!&amp;quot; Morgana declares at being told he didn&#039;t sound like a cat before. He will never, ever, ever admit it--not before some significant character growth, anyway--but he does know in his heart of heart that he does have many catlike behaviors... Hearing that he seems &#039;&#039;un&#039;&#039;-catlike to Hibari (that&#039;s how he&#039;s choosing to interpret what she said, anyway) is affirming.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;It&#039;s called Peacock Silk. It&#039;s over in Shimokitazawa. Tsubasa could tell you more--they&#039;ve been, and they gushed about the place to me,&amp;quot; Ren replies, retrieving and this time keeping a slight smile. Indeed, Hibari might have heard about it from them already; it&#039;s where they got their binder.&lt;br /&gt;
    &lt;br /&gt;
    How long a secret? They shrug. &amp;quot;Just since April,&amp;quot; they reply, even though technically Hibari didn&#039;t commit to the question. It&#039;s a simple answer, so they give it anyway. They nod once at her words of thanks, noting the way she phrases that. It sounds like Ogre and Phoenix haven&#039;t told her they &#039;&#039;are&#039;&#039; Phantom Thieves now. They&#039;ll follow that cue and keep their peace on that matter. &amp;quot;A bunch of us are friends with Tsubasa, me included. Even without that, we don&#039;t abandon people in need.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    She does get back to the topic of their start, though, and that&#039;s fine. Between their personal history with her and her relationship with the Thorn Gang, they trust her not to spread it around. &amp;quot;That first change of heart in the news, for that teacher from Shujin Academy? That was our first mission, period.&amp;quot; They sober. &amp;quot;We weren&#039;t trying to rock society back then. We were just trying to protect ourselves from a predator.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    ...which might tell Hibari more than anything else they could say.&lt;br /&gt;
    &lt;br /&gt;
    As for their cooking... &amp;quot;I&#039;ve gotten better at rice balls. I make those almost every day now, so it&#039;s easy to get better fast.&amp;quot; They rub the back of their neck again. &amp;quot;...I tried making an omelet for breakfast this morning, just for a change of pace, but, uh... it turned into scrambled eggs.&amp;quot; So, they&#039;re still learning, in other words.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hibari Aoki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Maybe it&#039;s not Minako-focused, but Hibari doesn&#039;t know that Ren has a girlfriend (or, at least, has not had it confirmed), let alone who it is and what she likes. But art is something you do to express yourself - she had this conversation not that long ago, with Yusuke no less - and if Ren thinks they&#039;re part of something beautiful, she certainly isn&#039;t going to tell him otherwise.&lt;br /&gt;
&lt;br /&gt;
She smiles. &amp;quot;I get it,&amp;quot; she agrees. &amp;quot;I&#039;ve never really played anything like a saxophone but art of any kind is satisfying to work at. Both for yourself and to share with others.&amp;quot; That&#039;s certainly true of music... it doesn&#039;t have to be for everyone, but it&#039;s probably for someone.&lt;br /&gt;
&lt;br /&gt;
It is true that Hibari runs into issues when she&#039;s in her uniform. People make assumptions they wouldn&#039;t about people in other school uniforms. And she&#039;s aware of at least some of the treatment Ren gets, if not all the details - probably not all of it, but when everybody&#039;s talking about the exchange student, looking into Shujin at all means she hears some things.&lt;br /&gt;
&lt;br /&gt;
But Hibari avoids going to Shujin personally, so there&#039;s that too.&lt;br /&gt;
&lt;br /&gt;
Hibari isn&#039;t going to tell Morgana otherwise. He can&#039;t be a cat, though; cats don&#039;t talk. But why (and how) is he pretending to be a cat? Maybe she&#039;ll ask sometime; that&#039;s another lingering question for the pile.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh! I&#039;ve heard of Peacock Silk.&amp;quot; Hibari actually &amp;amp;#42;has&amp;amp;#42; heard of it from Tsubasa, but also through other means. THere&#039;s the rumours, after all, about what it takes to get inside... &amp;quot;I&#039;ve never been, though. I hear they&#039;ve got some interesting items.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hibari suspects Ogre and Phoenix are close to the Phantom Thieves - members, or close associates at least. They certainly know each other both in the mask and out of it, which is more than she would have expected - she knows the Phantom Thieves guard their identities. But she hasn&#039;t asked them straight-out, because she expects they wouldn&#039;t answer, with the possible exception of if she asked &amp;amp;#42;in front&amp;amp;#42; of Ren so they all admitted it together. Or not, as the case may be. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Mmm,&amp;quot; she says. &amp;quot;Still. It&#039;s a lot to ask from someone you don&#039;t know. And in that case, you didn&#039;t know me, though you know Ichika-chan.&amp;quot; This time she uses her actual name, on purpose. &amp;quot;Though, I suppose you do now,&amp;quot; she finishes, with a slight grin.&lt;br /&gt;
&lt;br /&gt;
She lets Ren explain about the first Change of Heart, at least a little. She stretches her legs out while he talks, resting her heels against the ground for a moment, before pulling them back in and sitting more properly. She &amp;amp;#42;is&amp;amp;#42; in a skirt, after all. &amp;quot;That was your first? Well... I understand wanting to do that,&amp;quot; she says. &amp;quot;And it explains why you came to help Ichika so quickly, too.&amp;quot; With Shadow Eiji, of course. &amp;quot;And it just kind of went from there, huh...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hibari volunteers a little information of her own: &amp;quot;For me it was different. It was - a mistake, almost. I got into Mementos,&amp;quot; she explains. &amp;quot;Even before Danzaburou I could sneak around, a little, without being seen. And I found the Shadow of a person I knew. I don&#039;t mind saying I ended up running away, but that&#039;s when it started. He&#039;s still out there - down there, I mean.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hibari never has said exactly why she&#039;s going to Kasugayama...&lt;br /&gt;
&lt;br /&gt;
But, cooking. She actually laughs, though it doesn&#039;t seem &amp;amp;#42;at&amp;amp;#42; Ren so much as &amp;amp;#42;with&amp;amp;#42; Ren. &amp;quot;Everybody does that a few times,&amp;quot; she says. &amp;quot;I did too. That just takes some practice. There&#039;s a knack to it - I could show you but it&#039;s hard to describe - but you&#039;ll manage it. At least you&#039;re still working at it!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ren Amamiya has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Yeah. I&#039;m... learning to play so I can impress my girlfriend Minako,&amp;quot; Ren says, looking back over at the saxophone case. They wouldn&#039;t have otherwise mentioned that--but the whole reason they and Minako had friction yesterday was &#039;&#039;because&#039;&#039; they don&#039;t tell people that. Hibari&#039;s a friend, and what&#039;s more, someone they&#039;ve fought alongside multiple times now. She ought to know. &amp;quot;But also,&amp;quot; they continue, &amp;quot;if I hadn&#039;t been interested in the saxophone already, I don&#039;t think I would&#039;ve gone for it.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    While their immediate thought when So-young had encouraged them to take up an instrument had been Minako, it &#039;&#039;did&#039;&#039; take learning Akechi loves jazz to push them into going through with it, after all.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Don&#039;t tell her, by the way,&amp;quot; they add, looking up at Hibari with a slight smile. &amp;quot;It&#039;s going to be a surprise for once I get good at it.&amp;quot; As for Peacock Silk-- &amp;quot;Yeah, same.&amp;quot; Maybe one of these days when they have a rare free afternoon, they&#039;ll pop by just to look around... Shimokita&#039;s right next to Yongen-Jaya, so it wouldn&#039;t be out of their way.&lt;br /&gt;
    &lt;br /&gt;
    It is true that they hadn&#039;t known who Mujina was before Tsubasa&#039;s rescue; even their encounter in Eiji&#039;s Palace happened because Ichika had coordinated it. &amp;quot;I do,&amp;quot; they agree. And it does--explain why the Phantoms helped Ichika so quickly, that is, at least in part. It helped that they had a victim to immediately corroborate what a godawful monster Eiji was; they could skip research and making sure this was a target whose heart needed changing, and get right to taking on his Palace.&lt;br /&gt;
    &lt;br /&gt;
    They lean forward, looking over at her, when she explains how she Awoke. &#039;Almost&#039; a mistake, huh...? Well, it was fully a mistake when &#039;&#039;they&#039;&#039; ended up in the Metaverse for the first time, so they get it. &amp;quot;Is that someone you need the Phantom Thieves&#039; help with?&amp;quot; they ask. If he&#039;s still out there, either in the real world or Mementos...&lt;br /&gt;
    &lt;br /&gt;
    They can tell Hibari&#039;s laughing with them, and they smile ruefully, rubbing the back of their neck. &amp;quot;Still tasted pretty good,&amp;quot; they offer. &amp;quot;It&#039;s kind of fun, getting to take control of my own meals, even when I mess it up. It makes me feel self-sufficient.&amp;quot; As for the trick to making omelets-- &amp;quot;Maybe we can make that the next cooking lesson. Actually, it&#039;d be cool to learn how to make rolled omelets, specifically. How &#039;&#039;do&#039;&#039; you get them into those rectangular shapes?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hibari Aoki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Oh, he&#039;s learning for a girlfriend. That does explain it. (That Akechi is also involved in the decision will remain a secret from Hibari.) &lt;br /&gt;
&lt;br /&gt;
Hibari grins. &amp;quot;I won&#039;t,&amp;quot; she says, &amp;quot;but you&#039;ll have to introduce me sometime.&amp;quot; Hibari likes meeting new people, and Ren has so far shown they&#039;ve made pretty good choices in who their close friends are. The only one she&#039;s not sure about so far is Queen, and that&#039;s only because the only time they&#039;ve spoken was their argument; Hibari will get over it.&lt;br /&gt;
&lt;br /&gt;
&#039;Almost&#039; a mistake might be an understatement. Getting in there was a mistake, but Hibari - who already had heard rumours about demons - was possibly a bit better equipped to handle being in Mementos the first time. Even if she&#039;d done nothing but hide and sneak and try to find a way out until after she&#039;d awoken to Danzaburou, and even if she had gone in &amp;amp;#42;almost&amp;amp;#42; entirely blind, the difference between &#039;completely&#039; and &#039;almost&#039; is pretty significant.&lt;br /&gt;
&lt;br /&gt;
Though it had still been dangerous. She almost hadn&#039;t made it.&lt;br /&gt;
&lt;br /&gt;
Is it someone she needs the Phantom Thieves&#039; help with? Hibari hadn&#039;t really thought about asking. &amp;quot;...maybe,&amp;quot; she says, sounding a little uncertain. &amp;quot;He doesn&#039;t have a Palace, as far as I can tell, or he &amp;amp;#42;didn&#039;t&amp;amp;#42; earlier in the year. But he&#039;s not a good person, either. He uses his family&#039;s connections to get out of trouble, and he takes advantage of people.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...he&#039;s the reason I&#039;m at Kasugayama, actually.&amp;quot; Hibari trails off. &amp;quot;I&#039;ll tell you the whole story sometime if you want. It doesn&#039;t matter, though. I haven&#039;t actually found him in Mementos since. Maybe his Shadow went deeper?&amp;quot; Hibari frowns. &amp;quot;I&#039;ve gone in looking for him but I&#039;ve never seen hide or hair of him since.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
As for omelets: &amp;quot;A lot of the time you can eat your mistakes in cooking,&amp;quot; Hibari agrees. &amp;quot;Sometimes it&#039;s bad, but if it just &amp;amp;#42;looks&amp;amp;#42; funny it&#039;s fine...&amp;quot; But then Ren asks about rolled omelets. &amp;quot;Would you believe me if I said those were much harder than they look?&amp;quot; Hibari asks. &amp;quot;Master a French or American-style omelet first and you&#039;ll have a better shot at it... it also takes a square pan. It&#039;s harder because you need to fill it edge to edge to actually make them rectangular, and the sides are straight instead of sloped, so it&#039;s harder to get out in one piece. I&#039;ve got one, though.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ren Amamiya has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Will do,&amp;quot; Ren replies, some ease slipping into their slight smile. They are &#039;&#039;doing it&#039;&#039;, they are &#039;&#039;being better for their girlfriend&#039;&#039;. ...They know that isn&#039;t really how they should be thinking of it, and Morgana&#039;s point that they hadn&#039;t really resolved the underlying issue still lingers at the back of their mind, but they can&#039;t help but feel a little better about the friction they had with Minako yesterday. They want to make it better, and they are.&lt;br /&gt;
    &lt;br /&gt;
    (...They&#039;re doing the thing Minako asked them to do, at least.)&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;He doesn&#039;t need to have a full-on Palace for us to do something about it. As long as he&#039;s got a Shadow in Mementos, we can steal his heart--as long as we all agree to do it,&amp;quot; Ren replies. &amp;quot;That&#039;s one of our baseline rules. We don&#039;t change anyone&#039;s heart unless we all agree to it. But we can at least review a request from someone in need.&amp;quot; They frown. &amp;quot;Especially since it sounds like he&#039;s an asshole.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    They &#039;&#039;do&#039;&#039; want that story--but... &amp;quot;Only if you&#039;re comfortable sharing it,&amp;quot; they reply. They know they don&#039;t like talking about their own exile from Inaba--not that that&#039;s precisely what this is for her. &amp;quot;If you are, I&#039;m happy to hear you out.&amp;quot; But it turns out that she hasn&#039;t found his Shadow since, in Mementos or otherwise. Their eyebrows furrow, and they look over at Morgana, the resident Mementos expert.&lt;br /&gt;
    &lt;br /&gt;
    He&#039;s placed a paw on his chin. &amp;quot;That&#039;s strange... If he has a Shadow and it doesn&#039;t appear in Mementos anymore, that usually means his distortions have gotten so severe that he&#039;s developed a Palace.&amp;quot; Morgana sets his paw down and fixes his intensely blue eyes on Hibari. &amp;quot;Does he not show up on the Meta-Nav anymore either? Have you checked?&amp;quot; He figures someone as smart as Hibari probably would have, but it&#039;s worth double checking.&lt;br /&gt;
    &lt;br /&gt;
    French and American-style omelets? Ren&#039;s eyes widen. &amp;quot;Uh. That sounds complicated,&amp;quot; they say, a little alarm. And it even needs its own special pan?! They consider this. &amp;quot;...I think I&#039;ve seen those kinds of pans in the store before. I always wondered what they were for,&amp;quot; they muse. &amp;quot;I never knew omelets were so complex...&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    But that just makes them that much more of a worthwhile challenge. They adjust their glasses with a finger to the bridge of their nose and look back up, dark eyes set with determination. &amp;quot;...Now I &#039;&#039;have&#039;&#039; to take them on.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hibari Aoki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hibari sticks to talking about cooking first. Cooking is easy. &amp;quot;American and French omelettes are the ones you&#039;re probably thinking of. American ones are less stirred, more set, so they take more toppings... French ones are rolled, but round, and they don&#039;t have as many fillings in them. They&#039;ve got curds in them - you stir them more, but not quite enough for them to break apart into scrambled eggs.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But tamagoyaki... you start with it all along the bottom of the pan - there&#039;s not a lot of room to move it - and then you work it up, rolling it and keeping it pressed against the back side of the pan so it stays squared off.&amp;quot; Hibari gestures as she talks. &amp;quot;So it&#039;s more complicated to do. I&#039;m not saying you &amp;amp;#42;can&#039;t&amp;amp;#42; do it,&amp;quot; Hibari clarifies, holding up one finger. &amp;quot;It&#039;s not impossible! Just that you want to get a handle on basic omelettes first. At least enough to not break it into scrambled eggs.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Honestly, it&#039;s kind of charming, the way Ren wants to rise to that challenge.&lt;br /&gt;
&lt;br /&gt;
But, as for the Shadow...&lt;br /&gt;
&lt;br /&gt;
She nods along with Morgana. &amp;quot;I think he&#039;s still in Mementos,&amp;quot; Hibari says. &amp;quot;I check every month or so to see if I get a Palace hit, and I haven&#039;t yet. But I think he might be deeper now. Or maybe he always was; I&#039;m not quite sure where I was in Mementos when I ended up in it, for all I know &amp;amp;#42;I&amp;amp;#42; was deeper than I can easily get back to.&amp;quot; She sounds apologetic. &amp;quot;I could go into Mementos and really search, but I&#039;ve kind of chickened out of doing that...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hibari lets out a breath, takes in a slower one through her nose. &amp;quot;Okay,&amp;quot; she says. &amp;quot;I don&#039;t tell many people this, I hope you know. I mean, the &amp;amp;#42;one thing&amp;amp;#42; you don&#039;t ask at Kasugayama is why someone&#039;s there. But I think you should know, so:&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;His name&#039;s Kenzo Aoki. I mentioned him to you before,&amp;quot; she adds. &amp;quot;Third year at Shujin, now. Anyway, before I went to Kasugayama or Akiyama, we went to the same school in Sumaru in second year. We got placed next to each other, so we got to talking, and ended up friends, or so I thought - we had assigned seating by name and we&#039;ve got the same family name. No relation though.&amp;quot; Not too unusual, Aoki is in the top fifty surnames.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Anyway, we weren&#039;t quite dating but we weren&#039;t quite not...&amp;quot; Hibari seems a little awkward about that, and glosses over it. &amp;quot;We went out one afternoon. Night. And, uh, he&#039;d gotten some alcohol from somewhere, and it seemed like a good idea at the time...&amp;quot; Hibari isn&#039;t always good at confrontation, and used to be worse at it. &lt;br /&gt;
&lt;br /&gt;
Hibari flushes slightly. &amp;quot;We got drunk. By then it was night and he - anyway, we did some vandalism. I don&#039;t remember a lot after this but he broke in somewhere, threw something through the window, and we got arrested.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;When it went to the police, they were all on his side. He said I must have stolen the alcohol from the izakaya my father worked at, and that I was pushing him to steal something for me. I know I didn&#039;t steal the alcohol because we weren&#039;t missing any, and I don&#039;t think I&#039;d&#039;ve done the rest of it...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Hibari trails off. &amp;quot;But they decided it was my fault, anyway. His parents didn&#039;t think he could ever do anything wrong, and that I was just some hick who was trying to drag him down. And then... he bragged that his family could solve all his problems, when nobody could hear but me. His uncle would just make all the problems go away. And that he could do whatever he likes, because there&#039;d always be someone like me to take the blame - and even if I told the police what I said, they wouldn&#039;t believe me.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...They didn&#039;t. The police said that my father was clearly covering for me with the missing alcohol, when he said they weren&#039;t missing any so I hadn&#039;t taken it,&amp;quot; Hibari says. &amp;quot;And that I should have been raised better than that. Among other things. I got probation, and sent to reform school. He moved to Tokyo with his uncle and they pretended it didn&#039;t happen, that he was just going to a better school for his last year. I don&#039;t think anyone at Shujin knows. It&#039;s not like you, anyway.&amp;quot; The students don&#039;t know, even if staff might.&lt;br /&gt;
&lt;br /&gt;
Hibari sighs. &amp;quot;And I know - I mean, I&#039;m not completely blameless. I messed up, I know it. But I know I didn&#039;t do &amp;amp;#42;all&amp;amp;#42; of what I was accused of. And it&#039;s - it&#039;s not right, to have people be able to just...&amp;quot; She trails off again. &amp;quot;Control the police, I guess. Get out of things because of who your family is. The police are corrupt, and nobody seems to care. Or notice. Because anyone with power is on their side, or protected by them, or both.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks up again. &amp;quot;Sorry to keep going like that. But - that&#039;s why I&#039;m at Kasugayama. And why I really don&#039;t like him.&amp;quot; A beat. &amp;quot;You&#039;re right, by the way. He is an asshole.&amp;quot; For Hibari, who so rarely uses bad language, to say that, is a step. &amp;quot;That&#039;s why I said you should stay away from him, when I didn&#039;t know you were - well, a Phantom Thief.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ren Amamiya has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Ren holds their chin and listens intently as Hibari explains the difference between American, French, and Japanese omelets. French omelets sort of sound like the kind of slice-open omelet for some versions of omurice that they&#039;ve seen viral videos of. American-style omelet is definitely what they were thinking of, especially this morning--they&#039;ve seen those in movies. And who doesn&#039;t know delicious, delicious tamagoyaki? The world of omelets really is complex.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Fair,&amp;quot; they say of starting with the basics. &amp;quot;I&#039;ll work my way up. After sharing a new restaurant with you, of course.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    That &#039;&#039;is&#039;&#039; the deal they made. Gain enough confidant ranks with Hibari and they&#039;ll be able to prepare master-class healing foods for their friends!&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Don&#039;t worry about it,&amp;quot; Morgana reassures Hibari. &amp;quot;It sounds like an unusual situation, but you don&#039;t need to search for him all by yourself.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    Ren nods agreement--and listens as Hibari tells her story. They do indeed remember Kenzo Aoki and how she&#039;d warned them away from him. She&#039;s clearly feeling awkward about the nature of their former relationship, so they let that pass without comment, but that must&#039;ve made the inevitable sting of betrayal hurt that much worse... Especially if alcohol was involved. For an instant, Ren dreads where this is going next--but it&#039;s not quite &#039;&#039;that&#039;&#039; bad, thankfully. Vandalism, theft, and Kenzo throwing Hibari under the bus to keep himself out of jail.&lt;br /&gt;
    &lt;br /&gt;
    Their eyes narrow when she describes just how deeply that ran. That sure is consistent for the police, in their experience--just doing whatever a rich, powerful man and/or his family wants them to do instead of doing what&#039;s /right/. They nod in sympathy, though they don&#039;t interrupt.&lt;br /&gt;
    &lt;br /&gt;
    They &#039;&#039;do&#039;&#039; laugh a little, at least a bit in surprise, when Hibari calls him an asshole too. &amp;quot;Don&#039;t apologize. I completely get it now.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;What an absolute scoundrel! He definitely sounds like the sort the Phantom Thieves would target,&amp;quot; Morgana yowls.&lt;br /&gt;
    &lt;br /&gt;
    Ren nods in agreement. &amp;quot;We&#039;ve got a couple people we&#039;re looking into right now--but if he&#039;s only got a Shadow in Mementos, it won&#039;t be as big an investment. I can pass on your request to everyone for you, if you want.&amp;quot; If she &#039;&#039;doesn&#039;t&#039;&#039; want, they&#039;ll leave it be, though.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hibari Aoki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Great,&amp;quot; Hibari says, with another smile. &amp;quot;And of course I&#039;ll help. But it sounds like you&#039;ve got a project.&amp;quot; And working on omelettes is definitely something Ren can take on with the skills they have... maybe they can&#039;t do the fanciest one yet, but getting the basics down? Absolutely.&lt;br /&gt;
&lt;br /&gt;
Those confident ranks really will help...&lt;br /&gt;
&lt;br /&gt;
Fortunately, the nature of the event isn&#039;t quite as bad as Ren might have been thinking. Unfortunately, it&#039;s still pretty bad, just in a different way... it&#039;s still a mark on Hibari that she can&#039;t easily escape. Even when she becomes an adult, she&#039;ll still have to put down that her graduating high school was Kasugayama.&lt;br /&gt;
&lt;br /&gt;
She notes that eyes-narrowing from Ren, and that comment from Morgana. &amp;quot;He&#039;s certainly a scoundrel. And his uncle really does have some connections - he&#039;s in the government, I think - so apparently he&#039;s not &amp;amp;#42;wrong&amp;amp;#42;. I just wish it didn&#039;t work that way.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;And I&#039;m hoping he doesn&#039;t end up worse than he is,&amp;quot; she agrees with the pair. &amp;quot;I haven&#039;t heard that he&#039;s been up to anything, so if he&#039;s just in Mementos - but if a Palace shows up, I&#039;ll find out as soon as I can.&amp;quot; She has been checking that now and again.&lt;br /&gt;
&lt;br /&gt;
Hibari considers for a moment, tapping her knee. &amp;quot;I wouldn&#039;t mind that,&amp;quot; she eventually decides. &amp;quot;But it&#039;s kind of lower priority, given everything else. I didn&#039;t even think about him for a while when I was helping Ichika-chan.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I want to come along if you do. I mean... you know I&#039;ve got useful skills. You might not even be able to find him without me. But that&#039;s assuming we can find him at all.&amp;quot; They might need to delve deeper into Mementos than Hibari can usually go, if that&#039;s where he&#039;s ended up. Maybe when another passage opens...&lt;br /&gt;
&lt;br /&gt;
They&#039;re looking into someone, too. Or multiple someones. &amp;quot;If there&#039;s anything I can do to help &amp;amp;#42;you&amp;amp;#42;,&amp;quot; she says, &amp;quot;please let me know. Either as Rumourmonger Hibari... or as Mujina. I owe you - don&#039;t tell me I don&#039;t! If you&#039;re going to help me with this, I do.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks up at the sky for a moment, then - &amp;quot;It&#039;s getting really cloudy-looking,&amp;quot; she says. &amp;quot;More than I was hoping... Want to move on for now? I don&#039;t want to get caught out in the rain if I don&#039;t have to. But it was great to catch up with you again!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ren Amamiya has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    They&#039;ll continue to work on onigiri too, of course--they&#039;re improving, but they haven&#039;t mastered them yet--but the complexity of eggs has them intrigued. It&#039;ll be an exciting next recipe to tackle, and who knows? Maybe they can combine the two and start learning how to do omurice after that. Gotta start making chicken for rice ball filler now to prepare for that.&lt;br /&gt;
&lt;br /&gt;
    The improvement of the relationship and trust between Ren and Hibari definitely helps too. Both of them have confided in the other now--indeed, acted as the other&#039;s confidant. Rank up!!&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I&#039;ll keep an eye out for the name and search Mementos too,&amp;quot; Morgana says. &amp;quot;If it&#039;s a low priority, we don&#039;t have to sweat it, but better to nip a potential Palace in the bud if we can, right? Fighting a Mementos Shadow is &#039;&#039;way&#039;&#039; easier than fighting a Palace Holder.&amp;quot; (Ren nods their agreement here.)&lt;br /&gt;
&lt;br /&gt;
    Of course, if Hibari&#039;s suspicions are current and Kenzo&#039;s Shadow has just gone (was always?) deeper into Mementos than they all can currently go, then The Phantoms&#039; hands are tied. Still, Ren nods slowly. &amp;quot;I&#039;ll run it by the others--I&#039;d have to do that anyway, so we can come to a consensus on if we&#039;re going to change his heart in the first place--but I doubt that&#039;ll be a problem. We all know who you are and that you&#039;re reliable, and you&#039;re the one who was betrayed by him in the first place.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Hibari has a right to be there to see his change of heart through, in other words.&lt;br /&gt;
&lt;br /&gt;
    Ren smiles at her counter-offer, briefly. &amp;quot;If you know or can find out anything about someone named Futaba Sakura, that&#039;s one. Or if you can help Tsubasa figure out where Daichi Furudate&#039;s Palace is, that&#039;d also be a big help. We&#039;ve clocked his distortion, but the location&#039;s still a mystery to us.&amp;quot; Alibaba said they&#039;d figure that out for The Phantoms, but Ren doesn&#039;t want to put all their eggs in one basket--especially after Alibaba threatened them all with exposure to their enemies.&lt;br /&gt;
&lt;br /&gt;
    They follow her gaze up to the sky. &amp;quot;Mm. Yeah.&amp;quot; They reach down to grab their saxophone case and stand up; Morgana hops up onto their shoulder to ride along. &amp;quot;Likewise, Hibari.&amp;quot; As freaked out as they were by running into her again, that was ultimately because of their shared hometown and not anything about her herself. It&#039;s been good to reconnect with her--someone who knows about where they grew up without them having to say anything. &amp;quot;Let&#039;s get going.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3490</id>
		<title>2025-11-08: Art for Art&#039;s Sake</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3490"/>
		<updated>2025-11-09T08:48:27Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* &#039;&#039;&#039;Cutscene: Art for Art&#039;s Sake&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Akari Hoshi]]&lt;br /&gt;
* &#039;&#039;&#039;Where:&#039;&#039;&#039; Hoshi Home, Rengedai Ward&lt;br /&gt;
* &#039;&#039;&#039;OOC Date:&#039;&#039;&#039; 2025-11-08&lt;br /&gt;
* &#039;&#039;&#039;IC Date:&#039;&#039;&#039; Tuesday, August 7, 2012&lt;br /&gt;
* &#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Akari&#039;s father gives Akari an ultimatum.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Akari had been in her room, leafing through one of her manga on her bed, when there was a polite knocking at her door. One, two, three...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari, we need to talk.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari hated that line from her father, because it always meant that she was about to be told she did something wrong; he never phrased it quite that way at any other time. And, unfortunately, she had an idea of what it was; her exam grades hadn&#039;t been very good. She&#039;d passed, but...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll be out in a moment, Father,&amp;quot; she responded.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now, Akari.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That meant it was &#039;&#039;really&#039;&#039; bad. Akari felt her body tense as she slipped off her bed, heading to the door.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come with me.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
The destination was only the living room. The Hoshi home was both larger and more Western than a lot of the other homes in the area, and Rengedai Ward wasn&#039;t exactly poor. Her family had always had money and weren&#039;t opposed to using it to make people comfortable, and it was what her mother was used to. Her mother, Ren Hoshi (nee Pereira), who&#039;d grown up in Brazil, preferred the Western aesthetic. Her real name was Renata, but it was easy enough for her to just write Ren in hiragana and let people use the short form - it made her seem more assimilated. &lt;br /&gt;
&lt;br /&gt;
A lot of people, Akari knew, assumed that her mother was a trophy wife; a beautiful dekasegi foreigner her father had met on a series of extended business trips in his twenties and had a whirlwind romance with, who had come to Japan a couple months later to continue the relationship. She was tall compared to most women (though Akari was threatening to match or exceed her, given how much she&#039;d grown over the last year), even darker than Akari was, with long straight hair. Gorgeous in an exotic way, even into her thirties now - to the fourteen-year-old Akari, anyone in their mid-thirties was old and anyone over forty was ancient.&lt;br /&gt;
&lt;br /&gt;
The gossip from the ruder people at her father&#039;s work was that Renata wasn&#039;t very bright and that he&#039;d only married her for her looks, or possibly because she was pregnant with Akari already; Akari was born only a few months after the marriage, so that part may even have been partially true. But if it was anything but bias against a foreigner, it was simply from her learning the language, as she had not mastered Japanese until she&#039;d moved to Japan.  Akari was very aware that her mother was smarter than she was, just quiet a lot of the time, even with her. She was often busy; she didn&#039;t precisely have a job as such but she did volunteer work in her community, teaching other newcomers how to fit in socially and tutoring them in Japanese, especially if their first language was Portuguese or English.&lt;br /&gt;
&lt;br /&gt;
Then there was her father: Makito Hoshi, who did complicated international contract law (Akari was vague as to what it was beyond &#039;business&#039;). He frequently missed dinner with the others because he was working late, or travelling. He might be her father, but she didn&#039;t talk to him as much or do as much with him as some children did with their parents, she knew; when she saw him, he was usually tired, or still busy.&lt;br /&gt;
&lt;br /&gt;
He looked... boring, she supposed. Plain, anyway; physically, he didn&#039;t stand out, aside from being on the tall side too. She got that from both sides. People said he didn&#039;t have much imagination, but that it was a plus in contract law, where you want things to be just as they&#039;re written and no other way. And he was dedicated and and reliable. If he wasn&#039;t imaginative, perhaps, he was devoted to his wife. They really loved each other; around each other, they were more open than any other time. Of course he&#039;d have his house done up in Western style for her.&lt;br /&gt;
&lt;br /&gt;
Finally, there was Akari, who was everything they weren&#039;t: loud, creative, artistic, imaginative, not particularly interested in every little detail of the rules and expectations but more likely to find her own way. And independent, given both of them were always doing something, usually without her, and she had to handle herself a lot of the time. She didn&#039;t understand her parents a lot of the time, and they didn&#039;t understand her. How the two of them had produced &#039;&#039;her&#039;&#039;, none of them really got.&lt;br /&gt;
&lt;br /&gt;
Her mother wasn&#039;t there, which meant one of two things: one, she was busy and her father didn&#039;t think this conversation was serious enough to wait for her to have her here, or two, she was &#039;busy&#039; because she thought Makito might raise his voice, something Renata hated, and so she&#039;d deliberately left. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Sit,&amp;quot; her father said, and did on the chair he liked. Akari lowered herself down a moment later on the couch.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I know I didn&#039;t do well on the exams, but,&amp;quot; Akari blurted out, hastily. &amp;quot;But! I was trying, I really was.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari,&amp;quot; Makito sighed. &amp;quot;You&#039;re smart, when you try to be. If you were really trying, you&#039;d do better than this; I know you can do it if you apply yourself. It&#039;s just that you haven&#039;t been lately. You need to study to get into Seven Sisters High School - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But!&amp;quot; Akari tried to interrupt, but he kept talking.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - now that you&#039;re in the second half of middle school. Next year you&#039;ll have to take the entrance examination for Seven Sisters, because just because you went to their middle school doesn&#039;t guarantee you entrance if you aren&#039;t up to par - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I!&amp;quot; It happened again.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - so we know you get into a good high school. It&#039;s important. You need to start thinking about your future.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I don&#039;t want to go to Seven Sisters!&amp;quot; Akari finally got out, loud enough that her father couldn&#039;t just ignore it. &amp;quot;I want to go to Gekkoukan!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito looked at her with the same expression he&#039;d have used if she said &#039;I want to drop out of school and run away from home&#039;. &amp;quot;Now, Akari, you can&#039;t just do that. Gekkoukan is a fine enough school, I suppose, but elites go to Seven Sisters. You need to be thinking about your future,&amp;quot; he stressed.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I &#039;&#039;am&#039;&#039; thinking about my future!&amp;quot; Akari looked as if she was going to burst up from her seat, but she didn&#039;t, quite. &amp;quot;I want to go to Gekkoukan High and study art and fashion and costuming!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Now Makito looked more disgusted than anything else. &amp;quot;Akari. When you were younger you wanted to be an astronaut and walk on the Moon. Then you wanted to be an Olympic athlete, a firefighter, and an &#039;adventuring archaeologist&#039; after you saw those movies. Be realistic. We had this discussion months ago.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I was SIX when I said I wanted to be an astronaut! You can&#039;t keep using that as an example forever!&amp;quot; Akari let out a breath because if she stayed amped up she was going to be scolded for that, too. &amp;quot;But I really do want to do art.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito says nothing for a few moments. Then: &amp;quot;I suppose we were going to have to talk about this, too. Akari, you don&#039;t take your schooling seriously enough. One of your teachers told us that she heard you bragging to other students about sneaking into Kasugayama after hours.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That tattletale,&amp;quot; Akari muttered under her breath. She had, but it was because she was telling them she&#039;d seen a demon. (They hadn&#039;t believed her.)&lt;br /&gt;
&lt;br /&gt;
Makito raised one eyebrow, but didn&#039;t ask her to repeat it louder. &amp;quot;And then there was last Friday. You stayed out so late, we were worried! And then when you finally get back, you were so tired you just went to bed. What were you even doing that night?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari somehow doubted the actual answer (&#039;I was in a magical circus saving one of my new friends&#039; other friends from their evil double, and a lot of other people were there, so you don&#039;t need to worry even if the Homonculus tried to kill me. There was also a peacock&#039;) would be appreciated, so she mumbled, &amp;quot;Out. With a friend, at the arcade. We just forgot it was late.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s not the only time you&#039;ve stayed out too late,&amp;quot; Makito said. &amp;quot;It&#039;s like you don&#039;t actually care about your future. You&#039;re fourteen now, but it hasn&#039;t gotten better this year, it&#039;s gotten worse! So it&#039;s time to put the games and toys away for a while, and concentrate on work. To stop daydreaming like you always do. You&#039;re smart, I know you are. You&#039;re my child, and your mother&#039;s. But you won&#039;t focus. You just... dream. And if you don&#039;t, you&#039;re going to fail.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He pushed up his glasses, absently. &amp;quot;We&#039;ve already signed you up for a tutor over the summer,&amp;quot; which Akari very carefully kept her expression neutral about. She could manage a tutor. She&#039;d been looking forward to having some time off, but if this was the worst punishment she got, she could take it. But he continued. &amp;quot;And while I&#039;m not going to put you under a curfew, you have to check in more often. No more vanishing all day and half the evening. When you&#039;re not studying, I want you to empty out the spare room - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt a surge of panic. &amp;quot;What?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
There was a spare room. The house was almost too big for three; Akari guessed they&#039;d planned for a brother or a sister, but she was an only child. In addition to some odds and ends her parents stored in it, Akari kept her craft tools in it; sewing, foam work, the other few things they&#039;d allowed her to buy, or bought for her when she was keeping up her grades better. Even some of her sketchbooks, though some of those were in her bedroom.&lt;br /&gt;
&lt;br /&gt;
So if he wanted it emptied...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I told you, you need to put your toys aside.&amp;quot; Makito seems frustrated with repeating himself, or Akari&#039;s wilful attempt to ignore what he was saying. &amp;quot;When you were younger, your imagination was all well and good, and you&#039;re skilled with your hands, when you make things. But you&#039;re growing up. You can&#039;t just &#039;make things&#039; forever. You need to be realistic. You&#039;ll never amount to anything if that&#039;s all you pay attention to - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But it&#039;s my art!&amp;quot; Akari did stand up this time, which got Makito to stand up too. &amp;quot;It&#039;s a whole portfolio! If I&#039;m going to study it, I need one of those. I can&#039;t just...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You can and you will. Keep a few of the things you&#039;ve made, if you like, as mementos of childhood, but most of it has to go. Akari, I&#039;m not asking you. I&#039;m telling you. If you won&#039;t structure your time yourself, and you haven&#039;t, then this is the only way. You won&#039;t be going to Gekkoukan. There&#039;s no future in art; no career worth having. You saw what came of Madarame - what his art stood for! Fine art is a scam, and I won&#039;t let my daughter scam or be scammed - but your costumes aren&#039;t even that. They&#039;re a hobby! Not a career.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt her eyes getting moist. &amp;quot;But I really do want to study it. Father, I&#039;m serious about this! I could learn to make things for television, or movies... but there are things I don&#039;t know, and I need to go to school for. Like Gekkoukan. And if you throw away everything... Please! I can&#039;t just - get rid of it!&amp;quot; What would she DO? She&#039;d go mad if she didn&#039;t have something to do with her hands when she was thinking. Sometimes she couldn&#039;t focus on &#039;&#039;anything&#039;&#039; until she got an idea out of her head and made it real. &amp;quot;I promise I won&#039;t spend too much time on it - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You had your chance.&amp;quot; Makito shakes his head. &amp;quot;If you&#039;d done better on your exams - but you didn&#039;t. You &#039;&#039;must&#039;&#039; look forward. You&#039;re too smart to waste your life as a seamstress, and what if you change your mind next year again? Maybe, when you&#039;re older, and you know its proper place - but not now. And - Akari...? Akari! Listen to me!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari was no longer there, because she&#039;d darted out of the room.&lt;br /&gt;
&lt;br /&gt;
She could do a lot of things. She was able to talk back to her father, to argue with him, to occasionally be something other than the dutiful child.&lt;br /&gt;
&lt;br /&gt;
But she &#039;&#039;would not&#039;&#039; let him see her cry over having her art taken away from her.&lt;br /&gt;
&lt;br /&gt;
What was she going to do now...?&lt;br /&gt;
&lt;br /&gt;
[[Category:Cutscenes]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3489</id>
		<title>2025-11-08: Art for Art&#039;s Sake</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3489"/>
		<updated>2025-11-09T07:21:20Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* &#039;&#039;&#039;Cutscene: Art for Art&#039;s Sake&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Akari Hoshi]]&lt;br /&gt;
* &#039;&#039;&#039;Where:&#039;&#039;&#039; Hoshi Home, Rengedai Ward&lt;br /&gt;
* &#039;&#039;&#039;OOC Date:&#039;&#039;&#039; 2025-11-08&lt;br /&gt;
* &#039;&#039;&#039;IC Date:&#039;&#039;&#039; Tuesday, August 7, 2012&lt;br /&gt;
* &#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Akari&#039;s father gives Akari an ultimatum.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Akari had been in her room, leafing through one of her manga on her bed, when there was a polite knocking at her door. One, two, three...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari, we need to talk.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari hated that line from her father, because it always meant that she was about to be told she did something wrong; he never phrased it quite that way at any other time. And, unfortunately, she had an idea of what it was; her exam grades hadn&#039;t been very good. She&#039;d passed, but...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll be out in a moment, Father,&amp;quot; she responded.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now, Akari.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That meant it was &#039;&#039;really&#039;&#039; bad. Akari felt her body tense as she slipped off her bed, heading to the door.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come with me.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
The destination was only the living room. The Hoshi home was both larger and more Western than a lot of the other homes in the area, and Rengedai Ward wasn&#039;t exactly poor. Her family had always had money and weren&#039;t opposed to using it to make people comfortable, and it was what her mother was used to. Her mother, Ren Hoshi (nee Pereira), who&#039;d grown up in Brazil, preferred the Western aesthetic. Her real name was Renata, but it was easy enough for her to just write Ren in hiragana and let people use the short form - it made her seem more assimilated. &lt;br /&gt;
&lt;br /&gt;
A lot of people, Akari knew, assumed that her mother was a trophy wife; a beautiful dekasegi foreigner her father had met on a series of extended business trips in his twenties and had a whirlwind romance with, who had come to Japan a couple months later to continue the relationship. She was tall compared to most women (though Akari was threatening to match or exceed her, given how much she&#039;d grown over the last year), even darker than Akari was, with long straight hair. Gorgeous in an exotic way, even into her thirties now - to the fourteen-year-old Akari, anyone in their mid-thirties was old and anyone over forty was ancient.&lt;br /&gt;
&lt;br /&gt;
The gossip from the ruder people at her father&#039;s work was that Renata wasn&#039;t very bright and that he&#039;d only married her for her looks, or possibly because she was pregnant with Akari already; Akari was born only a few months after the marriage, so that part may even have been partially true. But if it was anything but bias against a foreigner, it was simply from her learning the language, as she had not mastered Japanese until she&#039;d moved to Japan.  Akari was very aware that her mother was smarter than she was, just quiet a lot of the time, even with her. She was often busy; she didn&#039;t precisely have a job as such but she did volunteer work in her community, teaching other newcomers how to fit in socially and tutoring them in Japanese, especially if their first language was Portuguese or English.&lt;br /&gt;
&lt;br /&gt;
Then there was her father: Makito Hoshi, who did complicated international contract law (Akari was vague as to what it was beyond &#039;business&#039;). He frequently missed dinner with the others because he was working late, or travelling. He might be her father, but she didn&#039;t talk to him as much or do as much with him as some children did with their parents, she knew; when she saw him, he was usually tired, or still busy.&lt;br /&gt;
&lt;br /&gt;
He looked... boring, she supposed. Plain, anyway; physically, he didn&#039;t stand out, aside from being on the tall side too. She got that from both sides. People said he didn&#039;t have much imagination, but that it was a plus in contract law, where you want things to be just as they&#039;re written and no other way. And he was dedicated and and reliable. If he wasn&#039;t imaginative, perhaps, he was devoted to his wife. They really loved each other; around each other, they were more open than any other time. Of course he&#039;d have his house done up in Western style for her.&lt;br /&gt;
&lt;br /&gt;
Finally, there was Akari, who was everything they weren&#039;t: loud, creative, artistic, imaginative, not particularly interested in every little detail of the rules and expectations but more likely to find her own way. And independent, given both of them were always doing something, usually without her, and she had to handle herself a lot of the time. She didn&#039;t understand her parents a lot of the time, and they didn&#039;t understand her. How the two of them had produced &#039;&#039;her&#039;&#039;, none of them really got.&lt;br /&gt;
&lt;br /&gt;
Her mother wasn&#039;t there, which meant one of two things: one, she was busy and her father didn&#039;t think this conversation was serious enough to wait for her to have her here, or two, she was &#039;busy&#039; because she thought Makito might raise his voice, something Renata hated, and so she&#039;d deliberately left. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Sit,&amp;quot; her father said, and did on the chair he liked. Akari lowered herself down a moment later on the couch.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I know I didn&#039;t do well on the exams, but,&amp;quot; Akari blurted out, hastily. &amp;quot;But! I was trying, I really was.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari,&amp;quot; Makito sighed. &amp;quot;You&#039;re smart, when you try to be. If you were really trying, you&#039;d do better than this; I know you can do it if you apply yourself. It&#039;s just that you haven&#039;t been lately. You need to study to get into Seven Sisters High School - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But!&amp;quot; Akari tried to interrupt, but he kept talking.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - now that you&#039;re in the second half of middle school. Next year you&#039;ll have to take the entrance examination for Seven Sisters, because just because you went to their middle school doesn&#039;t guarantee you entrance if you aren&#039;t up to par - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I!&amp;quot; It happened again.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - so we know you get into a good high school. It&#039;s important. You need to start thinking about your future.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I don&#039;t want to go to Seven Sisters!&amp;quot; Akari finally got out, loud enough that her father couldn&#039;t just ignore it. &amp;quot;I want to go to Gekkoukan!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito looked at her with the same expression he&#039;d have used if she said &#039;I want to drop out of school and run away from home&#039;. &amp;quot;Now, Akari, you can&#039;t just do that. Gekkoukan is a fine enough school, I suppose, but elites go to Seven Sisters. You need to be thinking about your future,&amp;quot; he stressed.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I &#039;&#039;am&#039;&#039; thinking about my future!&amp;quot; Akari looked as if she was going to burst up from her seat, but she didn&#039;t, quite. &amp;quot;I want to go to Gekkoukan High and study art and fashion and costuming!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Now Makito looked more disgusted than anything else. &amp;quot;Akari. When you were younger you wanted to be an astronaut and walk on the Moon. Then you wanted to be an Olympic athlete, a firefighter, and an &#039;adventuring archaeologist&#039; after you saw those movies. Be realistic. We had this discussion months ago.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I was SIX when I said I wanted to be an astronaut! You can&#039;t keep using that as an example forever!&amp;quot; Akari let out a breath because if she stayed amped up she was going to be scolded for that, too. &amp;quot;But I really do want to do art.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito says nothing for a few moments. Then: &amp;quot;I suppose we were going to have to talk about this, too. Akari, you don&#039;t take your schooling seriously enough. One of your teachers told us that she heard you bragging to other students about sneaking into Kasugayama after hours.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That tattletale,&amp;quot; Akari muttered under her breath. She had, but it was because she was telling them she&#039;d seen a demon. (They hadn&#039;t believed her.)&lt;br /&gt;
&lt;br /&gt;
Makito raised one eyebrow, but didn&#039;t ask her to repeat it louder. &amp;quot;And then there was last Friday. You stayed out so late, we were worried! And then when you finally get back, you were so tired you just went to bed. What were you even doing that night?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari somehow doubted the actual answer (&#039;I was in a magical circus saving one of my new friends&#039; other friends from their evil double, and a lot of other people were there, so you don&#039;t need to worry even if the Homonculus tried to kill me. There was also a peacock&#039;) would be appreciated, so she mumbled, &amp;quot;Out. With a friend, at the arcade. We just forgot it was late.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s not the only time you&#039;ve stayed out too late,&amp;quot; Makito said. &amp;quot;It&#039;s like you don&#039;t actually care about your future. You&#039;re fourteen now, but it hasn&#039;t gotten better this year, it&#039;s gotten worse! So it&#039;s time to put the games and toys away for a while, and concentrate on work. To stop daydreaming like you always do. You&#039;re smart, I know you are. You&#039;re my child, and your mother&#039;s. But you won&#039;t focus. You just... dream. And if you don&#039;t, you&#039;re going to fail.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He pushed up his glasses, absently. &amp;quot;We&#039;ve already signed you up for a tutor over the summer,&amp;quot; which Akari very carefully kept her expression neutral about. She could manage a tutor. She&#039;d been looking forward to having some time off, but if this was the worst punishment she got, she could take it. But he continued. &amp;quot;And while I&#039;m not going to put you under a curfew, you have to check in more often. No more vanishing all day and half the evening. When you&#039;re not studying, I want you to empty out the spare room - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt a surge of panic. &amp;quot;What?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
There was a spare room. The house was almost too big for three; Akari guessed they&#039;d planned for a brother or a sister, but she was an only child. In addition to some odds and ends her parents stored in it, Akari kept her craft tools in it; sewing, foam work, the other few things they&#039;d allowed her to buy, or bought for her when she was keeping up her grades better.&lt;br /&gt;
&lt;br /&gt;
So if he wanted it emptied...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I told you, you need to put your toys aside.&amp;quot; Makito seems frustrated with repeating himself, or Akari&#039;s wilful attempt to ignore what he was saying. &amp;quot;When you were younger, your imagination was all well and good, and you&#039;re skilled with your hands, when you make things. But you&#039;re growing up. You can&#039;t just &#039;make things&#039; forever. You need to be realistic. You&#039;ll never amount to anything if that&#039;s all you pay attention to - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But it&#039;s my art!&amp;quot; Akari did stand up this time, which got Makito to stand up too. &amp;quot;It&#039;s a whole portfolio! If I&#039;m going to study it, I need one of those. I can&#039;t just...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You can and you will. Keep a few of the things you&#039;ve made, if you like, as mementos of childhood, but most of it has to go. Akari, I&#039;m not asking you. I&#039;m telling you. If you won&#039;t structure your time yourself, and you haven&#039;t, then this is the only way. You won&#039;t be going to Gekkoukan. There&#039;s no future in art; no career worth having. You saw what came of Madarame - what his art stood for! Fine art is a scam, and I won&#039;t let my daughter scam or be scammed - but your costumes aren&#039;t even that. They&#039;re a hobby! Not a career.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt her eyes getting moist. &amp;quot;But I really do want to study it. Father, I&#039;m serious about this! I could learn to make things for television, or movies... but there are things I don&#039;t know, and I need to go to school for. Like Gekkoukan. And if you throw away everything... Please! I can&#039;t just - get rid of it!&amp;quot; What would she DO? She&#039;d go mad if she didn&#039;t have something to do with her hands when she was thinking. Sometimes she couldn&#039;t focus on &#039;&#039;anything&#039;&#039; until she got an idea out of her head and made it real. &amp;quot;I promise I won&#039;t spend too much time on it - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You had your chance.&amp;quot; Makito shakes his head. &amp;quot;If you&#039;d done better on your exams - but you didn&#039;t. You &#039;&#039;must&#039;&#039; look forward. You&#039;re too smart to waste your life as a seamstress, and what if you change your mind next year again? Maybe, when you&#039;re older, and you know its proper place - but not now. And - Akari...? Akari! Listen to me!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari was no longer there, because she&#039;d darted out of the room.&lt;br /&gt;
&lt;br /&gt;
She could do a lot of things. She was able to talk back to her father, to argue with him, to occasionally be something other than the dutiful child.&lt;br /&gt;
&lt;br /&gt;
But she &#039;&#039;would not&#039;&#039; let him see her cry over having her art taken away from her.&lt;br /&gt;
&lt;br /&gt;
What was she going to do now...?&lt;br /&gt;
&lt;br /&gt;
[[Category:Cutscenes]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3488</id>
		<title>2025-11-08: Art for Art&#039;s Sake</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3488"/>
		<updated>2025-11-09T07:19:42Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* &#039;&#039;&#039;Cutscene: Art for Art&#039;s Sake&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Akari Hoshi]]&lt;br /&gt;
* &#039;&#039;&#039;Where:&#039;&#039;&#039; Hoshi Home, Rengedai Ward&lt;br /&gt;
* &#039;&#039;&#039;OOC Date:&#039;&#039;&#039; 2025-11-08&lt;br /&gt;
* &#039;&#039;&#039;IC Date:&#039;&#039;&#039; Tuesday, August 7, 2012&lt;br /&gt;
* &#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Akari&#039;s father gives Akari an ultimatum.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Akari had been in her room, leafing through one of her manga on her bed, when there was a polite knocking at her door. One, two, three...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari, we need to talk.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari hated that line from her father, because it always meant that she was about to be told she did something wrong; he never phrased it quite that way at any other time. And, unfortunately, she had an idea of what it was; her exam grades hadn&#039;t been very good. She&#039;d passed, but...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll be out in a moment, Father,&amp;quot; she responded.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now, Akari.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That meant it was &#039;&#039;really&#039;&#039; bad. Akari felt her body tense as she slipped off her bed, heading to the door.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come with me.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
The destination was only the living room. The Hoshi home was both larger and more Western than a lot of the other homes in the area, and Rengedai Ward wasn&#039;t exactly poor. Her family had always had money and weren&#039;t opposed to using it to make people comfortable, and it was what her mother was used to. Her mother, Ren Hoshi (nee Pereira), who&#039;d grown up in Brazil, preferred the Western aesthetic. Her real name was Renata, but it was easy enough for her to just write Ren in hiragana and let people use the short form - it made her seem more assimilated. &lt;br /&gt;
&lt;br /&gt;
A lot of people, Akari knew, assumed that her mother was a trophy wife; a beautiful dekasegi foreigner her father had met on a series of extended business trips in his twenties and had a whirlwind romance with, who had come to Japan a couple months later to continue the relationship. She was tall compared to most women (though Akari was threatening to match or exceed her, given how much she&#039;d grown over the last year), even darker than Akari was, with long straight hair. Gorgeous in an exotic way, even into her thirties now - to the fourteen-year-old Akari, anyone in their mid-thirties was old and anyone over forty was ancient.&lt;br /&gt;
&lt;br /&gt;
The gossip from the ruder people at her father&#039;s work was that Renata wasn&#039;t very bright and that he&#039;d only married her for her looks, or possibly because she was pregnant with Akari already; Akari was born only a few months after the marriage, so that part may even have been partially true. But if it was anything but bias against a foreigner, it was simply from her learning the language, as she had not mastered Japanese until she&#039;d moved to Japan.  Akari was very aware that her mother was smarter than she was, just quiet a lot of the time, even with her. She was often busy; she didn&#039;t precisely have a job as such but she did volunteer work in her community, teaching other newcomers how to fit in socially and tutoring them in Japanese, especially if their first language was Portuguese or English.&lt;br /&gt;
&lt;br /&gt;
Then there was her father: Makito Hoshi, who did complicated international contract law (Akari was vague as to what it was beyond &#039;business&#039;). He frequently missed dinner with the others because he was working late, or travelling. He might be her father, but she didn&#039;t talk to him as much or do as much with him as some children did with their parents, she knew; when she saw him, he was usually tired, or still busy.&lt;br /&gt;
&lt;br /&gt;
He looked... boring, she supposed. Plain, anyway; physically, he didn&#039;t stand out, aside from being on the tall side too. She got that from both sides. People said he didn&#039;t have much imagination, but that it was a plus in contract law, where you want things to be just as they&#039;re written and no other way. And he was dedicated and and reliable. If he wasn&#039;t imaginative, perhaps, he was devoted to his wife. They really loved each other; around each other, they were more open than any other time. Of course he&#039;d have his house done up in Western style for her.&lt;br /&gt;
&lt;br /&gt;
Finally, there was Akari, who was everything they weren&#039;t: loud, creative, artistic, imaginative, not particularly interested in every little detail of the rules and expectations but more likely to find her own way. And independent, given both of them were always doing something, usually without her, and she had to handle herself a lot of the time. She didn&#039;t understand her parents a lot of the time, and they didn&#039;t understand her. How the two of them had produced &#039;&#039;her&#039;&#039;, none of them really got.&lt;br /&gt;
&lt;br /&gt;
Her mother wasn&#039;t there, which meant one of two things: one, she was busy and her father didn&#039;t think this conversation was serious enough to wait for her to have her here, or two, she was &#039;busy&#039; because she thought Makito might raise his voice, something Renata hated, and so she&#039;d deliberately left. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Sit,&amp;quot; her father said, and did on the chair he liked. Akari lowered herself down a moment later on the couch.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I know I didn&#039;t do well on the exams, but,&amp;quot; Akari blurted out, hastily. &amp;quot;But! I was trying, I really was.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari,&amp;quot; Makito sighed. &amp;quot;You&#039;re smart, when you try to be. If you were really trying, you&#039;d do better than this; I know you can do it if you apply yourself. It&#039;s just that you haven&#039;t been lately. You need to study to get into Seven Sisters High School - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But!&amp;quot; Akari tried to interrupt, but he kept talking.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - now that you&#039;re in the second half of middle school. Next year you&#039;ll have to take the entrance examination for Seven Sisters, because just because you went to their middle school doesn&#039;t guarantee you entrance if you aren&#039;t up to par - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I!&amp;quot; It happened again.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - so we know you get into a good high school. It&#039;s important. You need to start thinking about your future.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I don&#039;t want to go to Seven Sisters!&amp;quot; Akari finally got out, loud enough that her father couldn&#039;t just ignore it. &amp;quot;I want to go to Gekkoukan!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito looked at her with the same expression he&#039;d have used if she said &#039;I want to drop out of school and run away from home&#039;. &amp;quot;Now, Akari, you can&#039;t just do that. Gekkoukan is a fine enough school, I suppose, but elites go to Seven Sisters. You need to be thinking about your future,&amp;quot; he stressed.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I &#039;&#039;am&#039;&#039; thinking about my future!&amp;quot; Akari looked as if she was going to burst up from her seat, but she didn&#039;t, quite. &amp;quot;I want to go to Gekkoukan High and study art and fashion and costuming!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Now Makito looked more disgusted than anything else. &amp;quot;Akari. When you were younger you wanted to be the first astronaut in the Japanese space program. Then you wanted to be an Olympic athlete, a firefighter, and an &#039;adventuring archaeologist&#039; after you saw those movies. Be realistic. We had this discussion months ago.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I was SIX when I said I wanted to be an astronaut! You can&#039;t keep using that as an example forever!&amp;quot; Akari let out a breath because if she stayed amped up she was going to be scolded for that, too. &amp;quot;But I really do want to do art.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito says nothing for a few moments. Then: &amp;quot;I suppose we were going to have to talk about this, too. Akari, you don&#039;t take your schooling seriously enough. One of your teachers told us that she heard you bragging to other students about sneaking into Kasugayama after hours.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That tattletale,&amp;quot; Akari muttered under her breath. She had, but it was because she was telling them she&#039;d seen a demon. (They hadn&#039;t believed her.)&lt;br /&gt;
&lt;br /&gt;
Makito raised one eyebrow, but didn&#039;t ask her to repeat it louder. &amp;quot;And then there was last Friday. You stayed out so late, we were worried! And then when you finally get back, you were so tired you just went to bed. What were you even doing that night?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari somehow doubted the actual answer (&#039;I was in a magical circus saving one of my new friends&#039; other friends from their evil double, and a lot of other people were there, so you don&#039;t need to worry even if the Homonculus tried to kill me. There was also a peacock&#039;) would be appreciated, so she mumbled, &amp;quot;Out. With a friend, at the arcade. We just forgot it was late.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s not the only time you&#039;ve stayed out too late,&amp;quot; Makito said. &amp;quot;It&#039;s like you don&#039;t actually care about your future. You&#039;re fourteen now, but it hasn&#039;t gotten better this year, it&#039;s gotten worse! So it&#039;s time to put the games and toys away for a while, and concentrate on work. To stop daydreaming like you always do. You&#039;re smart, I know you are. You&#039;re my child, and your mother&#039;s. But you won&#039;t focus. You just... dream. And if you don&#039;t, you&#039;re going to fail.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He pushed up his glasses, absently. &amp;quot;We&#039;ve already signed you up for a tutor over the summer,&amp;quot; which Akari very carefully kept her expression neutral about. She could manage a tutor. She&#039;d been looking forward to having some time off, but if this was the worst punishment she got, she could take it. But he continued. &amp;quot;And while I&#039;m not going to put you under a curfew, you have to check in more often. No more vanishing all day and half the evening. When you&#039;re not studying, I want you to empty out the spare room - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt a surge of panic. &amp;quot;What?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
There was a spare room. The house was almost too big for three; Akari guessed they&#039;d planned for a brother or a sister, but she was an only child. In addition to some odds and ends her parents stored in it, Akari kept her craft tools in it; sewing, foam work, the other few things they&#039;d allowed her to buy, or bought for her when she was keeping up her grades better.&lt;br /&gt;
&lt;br /&gt;
So if he wanted it emptied...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I told you, you need to put your toys aside.&amp;quot; Makito seems frustrated with repeating himself, or Akari&#039;s wilful attempt to ignore what he was saying. &amp;quot;When you were younger, your imagination was all well and good, and you&#039;re skilled with your hands, when you make things. But you&#039;re growing up. You can&#039;t just &#039;make things&#039; forever. You need to be realistic. You&#039;ll never amount to anything if that&#039;s all you pay attention to - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But it&#039;s my art!&amp;quot; Akari did stand up this time, which got Makito to stand up too. &amp;quot;It&#039;s a whole portfolio! If I&#039;m going to study it, I need one of those. I can&#039;t just...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You can and you will. Keep a few of the things you&#039;ve made, if you like, as mementos of childhood, but most of it has to go. Akari, I&#039;m not asking you. I&#039;m telling you. If you won&#039;t structure your time yourself, and you haven&#039;t, then this is the only way. You won&#039;t be going to Gekkoukan. There&#039;s no future in art; no career worth having. You saw what came of Madarame - what his art stood for! Fine art is a scam, and I won&#039;t let my daughter scam or be scammed - but your costumes aren&#039;t even that. They&#039;re a hobby! Not a career.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt her eyes getting moist. &amp;quot;But I really do want to study it. Father, I&#039;m serious about this! I could learn to make things for television, or movies... but there are things I don&#039;t know, and I need to go to school for. Like Gekkoukan. And if you throw away everything... Please! I can&#039;t just - get rid of it!&amp;quot; What would she DO? She&#039;d go mad if she didn&#039;t have something to do with her hands when she was thinking. Sometimes she couldn&#039;t focus on &#039;&#039;anything&#039;&#039; until she got an idea out of her head and made it real. &amp;quot;I promise I won&#039;t spend too much time on it - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You had your chance.&amp;quot; Makito shakes his head. &amp;quot;If you&#039;d done better on your exams - but you didn&#039;t. You &#039;&#039;must&#039;&#039; look forward. You&#039;re too smart to waste your life as a seamstress, and what if you change your mind next year again? Maybe, when you&#039;re older, and you know its proper place - but not now. And - Akari...? Akari! Listen to me!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari was no longer there, because she&#039;d darted out of the room.&lt;br /&gt;
&lt;br /&gt;
She could do a lot of things. She was able to talk back to her father, to argue with him, to occasionally be something other than the dutiful child.&lt;br /&gt;
&lt;br /&gt;
But she &#039;&#039;would not&#039;&#039; let him see her cry over having her art taken away from her.&lt;br /&gt;
&lt;br /&gt;
What was she going to do now...?&lt;br /&gt;
&lt;br /&gt;
[[Category:Cutscenes]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3484</id>
		<title>2025-11-08: Art for Art&#039;s Sake</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-11-08:_Art_for_Art%27s_Sake&amp;diff=3484"/>
		<updated>2025-11-09T00:16:22Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;* &amp;#039;&amp;#039;&amp;#039;Cutscene: Art for Art&amp;#039;s Sake&amp;#039;&amp;#039;&amp;#039; * &amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Akari Hoshi * &amp;#039;&amp;#039;&amp;#039;Where:&amp;#039;&amp;#039;&amp;#039; Hoshi Home, Rengedai Ward * &amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; 2025-11-08 * &amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; Tuesday, August 7, 2012 * &amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Akari&amp;#039;s father gives Akari an ultimatum.&amp;#039;&amp;#039;  ----  Akari had been in her room, leafing through one of her manga on her bed, when there was a polite knocking at her door. One, two, three...  &amp;quot;Akari, we need to talk.&amp;quot;  Akari hated that line from her father, because it always meant...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;* &#039;&#039;&#039;Cutscene: Art for Art&#039;s Sake&#039;&#039;&#039;&lt;br /&gt;
* &#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Akari Hoshi]]&lt;br /&gt;
* &#039;&#039;&#039;Where:&#039;&#039;&#039; Hoshi Home, Rengedai Ward&lt;br /&gt;
* &#039;&#039;&#039;OOC Date:&#039;&#039;&#039; 2025-11-08&lt;br /&gt;
* &#039;&#039;&#039;IC Date:&#039;&#039;&#039; Tuesday, August 7, 2012&lt;br /&gt;
* &#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Akari&#039;s father gives Akari an ultimatum.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
Akari had been in her room, leafing through one of her manga on her bed, when there was a polite knocking at her door. One, two, three...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari, we need to talk.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari hated that line from her father, because it always meant that she was about to be told she did something wrong; he never phrased it quite that way at any other time. And, unfortunately, she had an idea of what it was; her exam grades hadn&#039;t been very good. She&#039;d passed, but...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll be out in a moment, Father,&amp;quot; she responded.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now, Akari.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That meant it was &#039;&#039;really&#039;&#039; bad. Akari felt her body tense as she slipped off her bed, heading to the door.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come with me.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
The destination was only the living room. The Hoshi home was both larger and more Western than a lot of the other homes in the area, and Rengedai Ward wasn&#039;t exactly poor. Her family had always had money and weren&#039;t opposed to using it to make people comfortable, and it was what her mother was used to. Her mother, Ren Hoshi (nee Pereira), who&#039;d grown up in Brazil, preferred the Western aesthetic. Her real name was Renata, Akari knew, but it was easy enough for her to just write Ren in hiragana and let people use the short form - it made her seem more assimilated. &lt;br /&gt;
&lt;br /&gt;
A lot of people, Akari knew, assumed that her mother was a trophy wife; a beautiful dekasegi foreigner her father had met on a series of extended business trips in his twenties and had a whirlwind romance with, who had come to Japan a couple months later to continue the relationship. She was tall compared to most women (though Akari was threatening to match or exceed her, given how much she&#039;d grown over the last year), even darker than Akari was, with long straight hair. Gorgeous in an exotic way, even into her thirties now - to the fourteen-year-old Akari, anyone in their mid-thirties was old and anyone over forty was ancient.&lt;br /&gt;
&lt;br /&gt;
The gossip from the ruder people at her father&#039;s work was that Renata wasn&#039;t very bright and that he&#039;d only married her for her looks, or possibly because she was pregnant with Akari already; Akari was born only a few months after the marriage, so that part may even have been partially true. But if it was anything but bias against a foreigner, it was simply from her learning the language, as she had not mastered Japanese until she&#039;d moved to Japan.  Akari was very aware that her mother was smarter than she was, just quiet a lot of the time, even with her. She was often busy; she didn&#039;t precisely have a job as such but she did volunteer work in her community, teaching other newcomers how to fit in socially and tutoring them in Japanese, especially if their first language was Portuguese or English.&lt;br /&gt;
&lt;br /&gt;
Then there was her father: Makito Hoshi, who did complicated international contract law (Akari was vague as to what it was beyond &#039;business&#039;). He frequently missed dinner with the others because he was working late, or travelling. He might be her father, but she didn&#039;t talk to him as much or do as much with him as some children did with their parents, she knew; when she saw him, he was usually tired, or still busy.&lt;br /&gt;
&lt;br /&gt;
He looked... boring, she supposed. Plain, anyway; physically, he didn&#039;t stand out, aside from being on the tall side too. She got that from both sides. People said he didn&#039;t have much imagination, but that it was a plus in contract law, where you want things to be just as they&#039;re written and no other way. And he was dedicated and and reliable. If he wasn&#039;t imaginative, perhaps, he was devoted to his wife. They really loved each other; around each other, they were more open than any other time. Of course he&#039;d have his house done up in Western style for her.&lt;br /&gt;
&lt;br /&gt;
Finally, there was Akari, who was everything they weren&#039;t: loud, creative, artistic, imaginative, not particularly interested in every little detail of the rules and expectations but more likely to find her own way. And independent, given both of them were always doing something, usually without her, and she had to handle herself a lot of the time. She didn&#039;t understand her parents a lot of the time, and they didn&#039;t understand her. How the two of them had produced &#039;&#039;her&#039;&#039;, none of them really got.&lt;br /&gt;
&lt;br /&gt;
Her mother wasn&#039;t there, which meant one of two things: one, she was busy and her father didn&#039;t think this conversation was serious enough to wait for her to have her here, or two, she was &#039;busy&#039; because she thought Makito might raise his voice, something Renata hated, and so she&#039;d deliberately left. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Sit,&amp;quot; her father said, and did on the chair he liked. Akari lowered herself down a moment later on the couch.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I know I didn&#039;t do well on the exams, but,&amp;quot; Akari blurted out, hastily. &amp;quot;But! I was trying, I really was.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akari,&amp;quot; Makito sighed. &amp;quot;You&#039;re smart, when you try to be. If you were really trying, you&#039;d do better than this; I know you can do it if you apply yourself. It&#039;s just that you haven&#039;t been lately. You need to study to get into Seven Sisters High School - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But!&amp;quot; Akari tried to interrupt, but he kept talking.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - now that you&#039;re in the second half of middle school. Next year you&#039;ll have to take the entrance examination for Seven Sisters, because just because you went to their middle school doesn&#039;t guarantee you entrance if you aren&#039;t up to par - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I!&amp;quot; It happened again.&lt;br /&gt;
&lt;br /&gt;
&amp;quot; - so we know you get into a good high school. It&#039;s important. You need to start thinking about your future.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But I don&#039;t want to go to Seven Sisters!&amp;quot; Akari finally got out, loud enough that her father couldn&#039;t just ignore it. &amp;quot;I want to go to Gekkoukan!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito looked at her with the same expression he&#039;d have used if she said &#039;I want to drop out of school and run away from home&#039;. &amp;quot;Now, Akari, you can&#039;t just do that. Gekkoukan is a fine enough school, I suppose, but elites go to Seven Sisters. You need to be thinking about your future,&amp;quot; he stressed.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I &#039;&#039;am&#039;&#039; thinking about my future!&amp;quot; Akari looked as if she was going to burst up from her seat, but she didn&#039;t, quite. &amp;quot;I want to go to Gekkoukan High and study art and fashion and costuming!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Now Makito looked more disgusted than anything else. &amp;quot;Akari. When you were younger you wanted to be the first astronaut in the Japanese space program. Then you wanted to be an Olympic athlete, a firefighter, and an &#039;adventuring archaeologist&#039; after you saw those movies. Be realistic. We had this discussion months ago.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I was SIX when I said I wanted to be an astronaut! You can&#039;t keep using that as an example forever!&amp;quot; Akari let out a breath because if she stayed amped up she was going to be scolded for that, too. &amp;quot;But I really do want to do art.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Makito says nothing for a few moments. Then: &amp;quot;I suppose we were going to have to talk about this, too. Akari, you don&#039;t take your schooling seriously enough. One of your teachers told us that she heard you bragging to other students about sneaking into Kasugayama after hours.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That tattletale,&amp;quot; Akari muttered under her breath. She had, but it was because she was telling them she&#039;d seen a demon. (They hadn&#039;t believed her.)&lt;br /&gt;
&lt;br /&gt;
Makito raised one eyebrow, but didn&#039;t ask her to repeat it louder. &amp;quot;And then there was last Friday. You stayed out so late, we were worried! And then when you finally get back, you were so tired you just went to bed. What were you even doing that night?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari somehow doubted the actual answer (&#039;I was in a magical circus saving one of my new friends&#039; other friends from their evil double, and a lot of other people were there, so you don&#039;t need to worry even if the Homonculus tried to kill me. There was also a peacock&#039;) would be appreciated, so she mumbled, &amp;quot;Out. With a friend, at the arcade. We just forgot it was late.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;That&#039;s not the only time you&#039;ve stayed out too late,&amp;quot; Makito said. &amp;quot;It&#039;s like you don&#039;t actually care about your future. You&#039;re fourteen now, but it hasn&#039;t gotten better this year, it&#039;s gotten worse! So it&#039;s time to put the games and toys away for a while, and concentrate on work. To stop daydreaming like you always do. You&#039;re smart, I know you are. You&#039;re my child, and your mother&#039;s. But you won&#039;t focus. You just... dream. And if you don&#039;t, you&#039;re going to fail.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He pushed up his glasses, absently. &amp;quot;We&#039;ve already signed you up for a tutor over the summer,&amp;quot; which Akari very carefully kept her expression neutral about. She could manage a tutor. She&#039;d been looking forward to having some time off, but if this was the worst punishment she got, she could take it. But he continued. &amp;quot;And while I&#039;m not going to put you under a curfew, you have to check in more often. No more vanishing all day and half the evening. When you&#039;re not studying, I want you to empty out the spare room - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt a surge of panic. &amp;quot;What?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
There was a spare room. The house was almost too big for three; Akari guessed they&#039;d planned for a brother or a sister, but she was an only child. In addition to some odds and ends her parents stored in it, Akari kept her craft tools in it; sewing, foam work, the other few things they&#039;d allowed her to buy, or bought for her when she was keeping up her grades better.&lt;br /&gt;
&lt;br /&gt;
So if he wanted it emptied...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I told you, you need to put your toys aside.&amp;quot; Makito seems frustrated with repeating himself, or Akari&#039;s wilful attempt to ignore what he was saying. &amp;quot;When you were younger, your imagination was all well and good, and you&#039;re skilled with your hands, when you make things. But you&#039;re growing up. You can&#039;t just &#039;make things&#039; forever. You need to be realistic. You&#039;ll never amount to anything if that&#039;s all you pay attention to - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But it&#039;s my art!&amp;quot; Akari did stand up this time, which got Makito to stand up too. &amp;quot;It&#039;s a whole portfolio! If I&#039;m going to study it, I need one of those. I can&#039;t just...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You can and you will. Keep a few of the things you&#039;ve made, if you like, as mementos of childhood, but most of it has to go. Akari, I&#039;m not asking you. I&#039;m telling you. If you won&#039;t structure your time yourself, and you haven&#039;t, then this is the only way. You won&#039;t be going to Gekkoukan. There&#039;s no future in art; no career worth having. You saw what came of Madarame - what his art stood for! Fine art is a scam, and I won&#039;t let my daughter scam or be scammed - but your costumes aren&#039;t even that. They&#039;re a hobby! Not a career.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari felt her eyes getting moist. &amp;quot;But I really do want to study it. Father, I&#039;m serious about this! I could learn to make things for television, or movies... but there are things I don&#039;t know, and I need to go to school for. Like Gekkoukan. And if you throw away everything... Please! I can&#039;t just - get rid of it!&amp;quot; What would she DO? She&#039;d go mad if she didn&#039;t have something to do with her hands when she was thinking. Sometimes she couldn&#039;t focus on &#039;&#039;anything&#039;&#039; until she got an idea out of her head and made it real. &amp;quot;I promise I won&#039;t spend too much time on it - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You had your chance.&amp;quot; Makito shakes his head. &amp;quot;If you&#039;d done better on your exams - but you didn&#039;t. You &#039;&#039;must&#039;&#039; look forward. You&#039;re too smart to waste your life as a seamstress, and what if you change your mind next year again? Maybe, when you&#039;re older, and you know its proper place - but not now. And - Akari...? Akari! Listen to me!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Akari was no longer there, because she&#039;d darted out of the room.&lt;br /&gt;
&lt;br /&gt;
She could do a lot of things. She was able to talk back to her father, to argue with him, to occasionally be something other than the dutiful child.&lt;br /&gt;
&lt;br /&gt;
But she &#039;&#039;would not&#039;&#039; let him see her cry over having her art taken away from her.&lt;br /&gt;
&lt;br /&gt;
What was she going to do now...?&lt;br /&gt;
&lt;br /&gt;
[[Category:Cutscenes]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-10-14:_Entry_of_the_Gladiators&amp;diff=3194</id>
		<title>2025-10-14: Entry of the Gladiators</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-10-14:_Entry_of_the_Gladiators&amp;diff=3194"/>
		<updated>2025-10-16T20:29:35Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
*&#039;&#039;&#039;Log: 2025-10-14 - Entry of the Gladiators&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Roger]], [[Minato Arisato]], [[Suzume Fukura]], [[Hitomi Mandai]], [[Ririka Kawase]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Taro Nakata&#039;s Atelier&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; October 15, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; July 26, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;One of the two SEES teams investigating the Atelier... well, investigates. There are a surprising number of carnival games.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
 (|====================== Monad - Taro Nakata&#039;s Atelier =======================|)&lt;br /&gt;
 -==== Round 1: Don&#039;t Get Lost - Challenge Level 1 =============================-&lt;br /&gt;
 | Approach Options: Academics or Proficiency                                   |&lt;br /&gt;
 | Conditions: Skillful - Proficiency Up L1 and Stupor - Academics Down L1      |&lt;br /&gt;
 -==== Challenge ===============================================================-&lt;br /&gt;
                                                                                 &lt;br /&gt;
 As you enter the Atelier, fading into the carnival with a red sky and a pale    &lt;br /&gt;
 white concrete footing, you&#039;ll see many dilapidated tents, attractions, midways,&lt;br /&gt;
 and more in your line of sight. But with your goal of getting to the Homunculus,&lt;br /&gt;
 you&#039;ll likely beeline straight to the massive tent in the distance, towering    &lt;br /&gt;
 menacingly over all.                                                            &lt;br /&gt;
                                                                                 &lt;br /&gt;
 When you get there, however, you&#039;ll find the tent barred by a big door. A sign  &lt;br /&gt;
 says &#039;FIVE TICKETS NEEDED&#039;. You&#039;re not getting in without those tickets, but    &lt;br /&gt;
 they seem to be given out by the attractions and employees at the carnival.     &lt;br /&gt;
                                                                                 &lt;br /&gt;
 First, however, you&#039;ll have to find a way to navigate the carnival! A handy map &lt;br /&gt;
 dispenser sits nearby... if you can get it to work, as it&#039;s paid. It&#039;s unclear  &lt;br /&gt;
 what currency it takes, though, so you might have to try some things... maybe   &lt;br /&gt;
 you could find a way to unlock it instead?                                      &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
 MONAD: A party led by Minato Arisato has begun the event Taro Nakata&#039;s Atelier.&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
     One by one, word goes out about a novel sort of supernatural space and a terrible threat to humanity called the Homonculus, some manner of &#039;&#039;thing&#039;&#039; that seems to try to overtake living people to replace them - and a bid to try and save a young man in the process of being overtaken by one. It is an act of immense trust to hand a treasured item of the person in question - a &#039;Thread&#039; in the vernacular - and then a need to come to a place where people can be &#039;alone together.&#039; Handily, a net cafe is just the trick. They all have to rent their own booths and pass the Thread between one another as they all log on to a strange place called &#039;AtelierNetwork.jp&#039;&lt;br /&gt;
 &lt;br /&gt;
     It&#039;s probably up there for being some of the most esoteric stuff the dedicated warriors against the horrors of the Dark Hour, SEES (and other associates present), has involved themselves with. Luckily, Hazuki had already paved much of the way with useful information. The matter of visiting the &#039;Eye,&#039; an important place to the Atelier&#039;s owner, enabled this. Nonetheless...&lt;br /&gt;
 &lt;br /&gt;
     One by one, the party appears in a strange supernatural space by the feel in the air. Some manner of carnival, with a red sky and pale white concrete footing. The whole of it feels rickety, neglected, unsafe... and twisted into a surreal, monstrous scene. There&#039;s a massive tent in the distance that is the goal, but once approached... looks like one needs &#039;FIVE TICKETS,&#039; and there&#039;s the occasional clash with some dangerous Shadows in the shape of carnival stereotypes and figures.&lt;br /&gt;
 &lt;br /&gt;
     A strange Shadow - or something Shadow-analogous, this entity is kind of a novel experience - in the shape of a crimson-hued pig-like mascot hops in front of them with gleeful abandon and tears in their eyes.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;More of Hazuki-chan&#039;s friends...!&amp;quot; The odd upright mascot-like pig squeals. This is a Shadow. This is a Shadow that&#039;s talking, and groveling. This is definitely not the Dark Hour&#039;s variety, but no one would be blamed for being on guard. &amp;quot;Um... you all look really serious, too.&amp;quot; He taps his fingers together. &amp;quot;...I hope we can have fun playing together anyway, even though what&#039;s going on here is not fun at all...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;This is Nakata&#039;s Atelier. I&#039;m sure you&#039;ve sniffed out that particular truffle with Hazuki-chan&#039;s help, but it&#039;s really bad here!&amp;quot; He leans forward, insistent, snorting. &amp;quot;So I need your help reaching the Melanc Humors and bringing them into balance so we can get rid of the cause of all this - the Homonculus!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Oh!&amp;quot; He relaxes. &amp;quot;I&#039;m Roger! I&#039;m a Sanguin Humor! There&#039;s a number of kinds of them, but Sanguin Humors like me are the movers and shakers about the Ateliers... usually.&amp;quot; And then, back to kicking his stilt like legs as he looks down with droopy ears. &amp;quot;They&#039;re not listening to me... no one is! I&#039;m even being attacked by the Coleric Humors, which only go after anyone and anything not of this Atelier... um, that&#039;d include you. Usually any Sanguin Humor could pull some back, but...&amp;quot; But obviously, not now. &amp;quot;I blame the Homonculus for everything! And also that!!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;So I&#039;ll talk about the others as they show up, okay?&amp;quot; Roger perks up. &amp;quot;Let&#039;s go play~&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     But first, they have to go get their hands on some maps.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Um,&amp;quot; Roger looks sheepish, which is off-brand for being a funny pig mascot, &amp;quot;every time I turn around it feels like it&#039;s all being rearranged... otherwise I&#039;d take you to all the games with the tickets you need. Sorry...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     There&#039;s a map dispenser right there, which is asking for a vague price that even Roger does not seem to be able to elaborate upon in the moment. It at least has the courtesy to resemble the ubiquitous vending machine, even if it&#039;s somewhat odd and angular like it were a stylized cartoon.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;We&#039;ll go play once we get a new map! Those always seem to be right when you all have them...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Minato deputised Reiya to lead one arm of their investigation into the Atelier -- and he&#039;s here with the other. Coordinating the passing of the Thread, he intones, at the correct hour: &amp;quot;Logging on.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Which is just a more serious version of something he &#039;&#039;always does.&#039;&#039; Not to this network, though...&lt;br /&gt;
&lt;br /&gt;
    To a carnival.&lt;br /&gt;
&lt;br /&gt;
    Minato looks to the rotund pig, with a mild yet still quite &#039;&#039;serious&#039;&#039; expression. The pig is talking... being prepared for it doesn&#039;t really prepare him for it.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;The Melanc Humours,&amp;quot; he repeats, firmly. Unlike &#039;&#039;Roger,&#039;&#039; who&#039;s &#039;&#039;Sanguin.&#039;&#039; &amp;quot;How are they balanced?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He frowns. &amp;quot;So the Coleric Humours are dangerous,&amp;quot; he notes. &amp;quot;Let&#039;s remember that.&amp;quot; And... going to &#039;play&#039;. &amp;quot;... sure.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Minato steps out to the &#039;&#039;map dispenser.&#039;&#039; &amp;quot;Our first mission is to acquire a map,&amp;quot; he says. &amp;quot;Kawase-san will be able to use it to augment her capacities here.&amp;quot; And so, he pulls out some yen...&lt;br /&gt;
&lt;br /&gt;
    ... and the machine spits it right back out. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It won&#039;t take yen,&amp;quot; he elaborates, helpfully.&lt;br /&gt;
&lt;br /&gt;
    Then he pulls out a strange blue glowing shard from his pocket, and tries jamming &#039;&#039;that&#039;&#039; in... only for it to fall &#039;&#039;right&#039;&#039; back out.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It won&#039;t take Twilight Shards, either,&amp;quot; Minato elaborates, even more helpfully.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Academics toward Don&#039;t Get Lost! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume, of course, volunteered to help, even when she didn&#039;t quite know what she was getting into, and that is why she is now in supernatural space that resembles a carnival. Or, to her eyes, a circus.&lt;br /&gt;
&lt;br /&gt;
She is not sure she doesn&#039;t regret volunteering, for a moment.&lt;br /&gt;
&lt;br /&gt;
But she&#039;s not going to turn back, or turn away. so she&#039;s prepared; no backpack today, but she&#039;s got her tonfa, and she&#039;s got her new combat uniform, provided by SEES, rather than doing what she has previously done (show up in her gym clothes).&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s outfit consists of a jacket with big pockets that comes down past her hips to midthigh, swallowtail-cut for maximum leg mobility. The jacket is short-sleeved so that her tonfa don&#039;t tangle in her lower sleeves - it simply doesn&#039;t have them, cuffed just above the elbow. Underneath it she has pants rather than the skirt all her other uniforms have, black and neat but with that bit of stretch to it that gym clothes have. The top is a short-sleeved shirt with polo-style buttons. It&#039;s loose-fit, but in a way that looks deliberate rather than Suzume&#039;s usual approach to baggy clothes, and seems vaguely sporty even though it is still clearly a uniform.&lt;br /&gt;
&lt;br /&gt;
It suits her in a way that Suzume is not often suited by clothes. Though she is &amp;amp;#42;less&amp;amp;#42; suited by, well...&lt;br /&gt;
&lt;br /&gt;
Look. Suzume &amp;amp;#42;also&amp;amp;#42; has a headband half-buried in her somewhat voluminous hair. Poking up from it, and out of her hair, are a pair of black cat-ears. It came from Tartarus and it&#039;s useful, but that doesn&#039;t mean she doesn&#039;t feel a little silly putting it on to fight.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t expecting a talking pig at all. She has her tonfa raised - silvery ones with a vein-ish pattern slightly reminiscent of insect wings - before she realizes she is &amp;amp;#42;not&amp;amp;#42; going to be attacked and that Minato is going to run with it and forces herself to lower them with a breath out. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Humours?&amp;quot; she says, before racking her brain. Nothing immediately comes to mind at first, until she manages, &amp;quot;Didn&#039;t Edogawa-san say something about those once...?&amp;quot; She doesn&#039;t remember any details. It wasn&#039;t on the test and, frankly, exam time has forced everything that isn&#039;t out of her brain for the moment.&lt;br /&gt;
&lt;br /&gt;
So instead she looks at the map dispenser. Minato tries yen (no go) and Twilight Shards (also a no-go). She considers it for a moment.&lt;br /&gt;
&lt;br /&gt;
Spinning her tonfa so that it&#039;s held extended, increasing her reach, Suzume gives it a very solid rap. &amp;quot;Sometimes these just pop open if you hit them just right,&amp;quot; she explains, repeating it a second time. &amp;quot;They&#039;re like the cheap newspaper ones, right? You just - gotta - jostle it the right way - &amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Proficiency toward Don&#039;t Get Lost! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;... a net cafe? Seriously?&amp;quot; says Hitomi, squeamishly, during the briefing. &lt;br /&gt;
&lt;br /&gt;
And yet she came along.&lt;br /&gt;
&lt;br /&gt;
SOON ENOUGH, THOUGH&lt;br /&gt;
&lt;br /&gt;
They&#039;re in, and out, and through, and they are faced... with a pig. &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s eyes widen behind her glasses. &amp;quot;Holy crap,&amp;quot; she says, quietly, &amp;quot;a talking pig!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t shout it, but the astonishment... the astoundedness... those are real. You can&#039;t fake that. She glances at the others as if to confirm, and then... pays some attention. Shoving her glasses up her nose in an extremely stylish (to Hitomi) way, she answers, &amp;quot;Pleased to meet you, Roger... I&#039;m Hitomi.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Minato, though, is all business. &lt;br /&gt;
&lt;br /&gt;
After the try, Hitomi cups her chin with one hand. &amp;quot;Okay... so I think I understand what this is trying to do... though I have no idea WHY it&#039;s doing it, this is the kind of thing where you have to find those tickets somehow, right? Or earn them?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi looks towards Roger for confirmation. &amp;quot;It&#039;s a way to preserve a flow without removing the feeling of-- anyway, that&#039;s sort of, what did they call it, lateral thinking? But if this is the map thing... either we&#039;re not supposed to get it until the end to show us what we missed, or...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi is quiet for several seconds. During this time, Suzume gives the thing a good whack. &lt;br /&gt;
&lt;br /&gt;
Then she fishes into the pouch - not pocket, though her SEES action skirt &amp;amp;#42;does&amp;amp;#42; have pockets - to bring out a pair of red sharp-edged dice. She click-clacks them in her fingers for a moment before WHIPPING them right down, where they hit the ground and bounce up (2, 3) before colliding with the dispenser!&lt;br /&gt;
&lt;br /&gt;
There is a small, measured explosion on that secondary impact. Sort of like a firecracker but with more light. Hitomi then scrambles over to collect them because they didn&#039;t just bounce back to her hand, whoops &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward Don&#039;t Get Lost! Smarts and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Logging into AtelierNetwork had certainly been a &#039;&#039;novel&#039;&#039; experience, and Ririka drew in a sharp breath as she took in the surroundings. &amp;quot;Well this is new,&amp;quot; she mutters to herself as she closes her eyes for a moment to focus her senses on the surroundings. &amp;quot;I hear... a lot of creaking wood, malfunctioning mechanics, tattered cloth flapping around... and it just &#039;&#039;feels&#039;&#039; wrong, too. Neglected.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then she hears-- &#039;More of Hazuki-chan&#039;s friends!&#039; Ririka blinks as she opens her eyes. That wasn&#039;t any of the group. She looks to see Roger there, hopping up and down. &amp;quot;Oh, uh... hello.&amp;quot; She looks at Roger curiously, tilting her head a little. &amp;quot;You don&#039;t sound like a Mementos Shadow... or a Dark Hour one...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Explanations are given, and she listens, intently, to what he has to say. &amp;quot;Melanc, Sanguin, Choleric... alright. I&#039;ll have to figure out what those all sound like. But it&#039;s nice to meet you, Roger-san. I&#039;m Ririka Kawase.&amp;quot; She doesn&#039;t seem to flinch at Roger wanting to go &#039;play&#039;. But she seemed accepting of Jose drinking flowr bubbles, too. &amp;quot;Uh, sure. If that&#039;ll help us get to the Homunculus.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She nods to Minato. &amp;quot;Right, Arisato-san. I&#039;m trying, but... I still need to get used to this new type of space. Everything still sounds a little bit off...&amp;quot; She looks to Suzume. &amp;quot;Yeah, I think... there were four of them, they thought they were fluids in the body, or something...? I wonder if the different types mean anything...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She blinks as Hitomi&#039;s dice &#039;&#039;explode&#039;&#039; at the vending machine. &amp;quot;Mandai-san, what are those dice made of?&amp;quot; She sounds... mildly alarmed.&lt;br /&gt;
&lt;br /&gt;
Her own outfit is a heavy uniform jacket, with the armband and shoulder plate on her left arm and shoulder, and on her right a gunmetal gray armor plate ojn the upper arm, and a purple ribbon instead of the SEES standard red. Two pairs of gloves iwth metal bands, a belt with a holster and katana sheath, skirt, and boots with matching metal bands complete the look.&lt;br /&gt;
&lt;br /&gt;
She pulls out the most lively carnival item of all--a &#039;&#039;gun&#039;&#039;. And the does the very jovial thing of putting it to her head and firing it, summoning Amphion in a rush of broken glass and blue flame.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll start on trying to get a feel for things,&amp;quot; she declares, as Amphion puts a pair of headphones on her head. She reaches forward, and at her tough pinao keys made of light spring into existence as she starts to play, listening to how her music interacts with the world around her to start mapping...&lt;br /&gt;
&lt;br /&gt;
... and if it should also happen as a form of impromptu busking to earn them some money for the machine, that&#039;s also a handy outcome.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Impromptu Performance toward Don&#039;t Get Lost! Diligence and Efficient!&lt;br /&gt;
(|============================= Monad - Results ==============================|)&lt;br /&gt;
 -==== Don&#039;t Get Lost - Round 1 ================================================-&lt;br /&gt;
   Minato Arisato       Academics                              Failure           &lt;br /&gt;
   Academics            Base                           Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Hitomi Mandai        Academics                              Success           &lt;br /&gt;
   It&#039;s Time For Some G Smarts and Patra               Fatigue: 0                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Suzume Fukura        Proficiency                            Success           &lt;br /&gt;
   Proficiency          Base                           Fatigue: 0                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Ririka Kawase        Proficiency                            Success           &lt;br /&gt;
   Impromptu Performanc Diligence and Efficient        Fatigue: 0                &lt;br /&gt;
 -============================= Party Conditions: ==============================-&lt;br /&gt;
   Starting Conditions: Skillful-2 and Stupor-2                                  &lt;br /&gt;
   Final Conditions: Stupor-1                                                    &lt;br /&gt;
 -======================================== Party Result: Success: Reach Up! ====-&lt;br /&gt;
 -==== Reach: 1/6 |=    |  =====================================================-&lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
&lt;br /&gt;
 MONAD: Minato Arisato has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 (|====================== Monad - Taro Nakata&#039;s Atelier =======================|)&lt;br /&gt;
 -==== Round 2: A Simple Ring Toss - Challenge Level 1 =========================-&lt;br /&gt;
 | Approach Options: Proficiency or Academics                                   |&lt;br /&gt;
 | Conditions: Box - Add 1 Item/Money/Gear., Clumsy - Proficiency Down L1, and  |&lt;br /&gt;
 | Stupor - Academics Down L1                                                   |&lt;br /&gt;
 -==== Challenge ===============================================================-&lt;br /&gt;
                                                                                 &lt;br /&gt;
 Along the midway, there is a booth with various pins and rings, a classical ring&lt;br /&gt;
 toss. A Sanguin Humor is trying to get you to come play, offering you to win a  &lt;br /&gt;
 wonderful prize... a very cheap stuffed animal of one of the Coleric Humors, a  &lt;br /&gt;
 slinky-liked jester holding a mask. You&#039;ll also get a ticket, but it&#039;s clearly  &lt;br /&gt;
 gimmicked...                                                                    &lt;br /&gt;
                                                                                 &lt;br /&gt;
 Can you win it with raw skill and talent? Or do you figure out the gimmick,     &lt;br /&gt;
 allowing you to sail easily through the challenge?                              &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;How are they balanced?&#039; Minato asks firmly, which commands immediate attention from Roger. &amp;quot;Oh, glad you asked... you see, the problem is, when a Homonculus emerges... the first thing they do is take over the Melanc Humors. They use those to protect themselves.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Since Melanc Humors are part of the Atelier, that&#039;s why Coleric Humors don&#039;t go after them... and Melanc Humors balance &#039;&#039;us&#039;&#039; Sanguin Humors. If you beat a Melanc Humor, the Flegmat Humors around us - they&#039;re the quieter ones you might see - can help stop the Homonculus from taking them back over.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Roger tilts his head as he watches Minato fail to apply some currencies to the map dispenser. &amp;quot;Why doesn&#039;t it want you to come play...? I don&#039;t get it.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Is this Edogawa-san a friend of yours too?&amp;quot; Roger looks up and tilts to the side as Suzume brings them up. &amp;quot;I wouldn&#039;t mind meeting him! He sounds like he&#039;d be really fun to play with here if he already knows all about us Atelier Humors!&amp;quot; He does not come from a space with &#039;teachers&#039; or &#039;exams.&#039; This may sound like a utopia to those of single digit ages, but seeing the &#039;reality&#039; here, well. Do we really need a society of talking pig mascots only interested in play, unable to deal with a vending machine with maps? Probably not.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Um, of course I talk...?&amp;quot; Roger manifests funny sweatdrop prop over his head, cartoonishly, as Hitomi&#039;s astonishment briefly overtakes her. &amp;quot;It&#039;s good to meet you too, Hitomi-chan! Let&#039;s play together! Once we get a map!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;It&#039;s nice to meet you, Ririka-chan! It sounds like both of you are already familiar with us! That&#039;s good! There are four kinds of Humors in an Atelier!&amp;quot; Whatever they learned of that ancient discredited theory did not involve talking pig shadows who want to play, and huge scary red sky carnivals.&lt;br /&gt;
 &lt;br /&gt;
     Nonetheless - they&#039;re not accepting currency they have on hand, for whatever reason, so some manner of blunt force trauma (by tonfa and/or exploding dice, the latter of which has Roger going O_O) is enough to dislodge the dispenser open with a few maps spilling out on the ground along with some currency-esque objects of questionable worth as tender. Ririka, most importantly, is getting a feel for &#039;things&#039; and figuring out that strange, hostile entities might be - no, are! - about to converge upon them if they don&#039;t get a move on. (These are the Coleric Humors that Roger&#039;s warned about! And thanks to Ririka&#039;s Navigating, that&#039;s a fight avoided!)&lt;br /&gt;
 &lt;br /&gt;
     They have a map (or two, or three, maybe four, they&#039;re all the same - right now), and they can get on with it. Roger peeks at one, and lights up. &amp;quot;The ring toss! That&#039;s a fun one! Let&#039;s go there!&amp;quot; He squeals with all the enthusiasm of an excited youngster even in the midst of all that&#039;s going on. They find that booth in short order, that ring toss game. A Sanguin Humor - who is speaking legibly and understandably, albeit with less seeming collective awareness of his greater surroundings compared to Roger - challenging all of them to come play the ring toss for a wonderful prize. Like a low-quality cheap effigy of the bizarre entity that Ririka detected was headed their way some time ago.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Oh, that toy resembles one of the Coleric Humors here. There&#039;s other kinds, but they&#039;re all going to try and hurt you, even though you&#039;re here to help.&amp;quot; Roger&#039;s ears droop. &amp;quot;Usually us Sanguin Humors can keep them at bay if we want to, but they don&#039;t listen to me...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     He looks up. &amp;quot;But they should listen to that one! Even if that one hadn&#039;t listened to me either!&amp;quot; Why wouldn&#039;t any Humors here listen to one of their own in Roger? &amp;quot;So if we play, we&#039;ll be okay! And we&#039;ll get a ticket we need!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Roger proceeds to have himself some fun with it. A careful eye will realize there&#039;s some gimmick at play that makes tossing rings alone not enough to win, but the pig-like Shadow friend(?) does not seem to care too much beyond getting to play, in the moment. (Shadows aren&#039;t really that complex, are they.)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;So the Melanc Humors are our target... to bring them back into balance. Right, as Edogawa-sensei said... the four Humors.&amp;quot; Minato nods, firmly. &amp;quot;Edogawa-sensei is one of the teachers at our school,&amp;quot; he goes on to explain. &amp;quot;He&#039;s really into occultism.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Minato scoops up the &#039;currency&#039;(?), and a map. &amp;quot;Playing along should get us to our goal,&amp;quot; he assures his team. &amp;quot;Let&#039;s proceed forward with Roger-san.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    A light pause, and he remembers to add: &amp;quot;I&#039;m Minato Arisato.&amp;quot; Beat, &amp;quot;I don&#039;t usually introduce myself to creatures like you, so I&#039;m still getting used to this. We all are.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Up to the ring toss, and -- &amp;quot;We should keep moving,&amp;quot; Minato advises, given Ririka&#039;s advice (you&#039;ll see), &amp;quot;so let&#039;s win this game quickly.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He takes up a ring, knowing that if he fails here, the terror in the background shall surely consume them all...&lt;br /&gt;
&lt;br /&gt;
    ... and all of this strange reality melds to a single point in front of him.&lt;br /&gt;
&lt;br /&gt;
    His goal: the peg yearning for a ring, declaring itself to be worth a &#039;&#039;hundred points.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Focus... focus, and...&lt;br /&gt;
&lt;br /&gt;
    God willing, no one needs him in the next ten seconds, as the only thing he cares about is &#039;&#039;landing this ring on the peg.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Singular Focus toward A Simple Ring Toss! Diligence and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Nah, he&#039;s a...&amp;quot; Suzume pauses, realizes she is explaining school life - which she doesn&#039;t always like anyway, especially right now, around exam time - to a Shadow pig. &amp;quot;...adult. Not really a friend. Just someone I gotta listen to sometimes.&amp;quot; Ririka apparently listened better, though. &amp;quot;Yeah? What kind of fluid&#039;s a pig - I mean, I know he said Sanguin, but which one is that?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume has actually used an Internet cafe before, so that wasn&#039;t the weird part to her. (The weird part, as far as she was concerned, was going into a carnival from there.)&lt;br /&gt;
&lt;br /&gt;
If she&#039;d known she was the only person who had, she would have given some good advice before they went... But too late now!&lt;br /&gt;
&lt;br /&gt;
Suzume picks up one of the maps. She also picks up some of the not-coins, squinting at them. &amp;quot;I&#039;m gonna hold onto these,&amp;quot; she says, because they could come in handy if there&#039;s another vending machine in here. Or, for that matter... Roger said it was different every time, so perhaps they&#039;ll need a different map if and when they return. Now they have a cheat for that! Minato has the same idea, but she pockets one anyway, just in case. It&#039;s luck.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;d think dice would work better here. It&#039;s all games,&amp;quot; Suzume says to Hitomi as they walk. &amp;quot;Though you&#039;re gonna have to teach me how to throw things so they explode. That&#039;d give me a killer fastball, heh.&amp;quot; She&#039;s actually more at ease in here than she has been in the SEES dorm recently...&lt;br /&gt;
&lt;br /&gt;
But eventually they move further in. Toward a ring toss. They have to win fast, they need to get a ticket, and Suzume immediately steps forward, cracking her knuckles. &amp;quot;Bet I can get more than you,&amp;quot; she says to Minato - to everyone really, but she thinks Minato might be the stiffest competition. Or Hitomi, if throwing everything carries over...&lt;br /&gt;
&lt;br /&gt;
But she&#039;s really, really into it. Suzume can&#039;t help but get competitive, and she does it here. Her first tosses are testing, experimental, but then she really zeroes in. Minato has monofocus. She merely has the desire to beat him.&lt;br /&gt;
&lt;br /&gt;
It&#039;s fine! It&#039;s just a game! ...right?&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Sports Talk toward A Simple Ring Toss! Diligence and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;I think sang means blood in English, or Latin or something,&amp;quot; Hitomi comments to Suzume as they walk. &amp;quot;I dunno about the other ones... he doesn&#039;t seem that bloody, though?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
(The reason why Hitomi was grossed out may arise later.) But there is a question. Hitomi turns her head to look at Ririka. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Plastic,&amp;quot; she tells her. &lt;br /&gt;
&lt;br /&gt;
There&#039;s an enigmatic smile... which lasts for about a second before she says, self-consciously, &amp;quot;They just do that for me in these spaces or in the Dark Hour, but I have to bounce them. I dunno, it&#039;s just a weird thing. I think I just don&#039;t have as much &#039;fighting spirit&#039; as a lot of people, haha...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
to wit, Ririka is shooting herself in the head! &lt;br /&gt;
&lt;br /&gt;
or not: PERSONA. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I got casino dice because the little game dice that are fine for like, stuff on the table, they&#039;re really easy to lose... It&#039;s actually been fun to practice, even if I guess it means I shouldn&#039;t play games during the Dark Hour, haha,&amp;quot; Hitomi gabbles on. &lt;br /&gt;
&lt;br /&gt;
During the trip over, Hitomi talks to the pig, who, she presumes, will not judge her. &amp;quot;Oh, absolutely,&amp;quot; she tells him. &amp;quot;What do you guys play here? I mean I don&#039;t know if I can stay that long, or anything, but...&amp;quot; She keeps on moving, briskly. (She secured her own map.) &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh,&amp;quot; Hitomi says. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ring toss, huh.&amp;quot; She folds her arms loosely even as the playing starts. Her lips purse. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Someone go,&amp;quot; she says, head tilting forwards slightly. She takes an extremely strategic step... to the right. But it&#039;s the Ring Toss &#039;&#039;frame&#039;&#039; that&#039;s really driving her insane. Hitomi is staring right at it. Indeed, SQUINTING. Her lips are pursing into a scholarly frown. &lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t look away before murmuring to herself, &amp;quot;Clowns...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She does add, &amp;quot;It&#039;s tilted. Not much. Can you see how much, Kawase...? Looks like, I don&#039;t know, four degrees to me.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward A Simple Ring Toss! Smarts and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka&#039;s listening to Roger&#039;s explanation of how to balance the humors--and catches that fourth name. &amp;quot;Flegmat Humors, and they&#039;re quieter... okay.&amp;quot; She files that away as she tries to make sense of the Atelier&#039;s landscape.&lt;br /&gt;
&lt;br /&gt;
She pauses as Roger addresses her yobisute, but... he&#039;s a pig mascot in a supernatural space. She&#039;s inclined to let that slide for the moment. &amp;quot;Well, we heard about something &#039;&#039;similar&#039;&#039;, but... I&#039;m not sure how much they got right. So I&#039;ll be interested in hearing it in your own words.&amp;quot; She looks to Suzume. &amp;quot;Uh... I&#039;m... not sure? It might be... more metaphorical, or... I dunno. Maybe we can look it up when we get back to the dorm?&amp;quot; But there&#039;s a nod to Hitomi. &amp;quot;That sounds vaguely familiar, I think... but we&#039;ll probably be fine as long as we don&#039;t have to fight any giant leeches.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She blinks at Hitomi&#039;s answer. &amp;quot;Plastic? Does plastic usually explode...?&amp;quot; But they just &#039;&#039;do&#039;&#039; that. And not as much fighting spirit. &amp;quot;Oh, yeah... I think I get that. Most of Amphion&#039;s abilities don&#039;t really revolve around attacking, so...&amp;quot; But she looks interested in the gabbling. &amp;quot;What&#039;s the difference between casino dice and game dice?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But she is working on Navigating, and she frowns as she hears... something starting to congregate around them. &amp;quot;Arisato-san,&amp;quot; she says, with some urgency. &amp;quot;I hear a lot of... angry clowns? Monster clowns? Starting to converge. We should probably move now that we have the maps.&amp;quot; But she will grab a map for herself to cross-reference, and somee of that strange currency.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Right, you said they attack anything that doesn&#039;t belong... so they&#039;re kind of like white blood cells?&amp;quot; Ririka is angling for a metaphor that Roger probably will not understand, but oh well.&lt;br /&gt;
&lt;br /&gt;
But they&#039;re at a ring toss, and Ririka looks at it consideringly. She nods to Hitomi. &amp;quot;Yeah... I was reading up on circus music a while ago--it actually can be difficult to perform, since they often have it at 200 beats per minute but include a lot of difficult phrases--and I did read about how some of the games could be rrigged, too... so I think you&#039;re right.&amp;quot; She goes to toss a ring, trying to line it up with the bottles.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Music Talk toward A Simple Ring Toss! Focus and Patra!&lt;br /&gt;
 &lt;br /&gt;
 (|============================= Monad - Results ==============================|)&lt;br /&gt;
 -==== A Simple Ring Toss - Round 2 ============================================-&lt;br /&gt;
   Minato Arisato       Proficiency                            Success           &lt;br /&gt;
   Singular Focus       Diligence and Focus            Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Hitomi Mandai        Academics                              Success           &lt;br /&gt;
   It&#039;s Time For Some G Smarts and Patra               Fatigue: 0                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Suzume Fukura        Proficiency                            Success           &lt;br /&gt;
   Sports Talk          Diligence and Focus            Fatigue: 0                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Ririka Kawase        Academics                              Success           &lt;br /&gt;
   Music Talk           Focus and Patra                Fatigue: 0                &lt;br /&gt;
 -============================= Party Conditions: ==============================-&lt;br /&gt;
   Starting Conditions: Box-0, Clumsy-2, and Stupor-1                            &lt;br /&gt;
   Final Conditions:                                                             &lt;br /&gt;
 -======================================== Party Result: Success: Reach Up! ====-&lt;br /&gt;
 -==== Reach: 2/6 |==   |  =====================================================-&lt;br /&gt;
 -==== Loot So Far: ============================================================-&lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
&lt;br /&gt;
 MONAD: Minato Arisato has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 (|====================== Monad - Taro Nakata&#039;s Atelier =======================|)&lt;br /&gt;
 -==== Round 3: Shootin Gallery - Challenge Level 2 ============================-&lt;br /&gt;
 | Approach Options: Academics or Charm                                         |&lt;br /&gt;
 | Conditions: Annoying - Charm Down L2 and Enlightening - Academics Up L2      |&lt;br /&gt;
 -==== Challenge ===============================================================-&lt;br /&gt;
                                                                                 &lt;br /&gt;
 On the midway, there is a wide shooting gallery with cute little cork guns to   &lt;br /&gt;
 shoot at cut-out targets. The operator offers a ticket for anyone who can beat  &lt;br /&gt;
 him in a shootout, but there&#039;s a problem.                                       &lt;br /&gt;
                                                                                 &lt;br /&gt;
 The guns have a poor balance and weighting to them, making it hard to gauge     &lt;br /&gt;
 accurately how to shoot them under the time pressure even if you&#039;re trained with&lt;br /&gt;
 firearms. You can use math and angles to try and figure out the best way to     &lt;br /&gt;
 shoot the target without missing, whether via trick shot or sharpshooting, or   &lt;br /&gt;
 you can try and figure out a way to convince the operator to swap guns with one &lt;br /&gt;
 of you, whether via charm or goading, as their gun works without issues.        &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;quot;Oh! I was about to ask,&amp;quot; Roger tilts his head. &amp;quot;It&#039;s okay... you&#039;re new to me too, Arisato-san!&amp;quot; Roger cannot be aware of the severity of the Dark Hour and SEES&#039; mission, and seems almost entirely guileless in the face of the implication of the word &#039;creatures like you.&#039; &amp;quot;Even if you&#039;re not Humors... I like to play! When we&#039;re all playing together, are we any different?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     The world of humans has more to deal with than the fulfillment of the desire to play, but in a space like this... maybe Roger and his kind never had to worry about anything else until the Homonculus showed up.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;...Adult? Is that bad?&amp;quot; Roger asks of Suzume. &amp;quot;If he knows about us Humors, then it&#039;s good to listen to him! No wonder all of you looked like you came in ready to play...&amp;quot; He gets that this bunch of friends - of SEES - are definitely playing for keeps against the supernatural threats facing them and the world at large, on some level.&lt;br /&gt;
 &lt;br /&gt;
     Roger, indeed, doesn&#039;t seem that bloody, although he is of a crimson hue in so far as his &#039;skin&#039; color goes. Is the whole of his mascot body a skin? Shadow anatomy is mysterious but usually best described as &#039;only good when it is dispersing back into the aether.&#039;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Games!&amp;quot; Roger answers earnestly to Hitomi&#039;s inquiry. His ears start to droop. &amp;quot;Um... if I had to be honest... I didn&#039;t really think too hard about it until the Homonculus showed up, and when they did, I knew everything was all wrong, like a nice pile of mud were suddenly just... sand? But you find the sand still fun but it&#039;s not the kind of fun you&#039;re used to...&amp;quot; Roger trails off, dejected. &amp;quot;But I know once the Homonculus is gone everything&#039;ll be as it was!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;And that&#039;s right! I&#039;ll point them out along the way,&amp;quot; he says to Ririka. As the Evoker use does come into play, he looks askance at the intensity of it but doesn&#039;t yet comment. &amp;quot;Um, if that&#039;s what white blood cells do, then... yes! Whatever that is! Coleric Humors don&#039;t play nice with anyone from outside...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Anyway, yes. Ring toss!&lt;br /&gt;
 &lt;br /&gt;
     Roger stops mid-fling to watch Minato&#039;s singular focus with awe as he absolutely nails the ring toss in the most dramatic way possible as it loops, flies off the peg he aims it for, and has it pop into place cleanly in another, higher-scoring one beyond a hundred points. The pop-off actually ends up disrupting one of Suzume&#039;s ring toss throws so that hers ends up similarly scoring, in one of those one-in-a-million things that&#039;d make for an awesome shortform video (and intensify competition). It takes a while for Hitomi to make peace with the tilt of the Ring Toss set-up and how that&#039;d affect scoring, but eventually, four degrees (or so) will not stop her from scoring an impressive toss or two. Or four.&lt;br /&gt;
 &lt;br /&gt;
     As Ririka mentions the games being rigged, Roger&#039;s clean toss doesn&#039;t manage to land. He cheers anyway, because he&#039;s having fun with it, even though he doesn&#039;t win - and soon enough, Ririka is offered the prize of the Coleric Humor plush (why do the Navigators keep having that handed to them? it is a mystery) and there&#039;s a proper ticket prize dispensed.&lt;br /&gt;
 &lt;br /&gt;
     Some Coleric Humors can be seen in the periphery, circling the group momentarily, but the Sanguin Humor manning the booth gestures to shoo them off, and they stay their monstrous clown-like, slinky-like selves from pouncing the group.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;...They&#039;ve really gathered here,&amp;quot; Roger says, &amp;quot;but... as long as we keep playing these games, we&#039;ll be okay! I&#039;m sure of it,&amp;quot; even if he&#039;d wish they&#039;d all listen to him, and sure enough, there&#039;s a Shootin Gallery (the missing &#039;g&#039; is stylistic) a few booths over.&lt;br /&gt;
 &lt;br /&gt;
     This Sanguin Humor is offering a ticket prize, of course, for adorable cork guns intended for equally cute cut-out targets. All they have to do is beat him, but the issue is the guns they&#039;re being handed... suck. (If Hitomi were observant about the slightest slant on the Ring Toss game, she&#039;s in the place to point out so many places of odds-stacking.)&lt;br /&gt;
 &lt;br /&gt;
     Roger doesn&#039;t think twice even though he&#039;s run into this issue with this booth before. He picks up his shoddy cork gun and... well, he&#039;s not bad at it but it&#039;s not going to match or beat the other Sanguin Humor&#039;s score. To have such a slanted game in the operator&#039;s favor in such a visible fashion... how does this reflect Nakata as he is?&lt;br /&gt;
 &lt;br /&gt;
     Maybe they can work out a way to swap guns with them to make it more fair.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume responds to Hitomi, &amp;quot;It&#039;s not English,&amp;quot; because she knows (some) (okay, a little) English. &amp;quot;Maybe it&#039;s Latin? But nobody speaks Latin nowadays, right? Except...&amp;quot; Her brow furrows. &amp;quot;The Catholic Church?&amp;quot; she ventures. They sound like they&#039;d speak Latin. &amp;quot;If you tell me these are religious Shadows I won&#039;t believe you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;And anyway,&amp;quot; she adds, &amp;quot;the dice stuff is cool. I know you said you don&#039;t really know how to explain it, but I wanna see if I can figure out your trick. Next time you practice in the Dark Hour, kick my door or something to see if I&#039;m awake, I&#039;ll come watch.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She tries not to laugh at Ririka. &amp;quot;Everything&#039;s music to you, huh? I guess it&#039;s kind of your thing. But really, clown music? Like that doot doot dootle-ootle doot doot &amp;amp;#42;doot&amp;amp;#42; doot...&amp;quot; A beat. &amp;quot;You know that was supposed to be, like, a military march? Can you imagine a bunch of defense force guys coming in to that theme?&amp;quot; She&#039;s grinning.&lt;br /&gt;
&lt;br /&gt;
How does Suzume know that? The world may never know.&lt;br /&gt;
&lt;br /&gt;
She also has Roger to answer. &amp;quot;He&#039;s, uh...&amp;quot; How can Suzume explain this? She&#039;s not well-suited for it. &amp;quot;He teaches a lot of stuff. A lot of it&#039;s useless,&amp;quot; she says, less accurately than you might expect given his usual topics. &amp;quot;Every once in a while, though...&amp;quot; She&#039;s going to have to dig out any information she can get on humours later if Ririka doesn&#039;t beat her to it.&lt;br /&gt;
&lt;br /&gt;
Suzume hears Hitomi talk about the angle, but she isn&#039;t sure how to use it to adapt her shots. She does it the way she&#039;s always done - by feel. The competition helps, honestly - she always does better when she has something to compare herself to, and a target to push herself against.&lt;br /&gt;
&lt;br /&gt;
So she is somewhat disappointed that the only reason she scored as well as she does is because of Minato&#039;s focus &amp;amp;#42;but also&amp;amp;#42; immensely gratified that it happened at all. If they were trying to work together they couldn&#039;t do better!&lt;br /&gt;
&lt;br /&gt;
Which is why she offers him a (tonfa-less) fistbump as the group moves on. &amp;quot;Nice,&amp;quot; is her more laconic than usual response. Because it was, indeed... nice.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So, what,&amp;quot; is her response to Roger, &amp;quot;they want us to play the games? Because I don&#039;t mind that, but it&#039;s kind of weird, isn&#039;t it?&amp;quot; Suzume likes the challenge aspect, but - well, given the thing she&#039;s comparing it to is &amp;amp;#42;Tartarus&amp;amp;#42;, it doesn&#039;t feel at all the same.&lt;br /&gt;
&lt;br /&gt;
Suzume picks up one of the guns.&lt;br /&gt;
&lt;br /&gt;
Suzume scowls and puts down the gun, trying a different one. Which is no better. It&#039;s not Suzume&#039;s &amp;amp;#42;best&amp;amp;#42; game, and they don&#039;t shoot anything physical anyway, but she has played enough Gun About to recognize the feel of one that&#039;s wrong in her hands! These are off-balance!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey,&amp;quot; Suzume says to the Humour. &amp;quot;Let&#039;s make it a REAL competition. Me against you, with no difference in equipment - we&#039;ll use the same gun,&amp;quot; she says, pointing at the Humour&#039;s significantly more accurate gun. &amp;quot;That&#039;s what junior shooters in the Olympics do, and you don&#039;t want to be some sort of shitty discount shooting gallery, right? You want it to be a &amp;amp;#42;good game&amp;amp;#42;,&amp;quot; emphasizing the last couple words. &lt;br /&gt;
&lt;br /&gt;
She&#039;s figured out what she wants to lean on, in here. It&#039;s a line that works with the way Roger is talking - does it work on other Humours?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Random Knowledge toward Shootin Gallery! Patra and Smarts!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Guess not,&amp;quot; Minato says, of the differences between him and Roger, though he&#039;s still a little surprised.&lt;br /&gt;
&lt;br /&gt;
    Like, the pig is talking.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Adults are like... bigger versions of us,&amp;quot; Minato takes a stab at explaining it, as he wonders, privately, how old Roger &#039;&#039;is.&#039;&#039; &amp;quot;With more responsibilities, and jobs, and families of their own. They take care of things in life... but we have a power most of them don&#039;t, so we&#039;re the ones who can make things right in places like this. That doesn&#039;t mean the adults don&#039;t help prepare us, though.&amp;quot; Officer Kurosawa is &#039;&#039;very&#039;&#039; helpful in making sure they&#039;re &#039;&#039;armed&#039;&#039; for outings like this, for instance.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Good thinking,&amp;quot; he adds, to Suzume, as she too grabs the Mysterious Currency.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Well,&amp;quot; Minato supposes, to Hitomi&#039;s knowledge check, &amp;quot;it wouldn&#039;t be the first time blood&#039;s appeared in places like this.&amp;quot; And if Roger is blood red, Minato&#039;s trying not to think about that too hard.&lt;br /&gt;
&lt;br /&gt;
    And as Hitomi describes how to bounce her dice, Minato listens carefully. &amp;quot;I understand,&amp;quot; he nods, thoughtfully, as he absorbs the knowledge... of &#039;&#039;how to wield dice.&#039;&#039; &amp;quot;Bouncing is critical to the process.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But Roger expresses his hopes for a return to the status quo, and Minato has to wonder: &amp;quot;Will it really go back to the way it was?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But the ring flies, and -- because &#039;&#039;some&#039;&#039; part of him was absorbing the advice about the tilted playing field -- connects in the most unlikely way! &amp;quot;... looks like we tied,&amp;quot; Minato comes back to existence, to look back to Suzume, nodding firmly to her and returning her fist bump. &amp;quot;Good work. I&#039;ll get you next time.&amp;quot; Because of course there&#039;s a &#039;&#039;reason&#039;&#039; Mamoru will be drawn to him... once that sport meet &#039;&#039;happens,&#039;&#039; anyway.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Angry clowns...&amp;quot; Minato reflects, looking behind them, at Ririka&#039;s advice. &amp;quot;There&#039;s merit to running forward. But the &#039;logic&#039; of this place seems to demand these tickets, so we might find ourselves unable to proceed and trapped by those Coleric Humors.&amp;quot; For instance: the way they try to creep in, only to be shooed off by the sideshow operator. &amp;quot;... I think our best course is to continue engaging in the side-show for now,&amp;quot; he decides. &amp;quot;We&#039;re evidently enjoying protections by engaging as expected.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    And so: &#039;&#039;guns.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Minato approaches the Sanguin Humor, pulling out his Evoker and holding it, there, beside the crappy cork gun he&#039;s been given. &amp;quot;I understand,&amp;quot; he says, meeting the Humor&#039;s gaze with those impossibly deep blue eyes of his. &amp;quot;You&#039;re teaching us a lesson on oblivion. The inevitable end of our journey... whether through the loss of our tickets, or the loss of our lives. But you see, we&#039;re SEES... and together, we confront the fleeting nature of our existences every time we embark on a mission.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He holds the cork gun back out to the vendor, grip-first. (The Humor could shoot &#039;&#039;him,&#039;&#039; if he wished; Minato stands without fear.) &amp;quot;Our journey does not end here. Don&#039;t hasten us on. When the end comes... it won&#039;t come at the cost of a rigged game.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    It&#039;s... it&#039;s just a cork gun game, Minato...&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Doom Talk toward Shootin Gallery! Friendliness and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;I mean, it could be, right? Aren&#039;t there like demons and angels? But I don&#039;t think those are clowns or anything... and this doesn&#039;t seem like heaven to me,&amp;quot; Hitomi says, though from her tone, she might possibly maybe COULD see how it could be. &lt;br /&gt;
&lt;br /&gt;
Hitomi answers Roger, sourly, &amp;quot;Yeah. You don&#039;t know when you have a good thing going until it&#039;s gone.&amp;quot; As she says this, she kicks a little at a pebble, disconsolately. &amp;quot;Don&#039;t get the wrong idea,&amp;quot; she grumbles at Minato as they walk. &amp;quot;It&#039;s some kind of... brain quirk. I grew up in a really non-violent household! We barely even had meat!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Ririka&#039;s question is more cheerful, and gets a more pleasant tone from Hitomi! &amp;quot;Casino dice have these sharp edges, see,&amp;quot; Hitomi says, holding one up. &amp;quot;They cut them from acrylic with lasers... you see how the pips are paint? These are technically ones you could roll in Macau or Las Vegas, no problem; the ones they sell in the gift shops have holes in them. The paint is actually tricky, but the idea is to make it super impossible to do weighted dice.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She twirls one around, holding it up like a very coarsely cut gem. The plastic is &amp;amp;#42;translucent&amp;amp;#42;. &amp;quot;And they&#039;re pretty! I do want to get more colors, though.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Don&#039;t worry about us too much,&amp;quot; Hitomi tells Roger, casting a wary eye towards some of the other Humors around her. &lt;br /&gt;
&lt;br /&gt;
After this, though, it&#039;s cork guns! That&#039;s always good clean fun, except that the pop and its relative quality seems to make Hitomi frown. She frowns a lot! What a sullen girl! She glances down at her popgun, then over towards the Humor, then back again. She seems to be weighing something. Her jaw tenses. She takes a deep brea--&lt;br /&gt;
&lt;br /&gt;
Ah! Suzume&#039;s already doing it! Hitomi says, &amp;quot;Yeah! Is he scared you&#039;re gonna beat him?!&amp;quot; she adds by way of crony encouragement, even as she brings up her weapon to fire with a disappointing phoot. &lt;br /&gt;
&lt;br /&gt;
Her score&#039;s going to suck monkey butts, btw. She was not kidding about lacking martial spirit. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Charm toward Shootin Gallery! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Well, white blood cells are things in our bodies that are part of our immune system,&amp;quot; Ririka tries to explain to Roger. &amp;quot;So maybe the Choleric Humors are... part of the immune system of the... soul? Mind?&amp;quot; Ririka looks around. &amp;quot;Uh... whatever this is supposed to represent.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She pauses. &amp;quot;... Okay trying to think about it in those terms makes this feel a &#039;&#039;lot&#039;&#039; weirder.&lt;br /&gt;
&lt;br /&gt;
Thankfully she doesn&#039;t have to keep going back to the Evoker since Amphion can just stay out (as long as he keeps up with them, so hopefully they don&#039;t have to move too fast.)&lt;br /&gt;
&lt;br /&gt;
Ririka accepts the prize with a blink, looking the plushie over. &amp;quot;Oh! Um.&amp;quot; She offers a short bow. &amp;quot;Thank you very much!&amp;quot; She looks at it again. &amp;quot;This looks way cuter than what I heard earlier.&amp;quot; Into the backpack it goes. She&#039;ll have to see what happens to it when they leave later.&lt;br /&gt;
&lt;br /&gt;
She casts a worried glance to the Coleric Humors circling them, noting how the game operator can shoo them off. &amp;quot;Those things roaming around are giving me the creeps... and I know there&#039;s more out there.&amp;quot; She nods at Minato&#039;s assessment. &amp;quot;Right... if this place didn&#039;t want us to proceed at all, it wouldn&#039;t even give us the chance to win ticket,s right? Though... the games are rigged... I wonder if that&#039;s the Homunculus&#039; doing?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ririka laughs a little at Suzume&#039;s statement, looking at least a little bashful. &amp;quot;Welll, I mean, I have been studying music since second grade, so...&amp;quot; And she happens to be pretty good at it, if she says so herself, which she wouldn&#039;t because she doesn&#039;t like to brag. &amp;quot;Oh yeah! They probably modified it from the original version. They&#039;ve taken dances like foxtrots and waltzes, too.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks at Hitomi&#039;s dice as she explains. &amp;quot;Oh, I see!&amp;quot; She says of the sharp corners. &amp;quot;I wonder if they roll differently with the sharper corners, and that&#039;s why they use them... still, anything you make with lasers is kind of instantly cool, isn&#039;t it?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But Ririka is frowning as she tries out the cork gun. Shje doesn&#039;t have a lot of experience with these--it&#039;s not like they use their Evokers to actually shoot anything, of course, but the way it handles is pretty clear after a few shots. &amp;quot;I wonder if this is always like this, or this is the Homunculus...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks to the operator and their gun, which seems to be working just fine. Her gaze drops down to the Evoker on her belt and she takes a deep breath. She listens as Suzume issues a challenge, too, considering. &lt;br /&gt;
&lt;br /&gt;
Minato talks about oblivion, and Ririka blanches a bit. She &#039;&#039;does&#039;&#039; agree that they shouldn&#039;t be stopped here, at least... Suzume is trying to goad, but Ririka&#039;s got a different tactic. She takes a deep breath, approaches the operator, and lets loose an easy grin, leaning in and letting her voice get chummy. &amp;quot;Hey, your gun looks really well-taken care of. And honestly? I get it--I&#039;m a musician, I do everything I can to take care of my instrument, so it&#039;ll take care of me. Right? It&#039;d be really cool if we could try your gun out for a bit... and I&#039;ll even sweeten the deal.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She puts her Evoker on the counter. &amp;quot;I&#039;ll let you hold my Evoker. Whaddya say?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Band Leader toward Shootin Gallery! Friendliness and Escape!&lt;br /&gt;
 &lt;br /&gt;
 (|============================= Monad - Results ==============================|)&lt;br /&gt;
 -==== Shootin Gallery - Round 3 ===============================================-&lt;br /&gt;
   Minato Arisato       Charm                                  Success           &lt;br /&gt;
   Doom Talk            Friendliness and Efficient     Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Hitomi Mandai        Charm                                  Failure           &lt;br /&gt;
   Charm                Base                           Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Suzume Fukura        Academics                              Success           &lt;br /&gt;
   Random Knowledge     Patra and Smarts               Fatigue: 0                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Ririka Kawase        Charm                                  Success           &lt;br /&gt;
   Band Leader          Friendliness and Escape        Fatigue: 0                &lt;br /&gt;
 -============================= Party Conditions: ==============================-&lt;br /&gt;
   Starting Conditions: Annoying-2 and Enlightening-2                            &lt;br /&gt;
   Final Conditions: Annoying-1                                                  &lt;br /&gt;
 -======================================== Party Result: Success: Reach Up! ====-&lt;br /&gt;
 -==== Reach: 3/6 |===  |  =====================================================-&lt;br /&gt;
 -==== Loot So Far: ============================================================-&lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
&lt;br /&gt;
 MONAD: Minato Arisato has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 (|====================== Monad - Taro Nakata&#039;s Atelier =======================|)&lt;br /&gt;
 -==== Round 4: Tower of Terror - Challenge Level 3 ============================-&lt;br /&gt;
 | Approach Options: Guts or Academics                                          |&lt;br /&gt;
 | Conditions: Annoying - Charm Down L2, Checkpoint - Cleanse all negative      |&lt;br /&gt;
 | conditions., Curse - -1 to Group Roll (Per Character), and Terrifying - Guts |&lt;br /&gt;
 | Down L2                                                                      |&lt;br /&gt;
 -==== Challenge ===============================================================-&lt;br /&gt;
                                                                                 &lt;br /&gt;
 Towards the back of the carnival is a massive drop ride, terrifying in both its &lt;br /&gt;
 descent and its safety standards. As a group, you&#039;ll need to climb in, strap in &lt;br /&gt;
 (as much as you can, at least) and rise to the top. As usual, there&#039;s an issue. &lt;br /&gt;
                                                                                 &lt;br /&gt;
 You get stuck. You either need to brave the ride until the attendants can climb &lt;br /&gt;
 to the top like spiders and fix it, or find a way to fix it yourself and        &lt;br /&gt;
 experience the sudden drop. Hope you&#039;re not afraid of heights.                  &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Roger takes in the mention about adults. It&#039;s not entirely certain how much of it he absorbs - or can absorb - this is a Shadow, after all. It&#039;s already miraculous (and extremely weird) he&#039;s been able to converse, retain ideas, recognize humans, and stick with a shared cooperative goal with people ruthlessly dedicated to the eradication of the Dark Hour and its Shadow threat.&lt;br /&gt;
 &lt;br /&gt;
     The shallowness of his desires reflects a certain childish innocence that should put him squarely in the realm of relative childhood, psychologically. Was he &#039;born&#039; in Taro Nakata&#039;s younger years? It&#039;s a mystery.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;That sounds hard. I hope adults get to play too, sometimes,&amp;quot; is all Roger can muster when parsing all of that level of &#039;&#039;thinking&#039;&#039;.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;But that&#039;s right!&amp;quot; He says to Suzume. &amp;quot;If a Sanguin Humor wants to play - and I know I do! - then play!&amp;quot; Roger lightens up as he proceeds to continue to miss with the flimsy, poorly-weighted cork gun. As long as it&#039;s not something mortally dangerous, but this much is (presently) benign.&lt;br /&gt;
 &lt;br /&gt;
     Suzume directly challenges the sportsmanship of the Sanguin Humor, which earns a glare... into the seriousness of Minato&#039;s observation of this cork gun game, which seems to cool the rising aggression towards intimidation (and just in time, one of the Coleric Humors seemed ready to pounce - they always are). Hitomi cheerleads Suzume&#039;s challenging of the unfairness of the situation, and the Sanguin Humor seems to take Ririka&#039;s Evoker in hand with curiosity.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Those really look dangerous,&amp;quot; Roger murmurs with some surprise, as the Sanguin Humor allows competition to happen with the better-quality cork gun. The only one who doesn&#039;t score that well is Hitomi in a moment of self-reflection, but Roger looks impressed enough with how she did considering he didn&#039;t swap out his gun at all. (Ririka can take the Evoker back, it &#039;doesn&#039;t work.&#039; Joke&#039;s on them...)&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;It&#039;ll all go back to normal, I know it!&amp;quot; Roger says, insistently, but also with childish optimism to Minato&#039;s musing as they all walk off with a new set of tickets among them. The Coleric Humors are kept at bay, still, with the Sanguin Humors running booths not wanting their games to be disrupted by them.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Um... I know it&#039;s not &#039;normal&#039; for anyone else to be here, too,&amp;quot; Roger says as he pokes his fingers together, &amp;quot;but I&#039;ve really enjoyed playing with you all so far... and hopefully when the Homonculus goes away everyone here will listen to me again.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Why just him, though?&lt;br /&gt;
 &lt;br /&gt;
     Soon enough, they happen upon a DEATH-DEFYING DROP RIDE. Capital letters are important. DEATH-DEFYING DROP RIDE.&lt;br /&gt;
 &lt;br /&gt;
     Roger is peeking at a map and quirking an eyebrow as he snorts. &amp;quot;Oh, this one looks like the Homonculus touched it... but it&#039;s got tickets. I hate having to play their games!&amp;quot; Roger stamps a stilt leg. &amp;quot;But not for much longer!! We&#039;re chasin&#039; you out, Homonculus!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;But first, this ride!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Well, however one&#039;s convinced to do it, it does involve them all strapping in. It feels unsafe, but the tickets are necessary. It rides up slowly, unevenly, creaky... and then, it stops, trapping everyone there.&lt;br /&gt;
 &lt;br /&gt;
     ...There are Coleric Humors approaching, and from a &#039;&#039;very bad place&#039;&#039; to be stuck. Coil-like jesters, cupids with sniper rifles, other strange carnival-like creatures coalescing as they look ready to climb up after them.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Coleric Humors approaching...!&amp;quot; Roger calls, eyes wide, but... &amp;quot;Oh! So are two Sanguin Humors! I&#039;m sure they&#039;ll fix this in time!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Strange multi-armed attendants look &#039;&#039;extremely&#039;&#039; irritated with what they&#039;re seeing, and at least one climbs towards where the others are, while another seems to be striking at things from below like they detest the entire structure. (Roger did say it looked like a Homonculus touched it, and he didn&#039;t like it - so neither would any other Sanguin Humor.)&lt;br /&gt;
 &lt;br /&gt;
     One can try to tough it out, or try to help with the repairs - but Roger seems relatively confident that the Sanguin Humors present will be able to handle this before the Coleric Humors force an extremely awkward random encounter in a virtually unworkable combat position (being strapped into a drop ride and all).&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;They do,&amp;quot; Minato assures Roger. &amp;quot;I&#039;m pretty sure someone else in my Innocent Sin Online party is an adult. She talks about her life sometimes.&amp;quot; He pauses, for a moment, and explains: &amp;quot;That&#039;s a video game.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Which is presumably something you play! It&#039;s called a game, after all!!&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Would loaded dice deal more damage?&amp;quot; He wonders, to Hitomi.&lt;br /&gt;
&lt;br /&gt;
    SEES are dangerous! Is Minato dangerous? Probably not. He &#039;&#039;is&#039;&#039; a pretty good shot now he has a better cork gun, though. &amp;quot;Giving a pacifist a gun wouldn&#039;t work well,&amp;quot; he assures Hitomi, on her &#039;&#039;defeat.&#039;&#039; &amp;quot;This game was rigged against you in a different way.&amp;quot; There&#039;s no helping &#039;&#039;that&#039;&#039; kind, though.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Change is inevitable,&amp;quot; he warns Roger, with that characteristic cool mysteriousness of his.&lt;br /&gt;
&lt;br /&gt;
    Still... everyone listens to &#039;&#039;Roger,&#039;&#039; huh.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;A Homonculus sabotaged this ride,&amp;quot; Minato concludes. &amp;quot;So there&#039;s certainly Homonculus involvement here.&amp;quot; Just as Ririka was wondering! &amp;quot;That means we might be able to pick up some information about it if we play... Kawase-san, I&#039;ll escort you up. Fukura-san, Mandai-san, I understand this is a dangerous assignment, but I think we should stick together.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Stick together at the death machine. Minato, please!! The inevitable happens, and the ride grinds to a halt, as Minato looks up at Coleric Humors trying to climb up.&lt;br /&gt;
&lt;br /&gt;
    He looks up, then, to the chains guiding the ride up. &amp;quot;I see it,&amp;quot; he says. &amp;quot;There&#039;s a spanner in the works.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There is, in fact, literally a spanner in the works. Is that the power of the Atelier?&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I&#039;ll go.&amp;quot; He &#039;&#039;unbuckles his seatbelts,&#039;&#039; the ride creaking back and forth with a horrible lurch as he shifts his weight. A foot up on the back of the seatrest, he pulls himself up onto the roof of the cabin, and steadies himself with a hand on the chains as he reaches up to grasp that spanner and yank. Notably, he does &#039;&#039;not&#039;&#039; dare Suzume to best him this time.&lt;br /&gt;
&lt;br /&gt;
    But is that the only fault of this ride--?!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Determined Destiny toward Tower of Terror! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume leans over to speak to Ririka, rising up on tiptoe and murmuring, &amp;quot;You know Kirijo-senpai is going to kill you if you let a Shadow - a Humour - run off with your Evoker.&amp;quot; The word she is looking for is &#039;execute&#039;, but as Suzume has not yet been threatened with it, Suzume does not pick the right word. &lt;br /&gt;
&lt;br /&gt;
Dropping back down flat, Suzume asks the world at large, &amp;quot;How come I&#039;m never the one that wins a prize?&amp;quot; Pause. &amp;quot;Not that I actually want a plush, but, you know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I watched a movie about demon clowns not long ago,&amp;quot; Suzume replies to Hitomi. &amp;quot;Want to watch it when we get back to the dorm?&amp;quot; She grins, slightly crooked, before glancing over to Ririka and Minato. &amp;quot;Open offer. I think I&#039;ve still got the disc from Yamamoto, and HE borrowed it from his brother.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
(This is dangerous. It&#039;s a horror movie. At least, with Suzume being sixteen, it probably isn&#039;t spectacularly gory... But it probably hits different after this exploration into the unknown.)&lt;br /&gt;
&lt;br /&gt;
When Minato says &#039;bouncing is critical to the process&#039;, Suzume muffles a sound that might be a snicker in favour of focusing on actually shooting when it&#039;s her turn with the functional gun. &amp;quot;Yeah,&amp;quot; she says, &amp;quot;Hitomi&#039;s pretty good at keeping that under control.&amp;quot; ... &amp;quot;The ricochets,&amp;quot; she says, innocently. &amp;quot;And don&#039;t try to tell me you don&#039;t eat meat, I&#039;ve SEEN you. We got the burgers at Wilduck.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She isn&#039;t going to comment on the whole &#039;lesson on oblivion&#039; thing. That&#039;s philosophy, and it&#039;s weird, and surely Minato&#039;s only saying it to get past the Humours. Right? ...right?&lt;br /&gt;
&lt;br /&gt;
But, there&#039;s the DEATH-DEFYING DROP RIDE.&lt;br /&gt;
&lt;br /&gt;
Suzume actually straps herself in with surprising attention given her frequently fly-by-the-seat-of-her-pants attitude. Because... she does not actually like drop rides but is gritting her teeth to avoid putting on an expression that might give away she&#039;s scared, which only gives it away in a different way.&lt;br /&gt;
&lt;br /&gt;
She actually lets out a yell despite herself as they drop - and then stop, leaving her yelling into silence instead of the clatter and creak. Suzume cuts herself off out of sheer embarrassment, feeling her cheeks redden.&lt;br /&gt;
&lt;br /&gt;
Flustered afterwards, Suzume averts her gaze for a few moments to collect herself. &amp;quot;Are we stuck up here?&amp;quot; she asks a moment later as she stops squeezing her eyes shut and looks around again. &amp;quot;Are - crap, are they coming up afterwards?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s fear of heights - well, her fear of falling uncontrolled; actual &#039;up&#039; and just being high doesn&#039;t bother her as much - wars with her desire to get out of here as soon as possible. She forces herself, a moment later, to unbuckle one of the straps so she can lift herself higher, still half-connected so she won&#039;t (can&#039;t) fall (she hopes). &lt;br /&gt;
&lt;br /&gt;
But if Minato&#039;s doing it, she can&#039;t not... she feels clammy as sweat beads on her brow. &amp;quot;I&#039;ll give you a hand,&amp;quot; she says, unbuckling another strap to get a little higher, so she can support Minato on his way up. Minato may not challenge her, but seeing him doing makes her challenge herself.&lt;br /&gt;
+act Dare&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Dare toward Tower of Terror! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Yeah, actually,&amp;quot; Hitomi says to Suzume. &amp;quot;Is it American? Sometimes those just land weird, you know? I guess clowns are kind of creepy but there must be clowns all over the place there. Carnivals like this are sorta like festivals, right?&amp;quot; (Suzume has discovered a secret about Hitomi, though not really a big one.) &lt;br /&gt;
&lt;br /&gt;
Were they quasi-vegetarians? &amp;quot;Some of it was also that we were kind of broke a lot of the time,&amp;quot; Hitomi admits, before there&#039;s another question--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t know,&amp;quot; Hitomi answers Minato, blinking several times. The idea seems to surprise her. She reflects on it throughout what&#039;s left of their time with the guns. &lt;br /&gt;
&lt;br /&gt;
Roger speaks to them at some length. Hitomi scratches her cheek idly. &amp;quot;It sounds like it was something like heaven, to you,&amp;quot; she tells Roger. &amp;quot;Was it just the other, uh, humors and you? And, yeah, I hope so too.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And soon they are confronted with the DEATH DEFYING DROP RIDE, and behind them, a gathering crowd of approaching Colerics. Spring-clowns. SniCupids. Some kind of double clown organism Hitomi doesn&#039;t want to look at that much. &lt;br /&gt;
&lt;br /&gt;
Time to get on. &lt;br /&gt;
&lt;br /&gt;
And then -- They don&#039;t get the whole way through. &lt;br /&gt;
&lt;br /&gt;
Hitomi HAS to look at the double clown organism again, to her great displeasure. &lt;br /&gt;
&lt;br /&gt;
Then -- &lt;br /&gt;
&lt;br /&gt;
&amp;quot;What? Wait! Arisato, you&#039;re -- Are you sure you can get it?!&amp;quot; Hitomi, still safely snug in her seat, cries out, looking upwards. &amp;quot;If you trip...!!!&amp;quot; Just how high up are they? Hitomi glances over, and not only does she see the double clown organism again, she also sees just how high up they are. The good news, she supposes, would be that you wouldn&#039;t have long to think about what you&#039;re going to do in the next life. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;&#039;&#039;Fukura&#039;&#039; oh my &#039;&#039;god&#039;&#039;,&amp;quot; Hitomi continues when Suzume starts to get out of her seat, too!! She looks momentarily flabbergasted, mouth opening and closing like a landed fish, before her jaw tenses again. &amp;quot;... LOOK,&amp;quot; she shouts out, &amp;quot;just be careful, and...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Ririka,&amp;quot; Hitomi says without looking. She brings up one hand... and her fingers uncurl partway; &amp;amp;#42;she&#039;s still holding onto the dice&amp;amp;#42;. &amp;quot;You&#039;re going to do better at this than me... can you see a place I could bounce the dice off of?&amp;quot; Her head turns to look, partway-upside down, at Ririka, smiling in that watery way as she does. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;d rather lose these than either of them, you know? But... we don&#039;t have a lot of time.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Raise -- All In toward Tower of Terror! Bravery and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka looks to Suzume and lowers her voice. &amp;quot;I won&#039;t let him get away with it,&amp;quot; she reasures her fellow SEES member quietly. &amp;quot;Amphion&#039;s out and if he tries to run I&#039;ll just track him. I think I&#039;m getting a better feel for the palce.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Do Adults get to play? &amp;quot;Well... my parents go on date nights sometimes. I think that&#039;s probably the adult version of playing...&amp;quot; She looks to Minato with interest, though. &amp;quot;So adults play MMOs too, huh...?&amp;quot; She&#039;d never considered that before.&lt;br /&gt;
&lt;br /&gt;
Ririka was always going to take her Evoker back. &amp;quot;Yeah, it&#039;s a little touchy, but that&#039;s why I only promised you could hold it.&amp;quot; But she smiles, once the game is done. &amp;quot;Thank you very much for the game!&amp;quot; Evoker goes back in her holster. &amp;quot;See, Fukura-san? Safe and sound.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;It&#039;s... safe enough, Ririka assures Roger.&amp;quot; It&#039;s not, but there&#039;s too much about how it works she simply doesn&#039;t know, and she won&#039;t get into how it summons a Persona (even though hers is, of course, summoned.)&lt;br /&gt;
&lt;br /&gt;
She considers Suzume&#039;s movie offer. &amp;quot;Well, maybe. What&#039;s the plot about?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Roger is hoping for things to go back, and to be listened to. &amp;quot;I hope they start listening to you, too,&amp;quot; she says, encouragingly. &amp;quot;I&#039;m glad we had you here to help show us around.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But there&#039; Homunculus involvement in the ride. And Minato, naturally, is going to escort her up. Wait what? &amp;quot;Uh... hai, Arisato-san. I&#039;ll try to analyze what&#039;s going on to see if we can get a better idea of the threat.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Arisato-san! Please be careful!&amp;quot; She is alarmed, both at the situation and Minako&#039; solution to the problem. &amp;quot;Fukura-san, you, too!&amp;quot; Can she heal them with Amphion from... way down there, while she&#039;s up here? She really doesn&#039;t want to test it.&lt;br /&gt;
&lt;br /&gt;
But then the ride grinds to a halt. That&#039;s... distressing. &amp;quot;Um...&amp;quot; Ririka makes the mistake of looking down and immediately yanks herself back. &amp;quot;Okay, okay. Um...&amp;quot; She closes her eyes for a moment. &amp;quot;We&#039;re really high up, and... mountains! Mountains can be pilgrimmage sites, lots of mountain-dwelling communities make flute instrumnets to repicate the sound of the wind, there are lots of natural acoustics and reverberation...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She snaps her fingers. &amp;quot;Frequencies! Right!&amp;quot; She looks to Hitomi, who makes a request of her. &amp;quot;Uh, I can try... Let&#039;s see if this works.&amp;quot; Deep breath. &amp;quot;Amphion! Analysis!&amp;quot; From way down there Amphion strums his lyre, bouncing sound waves off of the ride and towards Ririka, who quickly pulls her headset on to listen... and then she points out a spot for Hitomi. &amp;quot;There!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Music Talk toward Tower of Terror! Focus and Patra!&lt;br /&gt;
 (|============================= Monad - Results ==============================|)&lt;br /&gt;
 -==== Tower of Terror - Round 4 ===============================================-&lt;br /&gt;
   Minato Arisato       Guts                                   Success           &lt;br /&gt;
   Determined Destiny   Specialty                      Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Hitomi Mandai        Guts                                   Success           &lt;br /&gt;
   Raise -- All In      Bravery and Focus              Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Suzume Fukura        Guts                                   Success           &lt;br /&gt;
   Dare                 Specialty                      Fatigue: 0                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Ririka Kawase        Academics                              Success           &lt;br /&gt;
   Music Talk           Focus and Patra                Fatigue: 0                &lt;br /&gt;
 -============================= Party Conditions: ==============================-&lt;br /&gt;
   Starting Conditions: Annoying-1, Checkpoint-0, Curse-0, and Terrifying-2      &lt;br /&gt;
   Final Conditions:                                                             &lt;br /&gt;
 -======================================== Party Result: Success: Reach Up! ====-&lt;br /&gt;
 -==== Reach: 4/6 |==== |  =====================================================-&lt;br /&gt;
 -==== Loot So Far: ============================================================-&lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 (|====================== Monad - Taro Nakata&#039;s Atelier =======================|)&lt;br /&gt;
 -==== Round 5: Big Top Showdown - Challenge Level 2 ===========================-&lt;br /&gt;
 | Approach Options: Guts or Understanding                                      |&lt;br /&gt;
 | Conditions: Boss - Add 1 Fatigue on failure. and Shuffle - Draw 1 Minor      |&lt;br /&gt;
 | Arcana.                                                                      |&lt;br /&gt;
 -==== Challenge ===============================================================-&lt;br /&gt;
                                                                                 &lt;br /&gt;
 As you return to the big top with your tickets, you find a huge problem,        &lt;br /&gt;
 especially if you have Navigator senses and can detect it early. One of the     &lt;br /&gt;
 Melanc Humors in the form of a barker, corrupted guardians of the Nakata        &lt;br /&gt;
 Carnival, has taken position outside the tent, unwilling to let you through.    &lt;br /&gt;
                                                                                 &lt;br /&gt;
 While he won&#039;t take your tickets, he will give you a thrashing with big claws!  &lt;br /&gt;
 You need to either brave his powerful blows and show fierce determination to    &lt;br /&gt;
 take him down, or show compassion in your defenses and battle, and allow him    &lt;br /&gt;
 mercy before freeing him from his misery.                                       &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;quot;Video game?&amp;quot; Roger asks, as he tilts his head. His ears perk. &amp;quot;That sounds really fun! ...Or did I already know they&#039;re really fun?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     It gets scary and desperate, a race against time as Minato goes to fix the problem, with Suzume following. Hitomi has a careful toss to make, and Ririka reasons out her plan through murmuring about musical theory as she calls upon her Persona to help navigate a spot to throw, and from there...&lt;br /&gt;
 &lt;br /&gt;
     The ricochet hits, and there&#039;s an explosion as a Coleric Humor loses their grip and falls. Roger, however, is sitting tight where he is with only mild concern about where his teammates are going.&lt;br /&gt;
 &lt;br /&gt;
     Up above, Minato and Suzume are met by... a blood-reddish hand! And another! A third, a fourth, a fifth gripping, as some eyes look up.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Riding?&amp;quot; They ask. &amp;quot;Ride. Go ride.&amp;quot; Yet another hand comes out to help with the spanner. This is another Sanguin Humor, and this one... wants to operate the ride, presumably correctly and safely. They are insistent if batted at but do not become aggressive, as they help Suzume and Minato fix the problem.&lt;br /&gt;
 &lt;br /&gt;
     There is a descent later - but it&#039;s slow, steady, careful, as another Sanguin Humor below is making &#039;shoo&#039; motions to the remaining Coleric Humors that are trying to crawl up to deal with intruders. Hitomi&#039;s awesome toss (with Ririka&#039;s guidance) indisputably stopped Minato and Suzume from having to fight them, and from there, they can safely descend.&lt;br /&gt;
 &lt;br /&gt;
     With a caveat.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Ride.&amp;quot; That first Sanguin Humor says, trying to usher htem back in. (They have the tickets. but this ride, if taken, will operate correctly this time. It&#039;s thrilling! ...But definitely leaning towards the upper limit of &#039;safe.&#039;)&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;I&#039;m glad that turned out okay,&amp;quot; Roger says, who was kind of stunned and catatonic through all of that. They all have tickets, and so... &amp;quot;We&#039;ve got enough! Let&#039;s head back and--&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Ririka may detect this moments before Roger, but as a part of the Atelier ecosystem, Roger&#039;s no less aware in comparison. &amp;quot;It&#039;s a Melanc Humor ahead!! Watch out... they&#039;re the kind that puts &#039;&#039;us&#039;&#039; into balance!&amp;quot; The pig-like creature flails as they come across a particularly menacing carnival barker who is shouting all sorts of awful things about Taro Nakata.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Melanc Humors carry the feelings and parts of who &#039;&#039;should&#039;&#039; be in charge of the Atelier! That&#039;s why the Homonculus turns them into their minions!&amp;quot; Roger snorts, looking like he&#039;s ready to try to ineffectually gore them. &amp;quot;...and I can&#039;t beat them!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     The barker doesn&#039;t take their tickets. Instead, he produces enormous claws and gets to slashin&#039;.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;...Melanc Humors aren&#039;t bad to have,&amp;quot; Roger says in a moment of calm and downcast navel-gazing, &amp;quot;but that&#039;s why I need your help. As long as the Homonculus has control of them, we can&#039;t beat them... but don&#039;t worry!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Roger perks up. &amp;quot;I&#039;ll help call out the fight, and... once you can subdue them, the Flegmat Humors will take care of the rest!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     It&#039;s going to be a tough fight, as that barker continues shouting such self-loathing things like it exists to convince the real Taro Nakata to just give up and let themselves be overtaken by the Homonculus in full.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Alarm doesn&#039;t enter Minato&#039;s eyes until Suzume joins him, on the roof of the ride. &amp;quot;It&#039;s dangerous!&amp;quot; He insists, a touch sharply. &amp;quot;Just -- hold onto me.&amp;quot; Which is &#039;&#039;one&#039;&#039; way to keep him steady. How is he so much more worried about &#039;&#039;her&#039;&#039; than &#039;&#039;himself,&#039;&#039; though?&lt;br /&gt;
&lt;br /&gt;
    Luckily, Hitomi&#039;s got some lucky dice, and Ririka divines what she can, and... the Humor helps fix everything.&lt;br /&gt;
&lt;br /&gt;
    And insists they ride again. &amp;quot;I&#039;ll pay our penance,&amp;quot; Minato assures them. He might not be alone getting back in that ride, though --&lt;br /&gt;
&lt;br /&gt;
    -- which at least works &#039;&#039;properly,&#039;&#039; this time.&lt;br /&gt;
&lt;br /&gt;
    Minato, strangely, does not scream.&lt;br /&gt;
&lt;br /&gt;
    Ririka and Roger detect the Melanc Humor, though, once that&#039;s all settled. Those rumours of inferiority about Taro surely aren&#039;t &#039;&#039;good.&#039;&#039; And so --&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Subdue the Humors,&amp;quot; Minato nods, sharply. &amp;quot;All right. We&#039;ll engage in combat.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He takes his Evoker, fires --&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Orpheus!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    -- and supports his team.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Determined Destiny toward Big Top Showdown! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Yeah, all sorts of people play MMOs, though if they&#039;re adults who are on a LOT they&#039;re possibly NEETs. Or college students,&amp;quot; Suzume corrects herself. &lt;br /&gt;
&lt;br /&gt;
Are college students &#039;adult&#039;? They are when you&#039;re in your teens.&lt;br /&gt;
&lt;br /&gt;
But why does Suzume know this kind of thing? Maybe don&#039;t ask what kind of game she occasionally plays, when she has the money for a subscription or decides to drop into a private (pirate) server. She reads English well enough to get into the American ones, too...&lt;br /&gt;
&lt;br /&gt;
But that was then, and now Suzume is up.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah? It&#039;s dangerous for you too!&amp;quot; Suzume covers up her nervousness with bravado, though it shows more than she thinks it does. &amp;quot;So I&#039;ll just come along and make sure nothing happens - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume almost freaks out and attacks the hands straight away - letting out an undignified &amp;quot;GAH!&amp;quot; that is, in a vacuum, kind of funny; she gets squeaky when she gets surprised even though that&#039;s not her usual vocal tone at all. But up here it&#039;s a lot less funny (and, honestly, Suzume never thinks it&#039;s particularly funny). &lt;br /&gt;
&lt;br /&gt;
Fortunately, the fact that she is steadying Minato means she can&#039;t actually get a good swing or punch and by the time she&#039;s able to if she wants to, she realizes it wants to help. She lets out a slightly unsteady breath, then: &amp;quot;Okay. Cool. Fine.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Let&#039;s actually skip the movie tonight,&amp;quot; Suzume decides, even though Ririka and Hitomi asked about it. &amp;quot;Ask me later.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
On the ground, her bravado returns, as if she was embarrassed to act the way she had before. So she&#039;s sounding confident again when she speaks: &amp;quot;So Melanc beats Sanguin, and Sanguin beats Coleric...&amp;quot; Hopefully she got that right. It&#039;s not a chain, it&#039;s a &amp;amp;#42;cycle&amp;amp;#42;, which means... &amp;quot;Does the last one - &amp;quot; Has she heard the word Flegmat? &amp;quot; - beat Melanc...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Well, one might say they&#039;re about to find out, except there&#039;s not a lot of those around here, and there are four members of SEES. &amp;quot;I&#039;m in front,&amp;quot; she says, as not-Taro speaks about Taro - &lt;br /&gt;
&lt;br /&gt;
Some of those hit home on her, too. Always being compared to her sister - but it doesn&#039;t make her likely to pull back. Instead, it makes her mad, and so... &amp;quot;ATALANTA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minato might support his team. Suzume goes forward - first in, first targetted. But she&#039;s tough and fast (the cat-ear headband that she is glad nobody has commented on helps) and now she&#039;s pushing herself, blocking blows with her tonfa held up in a guard position and blitzing a strike or three (or a summon of Atalanta) when she can!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Haha,&amp;quot; Hitomi answers Roger once they&#039;re on the &#039;ground&#039; again. &amp;quot;Yeah.&amp;quot; She takes a deep breath through her nose, exhales through her mouth, before their attention turns towards...&lt;br /&gt;
&lt;br /&gt;
THE HUMORS&lt;br /&gt;
&lt;br /&gt;
They&#039;ve got them on both sides, don&#039;t they? The shivering horde and this new horrid revelation. Claws... but the less horrid part is the &#039;melanc humors&#039; being brought up. It reminds her of melatonin, even as Roger makes his offer. &amp;quot;Hm,&amp;quot; she says. &lt;br /&gt;
&lt;br /&gt;
Looking up, she answers Suzume while... starting to tap her foot? Not very fast, but it&#039;s something like that. Nervous habit. &amp;quot;Yeah,&amp;quot; she says. &amp;quot;Better to do that on an inside day, anyway.&amp;quot; She turns her head to look forwards and after Suzume. Who is rushing in. Hitomi bobs her head back and forth for a moment, or two. &lt;br /&gt;
&lt;br /&gt;
THEN: she throws one hand forwards theatrically. &amp;quot;Tyche!&amp;quot; she cries, and a greek-statue vision appears over her, leaning forwards, stone eyes plaintive. The statue seems to twinkle... &lt;br /&gt;
&lt;br /&gt;
... because that&#039;s what it looks like when she does the explosion chain technique. &amp;quot;Haah!&amp;quot; she cries out, snapping that hand up in the air. (There is a momentary and subtle awkward pause when her eyes flick towards first Ririka, then, slightly longer, towards Minato, BUT THEN: BACK FORWARDS). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Raise -- All In toward Big Top Showdown! Bravery and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka is beyond relieved that they got the ride working again. &amp;quot;That&#039;s one of the Sanguin, I think,&amp;quot; she says of the multi-handed attendant trying to fix the ride alongside Minato and Suzume. &amp;quot;He should be safe.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m glad it turned out okay, too,&amp;quot; Ririka says to Roger. &amp;quot;I was kind of worried, there...&amp;quot; But she pauses, hand to her headphones as she listens. &amp;quot;There&#039;s something nasty up ahead--&amp;quot; Roger confirms it, and Ririka looks to the pig. &amp;quot;So that &#039;&#039;is&#039;&#039; a Melanc. Got it. It&#039;s right in front of the big tent, where we need to take the tickets.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ririka nods to Suzume. &amp;quot;Yeah, we&#039;ve probably had enough clowns for one night... but let&#039;s watch it later, for sure.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;lt;&amp;amp;lt;&amp;amp;lt;&lt;br /&gt;
But soon enough, they&#039;re facing a Melanc, and Ririka draws her katana to hold it out in a defensive posture. She nods to Minato as the orders are issued. &amp;quot;Right, Arisato-san!&amp;quot; Roger offers to call the fight. &amp;quot;Roger-san, you know this Atelier really well, so I&#039;ll be relying on your help.&amp;quot; She will still, of course, have Amphion do Analysis and Marakukaja for the group. But then...&lt;br /&gt;
&lt;br /&gt;
She considers everything she&#039;s heard in the supernatural way inside this Atelier, but also how Roger seems to act, and what she heard the regular way from Hazuki. And she puts her katana away and flexes her fingers for a moment before she begins to play. &amp;quot;Nakata-san is really good at fighting games--I watched his match with Nakao-chan. And I also think... this carnival used to be a lot more fun.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
What&#039;s she playing? Why, it&#039;s a slow, somber piano rendition of Kappa&#039;s stage theme, the fighter Taro used in the tournament. Ririka is hoping that it&#039;s both his best fighter and his favorite character. She&#039;s trying to put heart and emotion into it, her expression somber.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... I don&#039;t know how much of Taro is reflected in you, but... maybe you need to remember how to have fun again.&amp;quot; She kicks the music up into a proper tempo, turning the tune lively and bright.&lt;br /&gt;
&lt;br /&gt;
Ririka only has a grin for Hitomi as she strikes her pose. as if to say &#039;hey, keep rocking it!&#039;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Understanding toward Big Top Showdown! Base!&lt;br /&gt;
 (|============================= Monad - Results ==============================|)&lt;br /&gt;
 -==== Big Top Showdown - Round 5 ==============================================-&lt;br /&gt;
   Minato Arisato       Guts                                   Success           &lt;br /&gt;
   Determined Destiny   Specialty                      Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Hitomi Mandai        Guts                                   Success           &lt;br /&gt;
   Raise -- All In      Bravery and Focus              Fatigue: 1                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Suzume Fukura        Guts                                   Success           &lt;br /&gt;
   Guts                 Base                           Fatigue: 0                &lt;br /&gt;
 --------------------------------------------------------------------------------&lt;br /&gt;
   Ririka Kawase        Understanding                          Success           &lt;br /&gt;
   Understanding        Base                           Fatigue: 0                &lt;br /&gt;
 -============================= Party Conditions: ==============================-&lt;br /&gt;
   Starting Conditions: Boss-0 and Shuffle: Sword-0                              &lt;br /&gt;
   Final Conditions:                                                             &lt;br /&gt;
 -======================================== Party Result: Success: Reach Up! ====-&lt;br /&gt;
 -==== Reach: 6/6 |=====|  =====================================================-&lt;br /&gt;
 -==== Loot So Far: ============================================================-&lt;br /&gt;
   Items: 1, Money: 0, Gear: 1                                                   &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
 &lt;br /&gt;
 (|====================== Monad - Taro Nakata&#039;s Atelier =======================|)&lt;br /&gt;
 -==== Round 6: Treasure Trove - Challenge Level 1 =============================-&lt;br /&gt;
 | Approach Options: None                                                       |&lt;br /&gt;
 | Conditions: Revelation - The best result.                                    |&lt;br /&gt;
 -==== Challenge ===============================================================-&lt;br /&gt;
                                                                                 &lt;br /&gt;
 Once inside the big top waiting area after your success at the carnival,, a     &lt;br /&gt;
 Sanguin Humor employee shows up with a cache of treasures, having decided you&#039;re&lt;br /&gt;
 a lucky winner. Containing supernatural pyrite, carnival glass, bismuth         &lt;br /&gt;
 crystals, and clownskin hides, you can likely make this into something very     &lt;br /&gt;
 special with the right craftsman... perhaps Peacock Silk can do something for   &lt;br /&gt;
 you?                                                                            &lt;br /&gt;
                                                                                 &lt;br /&gt;
 Either way, you&#039;re ready to face the Homunculus... once the show starts. If it  &lt;br /&gt;
 hasn&#039;t, you might be able to save your tickets for later, though if you plan on &lt;br /&gt;
 coming back for a full expedition, you&#039;ll need to replace them then.            &lt;br /&gt;
                                                                                 &lt;br /&gt;
 Final Loot: 1 Item and 1 Pieces of Gear!                                        &lt;br /&gt;
 (|============================================================= Monad 1.1 ====|)&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Suzume cogitates something of a rock-paper-scissors like understanding of things, and Roger nods vigorously to the extent his range of head movement allows. &amp;quot;Something like that...! You&#039;ll see!&amp;quot; He has full confidence they&#039;ll be able to beat this one!&lt;br /&gt;
 &lt;br /&gt;
     (In the interest of time: yes, they do.)&lt;br /&gt;
 &lt;br /&gt;
     The self-loathing about finding themselves so terrible, awful, and weak in the one thing they found joy and pride in is zeroed in upon as they&#039;re overpowered, sent sprawling, and becomes the latest conquest of a successful SEES operation.&lt;br /&gt;
 &lt;br /&gt;
     ...Only, for strange entities to surround them. Roger&#039;s not disturbed at all. They look like &#039;typical&#039; canrivalgoers and workers, but they&#039;re doing some disturbing quiet murmurs as they start to surround the fallen Melanc Humor. Slowly, but surely, the more monstrous and exaggerated aspects of that Melanc Humor subside to something... more normal-ish. How can entities that seem so passive, heck, even weak, hold so much power over something that the video game world would refer to as a &#039;mid-boss&#039;?&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;It&#039;s okay! The Flegmat Humors are making sure the Homonculus doesn&#039;t take back control,&amp;quot; Roger says as he looks to them. Prominently, he has a metal coin slot in his back - arcade game-like styling. This detail is completely absent from every other Humor seen, which... interesting?&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;They&#039;re the reason a Homonculus usually doesn&#039;t happen,&amp;quot; Roger says, &amp;quot;it&#039;s... when they do, um,&amp;quot; he presses his fingers together, &amp;quot;it&#039;s a real mess... it&#039;s not fun!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Still, another Sanguin Humor offers prizes. Most of the materials are lovely and could may be used in cognitive equipment of good make, though... that clownskin hide... let&#039;s just hide that under something else...&lt;br /&gt;
 &lt;br /&gt;
     before someone makes a harness of it, eugh&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Thanks for coming out to play with me,&amp;quot; Roger bows with happy tears streaming down his silly mascot pig self, &amp;quot;please come back soon! I don&#039;t know how much more time this Atelier has... but you bought some more time yet! Thank you so much...!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     ...All that&#039;s left to do is to coordinate that final assault on the Homonculus, and save Taro Nakata from a grisly fate.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-10-14:_Entry_of_the_Gladiators&amp;diff=3188</id>
		<title>2025-10-14: Entry of the Gladiators</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-10-14:_Entry_of_the_Gladiators&amp;diff=3188"/>
		<updated>2025-10-16T04:03:12Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot; *&amp;#039;&amp;#039;&amp;#039;Log: 2025-10-14 - Entry of the Gladiators&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Roger, Minato Arisato, Suzume Fukura, Hitomi Mandai, Ririka Kawase *&amp;#039;&amp;#039;&amp;#039;Where: Taro Nakata&amp;#039;s Atelier&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; October 15, 2025 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; July 26, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;One of the two SEES teams investigating the Atelier... well, investigates. There are a surprising number of carnival games.&amp;#039;&amp;#039;  ----   MONAD: A party led by Minato Arisato has begun the event Taro Nakata&amp;#039;s A...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
*&#039;&#039;&#039;Log: 2025-10-14 - Entry of the Gladiators&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Roger]], [[Minato Arisato]], [[Suzume Fukura]], [[Hitomi Mandai]], [[Ririka Kawase]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Taro Nakata&#039;s Atelier&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; October 15, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; July 26, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;One of the two SEES teams investigating the Atelier... well, investigates. There are a surprising number of carnival games.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
 MONAD: A party led by Minato Arisato has begun the event Taro Nakata&#039;s Atelier.&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
     One by one, word goes out about a novel sort of supernatural space and a terrible threat to humanity called the Homonculus, some manner of &#039;&#039;thing&#039;&#039; that seems to try to overtake living people to replace them - and a bid to try and save a young man in the process of being overtaken by one. It is an act of immense trust to hand a treasured item of the person in question - a &#039;Thread&#039; in the vernacular - and then a need to come to a place where people can be &#039;alone together.&#039; Handily, a net cafe is just the trick. They all have to rent their own booths and pass the Thread between one another as they all log on to a strange place called &#039;AtelierNetwork.jp&#039;&lt;br /&gt;
 &lt;br /&gt;
     It&#039;s probably up there for being some of the most esoteric stuff the dedicated warriors against the horrors of the Dark Hour, SEES (and other associates present), has involved themselves with. Luckily, Hazuki had already paved much of the way with useful information. The matter of visiting the &#039;Eye,&#039; an important place to the Atelier&#039;s owner, enabled this. Nonetheless...&lt;br /&gt;
 &lt;br /&gt;
     One by one, the party appears in a strange supernatural space by the feel in the air. Some manner of carnival, with a red sky and pale white concrete footing. The whole of it feels rickety, neglected, unsafe... and twisted into a surreal, monstrous scene. There&#039;s a massive tent in the distance that is the goal, but once approached... looks like one needs &#039;FIVE TICKETS,&#039; and there&#039;s the occasional clash with some dangerous Shadows in the shape of carnival stereotypes and figures.&lt;br /&gt;
 &lt;br /&gt;
     A strange Shadow - or something Shadow-analogous, this entity is kind of a novel experience - in the shape of a crimson-hued pig-like mascot hops in front of them with gleeful abandon and tears in their eyes.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;More of Hazuki-chan&#039;s friends...!&amp;quot; The odd upright mascot-like pig squeals. This is a Shadow. This is a Shadow that&#039;s talking, and groveling. This is definitely not the Dark Hour&#039;s variety, but no one would be blamed for being on guard. &amp;quot;Um... you all look really serious, too.&amp;quot; He taps his fingers together. &amp;quot;...I hope we can have fun playing together anyway, even though what&#039;s going on here is not fun at all...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;This is Nakata&#039;s Atelier. I&#039;m sure you&#039;ve sniffed out that particular truffle with Hazuki-chan&#039;s help, but it&#039;s really bad here!&amp;quot; He leans forward, insistent, snorting. &amp;quot;So I need your help reaching the Melanc Humors and bringing them into balance so we can get rid of the cause of all this - the Homonculus!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Oh!&amp;quot; He relaxes. &amp;quot;I&#039;m Roger! I&#039;m a Sanguin Humor! There&#039;s a number of kinds of them, but Sanguin Humors like me are the movers and shakers about the Ateliers... usually.&amp;quot; And then, back to kicking his stilt like legs as he looks down with droopy ears. &amp;quot;They&#039;re not listening to me... no one is! I&#039;m even being attacked by the Coleric Humors, which only go after anyone and anything not of this Atelier... um, that&#039;d include you. Usually any Sanguin Humor could pull some back, but...&amp;quot; But obviously, not now. &amp;quot;I blame the Homonculus for everything! And also that!!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;So I&#039;ll talk about the others as they show up, okay?&amp;quot; Roger perks up. &amp;quot;Let&#039;s go play~&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     But first, they have to go get their hands on some maps.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Um,&amp;quot; Roger looks sheepish, which is off-brand for being a funny pig mascot, &amp;quot;every time I turn around it feels like it&#039;s all being rearranged... otherwise I&#039;d take you to all the games with the tickets you need. Sorry...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     There&#039;s a map dispenser right there, which is asking for a vague price that even Roger does not seem to be able to elaborate upon in the moment. It at least has the courtesy to resemble the ubiquitous vending machine, even if it&#039;s somewhat odd and angular like it were a stylized cartoon.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;We&#039;ll go play once we get a new map! Those always seem to be right when you all have them...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Minato deputised Reiya to lead one arm of their investigation into the Atelier -- and he&#039;s here with the other. Coordinating the passing of the Thread, he intones, at the correct hour: &amp;quot;Logging on.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Which is just a more serious version of something he &#039;&#039;always does.&#039;&#039; Not to this network, though...&lt;br /&gt;
&lt;br /&gt;
    To a carnival.&lt;br /&gt;
&lt;br /&gt;
    Minato looks to the rotund pig, with a mild yet still quite &#039;&#039;serious&#039;&#039; expression. The pig is talking... being prepared for it doesn&#039;t really prepare him for it.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;The Melanc Humours,&amp;quot; he repeats, firmly. Unlike &#039;&#039;Roger,&#039;&#039; who&#039;s &#039;&#039;Sanguin.&#039;&#039; &amp;quot;How are they balanced?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He frowns. &amp;quot;So the Coleric Humours are dangerous,&amp;quot; he notes. &amp;quot;Let&#039;s remember that.&amp;quot; And... going to &#039;play&#039;. &amp;quot;... sure.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Minato steps out to the &#039;&#039;map dispenser.&#039;&#039; &amp;quot;Our first mission is to acquire a map,&amp;quot; he says. &amp;quot;Kawase-san will be able to use it to augment her capacities here.&amp;quot; And so, he pulls out some yen...&lt;br /&gt;
&lt;br /&gt;
    ... and the machine spits it right back out. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It won&#039;t take yen,&amp;quot; he elaborates, helpfully.&lt;br /&gt;
&lt;br /&gt;
    Then he pulls out a strange blue glowing shard from his pocket, and tries jamming &#039;&#039;that&#039;&#039; in... only for it to fall &#039;&#039;right&#039;&#039; back out.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It won&#039;t take Twilight Shards, either,&amp;quot; Minato elaborates, even more helpfully.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Academics toward Don&#039;t Get Lost! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume, of course, volunteered to help, even when she didn&#039;t quite know what she was getting into, and that is why she is now in supernatural space that resembles a carnival. Or, to her eyes, a circus.&lt;br /&gt;
&lt;br /&gt;
She is not sure she doesn&#039;t regret volunteering, for a moment.&lt;br /&gt;
&lt;br /&gt;
But she&#039;s not going to turn back, or turn away. so she&#039;s prepared; no backpack today, but she&#039;s got her tonfa, and she&#039;s got her new combat uniform, provided by SEES, rather than doing what she has previously done (show up in her gym clothes).&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s outfit consists of a jacket with big pockets that comes down past her hips to midthigh, swallowtail-cut for maximum leg mobility. The jacket is short-sleeved so that her tonfa don&#039;t tangle in her lower sleeves - it simply doesn&#039;t have them, cuffed just above the elbow. Underneath it she has pants rather than the skirt all her other uniforms have, black and neat but with that bit of stretch to it that gym clothes have. The top is a short-sleeved shirt with polo-style buttons. It&#039;s loose-fit, but in a way that looks deliberate rather than Suzume&#039;s usual approach to baggy clothes, and seems vaguely sporty even though it is still clearly a uniform.&lt;br /&gt;
&lt;br /&gt;
It suits her in a way that Suzume is not often suited by clothes. Though she is &amp;amp;#42;less&amp;amp;#42; suited by, well...&lt;br /&gt;
&lt;br /&gt;
Look. Suzume &amp;amp;#42;also&amp;amp;#42; has a headband half-buried in her somewhat voluminous hair. Poking up from it, and out of her hair, are a pair of black cat-ears. It came from Tartarus and it&#039;s useful, but that doesn&#039;t mean she doesn&#039;t feel a little silly putting it on to fight.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t expecting a talking pig at all. She has her tonfa raised - silvery ones with a vein-ish pattern slightly reminiscent of insect wings - before she realizes she is &amp;amp;#42;not&amp;amp;#42; going to be attacked and that Minato is going to run with it and forces herself to lower them with a breath out. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Humours?&amp;quot; she says, before racking her brain. Nothing immediately comes to mind at first, until she manages, &amp;quot;Didn&#039;t Edogawa-san say something about those once...?&amp;quot; She doesn&#039;t remember any details. It wasn&#039;t on the test and, frankly, exam time has forced everything that isn&#039;t out of her brain for the moment.&lt;br /&gt;
&lt;br /&gt;
So instead she looks at the map dispenser. Minato tries yen (no go) and Twilight Shards (also a no-go). She considers it for a moment.&lt;br /&gt;
&lt;br /&gt;
Spinning her tonfa so that it&#039;s held extended, increasing her reach, Suzume gives it a very solid rap. &amp;quot;Sometimes these just pop open if you hit them just right,&amp;quot; she explains, repeating it a second time. &amp;quot;They&#039;re like the cheap newspaper ones, right? You just - gotta - jostle it the right way - &amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Proficiency toward Don&#039;t Get Lost! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;... a net cafe? Seriously?&amp;quot; says Hitomi, squeamishly, during the briefing. &lt;br /&gt;
&lt;br /&gt;
And yet she came along.&lt;br /&gt;
&lt;br /&gt;
SOON ENOUGH, THOUGH&lt;br /&gt;
&lt;br /&gt;
They&#039;re in, and out, and through, and they are faced... with a pig. &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s eyes widen behind her glasses. &amp;quot;Holy crap,&amp;quot; she says, quietly, &amp;quot;a talking pig!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t shout it, but the astonishment... the astoundedness... those are real. You can&#039;t fake that. She glances at the others as if to confirm, and then... pays some attention. Shoving her glasses up her nose in an extremely stylish (to Hitomi) way, she answers, &amp;quot;Pleased to meet you, Roger... I&#039;m Hitomi.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Minato, though, is all business. &lt;br /&gt;
&lt;br /&gt;
After the try, Hitomi cups her chin with one hand. &amp;quot;Okay... so I think I understand what this is trying to do... though I have no idea WHY it&#039;s doing it, this is the kind of thing where you have to find those tickets somehow, right? Or earn them?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi looks towards Roger for confirmation. &amp;quot;It&#039;s a way to preserve a flow without removing the feeling of-- anyway, that&#039;s sort of, what did they call it, lateral thinking? But if this is the map thing... either we&#039;re not supposed to get it until the end to show us what we missed, or...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi is quiet for several seconds. During this time, Suzume gives the thing a good whack. &lt;br /&gt;
&lt;br /&gt;
Then she fishes into the pouch - not pocket, though her SEES action skirt &amp;amp;#42;does&amp;amp;#42; have pockets - to bring out a pair of red sharp-edged dice. She click-clacks them in her fingers for a moment before WHIPPING them right down, where they hit the ground and bounce up (2, 3) before colliding with the dispenser!&lt;br /&gt;
&lt;br /&gt;
There is a small, measured explosion on that secondary impact. Sort of like a firecracker but with more light. Hitomi then scrambles over to collect them because they didn&#039;t just bounce back to her hand, whoops &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward Don&#039;t Get Lost! Smarts and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Logging into AtelierNetwork had certainly been a &#039;&#039;novel&#039;&#039; experience, and Ririka drew in a sharp breath as she took in the surroundings. &amp;quot;Well this is new,&amp;quot; she mutters to herself as she closes her eyes for a moment to focus her senses on the surroundings. &amp;quot;I hear... a lot of creaking wood, malfunctioning mechanics, tattered cloth flapping around... and it just &#039;&#039;feels&#039;&#039; wrong, too. Neglected.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then she hears-- &#039;More of Hazuki-chan&#039;s friends!&#039; Ririka blinks as she opens her eyes. That wasn&#039;t any of the group. She looks to see Roger there, hopping up and down. &amp;quot;Oh, uh... hello.&amp;quot; She looks at Roger curiously, tilting her head a little. &amp;quot;You don&#039;t sound like a Mementos Shadow... or a Dark Hour one...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Explanations are given, and she listens, intently, to what he has to say. &amp;quot;Melanc, Sanguin, Choleric... alright. I&#039;ll have to figure out what those all sound like. But it&#039;s nice to meet you, Roger-san. I&#039;m Ririka Kawase.&amp;quot; She doesn&#039;t seem to flinch at Roger wanting to go &#039;play&#039;. But she seemed accepting of Jose drinking flowr bubbles, too. &amp;quot;Uh, sure. If that&#039;ll help us get to the Homunculus.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She nods to Minato. &amp;quot;Right, Arisato-san. I&#039;m trying, but... I still need to get used to this new type of space. Everything still sounds a little bit off...&amp;quot; She looks to Suzume. &amp;quot;Yeah, I think... there were four of them, they thought they were fluids in the body, or something...? I wonder if the different types mean anything...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She blinks as Hitomi&#039;s dice &#039;&#039;explode&#039;&#039; at the vending machine. &amp;quot;Mandai-san, what are those dice made of?&amp;quot; She sounds... mildly alarmed.&lt;br /&gt;
&lt;br /&gt;
Her own outfit is a heavy uniform jacket, with the armband and shoulder plate on her left arm and shoulder, and on her right a gunmetal gray armor plate ojn the upper arm, and a purple ribbon instead of the SEES standard red. Two pairs of gloves iwth metal bands, a belt with a holster and katana sheath, skirt, and boots with matching metal bands complete the look.&lt;br /&gt;
&lt;br /&gt;
She pulls out the most lively carnival item of all--a &#039;&#039;gun&#039;&#039;. And the does the very jovial thing of putting it to her head and firing it, summoning Amphion in a rush of broken glass and blue flame.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll start on trying to get a feel for things,&amp;quot; she declares, as Amphion puts a pair of headphones on her head. She reaches forward, and at her tough pinao keys made of light spring into existence as she starts to play, listening to how her music interacts with the world around her to start mapping...&lt;br /&gt;
&lt;br /&gt;
... and if it should also happen as a form of impromptu busking to earn them some money for the machine, that&#039;s also a handy outcome.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Impromptu Performance toward Don&#039;t Get Lost! Diligence and Efficient!&lt;br /&gt;
 MONAD: Minato Arisato has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;How are they balanced?&#039; Minato asks firmly, which commands immediate attention from Roger. &amp;quot;Oh, glad you asked... you see, the problem is, when a Homonculus emerges... the first thing they do is take over the Melanc Humors. They use those to protect themselves.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Since Melanc Humors are part of the Atelier, that&#039;s why Coleric Humors don&#039;t go after them... and Melanc Humors balance &#039;&#039;us&#039;&#039; Sanguin Humors. If you beat a Melanc Humor, the Flegmat Humors around us - they&#039;re the quieter ones you might see - can help stop the Homonculus from taking them back over.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Roger tilts his head as he watches Minato fail to apply some currencies to the map dispenser. &amp;quot;Why doesn&#039;t it want you to come play...? I don&#039;t get it.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Is this Edogawa-san a friend of yours too?&amp;quot; Roger looks up and tilts to the side as Suzume brings them up. &amp;quot;I wouldn&#039;t mind meeting him! He sounds like he&#039;d be really fun to play with here if he already knows all about us Atelier Humors!&amp;quot; He does not come from a space with &#039;teachers&#039; or &#039;exams.&#039; This may sound like a utopia to those of single digit ages, but seeing the &#039;reality&#039; here, well. Do we really need a society of talking pig mascots only interested in play, unable to deal with a vending machine with maps? Probably not.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Um, of course I talk...?&amp;quot; Roger manifests funny sweatdrop prop over his head, cartoonishly, as Hitomi&#039;s astonishment briefly overtakes her. &amp;quot;It&#039;s good to meet you too, Hitomi-chan! Let&#039;s play together! Once we get a map!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;It&#039;s nice to meet you, Ririka-chan! It sounds like both of you are already familiar with us! That&#039;s good! There are four kinds of Humors in an Atelier!&amp;quot; Whatever they learned of that ancient discredited theory did not involve talking pig shadows who want to play, and huge scary red sky carnivals.&lt;br /&gt;
 &lt;br /&gt;
     Nonetheless - they&#039;re not accepting currency they have on hand, for whatever reason, so some manner of blunt force trauma (by tonfa and/or exploding dice, the latter of which has Roger going O_O) is enough to dislodge the dispenser open with a few maps spilling out on the ground along with some currency-esque objects of questionable worth as tender. Ririka, most importantly, is getting a feel for &#039;things&#039; and figuring out that strange, hostile entities might be - no, are! - about to converge upon them if they don&#039;t get a move on. (These are the Coleric Humors that Roger&#039;s warned about! And thanks to Ririka&#039;s Navigating, that&#039;s a fight avoided!)&lt;br /&gt;
 &lt;br /&gt;
     They have a map (or two, or three, maybe four, they&#039;re all the same - right now), and they can get on with it. Roger peeks at one, and lights up. &amp;quot;The ring toss! That&#039;s a fun one! Let&#039;s go there!&amp;quot; He squeals with all the enthusiasm of an excited youngster even in the midst of all that&#039;s going on. They find that booth in short order, that ring toss game. A Sanguin Humor - who is speaking legibly and understandably, albeit with less seeming collective awareness of his greater surroundings compared to Roger - challenging all of them to come play the ring toss for a wonderful prize. Like a low-quality cheap effigy of the bizarre entity that Ririka detected was headed their way some time ago.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Oh, that toy resembles one of the Coleric Humors here. There&#039;s other kinds, but they&#039;re all going to try and hurt you, even though you&#039;re here to help.&amp;quot; Roger&#039;s ears droop. &amp;quot;Usually us Sanguin Humors can keep them at bay if we want to, but they don&#039;t listen to me...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     He looks up. &amp;quot;But they should listen to that one! Even if that one hadn&#039;t listened to me either!&amp;quot; Why wouldn&#039;t any Humors here listen to one of their own in Roger? &amp;quot;So if we play, we&#039;ll be okay! And we&#039;ll get a ticket we need!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Roger proceeds to have himself some fun with it. A careful eye will realize there&#039;s some gimmick at play that makes tossing rings alone not enough to win, but the pig-like Shadow friend(?) does not seem to care too much beyond getting to play, in the moment. (Shadows aren&#039;t really that complex, are they.)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;So the Melanc Humors are our target... to bring them back into balance. Right, as Edogawa-sensei said... the four Humors.&amp;quot; Minato nods, firmly. &amp;quot;Edogawa-sensei is one of the teachers at our school,&amp;quot; he goes on to explain. &amp;quot;He&#039;s really into occultism.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Minato scoops up the &#039;currency&#039;(?), and a map. &amp;quot;Playing along should get us to our goal,&amp;quot; he assures his team. &amp;quot;Let&#039;s proceed forward with Roger-san.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    A light pause, and he remembers to add: &amp;quot;I&#039;m Minato Arisato.&amp;quot; Beat, &amp;quot;I don&#039;t usually introduce myself to creatures like you, so I&#039;m still getting used to this. We all are.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Up to the ring toss, and -- &amp;quot;We should keep moving,&amp;quot; Minato advises, given Ririka&#039;s advice (you&#039;ll see), &amp;quot;so let&#039;s win this game quickly.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He takes up a ring, knowing that if he fails here, the terror in the background shall surely consume them all...&lt;br /&gt;
&lt;br /&gt;
    ... and all of this strange reality melds to a single point in front of him.&lt;br /&gt;
&lt;br /&gt;
    His goal: the peg yearning for a ring, declaring itself to be worth a &#039;&#039;hundred points.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Focus... focus, and...&lt;br /&gt;
&lt;br /&gt;
    God willing, no one needs him in the next ten seconds, as the only thing he cares about is &#039;&#039;landing this ring on the peg.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Singular Focus toward A Simple Ring Toss! Diligence and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Nah, he&#039;s a...&amp;quot; Suzume pauses, realizes she is explaining school life - which she doesn&#039;t always like anyway, especially right now, around exam time - to a Shadow pig. &amp;quot;...adult. Not really a friend. Just someone I gotta listen to sometimes.&amp;quot; Ririka apparently listened better, though. &amp;quot;Yeah? What kind of fluid&#039;s a pig - I mean, I know he said Sanguin, but which one is that?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume has actually used an Internet cafe before, so that wasn&#039;t the weird part to her. (The weird part, as far as she was concerned, was going into a carnival from there.)&lt;br /&gt;
&lt;br /&gt;
If she&#039;d known she was the only person who had, she would have given some good advice before they went... But too late now!&lt;br /&gt;
&lt;br /&gt;
Suzume picks up one of the maps. She also picks up some of the not-coins, squinting at them. &amp;quot;I&#039;m gonna hold onto these,&amp;quot; she says, because they could come in handy if there&#039;s another vending machine in here. Or, for that matter... Roger said it was different every time, so perhaps they&#039;ll need a different map if and when they return. Now they have a cheat for that! Minato has the same idea, but she pockets one anyway, just in case. It&#039;s luck.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;d think dice would work better here. It&#039;s all games,&amp;quot; Suzume says to Hitomi as they walk. &amp;quot;Though you&#039;re gonna have to teach me how to throw things so they explode. That&#039;d give me a killer fastball, heh.&amp;quot; She&#039;s actually more at ease in here than she has been in the SEES dorm recently...&lt;br /&gt;
&lt;br /&gt;
But eventually they move further in. Toward a ring toss. They have to win fast, they need to get a ticket, and Suzume immediately steps forward, cracking her knuckles. &amp;quot;Bet I can get more than you,&amp;quot; she says to Minato - to everyone really, but she thinks Minato might be the stiffest competition. Or Hitomi, if throwing everything carries over...&lt;br /&gt;
&lt;br /&gt;
But she&#039;s really, really into it. Suzume can&#039;t help but get competitive, and she does it here. Her first tosses are testing, experimental, but then she really zeroes in. Minato has monofocus. She merely has the desire to beat him.&lt;br /&gt;
&lt;br /&gt;
It&#039;s fine! It&#039;s just a game! ...right?&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Sports Talk toward A Simple Ring Toss! Diligence and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;I think sang means blood in English, or Latin or something,&amp;quot; Hitomi comments to Suzume as they walk. &amp;quot;I dunno about the other ones... he doesn&#039;t seem that bloody, though?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
(The reason why Hitomi was grossed out may arise later.) But there is a question. Hitomi turns her head to look at Ririka. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Plastic,&amp;quot; she tells her. &lt;br /&gt;
&lt;br /&gt;
There&#039;s an enigmatic smile... which lasts for about a second before she says, self-consciously, &amp;quot;They just do that for me in these spaces or in the Dark Hour, but I have to bounce them. I dunno, it&#039;s just a weird thing. I think I just don&#039;t have as much &#039;fighting spirit&#039; as a lot of people, haha...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
to wit, Ririka is shooting herself in the head! &lt;br /&gt;
&lt;br /&gt;
or not: PERSONA. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I got casino dice because the little game dice that are fine for like, stuff on the table, they&#039;re really easy to lose... It&#039;s actually been fun to practice, even if I guess it means I shouldn&#039;t play games during the Dark Hour, haha,&amp;quot; Hitomi gabbles on. &lt;br /&gt;
&lt;br /&gt;
During the trip over, Hitomi talks to the pig, who, she presumes, will not judge her. &amp;quot;Oh, absolutely,&amp;quot; she tells him. &amp;quot;What do you guys play here? I mean I don&#039;t know if I can stay that long, or anything, but...&amp;quot; She keeps on moving, briskly. (She secured her own map.) &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh,&amp;quot; Hitomi says. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ring toss, huh.&amp;quot; She folds her arms loosely even as the playing starts. Her lips purse. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Someone go,&amp;quot; she says, head tilting forwards slightly. She takes an extremely strategic step... to the right. But it&#039;s the Ring Toss &#039;&#039;frame&#039;&#039; that&#039;s really driving her insane. Hitomi is staring right at it. Indeed, SQUINTING. Her lips are pursing into a scholarly frown. &lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t look away before murmuring to herself, &amp;quot;Clowns...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She does add, &amp;quot;It&#039;s tilted. Not much. Can you see how much, Kawase...? Looks like, I don&#039;t know, four degrees to me.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward A Simple Ring Toss! Smarts and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka&#039;s listening to Roger&#039;s explanation of how to balance the humors--and catches that fourth name. &amp;quot;Flegmat Humors, and they&#039;re quieter... okay.&amp;quot; She files that away as she tries to make sense of the Atelier&#039;s landscape.&lt;br /&gt;
&lt;br /&gt;
She pauses as Roger addresses her yobisute, but... he&#039;s a pig mascot in a supernatural space. She&#039;s inclined to let that slide for the moment. &amp;quot;Well, we heard about something &#039;&#039;similar&#039;&#039;, but... I&#039;m not sure how much they got right. So I&#039;ll be interested in hearing it in your own words.&amp;quot; She looks to Suzume. &amp;quot;Uh... I&#039;m... not sure? It might be... more metaphorical, or... I dunno. Maybe we can look it up when we get back to the dorm?&amp;quot; But there&#039;s a nod to Hitomi. &amp;quot;That sounds vaguely familiar, I think... but we&#039;ll probably be fine as long as we don&#039;t have to fight any giant leeches.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She blinks at Hitomi&#039;s answer. &amp;quot;Plastic? Does plastic usually explode...?&amp;quot; But they just &#039;&#039;do&#039;&#039; that. And not as much fighting spirit. &amp;quot;Oh, yeah... I think I get that. Most of Amphion&#039;s abilities don&#039;t really revolve around attacking, so...&amp;quot; But she looks interested in the gabbling. &amp;quot;What&#039;s the difference between casino dice and game dice?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But she is working on Navigating, and she frowns as she hears... something starting to congregate around them. &amp;quot;Arisato-san,&amp;quot; she says, with some urgency. &amp;quot;I hear a lot of... angry clowns? Monster clowns? Starting to converge. We should probably move now that we have the maps.&amp;quot; But she will grab a map for herself to cross-reference, and somee of that strange currency.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Right, you said they attack anything that doesn&#039;t belong... so they&#039;re kind of like white blood cells?&amp;quot; Ririka is angling for a metaphor that Roger probably will not understand, but oh well.&lt;br /&gt;
&lt;br /&gt;
But they&#039;re at a ring toss, and Ririka looks at it consideringly. She nods to Hitomi. &amp;quot;Yeah... I was reading up on circus music a while ago--it actually can be difficult to perform, since they often have it at 200 beats per minute but include a lot of difficult phrases--and I did read about how some of the games could be rrigged, too... so I think you&#039;re right.&amp;quot; She goes to toss a ring, trying to line it up with the bottles.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Music Talk toward A Simple Ring Toss! Focus and Patra!&lt;br /&gt;
 &lt;br /&gt;
 MONAD: Minato Arisato has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;quot;Oh! I was about to ask,&amp;quot; Roger tilts his head. &amp;quot;It&#039;s okay... you&#039;re new to me too, Arisato-san!&amp;quot; Roger cannot be aware of the severity of the Dark Hour and SEES&#039; mission, and seems almost entirely guileless in the face of the implication of the word &#039;creatures like you.&#039; &amp;quot;Even if you&#039;re not Humors... I like to play! When we&#039;re all playing together, are we any different?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     The world of humans has more to deal with than the fulfillment of the desire to play, but in a space like this... maybe Roger and his kind never had to worry about anything else until the Homonculus showed up.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;...Adult? Is that bad?&amp;quot; Roger asks of Suzume. &amp;quot;If he knows about us Humors, then it&#039;s good to listen to him! No wonder all of you looked like you came in ready to play...&amp;quot; He gets that this bunch of friends - of SEES - are definitely playing for keeps against the supernatural threats facing them and the world at large, on some level.&lt;br /&gt;
 &lt;br /&gt;
     Roger, indeed, doesn&#039;t seem that bloody, although he is of a crimson hue in so far as his &#039;skin&#039; color goes. Is the whole of his mascot body a skin? Shadow anatomy is mysterious but usually best described as &#039;only good when it is dispersing back into the aether.&#039;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Games!&amp;quot; Roger answers earnestly to Hitomi&#039;s inquiry. His ears start to droop. &amp;quot;Um... if I had to be honest... I didn&#039;t really think too hard about it until the Homonculus showed up, and when they did, I knew everything was all wrong, like a nice pile of mud were suddenly just... sand? But you find the sand still fun but it&#039;s not the kind of fun you&#039;re used to...&amp;quot; Roger trails off, dejected. &amp;quot;But I know once the Homonculus is gone everything&#039;ll be as it was!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;And that&#039;s right! I&#039;ll point them out along the way,&amp;quot; he says to Ririka. As the Evoker use does come into play, he looks askance at the intensity of it but doesn&#039;t yet comment. &amp;quot;Um, if that&#039;s what white blood cells do, then... yes! Whatever that is! Coleric Humors don&#039;t play nice with anyone from outside...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Anyway, yes. Ring toss!&lt;br /&gt;
 &lt;br /&gt;
     Roger stops mid-fling to watch Minato&#039;s singular focus with awe as he absolutely nails the ring toss in the most dramatic way possible as it loops, flies off the peg he aims it for, and has it pop into place cleanly in another, higher-scoring one beyond a hundred points. The pop-off actually ends up disrupting one of Suzume&#039;s ring toss throws so that hers ends up similarly scoring, in one of those one-in-a-million things that&#039;d make for an awesome shortform video (and intensify competition). It takes a while for Hitomi to make peace with the tilt of the Ring Toss set-up and how that&#039;d affect scoring, but eventually, four degrees (or so) will not stop her from scoring an impressive toss or two. Or four.&lt;br /&gt;
 &lt;br /&gt;
     As Ririka mentions the games being rigged, Roger&#039;s clean toss doesn&#039;t manage to land. He cheers anyway, because he&#039;s having fun with it, even though he doesn&#039;t win - and soon enough, Ririka is offered the prize of the Coleric Humor plush (why do the Navigators keep having that handed to them? it is a mystery) and there&#039;s a proper ticket prize dispensed.&lt;br /&gt;
 &lt;br /&gt;
     Some Coleric Humors can be seen in the periphery, circling the group momentarily, but the Sanguin Humor manning the booth gestures to shoo them off, and they stay their monstrous clown-like, slinky-like selves from pouncing the group.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;...They&#039;ve really gathered here,&amp;quot; Roger says, &amp;quot;but... as long as we keep playing these games, we&#039;ll be okay! I&#039;m sure of it,&amp;quot; even if he&#039;d wish they&#039;d all listen to him, and sure enough, there&#039;s a Shootin Gallery (the missing &#039;g&#039; is stylistic) a few booths over.&lt;br /&gt;
 &lt;br /&gt;
     This Sanguin Humor is offering a ticket prize, of course, for adorable cork guns intended for equally cute cut-out targets. All they have to do is beat him, but the issue is the guns they&#039;re being handed... suck. (If Hitomi were observant about the slightest slant on the Ring Toss game, she&#039;s in the place to point out so many places of odds-stacking.)&lt;br /&gt;
 &lt;br /&gt;
     Roger doesn&#039;t think twice even though he&#039;s run into this issue with this booth before. He picks up his shoddy cork gun and... well, he&#039;s not bad at it but it&#039;s not going to match or beat the other Sanguin Humor&#039;s score. To have such a slanted game in the operator&#039;s favor in such a visible fashion... how does this reflect Nakata as he is?&lt;br /&gt;
 &lt;br /&gt;
     Maybe they can work out a way to swap guns with them to make it more fair.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume responds to Hitomi, &amp;quot;It&#039;s not English,&amp;quot; because she knows (some) (okay, a little) English. &amp;quot;Maybe it&#039;s Latin? But nobody speaks Latin nowadays, right? Except...&amp;quot; Her brow furrows. &amp;quot;The Catholic Church?&amp;quot; she ventures. They sound like they&#039;d speak Latin. &amp;quot;If you tell me these are religious Shadows I won&#039;t believe you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;And anyway,&amp;quot; she adds, &amp;quot;the dice stuff is cool. I know you said you don&#039;t really know how to explain it, but I wanna see if I can figure out your trick. Next time you practice in the Dark Hour, kick my door or something to see if I&#039;m awake, I&#039;ll come watch.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She tries not to laugh at Ririka. &amp;quot;Everything&#039;s music to you, huh? I guess it&#039;s kind of your thing. But really, clown music? Like that doot doot dootle-ootle doot doot &amp;amp;#42;doot&amp;amp;#42; doot...&amp;quot; A beat. &amp;quot;You know that was supposed to be, like, a military march? Can you imagine a bunch of defense force guys coming in to that theme?&amp;quot; She&#039;s grinning.&lt;br /&gt;
&lt;br /&gt;
How does Suzume know that? The world may never know.&lt;br /&gt;
&lt;br /&gt;
She also has Roger to answer. &amp;quot;He&#039;s, uh...&amp;quot; How can Suzume explain this? She&#039;s not well-suited for it. &amp;quot;He teaches a lot of stuff. A lot of it&#039;s useless,&amp;quot; she says, less accurately than you might expect given his usual topics. &amp;quot;Every once in a while, though...&amp;quot; She&#039;s going to have to dig out any information she can get on humours later if Ririka doesn&#039;t beat her to it.&lt;br /&gt;
&lt;br /&gt;
Suzume hears Hitomi talk about the angle, but she isn&#039;t sure how to use it to adapt her shots. She does it the way she&#039;s always done - by feel. The competition helps, honestly - she always does better when she has something to compare herself to, and a target to push herself against.&lt;br /&gt;
&lt;br /&gt;
So she is somewhat disappointed that the only reason she scored as well as she does is because of Minato&#039;s focus &amp;amp;#42;but also&amp;amp;#42; immensely gratified that it happened at all. If they were trying to work together they couldn&#039;t do better!&lt;br /&gt;
&lt;br /&gt;
Which is why she offers him a (tonfa-less) fistbump as the group moves on. &amp;quot;Nice,&amp;quot; is her more laconic than usual response. Because it was, indeed... nice.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So, what,&amp;quot; is her response to Roger, &amp;quot;they want us to play the games? Because I don&#039;t mind that, but it&#039;s kind of weird, isn&#039;t it?&amp;quot; Suzume likes the challenge aspect, but - well, given the thing she&#039;s comparing it to is &amp;amp;#42;Tartarus&amp;amp;#42;, it doesn&#039;t feel at all the same.&lt;br /&gt;
&lt;br /&gt;
Suzume picks up one of the guns.&lt;br /&gt;
&lt;br /&gt;
Suzume scowls and puts down the gun, trying a different one. Which is no better. It&#039;s not Suzume&#039;s &amp;amp;#42;best&amp;amp;#42; game, and they don&#039;t shoot anything physical anyway, but she has played enough Gun About to recognize the feel of one that&#039;s wrong in her hands! These are off-balance!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey,&amp;quot; Suzume says to the Humour. &amp;quot;Let&#039;s make it a REAL competition. Me against you, with no difference in equipment - we&#039;ll use the same gun,&amp;quot; she says, pointing at the Humour&#039;s significantly more accurate gun. &amp;quot;That&#039;s what junior shooters in the Olympics do, and you don&#039;t want to be some sort of shitty discount shooting gallery, right? You want it to be a &amp;amp;#42;good game&amp;amp;#42;,&amp;quot; emphasizing the last couple words. &lt;br /&gt;
&lt;br /&gt;
She&#039;s figured out what she wants to lean on, in here. It&#039;s a line that works with the way Roger is talking - does it work on other Humours?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Random Knowledge toward Shootin Gallery! Patra and Smarts!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Guess not,&amp;quot; Minato says, of the differences between him and Roger, though he&#039;s still a little surprised.&lt;br /&gt;
&lt;br /&gt;
    Like, the pig is talking.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Adults are like... bigger versions of us,&amp;quot; Minato takes a stab at explaining it, as he wonders, privately, how old Roger &#039;&#039;is.&#039;&#039; &amp;quot;With more responsibilities, and jobs, and families of their own. They take care of things in life... but we have a power most of them don&#039;t, so we&#039;re the ones who can make things right in places like this. That doesn&#039;t mean the adults don&#039;t help prepare us, though.&amp;quot; Officer Kurosawa is &#039;&#039;very&#039;&#039; helpful in making sure they&#039;re &#039;&#039;armed&#039;&#039; for outings like this, for instance.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Good thinking,&amp;quot; he adds, to Suzume, as she too grabs the Mysterious Currency.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Well,&amp;quot; Minato supposes, to Hitomi&#039;s knowledge check, &amp;quot;it wouldn&#039;t be the first time blood&#039;s appeared in places like this.&amp;quot; And if Roger is blood red, Minato&#039;s trying not to think about that too hard.&lt;br /&gt;
&lt;br /&gt;
    And as Hitomi describes how to bounce her dice, Minato listens carefully. &amp;quot;I understand,&amp;quot; he nods, thoughtfully, as he absorbs the knowledge... of &#039;&#039;how to wield dice.&#039;&#039; &amp;quot;Bouncing is critical to the process.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But Roger expresses his hopes for a return to the status quo, and Minato has to wonder: &amp;quot;Will it really go back to the way it was?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But the ring flies, and -- because &#039;&#039;some&#039;&#039; part of him was absorbing the advice about the tilted playing field -- connects in the most unlikely way! &amp;quot;... looks like we tied,&amp;quot; Minato comes back to existence, to look back to Suzume, nodding firmly to her and returning her fist bump. &amp;quot;Good work. I&#039;ll get you next time.&amp;quot; Because of course there&#039;s a &#039;&#039;reason&#039;&#039; Mamoru will be drawn to him... once that sport meet &#039;&#039;happens,&#039;&#039; anyway.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Angry clowns...&amp;quot; Minato reflects, looking behind them, at Ririka&#039;s advice. &amp;quot;There&#039;s merit to running forward. But the &#039;logic&#039; of this place seems to demand these tickets, so we might find ourselves unable to proceed and trapped by those Coleric Humors.&amp;quot; For instance: the way they try to creep in, only to be shooed off by the sideshow operator. &amp;quot;... I think our best course is to continue engaging in the side-show for now,&amp;quot; he decides. &amp;quot;We&#039;re evidently enjoying protections by engaging as expected.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    And so: &#039;&#039;guns.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Minato approaches the Sanguin Humor, pulling out his Evoker and holding it, there, beside the crappy cork gun he&#039;s been given. &amp;quot;I understand,&amp;quot; he says, meeting the Humor&#039;s gaze with those impossibly deep blue eyes of his. &amp;quot;You&#039;re teaching us a lesson on oblivion. The inevitable end of our journey... whether through the loss of our tickets, or the loss of our lives. But you see, we&#039;re SEES... and together, we confront the fleeting nature of our existences every time we embark on a mission.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He holds the cork gun back out to the vendor, grip-first. (The Humor could shoot &#039;&#039;him,&#039;&#039; if he wished; Minato stands without fear.) &amp;quot;Our journey does not end here. Don&#039;t hasten us on. When the end comes... it won&#039;t come at the cost of a rigged game.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    It&#039;s... it&#039;s just a cork gun game, Minato...&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Doom Talk toward Shootin Gallery! Friendliness and Efficient!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;I mean, it could be, right? Aren&#039;t there like demons and angels? But I don&#039;t think those are clowns or anything... and this doesn&#039;t seem like heaven to me,&amp;quot; Hitomi says, though from her tone, she might possibly maybe COULD see how it could be. &lt;br /&gt;
&lt;br /&gt;
Hitomi answers Roger, sourly, &amp;quot;Yeah. You don&#039;t know when you have a good thing going until it&#039;s gone.&amp;quot; As she says this, she kicks a little at a pebble, disconsolately. &amp;quot;Don&#039;t get the wrong idea,&amp;quot; she grumbles at Minato as they walk. &amp;quot;It&#039;s some kind of... brain quirk. I grew up in a really non-violent household! We barely even had meat!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Ririka&#039;s question is more cheerful, and gets a more pleasant tone from Hitomi! &amp;quot;Casino dice have these sharp edges, see,&amp;quot; Hitomi says, holding one up. &amp;quot;They cut them from acrylic with lasers... you see how the pips are paint? These are technically ones you could roll in Macau or Las Vegas, no problem; the ones they sell in the gift shops have holes in them. The paint is actually tricky, but the idea is to make it super impossible to do weighted dice.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She twirls one around, holding it up like a very coarsely cut gem. The plastic is &amp;amp;#42;translucent&amp;amp;#42;. &amp;quot;And they&#039;re pretty! I do want to get more colors, though.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Don&#039;t worry about us too much,&amp;quot; Hitomi tells Roger, casting a wary eye towards some of the other Humors around her. &lt;br /&gt;
&lt;br /&gt;
After this, though, it&#039;s cork guns! That&#039;s always good clean fun, except that the pop and its relative quality seems to make Hitomi frown. She frowns a lot! What a sullen girl! She glances down at her popgun, then over towards the Humor, then back again. She seems to be weighing something. Her jaw tenses. She takes a deep brea--&lt;br /&gt;
&lt;br /&gt;
Ah! Suzume&#039;s already doing it! Hitomi says, &amp;quot;Yeah! Is he scared you&#039;re gonna beat him?!&amp;quot; she adds by way of crony encouragement, even as she brings up her weapon to fire with a disappointing phoot. &lt;br /&gt;
&lt;br /&gt;
Her score&#039;s going to suck monkey butts, btw. She was not kidding about lacking martial spirit. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Charm toward Shootin Gallery! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Well, white blood cells are things in our bodies that are part of our immune system,&amp;quot; Ririka tries to explain to Roger. &amp;quot;So maybe the Choleric Humors are... part of the immune system of the... soul? Mind?&amp;quot; Ririka looks around. &amp;quot;Uh... whatever this is supposed to represent.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She pauses. &amp;quot;... Okay trying to think about it in those terms makes this feel a &#039;&#039;lot&#039;&#039; weirder.&lt;br /&gt;
&lt;br /&gt;
Thankfully she doesn&#039;t have to keep going back to the Evoker since Amphion can just stay out (as long as he keeps up with them, so hopefully they don&#039;t have to move too fast.)&lt;br /&gt;
&lt;br /&gt;
Ririka accepts the prize with a blink, looking the plushie over. &amp;quot;Oh! Um.&amp;quot; She offers a short bow. &amp;quot;Thank you very much!&amp;quot; She looks at it again. &amp;quot;This looks way cuter than what I heard earlier.&amp;quot; Into the backpack it goes. She&#039;ll have to see what happens to it when they leave later.&lt;br /&gt;
&lt;br /&gt;
She casts a worried glance to the Coleric Humors circling them, noting how the game operator can shoo them off. &amp;quot;Those things roaming around are giving me the creeps... and I know there&#039;s more out there.&amp;quot; She nods at Minato&#039;s assessment. &amp;quot;Right... if this place didn&#039;t want us to proceed at all, it wouldn&#039;t even give us the chance to win ticket,s right? Though... the games are rigged... I wonder if that&#039;s the Homunculus&#039; doing?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ririka laughs a little at Suzume&#039;s statement, looking at least a little bashful. &amp;quot;Welll, I mean, I have been studying music since second grade, so...&amp;quot; And she happens to be pretty good at it, if she says so herself, which she wouldn&#039;t because she doesn&#039;t like to brag. &amp;quot;Oh yeah! They probably modified it from the original version. They&#039;ve taken dances like foxtrots and waltzes, too.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks at Hitomi&#039;s dice as she explains. &amp;quot;Oh, I see!&amp;quot; She says of the sharp corners. &amp;quot;I wonder if they roll differently with the sharper corners, and that&#039;s why they use them... still, anything you make with lasers is kind of instantly cool, isn&#039;t it?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But Ririka is frowning as she tries out the cork gun. Shje doesn&#039;t have a lot of experience with these--it&#039;s not like they use their Evokers to actually shoot anything, of course, but the way it handles is pretty clear after a few shots. &amp;quot;I wonder if this is always like this, or this is the Homunculus...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks to the operator and their gun, which seems to be working just fine. Her gaze drops down to the Evoker on her belt and she takes a deep breath. She listens as Suzume issues a challenge, too, considering. &lt;br /&gt;
&lt;br /&gt;
Minato talks about oblivion, and Ririka blanches a bit. She &#039;&#039;does&#039;&#039; agree that they shouldn&#039;t be stopped here, at least... Suzume is trying to goad, but Ririka&#039;s got a different tactic. She takes a deep breath, approaches the operator, and lets loose an easy grin, leaning in and letting her voice get chummy. &amp;quot;Hey, your gun looks really well-taken care of. And honestly? I get it--I&#039;m a musician, I do everything I can to take care of my instrument, so it&#039;ll take care of me. Right? It&#039;d be really cool if we could try your gun out for a bit... and I&#039;ll even sweeten the deal.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She puts her Evoker on the counter. &amp;quot;I&#039;ll let you hold my Evoker. Whaddya say?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Band Leader toward Shootin Gallery! Friendliness and Escape!&lt;br /&gt;
 &lt;br /&gt;
 MONAD: Minato Arisato has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Roger takes in the mention about adults. It&#039;s not entirely certain how much of it he absorbs - or can absorb - this is a Shadow, after all. It&#039;s already miraculous (and extremely weird) he&#039;s been able to converse, retain ideas, recognize humans, and stick with a shared cooperative goal with people ruthlessly dedicated to the eradication of the Dark Hour and its Shadow threat.&lt;br /&gt;
 &lt;br /&gt;
     The shallowness of his desires reflects a certain childish innocence that should put him squarely in the realm of relative childhood, psychologically. Was he &#039;born&#039; in Taro Nakata&#039;s younger years? It&#039;s a mystery.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;That sounds hard. I hope adults get to play too, sometimes,&amp;quot; is all Roger can muster when parsing all of that level of &#039;&#039;thinking&#039;&#039;.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;But that&#039;s right!&amp;quot; He says to Suzume. &amp;quot;If a Sanguin Humor wants to play - and I know I do! - then play!&amp;quot; Roger lightens up as he proceeds to continue to miss with the flimsy, poorly-weighted cork gun. As long as it&#039;s not something mortally dangerous, but this much is (presently) benign.&lt;br /&gt;
 &lt;br /&gt;
     Suzume directly challenges the sportsmanship of the Sanguin Humor, which earns a glare... into the seriousness of Minato&#039;s observation of this cork gun game, which seems to cool the rising aggression towards intimidation (and just in time, one of the Coleric Humors seemed ready to pounce - they always are). Hitomi cheerleads Suzume&#039;s challenging of the unfairness of the situation, and the Sanguin Humor seems to take Ririka&#039;s Evoker in hand with curiosity.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Those really look dangerous,&amp;quot; Roger murmurs with some surprise, as the Sanguin Humor allows competition to happen with the better-quality cork gun. The only one who doesn&#039;t score that well is Hitomi in a moment of self-reflection, but Roger looks impressed enough with how she did considering he didn&#039;t swap out his gun at all. (Ririka can take the Evoker back, it &#039;doesn&#039;t work.&#039; Joke&#039;s on them...)&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;It&#039;ll all go back to normal, I know it!&amp;quot; Roger says, insistently, but also with childish optimism to Minato&#039;s musing as they all walk off with a new set of tickets among them. The Coleric Humors are kept at bay, still, with the Sanguin Humors running booths not wanting their games to be disrupted by them.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Um... I know it&#039;s not &#039;normal&#039; for anyone else to be here, too,&amp;quot; Roger says as he pokes his fingers together, &amp;quot;but I&#039;ve really enjoyed playing with you all so far... and hopefully when the Homonculus goes away everyone here will listen to me again.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Why just him, though?&lt;br /&gt;
 &lt;br /&gt;
     Soon enough, they happen upon a DEATH-DEFYING DROP RIDE. Capital letters are important. DEATH-DEFYING DROP RIDE.&lt;br /&gt;
 &lt;br /&gt;
     Roger is peeking at a map and quirking an eyebrow as he snorts. &amp;quot;Oh, this one looks like the Homonculus touched it... but it&#039;s got tickets. I hate having to play their games!&amp;quot; Roger stamps a stilt leg. &amp;quot;But not for much longer!! We&#039;re chasin&#039; you out, Homonculus!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;But first, this ride!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Well, however one&#039;s convinced to do it, it does involve them all strapping in. It feels unsafe, but the tickets are necessary. It rides up slowly, unevenly, creaky... and then, it stops, trapping everyone there.&lt;br /&gt;
 &lt;br /&gt;
     ...There are Coleric Humors approaching, and from a &#039;&#039;very bad place&#039;&#039; to be stuck. Coil-like jesters, cupids with sniper rifles, other strange carnival-like creatures coalescing as they look ready to climb up after them.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Coleric Humors approaching...!&amp;quot; Roger calls, eyes wide, but... &amp;quot;Oh! So are two Sanguin Humors! I&#039;m sure they&#039;ll fix this in time!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Strange multi-armed attendants look &#039;&#039;extremely&#039;&#039; irritated with what they&#039;re seeing, and at least one climbs towards where the others are, while another seems to be striking at things from below like they detest the entire structure. (Roger did say it looked like a Homonculus touched it, and he didn&#039;t like it - so neither would any other Sanguin Humor.)&lt;br /&gt;
 &lt;br /&gt;
     One can try to tough it out, or try to help with the repairs - but Roger seems relatively confident that the Sanguin Humors present will be able to handle this before the Coleric Humors force an extremely awkward random encounter in a virtually unworkable combat position (being strapped into a drop ride and all).&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;They do,&amp;quot; Minato assures Roger. &amp;quot;I&#039;m pretty sure someone else in my Innocent Sin Online party is an adult. She talks about her life sometimes.&amp;quot; He pauses, for a moment, and explains: &amp;quot;That&#039;s a video game.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Which is presumably something you play! It&#039;s called a game, after all!!&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Would loaded dice deal more damage?&amp;quot; He wonders, to Hitomi.&lt;br /&gt;
&lt;br /&gt;
    SEES are dangerous! Is Minato dangerous? Probably not. He &#039;&#039;is&#039;&#039; a pretty good shot now he has a better cork gun, though. &amp;quot;Giving a pacifist a gun wouldn&#039;t work well,&amp;quot; he assures Hitomi, on her &#039;&#039;defeat.&#039;&#039; &amp;quot;This game was rigged against you in a different way.&amp;quot; There&#039;s no helping &#039;&#039;that&#039;&#039; kind, though.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Change is inevitable,&amp;quot; he warns Roger, with that characteristic cool mysteriousness of his.&lt;br /&gt;
&lt;br /&gt;
    Still... everyone listens to &#039;&#039;Roger,&#039;&#039; huh.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;A Homonculus sabotaged this ride,&amp;quot; Minato concludes. &amp;quot;So there&#039;s certainly Homonculus involvement here.&amp;quot; Just as Ririka was wondering! &amp;quot;That means we might be able to pick up some information about it if we play... Kawase-san, I&#039;ll escort you up. Fukura-san, Mandai-san, I understand this is a dangerous assignment, but I think we should stick together.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Stick together at the death machine. Minato, please!! The inevitable happens, and the ride grinds to a halt, as Minato looks up at Coleric Humors trying to climb up.&lt;br /&gt;
&lt;br /&gt;
    He looks up, then, to the chains guiding the ride up. &amp;quot;I see it,&amp;quot; he says. &amp;quot;There&#039;s a spanner in the works.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    There is, in fact, literally a spanner in the works. Is that the power of the Atelier?&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I&#039;ll go.&amp;quot; He &#039;&#039;unbuckles his seatbelts,&#039;&#039; the ride creaking back and forth with a horrible lurch as he shifts his weight. A foot up on the back of the seatrest, he pulls himself up onto the roof of the cabin, and steadies himself with a hand on the chains as he reaches up to grasp that spanner and yank. Notably, he does &#039;&#039;not&#039;&#039; dare Suzume to best him this time.&lt;br /&gt;
&lt;br /&gt;
    But is that the only fault of this ride--?!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Determined Destiny toward Tower of Terror! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume leans over to speak to Ririka, rising up on tiptoe and murmuring, &amp;quot;You know Kirijo-senpai is going to kill you if you let a Shadow - a Humour - run off with your Evoker.&amp;quot; The word she is looking for is &#039;execute&#039;, but as Suzume has not yet been threatened with it, Suzume does not pick the right word. &lt;br /&gt;
&lt;br /&gt;
Dropping back down flat, Suzume asks the world at large, &amp;quot;How come I&#039;m never the one that wins a prize?&amp;quot; Pause. &amp;quot;Not that I actually want a plush, but, you know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I watched a movie about demon clowns not long ago,&amp;quot; Suzume replies to Hitomi. &amp;quot;Want to watch it when we get back to the dorm?&amp;quot; She grins, slightly crooked, before glancing over to Ririka and Minato. &amp;quot;Open offer. I think I&#039;ve still got the disc from Yamamoto, and HE borrowed it from his brother.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
(This is dangerous. It&#039;s a horror movie. At least, with Suzume being sixteen, it probably isn&#039;t spectacularly gory... But it probably hits different after this exploration into the unknown.)&lt;br /&gt;
&lt;br /&gt;
When Minato says &#039;bouncing is critical to the process&#039;, Suzume muffles a sound that might be a snicker in favour of focusing on actually shooting when it&#039;s her turn with the functional gun. &amp;quot;Yeah,&amp;quot; she says, &amp;quot;Hitomi&#039;s pretty good at keeping that under control.&amp;quot; ... &amp;quot;The ricochets,&amp;quot; she says, innocently. &amp;quot;And don&#039;t try to tell me you don&#039;t eat meat, I&#039;ve SEEN you. We got the burgers at Wilduck.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She isn&#039;t going to comment on the whole &#039;lesson on oblivion&#039; thing. That&#039;s philosophy, and it&#039;s weird, and surely Minato&#039;s only saying it to get past the Humours. Right? ...right?&lt;br /&gt;
&lt;br /&gt;
But, there&#039;s the DEATH-DEFYING DROP RIDE.&lt;br /&gt;
&lt;br /&gt;
Suzume actually straps herself in with surprising attention given her frequently fly-by-the-seat-of-her-pants attitude. Because... she does not actually like drop rides but is gritting her teeth to avoid putting on an expression that might give away she&#039;s scared, which only gives it away in a different way.&lt;br /&gt;
&lt;br /&gt;
She actually lets out a yell despite herself as they drop - and then stop, leaving her yelling into silence instead of the clatter and creak. Suzume cuts herself off out of sheer embarrassment, feeling her cheeks redden.&lt;br /&gt;
&lt;br /&gt;
Flustered afterwards, Suzume averts her gaze for a few moments to collect herself. &amp;quot;Are we stuck up here?&amp;quot; she asks a moment later as she stops squeezing her eyes shut and looks around again. &amp;quot;Are - crap, are they coming up afterwards?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s fear of heights - well, her fear of falling uncontrolled; actual &#039;up&#039; and just being high doesn&#039;t bother her as much - wars with her desire to get out of here as soon as possible. She forces herself, a moment later, to unbuckle one of the straps so she can lift herself higher, still half-connected so she won&#039;t (can&#039;t) fall (she hopes). &lt;br /&gt;
&lt;br /&gt;
But if Minato&#039;s doing it, she can&#039;t not... she feels clammy as sweat beads on her brow. &amp;quot;I&#039;ll give you a hand,&amp;quot; she says, unbuckling another strap to get a little higher, so she can support Minato on his way up. Minato may not challenge her, but seeing him doing makes her challenge herself.&lt;br /&gt;
+act Dare&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Dare toward Tower of Terror! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Yeah, actually,&amp;quot; Hitomi says to Suzume. &amp;quot;Is it American? Sometimes those just land weird, you know? I guess clowns are kind of creepy but there must be clowns all over the place there. Carnivals like this are sorta like festivals, right?&amp;quot; (Suzume has discovered a secret about Hitomi, though not really a big one.) &lt;br /&gt;
&lt;br /&gt;
Were they quasi-vegetarians? &amp;quot;Some of it was also that we were kind of broke a lot of the time,&amp;quot; Hitomi admits, before there&#039;s another question--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t know,&amp;quot; Hitomi answers Minato, blinking several times. The idea seems to surprise her. She reflects on it throughout what&#039;s left of their time with the guns. &lt;br /&gt;
&lt;br /&gt;
Roger speaks to them at some length. Hitomi scratches her cheek idly. &amp;quot;It sounds like it was something like heaven, to you,&amp;quot; she tells Roger. &amp;quot;Was it just the other, uh, humors and you? And, yeah, I hope so too.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And soon they are confronted with the DEATH DEFYING DROP RIDE, and behind them, a gathering crowd of approaching Colerics. Spring-clowns. SniCupids. Some kind of double clown organism Hitomi doesn&#039;t want to look at that much. &lt;br /&gt;
&lt;br /&gt;
Time to get on. &lt;br /&gt;
&lt;br /&gt;
And then -- They don&#039;t get the whole way through. &lt;br /&gt;
&lt;br /&gt;
Hitomi HAS to look at the double clown organism again, to her great displeasure. &lt;br /&gt;
&lt;br /&gt;
Then -- &lt;br /&gt;
&lt;br /&gt;
&amp;quot;What? Wait! Arisato, you&#039;re -- Are you sure you can get it?!&amp;quot; Hitomi, still safely snug in her seat, cries out, looking upwards. &amp;quot;If you trip...!!!&amp;quot; Just how high up are they? Hitomi glances over, and not only does she see the double clown organism again, she also sees just how high up they are. The good news, she supposes, would be that you wouldn&#039;t have long to think about what you&#039;re going to do in the next life. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;&#039;&#039;Fukura&#039;&#039; oh my &#039;&#039;god&#039;&#039;,&amp;quot; Hitomi continues when Suzume starts to get out of her seat, too!! She looks momentarily flabbergasted, mouth opening and closing like a landed fish, before her jaw tenses again. &amp;quot;... LOOK,&amp;quot; she shouts out, &amp;quot;just be careful, and...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Ririka,&amp;quot; Hitomi says without looking. She brings up one hand... and her fingers uncurl partway; &amp;amp;#42;she&#039;s still holding onto the dice&amp;amp;#42;. &amp;quot;You&#039;re going to do better at this than me... can you see a place I could bounce the dice off of?&amp;quot; Her head turns to look, partway-upside down, at Ririka, smiling in that watery way as she does. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;d rather lose these than either of them, you know? But... we don&#039;t have a lot of time.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Raise -- All In toward Tower of Terror! Bravery and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka looks to Suzume and lowers her voice. &amp;quot;I won&#039;t let him get away with it,&amp;quot; she reasures her fellow SEES member quietly. &amp;quot;Amphion&#039;s out and if he tries to run I&#039;ll just track him. I think I&#039;m getting a better feel for the palce.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Do Adults get to play? &amp;quot;Well... my parents go on date nights sometimes. I think that&#039;s probably the adult version of playing...&amp;quot; She looks to Minato with interest, though. &amp;quot;So adults play MMOs too, huh...?&amp;quot; She&#039;d never considered that before.&lt;br /&gt;
&lt;br /&gt;
Ririka was always going to take her Evoker back. &amp;quot;Yeah, it&#039;s a little touchy, but that&#039;s why I only promised you could hold it.&amp;quot; But she smiles, once the game is done. &amp;quot;Thank you very much for the game!&amp;quot; Evoker goes back in her holster. &amp;quot;See, Fukura-san? Safe and sound.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;It&#039;s... safe enough, Ririka assures Roger.&amp;quot; It&#039;s not, but there&#039;s too much about how it works she simply doesn&#039;t know, and she won&#039;t get into how it summons a Persona (even though hers is, of course, summoned.)&lt;br /&gt;
&lt;br /&gt;
She considers Suzume&#039;s movie offer. &amp;quot;Well, maybe. What&#039;s the plot about?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Roger is hoping for things to go back, and to be listened to. &amp;quot;I hope they start listening to you, too,&amp;quot; she says, encouragingly. &amp;quot;I&#039;m glad we had you here to help show us around.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But there&#039; Homunculus involvement in the ride. And Minato, naturally, is going to escort her up. Wait what? &amp;quot;Uh... hai, Arisato-san. I&#039;ll try to analyze what&#039;s going on to see if we can get a better idea of the threat.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Arisato-san! Please be careful!&amp;quot; She is alarmed, both at the situation and Minako&#039; solution to the problem. &amp;quot;Fukura-san, you, too!&amp;quot; Can she heal them with Amphion from... way down there, while she&#039;s up here? She really doesn&#039;t want to test it.&lt;br /&gt;
&lt;br /&gt;
But then the ride grinds to a halt. That&#039;s... distressing. &amp;quot;Um...&amp;quot; Ririka makes the mistake of looking down and immediately yanks herself back. &amp;quot;Okay, okay. Um...&amp;quot; She closes her eyes for a moment. &amp;quot;We&#039;re really high up, and... mountains! Mountains can be pilgrimmage sites, lots of mountain-dwelling communities make flute instrumnets to repicate the sound of the wind, there are lots of natural acoustics and reverberation...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She snaps her fingers. &amp;quot;Frequencies! Right!&amp;quot; She looks to Hitomi, who makes a request of her. &amp;quot;Uh, I can try... Let&#039;s see if this works.&amp;quot; Deep breath. &amp;quot;Amphion! Analysis!&amp;quot; From way down there Amphion strums his lyre, bouncing sound waves off of the ride and towards Ririka, who quickly pulls her headset on to listen... and then she points out a spot for Hitomi. &amp;quot;There!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Music Talk toward Tower of Terror! Focus and Patra!&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has drawn a new Challenge!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;quot;Video game?&amp;quot; Roger asks, as he tilts his head. His ears perk. &amp;quot;That sounds really fun! ...Or did I already know they&#039;re really fun?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     It gets scary and desperate, a race against time as Minato goes to fix the problem, with Suzume following. Hitomi has a careful toss to make, and Ririka reasons out her plan through murmuring about musical theory as she calls upon her Persona to help navigate a spot to throw, and from there...&lt;br /&gt;
 &lt;br /&gt;
     The ricochet hits, and there&#039;s an explosion as a Coleric Humor loses their grip and falls. Roger, however, is sitting tight where he is with only mild concern about where his teammates are going.&lt;br /&gt;
 &lt;br /&gt;
     Up above, Minato and Suzume are met by... a blood-reddish hand! And another! A third, a fourth, a fifth gripping, as some eyes look up.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Riding?&amp;quot; They ask. &amp;quot;Ride. Go ride.&amp;quot; Yet another hand comes out to help with the spanner. This is another Sanguin Humor, and this one... wants to operate the ride, presumably correctly and safely. They are insistent if batted at but do not become aggressive, as they help Suzume and Minato fix the problem.&lt;br /&gt;
 &lt;br /&gt;
     There is a descent later - but it&#039;s slow, steady, careful, as another Sanguin Humor below is making &#039;shoo&#039; motions to the remaining Coleric Humors that are trying to crawl up to deal with intruders. Hitomi&#039;s awesome toss (with Ririka&#039;s guidance) indisputably stopped Minato and Suzume from having to fight them, and from there, they can safely descend.&lt;br /&gt;
 &lt;br /&gt;
     With a caveat.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Ride.&amp;quot; That first Sanguin Humor says, trying to usher htem back in. (They have the tickets. but this ride, if taken, will operate correctly this time. It&#039;s thrilling! ...But definitely leaning towards the upper limit of &#039;safe.&#039;)&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;I&#039;m glad that turned out okay,&amp;quot; Roger says, who was kind of stunned and catatonic through all of that. They all have tickets, and so... &amp;quot;We&#039;ve got enough! Let&#039;s head back and--&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Ririka may detect this moments before Roger, but as a part of the Atelier ecosystem, Roger&#039;s no less aware in comparison. &amp;quot;It&#039;s a Melanc Humor ahead!! Watch out... they&#039;re the kind that puts &#039;&#039;us&#039;&#039; into balance!&amp;quot; The pig-like creature flails as they come across a particularly menacing carnival barker who is shouting all sorts of awful things about Taro Nakata.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Melanc Humors carry the feelings and parts of who &#039;&#039;should&#039;&#039; be in charge of the Atelier! That&#039;s why the Homonculus turns them into their minions!&amp;quot; Roger snorts, looking like he&#039;s ready to try to ineffectually gore them. &amp;quot;...and I can&#039;t beat them!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     The barker doesn&#039;t take their tickets. Instead, he produces enormous claws and gets to slashin&#039;.&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;...Melanc Humors aren&#039;t bad to have,&amp;quot; Roger says in a moment of calm and downcast navel-gazing, &amp;quot;but that&#039;s why I need your help. As long as the Homonculus has control of them, we can&#039;t beat them... but don&#039;t worry!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Roger perks up. &amp;quot;I&#039;ll help call out the fight, and... once you can subdue them, the Flegmat Humors will take care of the rest!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     It&#039;s going to be a tough fight, as that barker continues shouting such self-loathing things like it exists to convince the real Taro Nakata to just give up and let themselves be overtaken by the Homonculus in full.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Alarm doesn&#039;t enter Minato&#039;s eyes until Suzume joins him, on the roof of the ride. &amp;quot;It&#039;s dangerous!&amp;quot; He insists, a touch sharply. &amp;quot;Just -- hold onto me.&amp;quot; Which is &#039;&#039;one&#039;&#039; way to keep him steady. How is he so much more worried about &#039;&#039;her&#039;&#039; than &#039;&#039;himself,&#039;&#039; though?&lt;br /&gt;
&lt;br /&gt;
    Luckily, Hitomi&#039;s got some lucky dice, and Ririka divines what she can, and... the Humor helps fix everything.&lt;br /&gt;
&lt;br /&gt;
    And insists they ride again. &amp;quot;I&#039;ll pay our penance,&amp;quot; Minato assures them. He might not be alone getting back in that ride, though --&lt;br /&gt;
&lt;br /&gt;
    -- which at least works &#039;&#039;properly,&#039;&#039; this time.&lt;br /&gt;
&lt;br /&gt;
    Minato, strangely, does not scream.&lt;br /&gt;
&lt;br /&gt;
    Ririka and Roger detect the Melanc Humor, though, once that&#039;s all settled. Those rumours of inferiority about Taro surely aren&#039;t &#039;&#039;good.&#039;&#039; And so --&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Subdue the Humors,&amp;quot; Minato nods, sharply. &amp;quot;All right. We&#039;ll engage in combat.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He takes his Evoker, fires --&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Orpheus!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    -- and supports his team.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minato Arisato has acted with Determined Destiny toward Big Top Showdown! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Yeah, all sorts of people play MMOs, though if they&#039;re adults who are on a LOT they&#039;re possibly NEETs. Or college students,&amp;quot; Suzume corrects herself. &lt;br /&gt;
&lt;br /&gt;
Are college students &#039;adult&#039;? They are when you&#039;re in your teens.&lt;br /&gt;
&lt;br /&gt;
But why does Suzume know this kind of thing? Maybe don&#039;t ask what kind of game she occasionally plays, when she has the money for a subscription or decides to drop into a private (pirate) server. She reads English well enough to get into the American ones, too...&lt;br /&gt;
&lt;br /&gt;
But that was then, and now Suzume is up.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah? It&#039;s dangerous for you too!&amp;quot; Suzume covers up her nervousness with bravado, though it shows more than she thinks it does. &amp;quot;So I&#039;ll just come along and make sure nothing happens - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume almost freaks out and attacks the hands straight away - letting out an undignified &amp;quot;GAH!&amp;quot; that is, in a vacuum, kind of funny; she gets squeaky when she gets surprised even though that&#039;s not her usual vocal tone at all. But up here it&#039;s a lot less funny (and, honestly, Suzume never thinks it&#039;s particularly funny). &lt;br /&gt;
&lt;br /&gt;
Fortunately, the fact that she is steadying Minato means she can&#039;t actually get a good swing or punch and by the time she&#039;s able to if she wants to, she realizes it wants to help. She lets out a slightly unsteady breath, then: &amp;quot;Okay. Cool. Fine.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Let&#039;s actually skip the movie tonight,&amp;quot; Suzume decides, even though Ririka and Hitomi asked about it. &amp;quot;Ask me later.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
On the ground, her bravado returns, as if she was embarrassed to act the way she had before. So she&#039;s sounding confident again when she speaks: &amp;quot;So Melanc beats Sanguin, and Sanguin beats Coleric...&amp;quot; Hopefully she got that right. It&#039;s not a chain, it&#039;s a &amp;amp;#42;cycle&amp;amp;#42;, which means... &amp;quot;Does the last one - &amp;quot; Has she heard the word Flegmat? &amp;quot; - beat Melanc...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Well, one might say they&#039;re about to find out, except there&#039;s not a lot of those around here, and there are four members of SEES. &amp;quot;I&#039;m in front,&amp;quot; she says, as not-Taro speaks about Taro - &lt;br /&gt;
&lt;br /&gt;
Some of those hit home on her, too. Always being compared to her sister - but it doesn&#039;t make her likely to pull back. Instead, it makes her mad, and so... &amp;quot;ATALANTA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minato might support his team. Suzume goes forward - first in, first targetted. But she&#039;s tough and fast (the cat-ear headband that she is glad nobody has commented on helps) and now she&#039;s pushing herself, blocking blows with her tonfa held up in a guard position and blitzing a strike or three (or a summon of Atalanta) when she can!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Haha,&amp;quot; Hitomi answers Roger once they&#039;re on the &#039;ground&#039; again. &amp;quot;Yeah.&amp;quot; She takes a deep breath through her nose, exhales through her mouth, before their attention turns towards...&lt;br /&gt;
&lt;br /&gt;
THE HUMORS&lt;br /&gt;
&lt;br /&gt;
They&#039;ve got them on both sides, don&#039;t they? The shivering horde and this new horrid revelation. Claws... but the less horrid part is the &#039;melanc humors&#039; being brought up. It reminds her of melatonin, even as Roger makes his offer. &amp;quot;Hm,&amp;quot; she says. &lt;br /&gt;
&lt;br /&gt;
Looking up, she answers Suzume while... starting to tap her foot? Not very fast, but it&#039;s something like that. Nervous habit. &amp;quot;Yeah,&amp;quot; she says. &amp;quot;Better to do that on an inside day, anyway.&amp;quot; She turns her head to look forwards and after Suzume. Who is rushing in. Hitomi bobs her head back and forth for a moment, or two. &lt;br /&gt;
&lt;br /&gt;
THEN: she throws one hand forwards theatrically. &amp;quot;Tyche!&amp;quot; she cries, and a greek-statue vision appears over her, leaning forwards, stone eyes plaintive. The statue seems to twinkle... &lt;br /&gt;
&lt;br /&gt;
... because that&#039;s what it looks like when she does the explosion chain technique. &amp;quot;Haah!&amp;quot; she cries out, snapping that hand up in the air. (There is a momentary and subtle awkward pause when her eyes flick towards first Ririka, then, slightly longer, towards Minato, BUT THEN: BACK FORWARDS). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Raise -- All In toward Big Top Showdown! Bravery and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Ririka is beyond relieved that they got the ride working again. &amp;quot;That&#039;s one of the Sanguin, I think,&amp;quot; she says of the multi-handed attendant trying to fix the ride alongside Minato and Suzume. &amp;quot;He should be safe.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m glad it turned out okay, too,&amp;quot; Ririka says to Roger. &amp;quot;I was kind of worried, there...&amp;quot; But she pauses, hand to her headphones as she listens. &amp;quot;There&#039;s something nasty up ahead--&amp;quot; Roger confirms it, and Ririka looks to the pig. &amp;quot;So that &#039;&#039;is&#039;&#039; a Melanc. Got it. It&#039;s right in front of the big tent, where we need to take the tickets.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Ririka nods to Suzume. &amp;quot;Yeah, we&#039;ve probably had enough clowns for one night... but let&#039;s watch it later, for sure.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;amp;lt;&amp;amp;lt;&amp;amp;lt;&lt;br /&gt;
But soon enough, they&#039;re facing a Melanc, and Ririka draws her katana to hold it out in a defensive posture. She nods to Minato as the orders are issued. &amp;quot;Right, Arisato-san!&amp;quot; Roger offers to call the fight. &amp;quot;Roger-san, you know this Atelier really well, so I&#039;ll be relying on your help.&amp;quot; She will still, of course, have Amphion do Analysis and Marakukaja for the group. But then...&lt;br /&gt;
&lt;br /&gt;
She considers everything she&#039;s heard in the supernatural way inside this Atelier, but also how Roger seems to act, and what she heard the regular way from Hazuki. And she puts her katana away and flexes her fingers for a moment before she begins to play. &amp;quot;Nakata-san is really good at fighting games--I watched his match with Nakao-chan. And I also think... this carnival used to be a lot more fun.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
What&#039;s she playing? Why, it&#039;s a slow, somber piano rendition of Kappa&#039;s stage theme, the fighter Taro used in the tournament. Ririka is hoping that it&#039;s both his best fighter and his favorite character. She&#039;s trying to put heart and emotion into it, her expression somber.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... I don&#039;t know how much of Taro is reflected in you, but... maybe you need to remember how to have fun again.&amp;quot; She kicks the music up into a proper tempo, turning the tune lively and bright.&lt;br /&gt;
&lt;br /&gt;
Ririka only has a grin for Hitomi as she strikes her pose. as if to say &#039;hey, keep rocking it!&#039;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Ririka Kawase has acted with Understanding toward Big Top Showdown! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Roger has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Suzume cogitates something of a rock-paper-scissors like understanding of things, and Roger nods vigorously to the extent his range of head movement allows. &amp;quot;Something like that...! You&#039;ll see!&amp;quot; He has full confidence they&#039;ll be able to beat this one!&lt;br /&gt;
 &lt;br /&gt;
     (In the interest of time: yes, they do.)&lt;br /&gt;
 &lt;br /&gt;
     The self-loathing about finding themselves so terrible, awful, and weak in the one thing they found joy and pride in is zeroed in upon as they&#039;re overpowered, sent sprawling, and becomes the latest conquest of a successful SEES operation.&lt;br /&gt;
 &lt;br /&gt;
     ...Only, for strange entities to surround them. Roger&#039;s not disturbed at all. They look like &#039;typical&#039; canrivalgoers and workers, but they&#039;re doing some disturbing quiet murmurs as they start to surround the fallen Melanc Humor. Slowly, but surely, the more monstrous and exaggerated aspects of that Melanc Humor subside to something... more normal-ish. How can entities that seem so passive, heck, even weak, hold so much power over something that the video game world would refer to as a &#039;mid-boss&#039;?&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;It&#039;s okay! The Flegmat Humors are making sure the Homonculus doesn&#039;t take back control,&amp;quot; Roger says as he looks to them. Prominently, he has a metal coin slot in his back - arcade game-like styling. This detail is completely absent from every other Humor seen, which... interesting?&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;They&#039;re the reason a Homonculus usually doesn&#039;t happen,&amp;quot; Roger says, &amp;quot;it&#039;s... when they do, um,&amp;quot; he presses his fingers together, &amp;quot;it&#039;s a real mess... it&#039;s not fun!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     Still, another Sanguin Humor offers prizes. Most of the materials are lovely and could may be used in cognitive equipment of good make, though... that clownskin hide... let&#039;s just hide that under something else...&lt;br /&gt;
 &lt;br /&gt;
     before someone makes a harness of it, eugh&lt;br /&gt;
 &lt;br /&gt;
     &amp;quot;Thanks for coming out to play with me,&amp;quot; Roger bows with happy tears streaming down his silly mascot pig self, &amp;quot;please come back soon! I don&#039;t know how much more time this Atelier has... but you bought some more time yet! Thank you so much...!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
     ...All that&#039;s left to do is to coordinate that final assault on the Homonculus, and save Taro Nakata from a grisly fate.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=2924</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=2924"/>
		<updated>2025-09-20T15:28:12Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Updated profile&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良雀)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;0&amp;quot; / 153 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her successful, popular elder sister Kiyomi... until her sudden and tragic death. Going from being mostly ignored by her parents to pushed to be the successful daughter her parents want, Suzume clashes with her parents over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. While Suzume resents being pushed into a role she doesn&#039;t want, she isn&#039;t sure what she *does* want for herself or her future, and her failure to be what anyone wants has given her low self-esteem that she covers up with bravado and an urge to prove herself that sometimes gets her into trouble. She tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that. &lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time in places her parents didn&#039;t approve of or escaping to her room. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I like him. He&#039;s a little weird, but he doesn&#039;t mind me being me.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Pretty intense. He likes to be mysterious, but he&#039;s cool to hang out with.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;It&#039;s weird, that you don&#039;t remember... But at least you&#039;re safe.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
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        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
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[[Category:Gekkoukan High School]]&lt;br /&gt;
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[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-09-16:_Someone_Else%27s_Apartment_You%27re_Crashing_Confessional&amp;diff=2905</id>
		<title>2025-09-16: Someone Else&#039;s Apartment You&#039;re Crashing Confessional</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-09-16:_Someone_Else%27s_Apartment_You%27re_Crashing_Confessional&amp;diff=2905"/>
		<updated>2025-09-17T07:20:23Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Removing a stray bit of local echo&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
*&#039;&#039;&#039;Log: Someone Else&#039;s Apartment You&#039;re Crashing Confessional&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Tatsuya Suou]], [[Umie Akabane]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; Shiori Miyashiro&#039;s Apartment, Konan Ward&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; September 16, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; July 12, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Umie wishes to speak to Tatsuya, so he meets her at the apartment of the lady he&#039;s crashing and speaks of dramatic, bold things.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Umie texted Tatsuya to meet up with him, and at this point... Tatsuya&#039;s given up on trying to brush Umie away. It&#039;s proven impossible. He&#039;s running into the hard limits of what he&#039;s able to do on his own, because he doesn&#039;t really have much social grace on his own, like with Tsubasa. &lt;br /&gt;
&lt;br /&gt;
    &amp;amp;gt; Apartment 503&lt;br /&gt;
    &amp;amp;gt; Konan Lunar Palace&lt;br /&gt;
&lt;br /&gt;
    ...?? Does Tatsuya own an apartment there? He shouldn&#039;t be able to rent on his own, being only 17. He would&#039;ve had background checks that lead back to his parents. The missing child report would&#039;ve been hit at some point. Curiouser and curiouser...&lt;br /&gt;
&lt;br /&gt;
    When Umie arrives, he buzzes her in through the intercom easy enough. It&#039;s a nice apartment, a more upscale kind that definitely is on this side of the century rather than the other -- and though Umie doesn&#039;t know, it&#039;s also close to where Maya-nee lives with her friend, Ulala Serizawa.&lt;br /&gt;
&lt;br /&gt;
    Tatsuya&#039;s already waiting by the door when she arrives. He&#039;s glancing around, like he expects to be spied on -- but once he&#039;s pleased it&#039;s quiet enough, he goes back into the apartment room.&lt;br /&gt;
&lt;br /&gt;
    Right now, he&#039;s only dressed in a black tanktop, with his Mark visibly showing since he hasn&#039;t bothered to wear his glove. He&#039;s wearing brown slacks, and his red motorcycle jacket&#039;s thrown on the couch. It&#039;s a surprisingly clean and orderly apartment, one that looks like it&#039;s only been lived in for about a year, bearing some indications that more than just Tatsuya lives here. Just judging from the amount of doors, there&#039;s two bedrooms, at least.&lt;br /&gt;
&lt;br /&gt;
    There&#039;s clothes draped all over... cosmetics scattered on the floor -- not all that many, but...&lt;br /&gt;
&lt;br /&gt;
    Just who is Tatsuya living with?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Panting from a Mementos trip that&#039;s gone terribly wrong, Umie arrives into the normal, mundane world of _Sumaru City_, that is... one of the many stations. Grimacing as Badb&#039;s touch falls away from her, Umie, the very ordinary young woman who&#039;s just run a mile from shadow that proved to be tougher than she assumed it would be, collapses on an empty bench, her duffelbag hitting the space next to her with a light &#039;whump&#039;. &lt;br /&gt;
&lt;br /&gt;
    Meanwhile, her phone, now exposed to the invisible rays of cellphone service towers, soon dings. Umie fumbles for the phone and pulls it out, and makes... a hushed, surprised sound.&lt;br /&gt;
&lt;br /&gt;
    Wait, Tatsuya has an apartment? &lt;br /&gt;
    Wait, Tatsuya is texting her?! &lt;br /&gt;
    _wait, what if this is a trap_.&lt;br /&gt;
&lt;br /&gt;
    Too late, Umie&#039;s already texting back. &lt;br /&gt;
    &amp;amp;gt; sorry, didn&#039;t have reception&lt;br /&gt;
    &amp;amp;gt; will text when I&#039;m on Konan Ward&lt;br /&gt;
&lt;br /&gt;
    Later, Umie arrives at the apartment building, eyes wide at just how... &amp;amp;#42;nice&amp;amp;#42; it is. It&#039;s Tatsuya&#039;s voice on the intercom, but that could be faked too, with a recording, Umie assumes, but too late, she&#039;s going into the elevator still smelling like... whatever Mementos smells like to other people. Maybe blood? She takes a moment to fiddle with her hair, trying to make it not seem like she had just run for her life after making yet another unwise decision, but alas, the elevator doors are now opening.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Takkun.&amp;quot; Tatsuya can see Umie immediately tense up when she sees his Mark out there in the open, despite it being outside a place that is, from what Umie assumes, is where he _lives_.&lt;br /&gt;
&lt;br /&gt;
     Her windbreaker has been stashed away into her duffelbag along with her small stash of loot and masks; all that was underneath was a tee that proudly proclaims A APPLE ADAY with a cartoon worm coming out of an apple, as well as a pair of shorts, with sneaker to match.&lt;br /&gt;
&lt;br /&gt;
    Following Tatsuya inside, Umie can&#039;t help but look around, red-brown eyes taking in the space. She&#039;d know for a fact that someone his age couldn&#039;t get an apartment; she had to wait until the day of her 20th birthday before she could even try to. It&#039;s bigger than hers, much cleaner and orderly, but maybe because it&#039;s new? (Nevermind that, Umie&#039;s got messy within a few weeks.)&lt;br /&gt;
&lt;br /&gt;
    Two rooms, at least. Bedrooms? There&#039;s clothing around, and... cosmetics. &lt;br /&gt;
&lt;br /&gt;
    She... had the impression that Tatsuya didn&#039;t... particularly... swing that way, so to speak. It&#039;s not that she&#039;s ever directly *asked* him; the old her certainly would have balked at the idea of asking something that would imply that she was interested, and that her tutorship was all built on a lie.&lt;br /&gt;
&lt;br /&gt;
    Now? &amp;quot;.... I thought you preferred...&amp;quot; At least she gets the question out, though her Guts score only gets her so far into it. &amp;quot;Not that there&#039;s anything wrong with it, either way!&amp;quot; She throws her hands up. &lt;br /&gt;
     &lt;br /&gt;
    (Maybe he wears it, but that seems even further from the person he&#039;s been around her.)&lt;br /&gt;
&lt;br /&gt;
    Unfortunately, with being this direct means embarrassment, as Umie&#039;s cheeks begin to turn a faint red.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;... you look like you&#039;ve had a heavy workout,&amp;quot; is Tatsuya&#039;s calm observation first of all, when he enters into the apartment proper and tosses some of the stuff aside to make room for the two of them. He&#039;s gone to the kitchen to prepare something, since Umie looks like she could use a nice, tall glass of water.&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;... I thought you preferred ...&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Well, Umie&#039;s preferences on tall drinks of water aside, Tatsuya does raise an eyebrow.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Oh. Do you prefer coffee or tea? I think there&#039;s some in the cupboard here.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;.... Mementos,&amp;quot; Umie finally admits, when they get into the privacy of the apartment. &amp;quot;... Had a negotiation that went badly, but it&#039;s fine. It&#039;s experience.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &#039;I thought you preferred....&#039; Her voice cracks. &amp;quot;.... smaller apartments,&amp;quot; she finally says.&lt;br /&gt;
&lt;br /&gt;
    God, Umie, you did it again. You just assumed that because it made you feel like you didn&#039;t have to worry over things that didn&#039;t even have anything to do with Tatsuya, but with _Syuusei_. &lt;br /&gt;
&lt;br /&gt;
    She may feel like she&#039;s grown since then, but how much has she, really?&lt;br /&gt;
&lt;br /&gt;
    He &#039;thinks there&#039;s&#039;. Her brain can&#039;t stop itself from picking that up and using it as a clue. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Tea&#039;d be fine. Thanks.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She looks down. &amp;quot;.... This person you&#039;re living with... do they know? About what you&#039;re dealing with.&amp;quot; They&#039;d had to know at least about the Mark&#039;s existence, but it could be easily handwaved as being a tattoo, depending on the person.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;... I don&#039;t like that place,&amp;quot; Tatsuya frowns. &amp;quot;It wasn&#039;t around...&amp;quot; A pause, as he shakes his head, as he works on some tea. It&#039;s only tea out of a teabag, nothing fancy, but it&#039;ll have to do. As the kettle boils, Umie finishes that she thought he prefers smaller apartments.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;...? You&#039;re being strange, Tutor-sensei. I&#039;ve never had to pick my own apartment before,&amp;quot; Tatsuya replies, still completely having it whiff over his head. &lt;br /&gt;
&lt;br /&gt;
    But Umie asks about the person he&#039;s living with.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... yeah. Shiori Miyashiro, a member of the Konan Police Department,&amp;quot; Tatsuya answers just plainly enough. &amp;quot;Some things happened before the Principal was killed at Sevens... she&#039;s chasing the Old Maid down, just like I am.&amp;quot; He comes over with the tea and just a glass of water, for him. There&#039;s a glum look on his face as he recalls some of the things Sudou told him about Shiori.&lt;br /&gt;
&lt;br /&gt;
    How her brother was killed in his place...&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;You didn&#039;t think I&#039;d just been living in the sewers or something, did you? I mean, sometimes...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;quot;Yeah, it&#039;s new to me too,&amp;quot; Umie says, not realizing what Tatsuya meant. &amp;quot;I&#039;ve only known about the Dark Hour.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But then, her mind begs, how did he know not to kill that shadow in Mementos? (.... the same way she did, Umie immediately reasons back. Or by similar means.)&lt;br /&gt;
&lt;br /&gt;
    The way Umie turned that into a question about smaller apartments was not one of her better evasion tactics; but at least she can push through and leave it to the side. (Be better, Umie!!) &lt;br /&gt;
&lt;br /&gt;
    ..... only it ricochets right back to hit her right in the gut. _A police officer_. Umie, you double &amp;amp;#42;did it again&amp;amp;#42;. &amp;quot;... Ah,&amp;quot; Umie answers, hiding a grimace. &amp;quot;... So... like your...&amp;quot; Don&#039;t bring up his brother, Umie. &amp;quot;Yes.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Does Shiori have a persona? If Shiori was here, Umie&#039;d be able to tell, unless she was able to disguise it. &lt;br /&gt;
&lt;br /&gt;
    The brief glum look on Tatsuya&#039;s face makes Umie want to ask another question, but unlike terrible assumptions on someone&#039;s choice in tall glasses of water, this one is much harder to pierce.&lt;br /&gt;
&lt;br /&gt;
    So instead, the gremlin in her springs on the last statement. &amp;quot;I mean, I &amp;amp;#42;did&amp;amp;#42; see you get out of one,&amp;quot; she says, with a sideways grin, &amp;quot;so I had to assume...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Wasn&#039;t it strange, how she was right where she needed to be?&lt;br /&gt;
    &lt;br /&gt;
    Like she was meant to be there?&lt;br /&gt;
&lt;br /&gt;
    Just to make Tatsuya&#039;s life that much messier?&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Yeah,&amp;quot; Tatsuya answers without awkwardness. &amp;quot;I know she knows my brother. That&#039;s not something I can do anything about. Cops will talk to each other.&amp;quot; He looks surprisingly like he&#039;s made peace with that, at least. &amp;quot;I don&#039;t think she&#039;s talking to him, though, and she promised to not tell me about what I told her.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Shiori is, unfortunately, not here, because she&#039;s off probably telling Tatsuya&#039;s dad about rumours being real by showing off her shiny new G33 to convince him that there&#039;s a shop that&#039;s now selling real guns and ranting on about the strength of her &amp;quot;pocket rocket&amp;quot;. Guns sure are sweet, Takkun.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... they&#039;re convenient to get around without people tailing you,&amp;quot; Tatsuya protests, somehow defensive about the sewers.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Anyway. You said you wanted to talk to me.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;You said you wanted to talk to me.&#039;&lt;br /&gt;
&lt;br /&gt;
    Umie blinks, and rubs the back of her neck. Ah. She had thought Tatsuya was texting her because he had something to say, but in reality, he was finally following up on the many, many times she had asked &amp;amp;#42;him&amp;amp;#42;.&lt;br /&gt;
&lt;br /&gt;
    But what? That the Mark is going to kill them somehow, possibly, someday? About all the things she&#039;s learned? That she&#039;ll answer any question he asks her? &lt;br /&gt;
    &lt;br /&gt;
    Umie reaches for the tea, &amp;quot;Hey, Takkun--&amp;quot; &lt;br /&gt;
    Except the questions that would imply that his tutor-senpai&#039;s a liar and a murderer? But then, it&#039;d be no different than the way it was before, wouldn&#039;t it? You&#039;re still the same coward you were back then.&lt;br /&gt;
    &amp;quot;..tch!&amp;quot; Umie immediately abandons the question as a small portion of the tea spills over the lip of the cup, the liquid distractingly hot as it drips onto a bare leg. &amp;quot;...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    She continues to sip. &amp;quot;... the tea is good,&amp;quot; she says instead, with an shaky emptiness suddenly registering behind it.&lt;br /&gt;
&lt;br /&gt;
    It &amp;amp;#42;is&amp;amp;#42; what she needed, though, as she seems to settle down after drinking some down, and wiping the liquid on her leg with napkin.&lt;br /&gt;
&lt;br /&gt;
    There&#039;s another topic that&#039;s much easier to go to instead: the Old Maid.     &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... I&#039;ve been meaning to tell you: it was a few weeks ago, but I was targetted by the Old Maid. He said some weird things during that... managed to get away thanks to some Persona users that noticed something was off.&amp;quot; It&#039;s the truth. She&#039;s not a liar.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Something about how &#039;he&#039; was wrong, and that I was nothing like him-- that is, the Old Maid himself,&amp;quot; she clarifies. &amp;quot;He also sent a note, before he came. Like he was hoping for another reaction. And before he was about to finish me off, he mentioned how he hoped I&#039;d be better in some &#039;other&#039; timeline.&amp;quot; She&#039;s misremembered: he said, specifically &#039;the real timeline&#039;.&lt;br /&gt;
&lt;br /&gt;
    She leans in, her gaze direct on Tatsuya&#039;s face, as her hand gently deposits the tea on the coffeetable.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It&#039;s the same kind of shit the NWO believes in-- the cult part. That this world&#039;s impure, and that a new, purer world needs to be created.&amp;quot; Anger glints in Umie&#039;s eyes at this angle, and she continues, &amp;quot;It makes sense-- that I&#039;d be too &#039;impure&#039; for his d--&amp;quot; Dad&#039;s world. &lt;br /&gt;
&lt;br /&gt;
    She can&#039;t reveal who it is, can she? Tatsuya might just rocket right out of here and try to end things himself. &amp;quot;... for this... other world they want.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The disturbance does catch Tatsuya&#039;s eye. He, perhaps, knows more about what it is that haunts her mind. But he can&#039;t see into her mind, regardless, or the ways in which Nyarlathotep cultivates his own personal brand of chaos inside each of his subjects&#039; minds.&lt;br /&gt;
&lt;br /&gt;
    She topic-switches, and he relents. Umie says she was targetted by the Old Maid, and that topic makes him frown. He gets up again, to face the balcony and pull the curtains shut, like he&#039;s still paranoid someone might be out there lipreading. &lt;br /&gt;
&lt;br /&gt;
    But Umie explains how she&#039;s like the Old Maid himself...&lt;br /&gt;
&lt;br /&gt;
    ...&lt;br /&gt;
&lt;br /&gt;
    And that he&#039;d hoped she&#039;s be better in some &#039;other&#039; timeline.&lt;br /&gt;
&lt;br /&gt;
    The world&#039;s impure. A new, purer world needs to be created. &amp;quot;A World without Sin,&amp;quot; Tatsuya murmurs.&lt;br /&gt;
&lt;br /&gt;
    He turns and faces Umie, kneeling down before her. &amp;quot;Akabane-san. Whether or not such a thing exists... the fact is that if this &#039;other&#039; world comes to be, I&#039;m certain it&#039;ll be at the expense of &#039;this&#039; one. The Old Maid, the NWO... they&#039;re all obsessed about discarding what&#039;s in front of them in favour of some &#039;ideal&#039; version of the world.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Man, I don&#039;t even have to do the heavy lifting.&lt;br /&gt;
&lt;br /&gt;
    Tatsuya frowns a little deeper, sighing.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It&#039;s no good... I, too, have been trying to act like I shouldn&#039;t interact with &#039;this&#039; world. But it caught up to me too. I had to stop someone who was convinced I was working with the Joker Killer. They were spreading rumours about it, I had to stop them. And I was no good with my words.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Try as Umie might, she can&#039;t conceal the signs from someone who&#039;s been dealing with similar tactics from the Crawling Chaos. Whether the voices be persistant or sparse, there&#039;s limitless roles and faces the entity could wear in order to achieve his goals. And why not, when he is a part of humanity? &lt;br /&gt;
&lt;br /&gt;
    You can pull all the curtains closed, but you can&#039;t escape the you that&#039;s in the room with you.&lt;br /&gt;
&lt;br /&gt;
    Tatsuya&#039;s comment draws a cold sweat; she had made sure her tutoring job never crossed paths with her parents, who were, admittedly, seemingly normal outside of the confides of the NWO&#039;s walls. &lt;br /&gt;
&lt;br /&gt;
    He&#039;s kneeling in front of her in the time that she spent lost in that thought.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I know.&amp;quot; Umie gives Tatsuya a long, pained look. She should be able to be direct with him, right? He&#039;s the only one who has the Mark, but like her, he&#039;s not trying to help the NWO. But for how long, has it been like this, for him? He has so much more fire than she ever did.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... My parents joined when I was about ten or so,&amp;quot; she says, with a hollow croak to her words. Yes, it was ten. And it was after she turned eleven that she--&lt;br /&gt;
&lt;br /&gt;
    That sigh, that frown. Umie presses herself further on the edge of the couch cushion. &amp;quot;... As far as I&#039;m concerned... this is the only world there is, because it&#039;s the one I&#039;m in. Hearing that shit, all the time growing up... who cares about a better world, when this one&#039;s the one we&#039;re in?!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    She leans back, disliking the anger that projected in her voice in that moment, but also, because of how Tatsuya talks. &#039;I shouldn&#039;t interact with &#039;this&#039; world&#039;? &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;.... Is that why you said what you did, in the basement of Kasugayama High? To Mishina-san and...&amp;quot; The young man with the gentle smile-- She closes her eyes, roughly diverting herself from that railway of though. &amp;quot;The person you were holding.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    It fills her with initiative. Purpose. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Let me talk to them. I might be able to help. To the person spreading the rumors, as well as anyone else you&#039;re trying to help.&amp;quot; She leans forward on her seat to accommodate the way Tatsuya kneels in front of her; these are heavy secrets to tell, but they&#039;re ones they can finally say, if not fully.&lt;br /&gt;
&lt;br /&gt;
    ... Including the ones where Umie..... &amp;quot;After all, on the rumor bit... I kind of... messed up. The rumor about Seven Sisters? I tried hooking it into the Triple 7. You know, because sevens being lucky, right?&amp;quot; ... screwed up. She clears her throat. &amp;quot;... There&#039;s... a young guy, about your age, who got concerned when he saw me reading the Joker Killer&#039;s note--&amp;quot; No, no, Umie, don&#039;t make it just about Ren! _Just say you fucked up_. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... I think I... screwed up the emblem rumor?&amp;quot; You know, the one Tatsuya&#039;s been using to protect many people he cares about. &amp;quot;I think it still works! Just... not as well.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She really &amp;amp;#42;is&amp;amp;#42; Marked.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Umie gives Tatsuya a pained look. He can&#039;t guess at her pain; he doesn&#039;t want to assume anything about how it is for others. It only gives him more pain when he does. &amp;quot;It doesn&#039;t end at the New World Order... but you already knew that, right?&amp;quot; he murmurs. Her parents joined when she was ten... she&#039;s been ensnared for that long?&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;But it doesn&#039;t mean they aren&#039;t a large problem. The New World Order is the way they exert power on the physical reality that neither you or I can ignore, Akabane-san.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Umie expresses her discontent at hearing all the rhetoric and propaganda, about the world without sin, about the better world. This is the only world there is, after all. Who cares about a better world...?&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... yeah,&amp;quot; Tatsuya sounds really sad for a moment. That constricted, devastated look is back, as she expresses anger against those who&#039;d want a better world when this is the one they live in. &amp;quot;I&#039;m so sorry, Akabane-san. It&#039;s because I wanted...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He lets that linger. He shakes her head, harrowingly sighing as Umie, coincidentally, locks in on Mishina and Kashihara at this point. Umie&#039;s struck dead center and he looks like he&#039;s had the winds taken out of his sails.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I don&#039;t know them. Why would I know them? They&#039;re...&amp;quot; Tatsuya&#039;s tied himself into a logistics nightmare. He can&#039;t deny that. Umie saw that. &amp;quot;... they can&#039;t know. We shouldn&#039;t remember each other. We can&#039;t.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    This is a disaster. He steps towards the windows again, even shaded with the curtains drawn as they are, like it&#039;s going to protect him from how tangled his words have been. &lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;... Let me talk to them. I might be able to help.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Where he feels lost, though, Umie&#039;s found purpose and initiative. ... he&#039;s already shared with Miyashiro. Is it okay to trust Akabane with this, when he knows she&#039;s been ensnared by &#039;&#039;him&#039;&#039;, too? But it&#039;s clear that Nyarlathotep&#039;s power is far reaching, far more than an average person or Persona.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... okay. I talked to Tsubasa Seki, who seemed convinced I was--&amp;quot; Tatsuya frowns. &amp;quot;They misinterpreted the Joker Persona having my face. I had to do some... drastic things to get them to remember. Shinjiro told me to be gentle too, tch... I&#039;m no good at this. That&#039;s why--&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    That&#039;s why Maya-nee used to do it for him? Get real. She&#039;s not here anymore. She&#039;s not supposed to know you now, remember? This is the consequence of not engaging with reality, Tatsuya Suou. The more you try to convince yourself you&#039;re a ghost that should disappear, while paradoxically and hypocritically inhabiting a body that you so flagrantly stole from its rightful owner, the worse you make everything.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;And also...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    That distant, ghostly look is back.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Akabane-san. I&#039;m going to tell you something I shouldn&#039;t... but you said you wanted to help.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    All right. If Umie&#039;s going to be courageous about it, perhaps he needs to as well.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Jun Kashihara is a very important person to me... maybe the most important person in my life. But... that was &#039;then&#039;. And this is &#039;now&#039;. He doesn&#039;t remember who I am, and he needs to continue to not remember who I am... to not draw closer. You saw how spirited the Old Maid was about making him &#039;remember&#039;, in the basement of Kasugayama High. All I can tell you is that if he remembers... there&#039;ll be extremely disastrous consequences.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He shrivels into himself, wishing his leather jacket was on. &amp;quot;The same goes for Eikichi Mishina, Death Boss of Kasu High too.&amp;quot; Except the part where he&#039;s the &#039;most important person his life&#039;, maybe. But he&#039;s still up there.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Tsubasa Seki? &amp;quot;--Neon-san?&amp;quot; ... is Umie&#039;s response. &amp;quot;... Damn it. they&#039;re getting sucked into all of this.&amp;quot; ..... &#039;drastic things&#039;?&lt;br /&gt;
&lt;br /&gt;
    Umie gives Tatsuya a long, thoughtful look, a hand perched at her chin. &amp;quot;.... You showed them your persona, didn&#039;t you.&amp;quot; At least she&#039;s not being critical about it! &amp;quot;I&#039;ll see what I can do. I feel I owe them, besides.&amp;quot; Her lips purse. No, explaining would touch on something else she rather not get into.&lt;br /&gt;
&lt;br /&gt;
     This is about Tatsuya, right now, besides. Umie knows that look in his eyes, even if she&#039;s never had the chance to really see it in her own.&lt;br /&gt;
&lt;br /&gt;
    She leans forward, placing her hand on Tatsuya&#039;s shoulder. &amp;quot;Keep going. &#039;Don&#039;t listen to &#039;Him&#039;&#039;, right? I&#039;m here right now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    It&#039;s easier to be courageous for someone else, rather than just yourself.&lt;br /&gt;
&lt;br /&gt;
    Umie listens to Tatsuya, her hand returning to his shoulder if that look seems to return.&lt;br /&gt;
&lt;br /&gt;
    Jun Kashihara; what sort of relationship they &#039;had&#039;, or why there&#039;s a &#039;then&#039; and a &#039;now&#039;...&lt;br /&gt;
&lt;br /&gt;
    Whatever questions Umie&#039;s mind wants to ask are overshadowed by her heart, wanting to give someone who knows what it&#039;s like to see the Mark in the mirror what it&#039;s like to have a little bit of hope, as well.    &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Then I&#039;ll keep an eye on him.&amp;quot; Her eyes angle down, thoughtful, as she tries to think of a story. &amp;quot;I&#039;ll need to think of a plausible cover story in case he gets suspicious. I doubt I can just say &#039;you sent me&#039;.&amp;quot; She frowns, looking up. &amp;quot;Or would that... work, you think? Mishina-san&#039;s in the same school as him, and we&#039;re still here, so...&amp;quot; But is that what she&#039;s supposed to think? Damn it!&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Okay, Whatever it is, I&#039;ll do what I can. I might even have a plan. I already know Mishina-san from some stuff before. He&#039;s already gotten himself involved in things; he&#039;s not that bad a fighter, it turns out.&amp;quot; She settles back into her couch. &amp;quot;I actually chatted with him recently to confirm a few things about what happened that night, but I told him to stop at a certain point...&amp;quot; She gives one of those wry half-grins. &amp;quot;For my sake. After all, after Strega&#039;s navigator messed everything up... who&#039;s to say it messed with our perception? Better not to think about those things~&amp;quot; (She can&#039;t remember what she actually told Mishina.) &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I&#039;ll tell him to give me a ring if anything happens at Kasugayama High.&amp;quot; And outside of that? &lt;br /&gt;
&lt;br /&gt;
    She&#039;ll think of something. She always does, even if they&#039;re nearly as successful as she&#039;d wish they were.&lt;br /&gt;
&lt;br /&gt;
    If Umie&#039;s hand is still there, she finally releases Tatsuya&#039;s shoulder, and settles back into the couch, scooting over to provide a comfortable distance for Tatsuya to inhabit. &amp;quot;You can&#039;t keep kneeling like that, you know. Miyashiro-san&#039;s going to come in and get the wrong idea, Tak-kun.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    ... No, not even Tatsuya is safe from the occasional comment.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Wow, Umie got it in one.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... they attacked me. I had to convince them what they saw wasn&#039;t the truth, and the only tool I had on hand was to force them to experience being around a Persona again, because it was a Persona that made them interpret things incorrectly,&amp;quot; Tatsuya tries to reason and sound reasonably like he&#039;s a smart person and not a hapless teenager that&#039;s making it worse. Umie owes them...? He&#039;s not sure what the reason is, but he&#039;s not gonna pry.&lt;br /&gt;
&lt;br /&gt;
    But Tatsuya can see that Umie&#039;s trying her hardest too. To put on a brave face. To be an adult for a kid who&#039;s messed up...&lt;br /&gt;
&lt;br /&gt;
    That just angers him so much more. Everyone&#039;s trying their hardest. He was the only one who was throwing a tantrum and backing away from his promise. Maya-nee. Yukki. Eikichi. Ginko... Jun...&lt;br /&gt;
&lt;br /&gt;
    A plausible cover story... Tatsuya&#039;s not certain. But his attention is drawn when Umie reveals that Eikichi&#039;s already involved in things. &amp;quot;No... damnit... he has a Persona already?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Should he... not? What&#039;s the issue if he does awaken to one?&lt;br /&gt;
&lt;br /&gt;
    There&#039;s a slow pause, as Umie tells him that he can&#039;t keep kneeling like that. Tatsuya blinks a few times. &amp;quot;Why?&amp;quot; He does get up, but the look of confusion on his face is probably incredibly precious. No, this precious boy doesn&#039;t know what it means to go down on someone.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &amp;quot;I mean, it&#039;s a fair reason to go that route. I could see where I would have done the same thing, if I was in your shoes.&amp;quot; Umie tilts her head. &amp;quot;It&#039;s not like you could attack them back; it would have reenforced their belief, and with your Persona&#039;s power, it could have gone badly. If they&#039;ve already been exposed to a Persona, what&#039;s the harm in doing that again?&amp;quot; She trails off, examining the thought over. &amp;quot;And it would have shocked them enough to stop, so...&amp;quot; She shrugs. &amp;quot;If it works, it works.&amp;quot; Tatsuya, whether you like it or not, Umie has seen the logic in your decision. (... What &amp;amp;#42;would&amp;amp;#42; she have done, if she was in Tatsuya&#039;s shoes?)&lt;br /&gt;
&lt;br /&gt;
    ...... oh. She&#039;d... probably do something similar, wouldn&#039;t she.&lt;br /&gt;
&lt;br /&gt;
    Tatsuya&#039;s thoughts are closed off to Umie, but there&#039;s something about him in the next moment that causes her to lean foward from her slouched position, attentive.&lt;br /&gt;
&lt;br /&gt;
    Oh. Maybe it was... just paranoia.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Persona game. Woke up a few years ago.&amp;quot; Umie crosses her arms. &amp;quot;Maybe whatever it is doesn&#039;t have to do with their Personas? I don&#039;t know how the game&#039;s supposed to work.&amp;quot; She lightly taps on her right wrist to indicate why. &amp;quot;Also, tell me if there&#039;s anyone else you want me to check in on.&amp;quot; Maya Amano is already on her mind, so. &lt;br /&gt;
&lt;br /&gt;
    Them looking up, Umie sees that innocent, innocent look in Tatsuya&#039;s face, Damn... it... &lt;br /&gt;
&lt;br /&gt;
    With lightning speed, those hands go up to place themselves on either side of his face to smush it, as she laughs, openly.&lt;br /&gt;
&lt;br /&gt;
    Such joy from Umie, however, cannot be tolerated for long.&lt;br /&gt;
&lt;br /&gt;
    Settling back onto the couch, Umie considers, red-brown gaze glinting with deadly curiosity. &amp;quot;... By the way, Takkun. Your Persona... you got yours when you got your Mark, right? Like I did.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Or... would he? He told her, it wasn&#039;t like hers. &lt;br /&gt;
&lt;br /&gt;
    But how, and why, did his Mark happen?&lt;br /&gt;
&lt;br /&gt;
    A faint whisper in her mind was all she needed.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... It was because of me, wasn&#039;t it. That you got your Mark.&amp;quot; It&#039;s like the gravity present in the room has doubled. &amp;quot;... Someone like you... wouldn&#039;t get a Mark the same way people like me would.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tatsuya Suou has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Umie tells them that their approach was far, but Tatsuya doesn&#039;t appear to be convinced. Exposing someone to the supernatural only tends to result in tragedy. That was part of why, likely, This Side was predicated on not awakening to a Persona... at least, that&#039;s the way Tatsuya has to embrace it. That Eikichi already awoke to one feels like a transgression.&lt;br /&gt;
&lt;br /&gt;
    It&#039;s a step in cognitively accepting other worlds.&lt;br /&gt;
&lt;br /&gt;
    But then-- &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... I know you&#039;re probably already looking into Amano-san and the team of Persona-Users around her, which includes my brother--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    smooosh&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;HEY&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Tatsuya bristles and flails, folding his arms and turning around. &amp;quot;I&#039;m not a kid...! Stop treating me like one.&amp;quot; Umie settles back, though, but... his Persona -- did he get his when he got his Mark? She gets serious again, so he does stop with the pouting, putting his hands in his pants pockets.&lt;br /&gt;
&lt;br /&gt;
    ... it was because of Umie.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He shakes his head.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;No. If anything... it was probably the other way around. No, I know it is. ... it&#039;s because I didn&#039;t believe. I was weak...&amp;quot; He sighs again and shrivels for a moment into himself. &amp;quot;&#039;&#039;He&#039;&#039; and I go further back than all this, Akabane-san, and... he&#039;ll stop at nothing to leave more tragedy in his wake. That&#039;s why the only sure defence is to not be noticed by him, and people like us can only really ensnare others into &#039;&#039;his&#039;&#039; whims. That was why I tried so hard to not get anyone involved, even you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He starts towards the door, grabbing his jacket and glove. &amp;quot;... I&#039;ve got to go out again. There&#039;s something I need to investigate still.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Ghhhh! It&#039;s just making it worse!&lt;br /&gt;
&lt;br /&gt;
    Umie laughs; it&#039;s probably the most light-hearted sound she&#039;s made since coming here. She pulls back with a gremlin smile as he turns around. &amp;quot;You&#039;re always so cool and serious, but when you make faces like that, I can&#039;t help myself!&amp;quot; (is this.... cute aggression...?)&lt;br /&gt;
    &lt;br /&gt;
    But it never lasts.&lt;br /&gt;
&lt;br /&gt;
    Every bit of happiness has to be re-contextuallized to be something else, every bit if normalcy.&lt;br /&gt;
&lt;br /&gt;
    Tatsuya&#039;s timeline is off; she was Marked before she had even met him. Yet, with this talk of &#039;then&#039; and &#039;now&#039;, and timelines...&lt;br /&gt;
&lt;br /&gt;
    She&#039;s still not sure if she understands it; but she understands one thing, as she sees Tatsuya&#039;s self seem to shrivel back into his shadow:&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;If you were really that weak, &#039;He&#039; wouldn&#039;t be trying to convince you of it, Takkun.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    Umie gives Tatsuya a small, closed mouth grin, remembering the way his silhouette emerged from his burning motorcycle. Weak...&lt;br /&gt;
&lt;br /&gt;
    He&#039;s anything but. Yet, just like she shrinks away from the worn wounds in her own heart, that likely is where his lie, no matter what reasons there are.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... We&#039;ll talk some more, at another time. Thank you for the tea. And for the advice. I&#039;m not sure if I believe you on this timeline of yours, but I believe that those people are important to you. I&#039;ll do whatever I can, and I&#039;ll keep my eyes open.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She stands up, hefting to dufflebag onto her shoulder. &amp;quot;We&#039;ll keep an eye on each other.&amp;quot; Her smile grows cocky, as she steps right by him, and out the door, shooting an open mouth grin over her shoulder. &amp;quot;I may need your help later with something, by the way. It&#039;ll involve ninjas and getting back at someone who attacked Aragaki-kun. Look forward to it.&amp;quot; With that, she walks off, taking the stairs. &lt;br /&gt;
&lt;br /&gt;
     Umie didn&#039;t want to have to have that awkward silence in the elevator ride down.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=2789</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=2789"/>
		<updated>2025-09-07T22:32:41Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良雀)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;0&amp;quot; / 153 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time in places her parents didn&#039;t approve of or escaping to her room. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I like him. He&#039;s a little weird, but he doesn&#039;t mind me being me.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Pretty intense. He likes to be mysterious, but he&#039;s cool to hang out with.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;It&#039;s weird, that you don&#039;t remember... But at least you&#039;re safe.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-08-07:_A_New_Regimen&amp;diff=2215</id>
		<title>2025-08-07: A New Regimen</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-08-07:_A_New_Regimen&amp;diff=2215"/>
		<updated>2025-08-08T01:45:31Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: A New Regimen&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Reiya Aomori]], [[Suzume Fukura]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; Rooftop, Iwatodai Dormitory, Iwatodai&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; August 07, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 22, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Reiya is training on the rooftop, as he does.  Suzume comes up to train too!  They get to talking... and practice.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The rooftop is a good place to be. There are planters in a quantum state of plants and not-plants because it&#039;s not certain yet whether that subplot has started. Don&#039;t worry about that. Instead, consider this: &lt;br /&gt;
&lt;br /&gt;
Reiya Aomori is up here! Not so close to the edge as he was last time he was here, he is instead doing pushups on the roof. One-handed. His other hand is behind his back, tightly balled into a fist. &lt;br /&gt;
&lt;br /&gt;
He&#039;s intent on his exercise, so it might be a good time to notice him before he notices someone else... &lt;br /&gt;
&lt;br /&gt;
If his silent exercise doesn&#039;t cause him to be overlooked in the corner of the roof access.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume has been trying to get better with her tonfa recently. That&#039;s not new, but yesterday she made a deal - and it lit a fire under her. She&#039;s been thinking of ways to do it.&lt;br /&gt;
&lt;br /&gt;
What she really needs, she&#039;s decided, is practice. And while she gets some practice in Tartarus or Mementos, she&#039;s not exactly there every day, or even every other. She needs a workout. There&#039;s just one problem. &lt;br /&gt;
&lt;br /&gt;
Yukari has her archery team, and Akihiko his boxing, and Junpei (she thinks) goes out and plays baseball, given the way he swings. Hitomi does dice tricks that Suzume can&#039;t figure out how she does them. She&#039;s not sure what Moriko or Ririka or Tyler does. But for all the ones she knows practice, you can do all of those where people can see you and nobody will think twice.&lt;br /&gt;
&lt;br /&gt;
But tonfa? Those aren&#039;t really legal, and Suzume isn&#039;t on any sports team. She can exercise elsewhere, but it&#039;s not the same; she needs to drill using her tonfa into muscle memory. Which means she has only one option: do it somewhere in the dorm.&lt;br /&gt;
&lt;br /&gt;
Well, Suzume&#039;s room isn&#039;t quite open enough even though it&#039;s big enough (she tried), she&#039;s not going to even try to steal the common room (and there are couches in the way anyway) and there is, as best she could tell, no basement. Which means there&#039;s a single option available to her. &lt;br /&gt;
&lt;br /&gt;
Fortunately, with the planters not in use, she figures nobody will be up there.&lt;br /&gt;
&lt;br /&gt;
The door to the roof opens, and... nothing happens for a moment. But on not hearing anyone having a chat, Suzume steps out onto the roof.&lt;br /&gt;
&lt;br /&gt;
Suzume is wearing one of the Gekkoukan sports outfits, though she&#039;s unzipped the jacket because it&#039;s summer and she&#039;s not &amp;amp;#42;crazy&amp;amp;#42;. Grey pants, with a white stripe down the side; grey and red jacket, a matching white stripe down the sleeve; a white top underneath that that&#039;s a little less ill-fitting than most of hers. She has her tonfas tucked under one arm.&lt;br /&gt;
&lt;br /&gt;
She clearly does not see Reiya at first, because she steps out, tosses her jacket off on top of one of the empty planters, swaps her tonfa to their proper hands, and starts - okay that&#039;s a boxing stance, she&#039;s using them to practice her jabs. She isn&#039;t facing Reiya at first and misses him.&lt;br /&gt;
&lt;br /&gt;
This might get a little awkward pretty shortly.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya, of course, is &#039;&#039;not&#039;&#039; in uniform any longer; he&#039;s wearing the grey pants of the Gekkoukan sports uniform and a T-shirt. He doesn&#039;t want to sweat-damage his uniform, and it&#039;s a little awkward dealing with the tie while trying to exercise. He is silent in his training, which means he has the chance to open one eye and cant hsi gazze towards Suzume as she arrives and sets to her training. &lt;br /&gt;
&lt;br /&gt;
As it happens, the planters &#039;&#039;are&#039;&#039; empty. Let&#039;s collapse that idea. &lt;br /&gt;
&lt;br /&gt;
A boxing stance... &lt;br /&gt;
&lt;br /&gt;
Reiya, rather than stay in a position where he&#039;d inevitably look up at Suzume if he opens his eyes at all, pauses his exercise, holding himself up with the one hand. &lt;br /&gt;
&lt;br /&gt;
He clears his throat. &amp;quot;Excuse me,&amp;quot; he says. &amp;quot;You&#039;re training, aren&#039;t you?&amp;quot; he asks, and moves to stand up. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Tonfa... a versatile weapon.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Exercising in your school uniform (especially in June) sounds like a horrible idea! Suzume didn&#039;t even like wearing it to Tartarus and it wasn&#039;t hot there. She resolved to wear her gym clothes after that... which may explain her choice today. It&#039;s practical, dammit.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;GAH!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s exclamation is, in a vacuum, funny; she gets squeaky when she gets surprised even though that&#039;s not her usual vocal pitch at all. It&#039;s rather less funny when her reaction is to pivot and bring her fist - with tonfa - around through a hooking punch... though it can&#039;t possibly connect, Reiya is far too far away to actually hit.&lt;br /&gt;
&lt;br /&gt;
She comes to a stop afterwards, keeping her hands up in a combative stance for several seconds until she slowly starts to lower them. &amp;quot;Where did YOU come from?&amp;quot; Suzume comes to a stop, starts to cross her arms under her bust, realizes she is about to jab herself with her tonfa and settles for hands on her hips instead. She can&#039;t even loom over him now that he&#039;s standing up; it&#039;s more the reverse. &amp;quot;You can&#039;t have snuck up here to spy on me, I didn&#039;t hear the door open!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She huffs. &amp;quot;Yes, I was training. I don&#039;t like carrying something I don&#039;t know how to use... wait, you actually something about them?&amp;quot; A versatile weapon... &amp;quot;Did you see them in a martial arts movie? Which one?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume is not about to admit that she watched several to try to see how they were used in them. Not immediately, anyway.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Thankfully for Reiya remaining un-punched, he does not comment on how funny the exclamation sounds. Thankfully for that same purpose, he&#039;s still kind of far away. &lt;br /&gt;
&lt;br /&gt;
Entirely stoic, he simply replies, &amp;quot;I was also training. It&#039;s important to stay in shape, even without our mission. But our mission makes it more important.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m not spying,&amp;quot; this time, &amp;quot;But I did notice your weapons.&amp;quot; A pause. &amp;quot;Yes,&amp;quot; he answers. &amp;quot;Hmmm... The last movie I saw that featured them was... Driving Storm 3. It&#039;s based on an Okinawan martial art.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;..Hm.&amp;quot; He considers. &amp;quot;What sort of practice are you looking into?&amp;quot; he wonders. &amp;quot;I could...&amp;quot; He considers. He knows what &#039;&#039;his&#039;&#039; pride would demand in this situation. So... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I could use a training partner,&amp;quot; he says. &amp;quot;My sai are used somewaht similarly to tonfa, with similar origins in kobudo. It might be fruitful for us to practice.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume does not seem like she&#039;s going to march over and hit Reiya for his sins. It&#039;s not like he snuck in after her. She would have noticed the door open. &lt;br /&gt;
&lt;br /&gt;
But he&#039;s so stoic she can&#039;t actually read him. That mystery he&#039;s got is working against her now. She feels a little silly keeping her hands on her hips, so she eventually stops. Her shoulders slump slightly as she stops standing up so straight, though you couldn&#039;t really call her &#039;slouching&#039; as much as she normally does.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I haven&#039;t seen that one,&amp;quot; she admits. &amp;quot;If you&#039;ve got a copy, can I borrow it? And I know it&#039;s Okinawan, and I&#039;m not, but I kind of got these... by chance. I don&#039;t know how to use any other weapon, so I figured, why not hold onto them? But if I don&#039;t know how to use them, they&#039;re just sticks. I know you can use them for punching, so I figured I&#039;d try that for a bit.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume looks up at Reiya, thoughtfully. &amp;quot;You use sais? I didn&#039;t know. I&#039;m getting some training, but he&#039;s not a tonfa expert either. So...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Options conflict. One clearly wins. It doesn&#039;t hurt that Reiya is the only person who&#039;s apparently thought she was up to sparring with them in a long time. &amp;quot;OK,&amp;quot; she agrees. &amp;quot;You&#039;re safe after surprising me. This time.&amp;quot; A grin, however short and sudden. &amp;quot;Just don&#039;t do it again.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume it was entirely your fault.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya has very good posture. This is notable, because he&#039;s only regular tall--not particularly tall for a boy, but certainly taller than Suzume. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I do and you can,&amp;quot; He answers. &amp;quot;There is nothing wrong with using another&#039;s martial arts, I think. By coming together and blending styles, new styles come about. Okinawan martial arts are said to have some roots in Chinese martial arts as well...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Sticks! &amp;quot;Yes. That&#039;s as good a reason as any to choose a weapon.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
He pauses, and inclines his head. &amp;quot;I know a number of weapons, but they&#039;re the one I&#039;m most comfortable with; they&#039;re useful for defense and offense, like the tonfa.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
He nods firmly when she agrees--and when she says he&#039;s safe, &amp;quot;I will endeavor to be less stealthy.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
It&#039;s fine. &amp;quot;...For now, I was just training my body more generally; I didn&#039;t bring my weapons. Hmmm...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;How did you get them?&amp;quot; he wonders. &amp;quot;It sounds like a story.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;It&#039;s not that hard to be taller than Suzume, who is, though not tiny, at least pretty short. Her posture is not as good, though.&lt;br /&gt;
&lt;br /&gt;
Movie acquired. Well, future-acquired. Maybe Suzume will watch it in the lobby. There could always be more martial arts movies there. She nods, then: &amp;quot;I don&#039;t know a whole lot about that kind of martial art either. I learned a bit about boxing. A bit about wrestling. I watch sumo,&amp;quot; she adds, and you couldn&#039;t find a more mismatch in what she can do than &amp;amp;#42;that&amp;amp;#42;, though at least she didn&#039;t say she tried it. &amp;quot;Plus, some of the mixed martial arts competitions out of the States. You ever watch any of those?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
While she says this, she goes back over and picks up her jacket. She&#039;s considering putting it back on. Heat is warring with a desire to cover up. Eventually she just decides to leave it off. It&#039;s just Reiya. He&#039;s fine. She doesn&#039;t worry around him.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You don&#039;t have to be so &amp;amp;#42;formal&amp;amp;#42; about it. I just know sometimes people will sneak up to watch people, that&#039;s all,&amp;quot; Suzume says. (Does she know he is a ninja? Absolutely not.) &amp;quot;Though, usually not at tonfa practice. What were you doing before I got here?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
How did she get them...? &amp;quot;So,&amp;quot; Suzume says, perching on the edge of a planter. &amp;quot;You know Mementos...? If you don&#039;t, it&#039;s a freaky place you can get through near the train station. I did a dare, and got in. SEES found me in there... that&#039;s why I&#039;m here. I didn&#039;t know about the Dark Hour or anything before that.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But...&amp;quot; She bonks one of her tonfa, gently, against her knee. &amp;quot;I found these in a box in there. I was with someone else, and Jiro-kun can&#039;t fight shit. He&#039;s a nice guy but he&#039;s also the kind of guy who feels faint if he sees much blood. Even a nosebleed. So... I picked them up. Just in case. And I didn&#039;t put them down when we left.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Future acquired! Reiya will be good as his word. As for movies, &amp;quot;Hmm. Boxing... And sumo!&amp;quot; He brightens slightly. &amp;quot;I like sumo.&amp;quot; It&#039;s an Important Tradition, after all. Still, &amp;quot;I have,&amp;quot; he says. &amp;quot;I find them interesting as well. To see people blend different styles into a cohesive whole... It&#039;s very impressive.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Reiya glances at the jacket because it exists in his frame of reference, but looks back to Suzume a moment later. If there&#039;s any way a boy &#039;looks&#039; while he&#039;s checking a girl out in her less covered state, Reiya doesn&#039;t have it. &lt;br /&gt;
&lt;br /&gt;
But... formal. &amp;quot;Ah.&amp;quot; Pause. &amp;quot;I tend to be formal about many things.&amp;quot; He does sneak up to watch people, but not for &#039;&#039;that&#039;&#039; reason. he does it because he&#039;s a spy! Still, &amp;quot;I was doing pushups,&amp;quot; he answers. &amp;quot;I was thinking of trying pullups on the bar there soon...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But Mementos. &amp;quot;I see. I have heard of it, but have not been.&amp;quot; Mementos... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh. That sounds very dangerous as an introduction.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Bonk. &amp;quot;I see. ...Hmm. That&#039;s worthy, I think.&amp;quot; Worthy. A formal word! &amp;quot;A weapon you find at the beginning of your new mission... Yes, there&#039;s something to that.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Honestly, Suzume is not exactly uncovered. Shorts, a short-sleeved shirt; she could get away with this most places on Port Island. It&#039;s just not so baggy as her clothes usually are and doesn&#039;t conceal her as much, and in a lot of cases she&#039;d be extremely aware of that. But with Reiya she&#039;s actually comfortable enough to relax. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;You like sumo?&amp;quot; Suzume sounds surprised, but in a pleased way this time. &amp;quot;A lot of people think it&#039;s outdated, or a waste of time. I think a couple things about it are dumb but I always try to catch it when it&#039;s on. When the next big basho comes on I&#039;ll put it on in the common room once or twice.&amp;quot; That&#039;s next month. &lt;br /&gt;
&lt;br /&gt;
You can practically see the musical notes over her head.&lt;br /&gt;
&lt;br /&gt;
Suzume is, however, still not aware he&#039;s a ninja, so she doesn&#039;t know about his stealth activities. &amp;quot;I hate push-ups,&amp;quot; Suzume scowls, though not at Reiya, and it&#039;s at least brief. &amp;quot;Pull-ups are okay. Just hard, if you do them right.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A worthy weapon... &amp;quot;That&#039;s what I thought!&amp;quot; Suzume brings one of the tonfa out again. &amp;quot;It&#039;s... I mean, I don&#039;t think it was left &amp;amp;#42;for me&amp;amp;#42;, or something. It doesn&#039;t mean anything that I was the one that found it. But now that I have, I guess I&#039;d like to learn how to use it. It...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Pause. &amp;quot;Don&#039;t laugh. It&#039;s a good memory. I mean, that day sucked. I thought we were going to die. And afterwards, I went to the hospital, and that wasn&#039;t great either. But afterwards...&amp;quot; The scowl comes back. &amp;quot;Takeba-san thinks I don&#039;t belong here because I want to be. But where else is there? I hate it at home.&amp;quot; And that&#039;s all you&#039;re getting from her on &amp;amp;#42;that&amp;amp;#42;. She doesn&#039;t like Reiya enough to dump the rest of it. &amp;quot;I guess I could quit, but I&#039;d still have to look at Tartarus every night; I&#039;d have to look at that creepy green light every midnight unless I stayed away from windows. I like the dorms. Most of the people are pretty cool. And at least here, I can do something. Like when we worked to rescue Yamagishi-san.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Here, I can be me, she thinks, but does not say.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya remains stoic. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I do,&amp;quot; he says of sumo. &amp;quot;I think it&#039;s a good show of athleticism, and a tradition that&#039;s worth keeping.&amp;quot; The next big basho... &amp;quot;That sounds good,&amp;quot; Reiya says. &amp;quot;Maybe I&#039;ll catch it when you do.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Still, while one day the Ninja Secret will come out, it is not this day. &amp;quot;I don&#039;t mind them. I like to mix up my forms of exercise, though.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
The weapon! Not &#039;destiny&#039;, but, &amp;quot;It means what meaning you have put into it. I think that&#039;s sufficient.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Dont laugh. The hospital, the aftermath... Hm. Reiya listens, and considers it. Takeba. Of course. He doesn&#039;t frown at her name because of the aforementioned stoicism, but he does note hating it at home. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...That&#039;s worthwihle,&amp;quot; Reiya agrees with a nod. &amp;quot;It&#039;s a dangerous mission. Perhaps some of us have not absorbed how much danger is involved, as Takeba-san seems to think. But it is each of our right to face the threat of the Dark Hour as we choose. And someone has to do it, or the task will never be completed.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I also like the dorm,&amp;quot; he admits. &amp;quot;It&#039;s nice to live with people my age who aren&#039;t my sisters.&amp;quot; Pause. &amp;quot;Not that I object to living with my sisters.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume agrees, &amp;quot;Yeah. So, I want to learn how to use it. And if you&#039;re willing to practice with me, that&#039;s good. Maybe I&#039;ll figure out more. I looked up some information online, but you never learn much about how to &amp;amp;#42;do&amp;amp;#42; something like that from seeing it written down. You gotta use your muscles.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t like her,&amp;quot; Suzume says, bluntly - well, she&#039;s always been pretty direct. &amp;quot;I can trust her in a fight, I think... but that&#039;s about it. She doesn&#039;t want me here. At first I thought it was just because she thought I was useless since they had to rescue me and Jiro-kun, but now...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Her sullen look is very firmly back in place. &amp;quot;Well, whatever. I deserve to be here as much as anyone here - and I want to be. I know it&#039;s dangerous. I almost got killed in Mementos! But...&amp;quot; She huffs. &amp;quot;Eh. But at least I&#039;m not Gould or something. I swear he was trying to freak Yamagishi-san out while we were at the TV station, talking about visiting the &#039;other side&#039;... nobody wants to hear about ghosts at a time like that.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She drops the topic, clattering her tonfa against her knee a couple times out of sheer nervous energy. The talk about sisters isn&#039;t much better for her; Reiya can see a stormy expression growing, though Suzume doesn&#039;t completely indulge in it.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Just so long as you stay out of the girls&#039; side,&amp;quot; she says, instead. &amp;quot;I&#039;m pretty sure you&#039;d get killed if you tried.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Little does she know about ninjas... he may &amp;amp;#42;already be&amp;amp;#42; spying on someone in there. (On orders, of course.)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;C&#039;mon,&amp;quot; she says, sliding to her feet again. &amp;quot;You want to give it a try?&amp;quot; She means the practice.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Yes,&amp;quot; Reiya agrees of muscles. &amp;quot;Internalizing the movements is important. I&#039;ve been practicing a long time.&amp;quot; A pause. &amp;quot;...Though a Persona does seem for a lot of us to impart some skill to build on.&amp;quot; That&#039;s interesting to him. He couldn&#039;t tell, of course; he knew how to use his weapons already! As for Yukari, well--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;She doesn&#039;t like me, either,&amp;quot; Reiya admits freely. But he doesn&#039;t go into the details--about Beniho, and the archery club. &amp;quot;Right. We don&#039;t all have to be friends, if we can count on each other.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Gould... Reiya is thoughtful at that. &amp;quot;Rude,&amp;quot; he decides of Tyler. But if suzume wants to drop that topic and the next, he&#039;s just fine with it. Instead, there is the matter of &#039;&#039;his life&#039;&#039;. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I will follow Kirijo-senpai&#039;s directive,&amp;quot; Reiya says instead. &amp;quot;I have no reason to visit the girls&#039; side. I can give you the DVD in the lobby.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Mitsuru... &#039;&#039;probably&#039;&#039; won&#039;t order Reiya to spy on the girls. Probably. He&#039;s pretty sure. Not in the dorm, anyway. &lt;br /&gt;
&lt;br /&gt;
But he spreads his feet apart and adopts a ready stance (barehanded) when she suggests practice. &amp;quot;Yes,&amp;quot; he says. &amp;quot;I don&#039;t have my weapons on me, but I&#039;m adept barehanded, as well.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come at me when you&#039;re ready.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Heh.&amp;quot; Suzume tends to stay away from Mitsuru, but she knows who&#039;s in charge around here. (The reason she stays away is not because she objects - she just has nothing to talk about with her.)&lt;br /&gt;
&lt;br /&gt;
As for visiting, you never know what a ninja might be up to.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m already in good shape,&amp;quot; Suzume says, which is actually pretty true - she may not be trained in tonfa, instead using a collection of cross-discipline skills and instinct, but she does have athleticism, at least. &amp;quot;So I can probably manage.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She rolls her shoulder and bounces up into what is definitely a modified boxer&#039;s stance, arms held more or less vertically, with the length of her tonfa down her arms. It&#039;s probably a great blocking stance. &amp;quot;You sure?&amp;quot; she asks, just to confirm that he&#039;s all right with bare-handed.&lt;br /&gt;
&lt;br /&gt;
And if he confirms, she goes into it quick. Surprisingly quick; Suzume has speed on her side more than strength, and she jabs with the left hand. She&#039;s a little tentative, her blows more than a little restrained, because she doesn&#039;t want to hurt him; she is vaguely aware that she should probably have padding on these tonfa before she does something like this, isn&#039;t that how they do it in most sports? It&#039;s like bare-handed boxing, it can be dangerous - &lt;br /&gt;
&lt;br /&gt;
Honestly she&#039;s probably making herself worse by overthinking it. Suzume is not great about overthinking things.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Good,&amp;quot; Reiya answers. That she&#039;s in shape. He says little else about it, though; he seems to be evaluating now, looking over her stance. A boxer&#039;s stance, solid on blocking, tonfa used sideways... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yes,&amp;quot; Reiya confirms. &lt;br /&gt;
&lt;br /&gt;
Very fast; if Reiya were anyone other than who he is, he might immediately be struck by that speed, especially with a left-handed strike. But she&#039;s holding back, and he &#039;&#039;is&#039;&#039; a ninja, so he moves with the blow; he could have evaded entirely, but instead he shifts &#039;&#039;back&#039;&#039; to lessen the strike&#039;s power, letting it impact him without injuring him. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fast,&amp;quot; he notes. &amp;quot;That&#039;s good.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...You can relax. I know my limits; we&#039;ll stop if I feel like I&#039;ll get hurt. ...Next time, I can bring some equipment, like pads.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume feels the impact, and that feels good, if perhaps not as head-on as she was expecting (or hoping). She steps back, not lowering her guard but not pressing the attack for a few moments either.&lt;br /&gt;
&lt;br /&gt;
Though she doesn&#039;t really realize it, she&#039;s definitely overthinking things. If she was running entirely on instinct, like she was every time she fought a Shadow (or even at the TV Station), she&#039;d do better - that&#039;s not even theoretical, she always has. &amp;quot;I just didn&#039;t want to hit you too hard,&amp;quot; she says. &amp;quot;Pads would help. When I did a little bit of practice... I flipped the mattress up against the wall.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume, do not beat up your mattress.&lt;br /&gt;
&lt;br /&gt;
As she tries again, Suzume can tell one thing pretty quickly: Reiya is better than she is.&lt;br /&gt;
&lt;br /&gt;
Suzume is fit and has an idea of what she&#039;s doing. She&#039;s been in scuffles before, and fights with her Persona... but she doesn&#039;t have a ninja&#039;s training, and she doesn&#039;t have as much experience. With a Persona that might not matter as much, but right now, in midafternoon instead of the Dark Hour, just her and Reiya on the roof, it matters. If he was actually fighting back, she&#039;d lose.&lt;br /&gt;
&lt;br /&gt;
And she hates that. She wants to be good - she wants to be &amp;amp;#42;better&amp;amp;#42;. She doesn&#039;t want to have to depend on someone else to protect her, always and forever...&lt;br /&gt;
&lt;br /&gt;
But today, that manifests as determination. She &amp;amp;#42;wants&amp;amp;#42; to learn. She &amp;amp;#42;wants&amp;amp;#42; to figure it out. And even if Reiya isn&#039;t much more than a vaguely supportive target today, before they&#039;re really equipped to do this... &lt;br /&gt;
&lt;br /&gt;
Well, sometimes that&#039;s enough.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-30:_Thinking_Cap&amp;diff=2105</id>
		<title>2025-07-30: Thinking Cap</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-30:_Thinking_Cap&amp;diff=2105"/>
		<updated>2025-07-30T19:44:26Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Cutscene: Thinking Cap&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Akari Hoshi]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; Shibuya (mostly)&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; 2025-07-30&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; Sunday, June 17 2012 (mostly)&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Akari goes hunting.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
-----&lt;br /&gt;
&lt;br /&gt;
It had all sounded clever to Akari while she was in the Cardboard Dragon, like some kind of brilliant plan.&lt;br /&gt;
&lt;br /&gt;
Junya Kaneshiro, Yakuza guy, was a bad man. No, it needed more emphasis than that: he was a Bad Man. She still remembered the words from the Cardboard Dragon:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&#039;We&#039;re not playing games today.&#039;&lt;br /&gt;
&#039;They&#039;re obviously pretty shady.&#039;&lt;br /&gt;
&#039;You keep spitting that kind of trash at your betters, and I&#039;ll find something to fill that mouth with.&#039; &#039;The curb?&#039; &#039;That might work.&#039;&lt;br /&gt;
&#039;Shut your mouth. Or I&#039;ll shut it for you.&#039;&lt;br /&gt;
&#039;Maybe get her some crayons, while us adults talk business.&#039;&lt;br /&gt;
&#039;He&#039;s like... the tax collector! Sent by the foul king! Except he&#039;s not noble, or even a chivalrous rebel who gives to the poor, just a bandit!&#039;&lt;br /&gt;
&#039;He&#039;s a bandit. But he&#039;s the type that wouldn&#039;t think twice about leaving you in a shallow ditch.&#039;&lt;br /&gt;
&#039;Maybe I&#039;ll go see some Palaces while I&#039;m at it. Anyone want to come with me? We can be like what Baronette Lune said -- like a band of Merry men.&#039;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
And at the time, it had been clear to her: This was a man as bad as any demon. And she&#039;d gotten fired up, because it had just been like she&#039;d dreamed about when she first found the Dark Side of Sumaru! Akari never posted there, but she certainly read it, and, well...&lt;br /&gt;
&lt;br /&gt;
It had sounded like Rumourmonger Merry was Spreading A Rumour. Or giving advice? But it had given Akari an idea. What if...&lt;br /&gt;
&lt;br /&gt;
...What if she went? What if she &#039;&#039;did something&#039;&#039;? Was this how the Phantom Thieves did it?, she wondered. Finding a Palace and... well, she didn&#039;t know the next step because she&#039;d never been there. Maybe beating up the demons inside? She could do that. She could be her own knight in shining armour, and a bunch of other people&#039;s, even if they never knew. A secret hero in the darkness...&lt;br /&gt;
&lt;br /&gt;
Finally! She could be as cool as they were...!&lt;br /&gt;
&lt;br /&gt;
So she&#039;d gone to the Dark Side of Sumaru, and the Phan-Site. She&#039;d taken &#039;&#039;notes&#039;&#039;. She&#039;d paid more attention to it than the actual homework she was supposed to be doing, but her parents didn&#039;t know the difference; she clearly wasn&#039;t messing with her art while she was on the computer so they thought she was actually behaving for a change. But all she&#039;d gotten was rumours and bits of information. She&#039;d need to actually &#039;&#039;find&#039;&#039; a Palace. Like, with her feet. And she barely knew where to start. She&#039;d have to wait for Sunday to get a free day.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This sucks,&amp;quot; Akari moaned to herself, rolling over on her bed to end up flopped on her back. &amp;quot;I&#039;m gonna need my thinking hat and everything.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
----------&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;SUNDAY, JUNE 17&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Akari got off the train and walked out of the Shibuya station. Why Shibuya? Because Kaneshiro had said he wanted to expand out of it, which means this was his home base, which means this is where he&#039;d put a Palace. Obviously.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;All right!&amp;quot; she said to herself. &amp;quot;Off I go!&amp;quot; She reached up and planted - &lt;br /&gt;
&lt;br /&gt;
Okay. When Akari said she needed her thinking hat she wasn&#039;t kidding.&lt;br /&gt;
&lt;br /&gt;
Akari adjusted her hat. A fore-and-aft hat (no earflaps), better known as Sherlock Holmes&#039; hat, but in a solid colour rather than patterned. A monocle went with it, which she very carefully got into place, tucking its attached cord behind her ear. It was &#039;&#039;supposed&#039;&#039; to go with an entire costume, but it was frankly too hot for that today, which means with her hat Akari was wearing shorts and a shirt with a shooting star across the chest. She got looks on her way out of the station, as she had the whole way down on the train. Strange looks bounced off Akari. She knew she&#039;d stand out no matter what she did so she&#039;d made it her own. She never really minded - if she&#039;d had her whole costume on she would have been pleased to have it appreciated, but in just the hat and monocle she looked more like someone having a confused fashion day than anything else.&lt;br /&gt;
&lt;br /&gt;
And the hat really did help. Sometimes... sometimes she did better when she didn&#039;t have to be plain old Akari Hoshi. It wasn&#039;t that she minded being Akari; she&#039;d never really wanted to be anyone else. Mostly, anyway - but that other person was Akari too, just different. But sometimes it helped to ... take a different role. To remind herself to think differently; to focus her imagination instead of getting distracted every time she saw something she wanted to draw or had an idea, which she had all the time, or sometimes just because. And the props helped. She was still Akari, but she was focused Akari. Akari with a purpose.&lt;br /&gt;
&lt;br /&gt;
Hence, the hat.&lt;br /&gt;
&lt;br /&gt;
Akari pulled out her phone, looked around to make sure nobody was peeking over her shoulder, and opened up the Meta-Nav. She&#039;d played around with it a little; she&#039;d found Mementos, which is how she knew it worked. But she&#039;d never really tried to find anything deliberately, definitely not a Palace. With her other hand, she pulled out her small notepad - not a sketchbook for a change. The first few pages were already full of notes taken from the Phan-Site and the Dark Side of Sumaru. She read them again, nodded to herself, pocketed the notepad, and started to type on her phone while walking through the streets semi-aimlessly:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;gt; YAKUZA BOSS JUNYA KANESHIRO&lt;br /&gt;
&amp;gt; SHIBUYA&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Akari paused for a moment before shrugging. Why start complicated?&lt;br /&gt;
&lt;br /&gt;
&amp;gt; PALACE&lt;br /&gt;
&lt;br /&gt;
No hit.&lt;br /&gt;
&lt;br /&gt;
A few moments later, a couple more:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;gt; YAKUZA HEADQUARTERS&lt;br /&gt;
&amp;gt; EVIL TAX COLLECTOR PLACE&lt;br /&gt;
&amp;gt; DRAMATIC FINAL BOSS SHOWDOWN HIDEOUT&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
She hesitated on a couple of those, but it cost her nothing to try it anyway. But the hat reminded her she should &#039;&#039;probably&#039;&#039; guess a little more seriously.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;gt; BANDIT LAIR&lt;br /&gt;
&amp;gt; THIEVES&#039; DEN&lt;br /&gt;
&amp;gt; MOUNT LIANG&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Wait, no, that one&#039;s the good guys,&amp;quot; Akari says out loud, hastily deleting it. &lt;br /&gt;
&lt;br /&gt;
...She was going to be at this for a while. But that&#039;s why she had all day.&lt;br /&gt;
&lt;br /&gt;
[[Category:Cutscenes]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-30:_Thinking_Cap&amp;diff=2104</id>
		<title>2025-07-30: Thinking Cap</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-30:_Thinking_Cap&amp;diff=2104"/>
		<updated>2025-07-30T18:21:42Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Cutscene: Thinking Cap&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Akari Hoshi *&amp;#039;&amp;#039;&amp;#039;Where:&amp;#039;&amp;#039;&amp;#039; Shibuya (mostly) *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; 2025-07-30 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; Sunday, June 17 2012 (mostly) *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Akari goes hunting.&amp;#039;&amp;#039;  -----  It had all sounded clever to Akari while she was in the Cardboard Dragon, like some kind of brilliant plan.  Junya Kaneshiro, Yakuza guy, was a bad man. No, it needed more emphasis than that: he was a Bad Man. She still remembered the words from the Cardboard Dra...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Cutscene: Thinking Cap&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Akari Hoshi]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; Shibuya (mostly)&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; 2025-07-30&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; Sunday, June 17 2012 (mostly)&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Akari goes hunting.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
-----&lt;br /&gt;
&lt;br /&gt;
It had all sounded clever to Akari while she was in the Cardboard Dragon, like some kind of brilliant plan.&lt;br /&gt;
&lt;br /&gt;
Junya Kaneshiro, Yakuza guy, was a bad man. No, it needed more emphasis than that: he was a Bad Man. She still remembered the words from the Cardboard Dragon:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&#039;We&#039;re not playing games today.&#039;&lt;br /&gt;
&#039;They&#039;re obviously pretty shady.&#039;&lt;br /&gt;
&#039;You keep spitting that kind of trash at your betters, and I&#039;ll find something to fill that mouth with.&#039; &#039;The curb?&#039; &#039;That might work.&#039;&lt;br /&gt;
&#039;Shut your mouth. Or I&#039;ll shut it for you.&#039;&lt;br /&gt;
&#039;Maybe get her some crayons, while us adults talk business.&#039;&lt;br /&gt;
&#039;He&#039;s like... the tax collector! Sent by the foul king! Except he&#039;s not noble, or even a chivalrous rebel who gives to the poor, just a bandit!&#039;&lt;br /&gt;
&#039;He&#039;s a bandit. But he&#039;s the type that wouldn&#039;t think twice about leaving you in a shallow ditch.&#039;&lt;br /&gt;
&#039;Maybe I&#039;ll go see some Palaces while I&#039;m at it. Anyone want to come with me? We can be like what Baronette Lune said -- like a band of Merry men.&#039;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
And at the time, it had been clear to her: This was a man as bad as any demon. And she&#039;d gotten fired up, because it had just been like she&#039;d dreamed about when she first found the Dark Side of Sumaru! Akari never posted there, but she certainly read it, and, well...&lt;br /&gt;
&lt;br /&gt;
It had sounded like Rumourmonger Merry was Spreading A Rumour. Or giving advice? But it had given Akari an idea. What if...&lt;br /&gt;
&lt;br /&gt;
...What if she went? What if she &#039;&#039;did something&#039;&#039;? Was this how the Phantom Thieves did it?, she wondered. Finding a Palace and... well, she didn&#039;t know the next step because she&#039;d never been there. Maybe beating up the demons inside? She could do that. She could be her own knight in shining armour, and a bunch of other people&#039;s, even if they never knew. A secret hero in the darkness...&lt;br /&gt;
&lt;br /&gt;
Finally! She could be as cool as they were...!&lt;br /&gt;
&lt;br /&gt;
So she&#039;d gone to the Dark Side of Sumaru, and the Phan-Site. She&#039;d taken &#039;&#039;notes&#039;&#039;. She&#039;d paid more attention to it than the actual homework she was supposed to be doing, but her parents didn&#039;t know the difference; she clearly wasn&#039;t messing with her art while she was on the computer so they thought she was actually behaving for a change. But all she&#039;d gotten was rumours and bits of information. She&#039;d need to actually &#039;&#039;find&#039;&#039; a Palace. Like, with her feet. And she barely knew where to start. She&#039;d have to wait for Sunday to get a free day.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This sucks,&amp;quot; Akari moaned to herself, rolling over on her bed to end up flopped on her back. &amp;quot;I&#039;m gonna need my thinking hat and everything.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
----------&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;SUNDAY, JUNE 17&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Akari got off the train and walked out of the Shibuya station. Why Shibuya? Because Kaneshiro had said he wanted to expand out of it, which means this was his home base, which means this is where he&#039;d put a Palace. Obviously.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;All right!&amp;quot; she said to herself. &amp;quot;Off I go!&amp;quot; She reached up and planted - &lt;br /&gt;
&lt;br /&gt;
Okay. When Akari said she needed her thinking hat she wasn&#039;t kidding.&lt;br /&gt;
&lt;br /&gt;
Akari adjusted her hat. A fore-and-aft hat (no earflaps), better known as Sherlock Holmes&#039; hat, but in a solid colour rather than patterned. A monocle went with it, which she very carefully got into place, tucking its attached cord behind her ear. It was &#039;&#039;supposed&#039;&#039; to go with an entire costume, but it was frankly too hot for that today, which means with her hat Akari was wearing shorts and a shirt with a shooting star across the chest. She got looks on her way out of the station, as she had the whole way down on the train. Strange looks bounced off Akari. She never really minded - if she&#039;d had her whole costume on she would have been pleased to have it appreciated, but in just the hat and monocle she looked more like someone having a confused fashion day than anything else.&lt;br /&gt;
&lt;br /&gt;
And the hat really did help. Sometimes... sometimes she did better when she didn&#039;t have to be plain old Akari Hoshi. It wasn&#039;t that she minded being Akari; she&#039;d never really wanted to be anyone else. Mostly, anyway - but that other person was Akari too, just different. But sometimes it helped to ... take a different role. To remind herself to think differently; to focus her imagination instead of getting distracted every time she saw something she wanted to draw or had an idea, which she had all the time, or sometimes just because. And the props helped. She was still Akari, but she was focused Akari. Akari with a purpose.&lt;br /&gt;
&lt;br /&gt;
Hence, the hat.&lt;br /&gt;
&lt;br /&gt;
Akari pulled out her phone, looked around to make sure nobody was peeking over her shoulder, and opened up the Meta-Nav. She&#039;d played around with it a little; she&#039;d found Mementos, which is how she knew it worked. But she&#039;d never really tried to find anything deliberately, definitely not a Palace. With her other hand, she pulled out her small notepad - not a sketchbook for a change. The first few pages were already full of notes taken from the Phan-Site and the Dark Side of Sumaru. She read them again, nodded to herself, pocketed the notepad, and started to type on her phone while walking through the streets semi-aimlessly:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;gt; YAKUZA BOSS JUNYA KANESHIRO&lt;br /&gt;
&amp;gt; SHIBUYA&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Akari paused for a moment before shrugging. Why start complicated?&lt;br /&gt;
&lt;br /&gt;
&amp;gt; PALACE&lt;br /&gt;
&lt;br /&gt;
No hit.&lt;br /&gt;
&lt;br /&gt;
A few moments later, a couple more:&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;gt; YAKUZA HEADQUARTERS&lt;br /&gt;
&amp;gt; EVIL TAX COLLECTOR PLACE&lt;br /&gt;
&amp;gt; DRAMATIC FINAL BOSS SHOWDOWN HIDEOUT&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
She hesitated on a couple of those, but it cost her nothing to try it anyway. But the hat reminded her she should &#039;&#039;probably&#039;&#039; guess a little more seriously.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;gt; BANDIT LAIR&lt;br /&gt;
&amp;gt; THIEVES&#039; DEN&lt;br /&gt;
&amp;gt; MOUNT LIANG&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Wait, no, that one&#039;s the good guys,&amp;quot; Akari says out loud, hastily deleting it. &lt;br /&gt;
&lt;br /&gt;
...She was going to be at this for a while. But that&#039;s why she had all day.&lt;br /&gt;
&lt;br /&gt;
[[Category:Cutscenes]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-26:_Battle_Royale&amp;diff=2057</id>
		<title>2025-07-26: Battle Royale</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-26:_Battle_Royale&amp;diff=2057"/>
		<updated>2025-07-27T18:12:21Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: Battle Royale&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Crossroads Bar]], [[Fuuka Yamagishi]], [[Yukari Takeba]], [[Shinjiro Aragaki]], [[Myunghon Yeo]], [[Reiya Aomori]], [[Ririka Kawase]], [[Minako Arisato]], [[Suzume Fukura]], [[Shizuka Kuroki]], [[Eikichi Mishina]], [[Hitomi Mandai]], [[Remi Ryuuja]], [[Umie Akabane]], [[Akihiko Sanada]], [[Tyler Gould]], [[Mitsuru Kirijo]], [[Julian Marlowe]], [[Eriko Kirishima]], [[Moriko Kumamoto]], [[Yanagi Nagisa]], [[Pernelle]], [[Minato Arisato]], [[Koh Katsuhiro]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 26, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 15, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Various groups, including SEES, have infiltrated Gekkoukan in order to track down the mystery of Fuuka Yamagishi -- or just to investigate the mysteries of Tartarus. They come together, here, as the Full Moon Shadows of the Empress and the Emperor attack the lobby of Tartarus itself. This is a combat scene suitable for anyone with reasons to enter Tartarus during the Dark Hour.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Crossroads Bar has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    OST: https://www.youtube.com/watch?v=VcyWZ0zalMI Persona 3 Reload - Master of Tartarus&lt;br /&gt;
&lt;br /&gt;
    The Empress and Emperor Shadows come in through the front door. They are massive, resembling armored royal figures, with fringed pauldrons for the gentleman&#039;s cloak and a ruffled blouse and cape tied to her bracelets for the lady. The Emporer bears a cross about his chest; the Empress wears a dozen necklaces, about her thin and elegant neck.&lt;br /&gt;
&lt;br /&gt;
    They are Arcana Shadows, different to anything most of you have faced. They are titanic -- earth-shattering -- and seemingly &#039;&#039;invincible.&#039;&#039; There&#039;s no way to figure out how to hurt them; even an attack which strikes true is resisted, the next time it&#039;s launched. Junpei is really in over his head, trying to protect Ririka and hold the line, down here... which is why it&#039;s lucky some of you had to flee Arqa early.&lt;br /&gt;
&lt;br /&gt;
    If you received the &#039;Withdraw&#039; condition in the preceding Monad, you&#039;ve been down here, fighting alongside Junpei, holding the Shadows off. You&#039;ve seen that they change their elemental alignments by the second; you know how invincible they are.&lt;br /&gt;
&lt;br /&gt;
    On the other hand, if you received the &#039;Passage&#039; or &#039;Revelation&#039; conditions in the preceding Monad, you&#039;ve only just arrived, hurrying down with Fuuka in tow...&lt;br /&gt;
&lt;br /&gt;
    ... to see the way Junpei&#039;s Persona, Hermes, knocks down the Emperor and his sword. It&#039;s time enough for the people who have just arrived to throw in attacks of their own -- and time enough for the defenders to cry out to them that it won&#039;t &#039;&#039;work.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    It is this arena Fuuka walks into. She&#039;s able to &#039;&#039;see&#039;&#039; the way the Empress and Emperor re-align their affinities, swirling lights above them which collapse into them and give them the strength they need to rise again. (Just as they have the first time, and the second -- the third, the fourth...)&lt;br /&gt;
&lt;br /&gt;
    The way the Shadows rise is unnatural to man. They do not push themselves from the ground, but rather seem to be &#039;&#039;lifted,&#039;&#039; pulled upright as if puppets in a play. Though Junpei lifts his Evoker to his head and fires, this time, Herme&#039;s fire doesn&#039;t slow the Emperor a whit. &amp;quot;Damn... it stopped working again?!&amp;quot; Junpei exclaims, as the Emperor brings his sword down on Hermes -- and though Hermes crosses his wing-blades to defend against it, the &#039;&#039;Empress&#039;&#039; knocks Hermes aside, freeing the Emperor to punch Junpei back into the stairs.&lt;br /&gt;
&lt;br /&gt;
    But...&lt;br /&gt;
&lt;br /&gt;
    ... Shadows aren&#039;t the only things, which can walk in through the front door.&lt;br /&gt;
&lt;br /&gt;
    Natsuki Moriyama is the girl who locked Fuuka in the gym closet, ten days ago. A bully and a rebel leading a girl gang in &#039;&#039;Gekkoukan,&#039;&#039; a lover of ganguro fashion, a girl with a family life she doesn&#039;t like to discuss... Minato told her what Fuuka said to him, that day, when they ran into each other. He said... Fuuka wanted to apologise. Hearing that, Natsuki was crushed by her own guilt, called to the Void with the need to apologise to &#039;&#039;Fuuka.&#039;&#039; She bears no Persona -- she has no protection from the enervation of this time, this place.&lt;br /&gt;
&lt;br /&gt;
    Her steps sway, her eyes glassy. Still, she moves forward. Step, by, step, by step, by...&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Fuu...ka...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    No matter your cries, she keeps walking forward, slumped and weary. She doesn&#039;t even acknowledge the way the Empress and Emperor turn to her, the weakest target in the room. It&#039;s Fuuka who is brave enough to run to her, though the Empress&#039;s sceptre crashes down, almost crushing her for her efforts.&lt;br /&gt;
&lt;br /&gt;
    Natsuki sways to her knees, seeing her. &amp;quot;Fuu..ka?&amp;quot; Red light flashes, in her eyes, as the Void calls to her. The reason for her despair, it&#039;s -- &amp;quot;I... I had to apologise to you!&amp;quot; Tears well in her eyes, and she cries, yobisute, &amp;quot;I&#039;m sorry, Fuuka... I&#039;m sorry...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Crossroads Bar has readied for combat as Emperor and Empress! They is now fully healed! Ready for 18 opponents!&lt;br /&gt;
 Moriko Kumamoto has arrived from Historia: The White Chronicle.&lt;br /&gt;
&lt;br /&gt;
 AS: Moriko Kumamoto has readied for combat as Otohime Gitsune! She is now fully healed!&lt;br /&gt;
 AS: Koh Katsuhiro has readied for combat as Zagreus! He is now fully healed!&lt;br /&gt;
 AS: Crossroads Bar has readied for combat with Emperor and Empress! They is adjusted! Ready for 19 opponents!&lt;br /&gt;
 AS: Minako Arisato has readied for combat as Linos! She is now fully healed!&lt;br /&gt;
 AS: Eriko Kirishima has readied for combat as Nike! She is now fully healed!&lt;br /&gt;
 AS: Yukari Takeba has readied for combat as Io! She is now fully healed!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Fuuka Yamagishi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&#039;Where am I? Why am I here?&#039; &#039;Please, answer me...&#039; &#039;Is someone there?&#039;&lt;br /&gt;
&lt;br /&gt;
Those who have made their way through Tartarus in search of Fuuka Yamagishi have heard this voice calling out to them - though unresponsive to any attempts to call back. Perhaps they can&#039;t hear her - or perhaps they can&#039;t understand her(though some have certainly &#039;&#039;tried&#039;&#039;, unbeknownst to her - forgive her, she&#039;s very new at this). And now, as they draw close...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Who&#039;s there? Are you... human?&amp;quot; She calls out. But there won&#039;t be time for much else - because not long after that her eyes wide open, as if struck by a sudden fear.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What &#039;&#039;is&#039;&#039; this...? It&#039;s bigger than the others, and... it&#039;s attacking people!&amp;quot; Fuuka gasps out.&lt;br /&gt;
&lt;br /&gt;
It serves as a cue to hurry - and as everyone with her arrives in the main hall of Tartarus by teleporter, they&#039;ll see why. Two giant Shadows, which have been fighting the base team for some time...&lt;br /&gt;
&lt;br /&gt;
Her eyes are drawn to the two Shadows. They tower over everything, they tower over her, and - they turn away. They turn toward...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Moriyama-san!&amp;quot; Fuuka calls out, as Natsuki sways through the doors of Tartarus, drawn by the Void. She&#039;s frozen for a moment, looking back to the others, then back to Natsuki - and then something sets in her mind and she &#039;&#039;runs&#039;&#039;, with more energy than she&#039;s had the entire duration of her stay in Tartarus. The scepter crashes down behind her, the sheer force of the impact nearly bowling her over - but though she stumbles, she keeps running to her. And as Natsuki falls to her knees, Fuuka lowers herself to her knees, putting her hands on her shoulders.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Run!&amp;quot; She calls out to her - but Natsuki says she wanted to apologize to her. She &#039;&#039;does&#039;&#039; apologize to her, tears in her eyes.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Moriyama-san...&amp;quot; Fuuka murmurs... and then, shaking her head, she smiles softly. For a moment, she rests her forehead against hers, crying along with her...&lt;br /&gt;
&lt;br /&gt;
And then as she hears, as she &#039;&#039;feels&#039;&#039; the crashing footsteps of the Shadows behind her Fuuka stands to her full height, turning to face them. She draws someone&#039;s spare Evoker, her expression set with determination.&lt;br /&gt;
&lt;br /&gt;
And if someone tries to warn her that it isn&#039;t a weapon -&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I know.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She shuts her eyes, and, her hand shaking, she presses the barrel against her head.&lt;br /&gt;
&lt;br /&gt;
She knows it isn&#039;t a weapon. She knows that, but -&lt;br /&gt;
&lt;br /&gt;
She draws in a breath. pulls the trigger...&lt;br /&gt;
&lt;br /&gt;
...And the word &#039;Persona&#039; leaves her lips, subconsciously.&lt;br /&gt;
&lt;br /&gt;
The sound of breaking glass echoes throughout the room. It feels like she&#039;s breaking, too. Breaking apart... but she pulls herself together.&lt;br /&gt;
&lt;br /&gt;
She wants to live. She wants Natsuki to live, too - and everyone who risked their lives for her sake... So many people - many of them who would never have even heard of Fuuka Yamagishi before this.&lt;br /&gt;
&lt;br /&gt;
She opens her eyes - glowing a brilliant blue, as the broken glass swirls around her... and erupts outward, pushing the Emperor and Empress back.&lt;br /&gt;
&lt;br /&gt;
And when it clears - she and Natsuki both have become enveloped in a transparent glass sphere. Attached to this is the upper body of a shadowy blonde-haired woman in a long pink dress, partially covering the sphere and secured in place by golden bands, meeting in the center in a way that gives it the appearance of an eye. She looms protectively over Fuuka and Natsuki, as Fuuka focuses on the Shadows.&lt;br /&gt;
&lt;br /&gt;
Her vision is much clearer, now. She can see the aura swirling around them. Where it was distinct before, she can see their nature much more clearly, now - her eyes, and Lucia&#039;s eyes, one and the same, piercing them to the core.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I can see them...&amp;quot; Fuuka murmurs. She tries to think of how best to word it - how to communicate it in terms they&#039;ll understand. &amp;quot;Try elemental attacks again... I think they&#039;ll work! I&#039;ll keep you updated when their affinity changes!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She pauses for a moment, and adds -&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I think they&#039;ll be resistant to physical attacks... And... light and darkness.&amp;quot; She concludes.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Fuuka Yamagishi has readied for combat as Lucia! She is now fully healed!&lt;br /&gt;
 AS: Persona! Fuuka Yamagishi has used the Almighty skill Full Analysis on Crossroads Bar!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s turn has ended.&lt;br /&gt;
 AS: Shinjiro Aragaki has readied for combat as Castor! He is now fully healed!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Fuuka Yamagishi&#039;s Full Analysis.&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s Strength Scan! Crossroads Bar resists Pierce, Slash, Strike, Light, and Dark!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s Weakness Scan! Crossroads Bar is weak against Fire, Water, Elec, Earth, and Wind!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s Support Scan! Crossroads Bar has passive skills Ailment Boost, Momentum, Slash Boost, and Water&lt;br /&gt;
 Boost!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako was the one that called attention to it first in their group. The Full Moon. Again, same as that night he saved her. Same as that night in the Monorail. Weird occurrences - voices in their heads. Two girls unconscious.&lt;br /&gt;
&lt;br /&gt;
It all led to a singular conclusion.&lt;br /&gt;
&lt;br /&gt;
Hurry HURRY!&lt;br /&gt;
&lt;br /&gt;
They&#039;d found Fuuka, the operation was supposed to be a success. No matter how slim she thought their chances were before. It was a success!&lt;br /&gt;
&lt;br /&gt;
Nobody had died.&lt;br /&gt;
&lt;br /&gt;
Running down the steps with the others, she spies, &amp;quot;No! Junpei!&amp;quot; Junpei being knocked away, even as Yukari runs down the stairs, veering off to the left as she nears the bottom, to his side, as she takes a knee.&lt;br /&gt;
&lt;br /&gt;
And places the Evoker in her hand to her head.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Get away from him!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She pulls the trigger. It gets easier and easier, the one thing she never wanted. Something rises out of her subconscious like so many bubbles, before the barrier &#039;&#039;fractures&#039;&#039; and the effigy of a girl, bound by chains to a bull, with a coffin like interior to where she rests arises.&lt;br /&gt;
&lt;br /&gt;
And so too do the winds, slamming into the Emperor and Empress in shredding bursts, trying to push them back away... ineffectively.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey, stay with me.&amp;quot; She tells him, guarding him bodily. She still doesn&#039;t want to die... but she also doesn&#039;t want anyone else to die.&lt;br /&gt;
&lt;br /&gt;
Her Evoker rises to her head again, as she looks past the Shadows and- her finger falters on the trigger with what she sees.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Moriyama-san?&amp;quot; The bully, the bully she witnessed bragging in regards to making Fuuka look like she wanted to cry. The one who locked her in the gym...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey! Get back!&amp;quot; As her eyes go wide at the Empress raising the Scepter, and comes down, a near miss. Panic wells in her throat.&lt;br /&gt;
&lt;br /&gt;
Seeing her walking like this, she doesn&#039;t know the spell she&#039;s under, even if her mind made the connections before, it just doesn&#039;t in this moment.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Run away! Hurry! Worry about apologizing &#039;&#039;later&#039;&#039;.&amp;quot; She shouts, before murmuring, &amp;quot;Besides... that&#039;s not nearly enough.&amp;quot; Yukari said, with a stab of spite.&lt;br /&gt;
&lt;br /&gt;
Natsuki did all that to this girl and very nearly got her killed tonight. If it were Yukari, she&#039;d never forgive her.&lt;br /&gt;
&lt;br /&gt;
And Fuuka runs through, &amp;quot;Huh!? WAIT!&amp;quot; She calls out to her, as she watches the two and there&#039;s a bitter look of... disdain? Jealousy? It&#039;s hard to say what she feels.&lt;br /&gt;
&lt;br /&gt;
Fuuka draws the Evoker and her eyes go wide, but- for once, she doesn&#039;t call for someone to stop, to think about it. Right now... it may be the only option for Fuuka and Natsuki to survive this.&lt;br /&gt;
&lt;br /&gt;
And the only sacrifice is that she can no longer look away.&lt;br /&gt;
&lt;br /&gt;
She marvels at Fuuka&#039;s Persona, surprised at it&#039;s form, &amp;quot;She&#039;s... inside her?&amp;quot; Yukari says, surprised by that, having never seen a Persona quite like that, as Fuuka calls out for-!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But - it didn&#039;t do anything before...?&amp;quot; Yukari says skeptically of using the elements, before jolting the Evoker upright, and pulling the trigger again rather than arguing.&lt;br /&gt;
&lt;br /&gt;
And the winds rise, at Fuuka&#039;s advice - showing that indeed... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... She was right.&amp;quot; Yukari replies, shocked by this outcome.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Wind skill Magaru on Crossroads Bar!&lt;br /&gt;
 AS: Yukari Takeba&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro Aragaki did not make it to Fuuka. Fatigued after a long day of getting threatened by yakuza, getting separated from his group in Tartarus, getting attacked by Shadows, and eventually forced to take a teleporter, he&#039;s still fighting.&lt;br /&gt;
&lt;br /&gt;
An axe swings into an Arcana Shadow as he supports Junpei, who he once helped after getting punched in the gut. He hopes Akihiko and Mitsuru don&#039;t notice him in the crowd of people (who is he kidding, of course they did), though they&#039;ll definitely hear him.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Stay the fuck down! Goddamnit!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But as the others make it down, Shinjiro tries to call out at them. &amp;quot;Don&#039;t-&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s too late. But... Fuuka, with the help of that girl, does something impressive she can never walk away from.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Good thing I got one of those Skill Cards today...&amp;quot; he says as she suggests a method of taking them down. &amp;quot;You alright...?!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Normally, he&#039;d strike again, with the axe, since Castor&#039;s never been good at magic, but anything that can do damage here is useful, so...!&lt;br /&gt;
&lt;br /&gt;
For the second time in two years, Shinjiro draws his Evoker, bought from Strega, setting it against his temple. It&#039;s still shaky. It still feels... wrong.&lt;br /&gt;
&lt;br /&gt;
But to get everyone out of here alive, he has to make a sacrifice.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;PERSONA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The spear-impaled skeletal man on the hobby unicorn arises, blasting a ball of fire from his horse&#039;s horn straight at the enemy Arcana Shadow!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Myunghon is here on account of being snuck in by one (1) White Mask Yumi, who is totally not her best friend Yua Ooshiro. Tsurugi and Shinobu were also here, but they&#039;ve become split away from them in the interim, due to what appears to be the scents of wonderful deep-fried anago. Or perhaps kabayaki unagi? It&#039;s hard to tell. Scent isn&#039;t their Thing at all.&lt;br /&gt;
&lt;br /&gt;
    What Myunghon is doing &amp;amp;#42;now&amp;amp;#42;, of course, is fending off Shadows with a young boy from SEES in a cap that they&#039;ve never seen before -- they&#039;ve never encountered Shadows of this nature, and they don&#039;t seem to stop at anything they throw at them. &amp;quot;All right, Junpei-kun! I&#039;ll cover you, so you just hold the line! Shinjiro-ssi, let&#039;s do this!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Haaaah. When they meet Takeba again, they&#039;re going to complain about how Tatsumi is &#039;&#039;way&#039;&#039; weirder than Sumaru. Sumaru doesn&#039;t have weird towers that exist during the Dark Hour that play with your brain and longing and also throw invincible Shadows at you! You take &#039;Sumaru Girls are weird&#039; back! Your back yard&#039;s way weirder!&lt;br /&gt;
&lt;br /&gt;
    There&#039;s a grimace as the Emperor scores a clean hit on Junpei and knocks him back, however, but--&lt;br /&gt;
&lt;br /&gt;
    But then there&#039;s a Gekkoukan girl walking in. Shoot, why is someone wandering in right now?! It&#039;s dangerous! But it&#039;s Fuuka -- is that the missing girl Chikarin talked about? -- is the one that&#039;s brave enough to rush by her side. There&#039;s a grimace from Myunghon as they try to lunge to be at the ready to protect, but it&#039;s Fuuka that ends up surprising them, as they draw the Evoker--&lt;br /&gt;
&lt;br /&gt;
    &#039;&#039;I know.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Resonance pulses around Myunghon, as the sound of breaking glass shatters through the lobby. A Persona has risen, enveloping them in a glass sphere. An enormous, resonant, resplendent Persona. Another has awakened... and it makes sense now -- what they were hearing before wasn&#039;t Tartarus playing with their minds. It was Fuuka hersef. And though Myunghon considers themself Resonant, what this girl has is far more than that. They&#039;re able to analyse those Shadows in the blink of an eye...?!&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;All right. Elements, then,&amp;quot; Myunghon draws at their cloak and tightens their collar. &amp;quot;Kudlak!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The inky-black figure of Kudlak rises from the Rumourmonger in a column of resplendent Blue, and in a swift thrust of his palm, he blasts the nearest of the Emperor or Empress with a line of electricity, the scent of ozone filling the air. Courtesy of a Skill Card.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Myunghon Yeo has used the Elec skill Zio on Crossroads Bar!&lt;br /&gt;
 AS: Myunghon Yeo&#039;s turn has ended.&lt;br /&gt;
 AS: Persona! Shinjiro Aragaki has used the Fire skill Agi on Crossroads Bar!&lt;br /&gt;
 AS: Shinjiro Aragaki&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
It has been a long night already. Tartarus&#039;s heights are not for the faint of heart, and ending up there alone (if briefly) was an experience Reiya Aomori is not eager to repeat. But they found their objective. They have almost finished the mission. It&#039;s just a matter of getting her out safe... &lt;br /&gt;
&lt;br /&gt;
Or so he thought. Reiya makes it down and sees Junpei strike. He is heartened at first--whatever this battle is, Junpei is doing well. Until... he isn&#039;t. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;No!&amp;quot; Reiya calls in alarm. But that isn&#039;t even the beginning of the trouble, and Reiya immediately fans into the room, darting across the hall, careful to stay out of immediate melee range. &lt;br /&gt;
&lt;br /&gt;
His eyes widen as he sees Natsuki--and Fuuka going to her. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yamagishi-san!&amp;quot; But he is not fast enough to reach her--though she does pull an Evoker that someone had. She pulls it, and... knows what to do. &lt;br /&gt;
&lt;br /&gt;
He watches solemnly as she summons her Persona for the first time, committing the sight to memory. Somehow, it seems important. All the more because he realizes--&amp;quot;This power--&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Fuuka can &#039;&#039;see&#039;&#039; them. Reiya kneels down next to Junpei with Yukari, as Fuuka calls out her instructions. &amp;quot;Stay back,&amp;quot; he advises. &amp;quot;It is our turn to take over.&amp;quot; He pulls his Evoker and, from the ground, lifts it to the side of his head. He closes his eyes--and fires. Kunimitsu appears, dressed in dark blue with light armor--the ninja Persona whirls in place, and extends his mantle over Junpei. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now!&amp;quot; Reiya calls. &amp;quot;Kunimitsu! Weaken their defenses!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
He fires again, and empowers his Persona, which makes intricate gestures with spectral hands--&lt;br /&gt;
&lt;br /&gt;
And light shines down upon the Emperor.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Reiya Aomori has used the Almighty skill Rakunda on Crossroads Bar!&lt;br /&gt;
 AS: Reiya Aomori&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
EARLIER&lt;br /&gt;
&lt;br /&gt;
Ririka sits in her dorm room, on her knees, before a small table. There is a framed photo of a boy that might be about her age, dressed in a kendo attire and holding a shinai--the same shinai that hangs on her wall above her desk.&lt;br /&gt;
&lt;br /&gt;
She has her eyes closed, hands clapsed together as a curl of incense wafts up into the air.&lt;br /&gt;
&lt;br /&gt;
Presently, she opens her eyes. &amp;quot;... Wish me luck, nii-chan.&amp;quot; She reaches out to snuff out the stick of incense, then rises and grabs her katana.&lt;br /&gt;
&lt;br /&gt;
NOW&lt;br /&gt;
&lt;br /&gt;
It&#039;d started when the Dark Hour hit, the strange twist of the supernatural turning everything dark and green. She winced, holding the side of her head, static filling her senses. &amp;quot;H-hey, I&#039;ve got... k-kind of a bad feeling about this...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It only got &#039;&#039;worse&#039;&#039; a moment later after those two Arcana bust in through the front doors. She tried to pull the Evoker from its holster but her shaky hand dropped it, and she instead clutched her head. She dropped to her knees, and now she&#039;s a liability for Junpei and the others fighting.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako Arisato, with her group, rushes in with those who had been inside Tartarus. The mission had gone sideways -- but it hadn&#039;t failed. And Fuuka Yamagishi is still alive. There is a chance. The redhead runs forward, her naginata drawn. She looks a little tired already, from their rather harrowing venture through this place.&lt;br /&gt;
&lt;br /&gt;
But her footsteps slow as she sees the Emperor and Empress rising forth -- and Junpei&#039;s cry. Their attacks aren&#039;t working.&lt;br /&gt;
&lt;br /&gt;
And the doors open, for Natsuki. She walks, as if in a trance. Minako&#039;s eyes widen. &amp;quot;Stop!&amp;quot; But she isn&#039;t listening. &amp;quot;Someone, stop her! It&#039;s too dangerous!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She won&#039;t listen.&lt;br /&gt;
&lt;br /&gt;
Minako&#039;s head whirls towards Fuuka. &amp;quot;Yamagishi-san! We--we came to save you!&amp;quot; she cries out. &amp;quot;Just--just get back, we can handle--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fuuka grabs for an Evoker. Minako sucks in a gasp -- and then she smiles, as her Persona erupts around her -- shielding her -- and then her eyes narrow. She nods. &amp;quot;You heard her, SEES!&amp;quot; the co-leader -- the one here -- yells. &amp;quot;Go for elemental attacks! Iori-kun, get back!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She draws out her own Evoker. The not-weapon spins in her hand; then it comes to her temple. She pulls the trigger -- blue light and glass explode out the side of her head, as the harp-donning form of Linos takes shape behind her. Both hands are thrust out, ahead of Minako, as her red eyes blaze.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Linos!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A blast of blue-white nuclear flame forms, exploding across the Empress Shadow with a powerful burst of energy. Then, she blinks -- her eyes shifting to the side. She stares for a moment, at Shinjiro.&lt;br /&gt;
&lt;br /&gt;
When did--&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Minako Arisato has used the Fire skill Frei on Crossroads Bar!&lt;br /&gt;
 AS: Minako Arisato&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;At least one of the SEES squads made to Fuuka with time to spare, if only a bare few moments: Yukari, Minako, Hitomi... and Suzume. &lt;br /&gt;
&lt;br /&gt;
Suzume, who has managed to put her foot in her mouth even harder than usual (and has since thought of three better things to say, none of which she has managed to get out to Yukari - not even the one that starts with &#039;sorry&#039;) is very glad to have something new to focus on - and something positive, at that. Fuuka&#039;s alive!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yamagishi!&amp;quot; Suzume calls. &amp;quot;It&#039;s Fukura, from class!&amp;quot; She swings her bag in front of her while the group makes their escape, digging out several items: a bottle of Gatorade, a BauerBar (guaranteed to keep you going for 24 hours!), a granola bar with chocolate chips. She is adept at jogging while rummaging through her bag, having done it plenty of times before as she waits as long as possible to get somewhere in school.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Thought you might need those,&amp;quot; she says, passing over whatever&#039;s desired. She tries to at least push the Gatorade on her though.&lt;br /&gt;
&lt;br /&gt;
But, Shadows bigger than the others...&lt;br /&gt;
&lt;br /&gt;
They certainly are, she thinks, looking up (and up, and up) at the paired Shadows. This is Suzume&#039;s first trip deep into Tartarus but she&#039;s been to see the entrance before, and she&#039;s pretty sure they weren&#039;t supposed to get in here - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey, don&#039;t run off!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Suzume wasn&#039;t expecting Fuuka to take off &amp;amp;#42;again&amp;amp;#42;, right to Natsuki, who she also recognizes from class even though the two barely talk to each other. (But that&#039;s true for her and Fuuka, too...) But of all the things Suzume wasn&#039;t expecting, Fuuka&#039;s own Persona is high on the list. It&#039;s so &amp;amp;#42;different&amp;amp;#42; than Atalanta, or any of the others...&lt;br /&gt;
&lt;br /&gt;
But she gives a sudden fierce grin. Right, she thinks. She can fight now.&lt;br /&gt;
&lt;br /&gt;
Suzume pulls out her own Evoker - and nearly drops it again. &amp;quot;Beanie-san?&amp;quot; she calls, surprised - but not that surprised. Didn&#039;t he say he used to be...? Of course he&#039;d&#039;ve heard. &amp;quot;...I&#039;ll back you guys up.&amp;quot; Not just Shinjiro, but Yukari... and the rest of SEES. He must have kept his Evoker, she thinks, not knowing any better. Good for him.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;ATALANTA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume fires the Evoker - and Atalanta, a blonde woman in a short tunic with a lionskin cloak that her hair blends into, green cats&#039; eyes, and a bow mounted on her bracer - appears. She brings up her hand as if to fire the bow, but what forms in it isn&#039;t an arrow but a dart of wind; when she fires, it &amp;amp;#42;lances&amp;amp;#42; out, accelerating far faster than Suzume&#039;s usual Garu and half-blasting, half-slicing.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Suzume Fukura has used the Wind skill Wind Cutter on Crossroads Bar!&lt;br /&gt;
 AS: Suzume Fukura&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shizuka Kuroki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
      &amp;quot;Aw crap, not this again! As if the monorail wasn&#039;t bad enough!&amp;quot; Shizuka recalls the Priestess from the month before, rushing down the stairs in the entrance hall to Tartarus, nearly tripping with a yelp. &amp;quot;Pei-kun, we&#039;re here!&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      &amp;quot;Fuuka, get back! We&#039;ll...&amp;quot; As she reaches the bottom, pulling out her Evoker, she gasps as Fuuka... gets a Persona! &amp;quot;Well, never mind. It&#039;s like a Persona bargain sale lately, I swear!&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      Listening to the analysis, Shizuka spins the Evoker in her hand (clumsily, but she&#039;s been practicing) and sticks it under her chin. &amp;quot;Elemental, got it! GALATEA!&amp;quot; She fires, her statuesque protector appearing behind her. &lt;br /&gt;
 &lt;br /&gt;
      &amp;quot;Let&#039;s rock!&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      She snickers as Galatea brings a barrage of rocks down on the two Shadows.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Shizuka Kuroki has used the Earth skill Landslide on Crossroads Bar!&lt;br /&gt;
 AS: Shizuka Kuroki&#039;s turn has ended.&lt;br /&gt;
 AS: Crossroads Bar has readied for combat with Emperor and Empress! They is adjusted! Ready for 20 opponents!&lt;br /&gt;
 AS: Akihiko Sanada has readied for combat as Polydeuces! He is now fully healed!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eikichi Mishina has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Eikichi is seriously tired walking around Tartarus. The blue haired punk has been on the move with his party, looking for the girl who was lost in this place. The more time that passes, the more Eikichi is convinced that Fuuka has to be a Boss in the making or one tough person. &lt;br /&gt;
&lt;br /&gt;
 It has only gotten worse once they found the main hall and the pair of Arcana Shadows showed up. The Death Boss of Kasu clicks his tongue as he continues to fire his &amp;quot;guitar case&amp;quot; on the pair of enemies. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Anyone want to explain what the hell is going on?!&amp;quot; Eikichi fires again and again, grinding his teeth has he is being backed toward a wall. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Guess its time to use my secret power.&amp;quot; Eikichi groans as he lets his guitar case sling back, rubbing the back of his neck. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Its time. Come to me! Rhadamanthus!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
 The Death Boss snaps his fingers, feeling the power crackle as a mechanical form begins to manifest behind Eikichi. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I thought I was freaking special but apparently everyone is summoning these ghost things. Doesn&#039;t matter! Lets do this!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Rhadamanthus&#039;s mechanical form whirrs and rumbles like an idling motorcycle as it pauses for Eikichi to do something. He snaps his fingers again and the mechanical form charges up and unleashes a torrent of water toward the Emperor Shadow.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Eikichi Mishina has used the Water skill Aqua on Crossroads Bar!&lt;br /&gt;
 AS: Eikichi Mishina&#039;s turn has ended.&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 101 Wind damage from Yukari Takeba&#039;s Magaru. Weak!&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 79 Elec damage from Myunghon Yeo&#039;s Zio. Weak!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Myunghon Yeo gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 71 Fire damage from Shinjiro Aragaki&#039;s Agi. Weak!&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Reiya Aomori&#039;s Rakunda.&lt;br /&gt;
 AS: Def_Dn added!&lt;br /&gt;
 AS: Reiya Aomori gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 92 Fire damage from Minako Arisato&#039;s Frei. Weak!&lt;br /&gt;
 AS: Blast added! Paralyze removed! Explosion! 45 damage!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 93 Wind damage from Suzume Fukura&#039;s Wind Cutter. Weak!&lt;br /&gt;
 AS: Blast added!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 98 Earth damage from Shizuka Kuroki&#039;s Landslide. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 104 Water damage from Eikichi Mishina&#039;s Aqua. Weak!&lt;br /&gt;
 AS: Blast removed! Explosion! 40 damage!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
During the journey upwards, Hitomi Mandai didn&#039;t have a good time. &lt;br /&gt;
&lt;br /&gt;
Obviously, you do not usually have a good time in Tartarus. Frankly, it would be strange if you did. But it was unusually unsavory. There were Shadows, bad enough in their own right -- distortions of the journey, separation from the others. A dozen terrors, absorbed because there was no choice. And of course they had to keep going upstairs, setting off various simmering pots of self-loathing within Hitomi as she sweated and panted for breath. &lt;br /&gt;
&lt;br /&gt;
Yet then they find Fuuka. Fuuka calls out to them. In fear, not in pain. &lt;br /&gt;
&lt;br /&gt;
Hitomi, behind her glasses, tears up for a few moments. She blows it off; blows her nose on a tissue in the pack in her pocket - and calls back, &amp;quot;Yes! Yamagishi! We&#039;re here for you!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Nobody&#039;s dead. &lt;br /&gt;
&lt;br /&gt;
DOWN! Which at least is easier, no matter what. Gravity works in your favor! (Terms and conditions apply.) Once they do reach the bottom, simple aerobic fatigue catches up with Hitomi - she wheezes for breath, panting openly as her eyes rest on the Emperor and the Empress. And as she does, her shoulders... relax. &lt;br /&gt;
&lt;br /&gt;
She straightens up. Her face tightens up. &#039;Ugh,&#039; thinks the tall girl. &#039;Why am I...?&#039; The reaction to the Shadows confounds her, already slapping into the shoals of anxiety and self loathing. She swallows dryly before she sees Fuuka... struggle... and... &lt;br /&gt;
&lt;br /&gt;
            blam&lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s lips twitch for a moment. She straightens up. Her mouth hangs slightly open, before her lips curl up and she rests one hand heavily on her hip, over the open Evoker holster -- now empty. Handed, in fact, to Fuuka. Perhaps it was just blind interlocking reactions. Maybe it was -Fate.-&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;re a natural,&amp;quot; Hitomi says, before hiccuping and -- paradoxically -- giggling, just for a moment, before she palms her face. (Oh my god, she thinks to herself, am I losing my mind. What the &amp;amp;#42;fuck&amp;amp;#42;.) But then another deep breath and she rolls her head back and says, &amp;quot;... if that&#039;s what you say... Tyche!&amp;quot; She brings up her hand with a flourish, as if directing a concert. The Persona rises above her in a luminous glow of cerulean blue, the stone figure gazing down upon the Emperor and Empress with that all-encompassing focus of an unpainted statue. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Light &#039;em up,&amp;quot; and that&#039;s when a half-dozen streaks of fire erupt outwards, bursting into colorful starbursts when they hit the Shadows! ... or, the ground; thankfully, not towards anyone else. &lt;br /&gt;
&lt;br /&gt;
(&amp;quot;What the shit?&amp;quot; Hitomi answers Suzume, at the spotting of Beanie-san.) &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Hitomi Mandai has used the Fire skill Agilao on Crossroads Bar!&lt;br /&gt;
 AS: Hitomi Mandai&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Remi Ryuuja has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Remi was here, too--though not in the guise of herself, but as &#039;Tsurugi&#039;, a woman in form-fitting black fencing gear, complete with a black fencing mask... and, naturally, a rapier.&lt;br /&gt;
&lt;br /&gt;
But also an off-hand dagger and, seemingly, a gun on her thight.&lt;br /&gt;
&lt;br /&gt;
She came here with Myunghon, Yua--as Yumi--and Shinobu. Where the latter two got to she isn&#039;t sure, but she is, paradoxically, by Myunghon&#039;s side as if Ebisu Beach hand&#039;t happened at all.&lt;br /&gt;
&lt;br /&gt;
Must be a coincidence.&lt;br /&gt;
&lt;br /&gt;
She is &#039;&#039;relentless&#039;&#039;, though, throwing herself at the Shadows again and again, attacking in tandem with her Persona, an androgynous figure in a red leather straightjacket wielding a rapier through a too-long sleeve. She seems to shrug off blows, continuously rallying for another assault.&lt;br /&gt;
&lt;br /&gt;
There is a small turn of her head as she hears the oh-so-familiar sound of shattering glass. That girl... Elemental attacks... She nods, silently, drawing that revolver and putting it to her head. It can&#039;t be an Evoker--it&#039;s dark gray, and a revolver. But she puts it to her head. &amp;quot;Persona.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Shattering glass and blue flames swirl as La Maupin resurges in strength. In unison both Remi and La Maupin raise their rapiers, touching their points together. Blue flames surge along each, conveying the sense of wind.&lt;br /&gt;
&lt;br /&gt;
And in tandem they both charge in, striking with coordinated, wind-blessed blade strikes.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Tandem! Remi Ryuuja has used the Wind skill Blastbrand on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Remi Ryuuja&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    The young woman who gave her name as &#039;Badb&#039; has been having a rough night. Her cheap plastic mask is cracked beyond repair, and sweat&#039;s getting in her eyes as she tries to keep behind her party (being Shinjiro, &#039;Vesper&#039;, and Eikichi). Is _this_ what people like Yukari and Junpei deal with on a regular basis? &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Nothing&#039;s working!&amp;quot; Umie yells at the newcomers. &amp;quot;They&#039;re immune to a lot of what I can throw at them. Dark attacks worked once, but the damn things keep changing it up!! All we&#039;ve been doing is delaying things!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    At least that girl is safe. Fuuka, is it? Relief briefly brings Umie&#039;s exposed lips to smile, before she focuses back on the fight.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;... Screw it, I can&#039;t see like this!&amp;quot; With a frustrated cry, she rips it off and to the side, revealing the grimacing face of Umie Akabane, though, it&#039;s not as if she had been doing a great job with her identity up to that point. Can&#039;t worry about your identity when you&#039;re &amp;amp;#42;dead&amp;amp;#42;. She draws her bangs back from her forehead. &amp;quot;Don&#039;t sell yourself short, Mishina-san; I&#039;ll be meat paste by now if you weren&#039;t in front.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Another voice catches Umie&#039;s attention, coming from the opposite door where the Shadows came from. Umie panicks. &amp;quot;Shit! That girl! She&#039;s not supposed to be here! Someone grab her!&amp;quot; &lt;br /&gt;
    &lt;br /&gt;
    Even if Umie decided to use that, it&#039;d be useless now--&lt;br /&gt;
&lt;br /&gt;
    &#039;I know.&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;...?!&amp;quot; Umie&#039;s head pivots towards Fuuka as a new resonance unveils itself, revealing a certain sort of strength Umie&#039;s only been familiar with in passing. &amp;quot;... She can...&amp;quot; Her own abilities couldn&#039;t reveal that much about an enemy; it&#039;s always been trial and error.&lt;br /&gt;
&lt;br /&gt;
    Now isn&#039;t the time for awe. &amp;quot;Alright.&amp;quot; She lets out a breath. &amp;quot;Come to me, Badb! We&#039;re turning the battle in our favor!&amp;quot; A spray of water erupts from the manifestation of the red-mouthed woman in dark grey over Umie&#039;s head. Skill card go go go!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akihiko Sanada has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Akihiko is hot on the tails of Minako&#039;s group, sprinting down the stairs and into the main lobby of Tartarus. He gauges the situation and while while the situation seems rough, it could certainly be worse. He almost trips down the stairs as he sees his old friend there.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Shinji?!&amp;quot; He exclaims as he arrives on the bottom floor. There isn&#039;t much time to talk however, as Fuuka seems safe and belts out weaknesses - and the co-leader yells her commands. &amp;quot;You got it, Arisato-san!&amp;quot; He replies as he slides to a stop.&lt;br /&gt;
&lt;br /&gt;
    He grabs his Envoker. It&#039;s a smooth motion that results in him pointing it at his temple, upside down. &amp;quot;Polydeuces, to me!&amp;quot; Akihiko yells as he pulls the trigger. Not one to pull punches, he stuffs his Envoker back into his holster and sends himself flying towards the huge Personas, his fists empowered with electric energies. One-two, into a harder stinger. &amp;quot;How do you like that?!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: That attack doesn&#039;t seem to match one on your list.&lt;br /&gt;
 AS: Persona! Umie Akabane has used the Water skill Aqua on Crossroads Bar!&lt;br /&gt;
 AS: Umie Akabane&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tyler Gould has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Though his own introduction (re-introduction?) to this paranormal side of the world was only very recently, there are few more willing to dive headfirst into the unknown as transfer student Tyler Gould.&lt;br /&gt;
&lt;br /&gt;
By no means has he been the best equipped. In lieu of a proper weapon to take into the fight, he just happened to collect a fist-sized rock that inhabits his hand.&lt;br /&gt;
&lt;br /&gt;
Granted, it&#039;s only there to break glass in case of emergencies, as going mano-a-mano with these things is never the American&#039;s preferred option.&lt;br /&gt;
&lt;br /&gt;
It&#039;s been a raging battle so far -- he&#039;s been one of those fighting for a while, among faces familiar and strange alike. Everyone seemeed to &amp;amp;#42;know&amp;amp;#42; what to do. The shadows were the enemy. The living, not so much.&lt;br /&gt;
&lt;br /&gt;
The arrival of Fuuka and Natsumi, from opposing directions is most certainly noticed. The way everything else is nearly ignored to come together. The way she draws that Evoker (it didn&#039;t come from him this time, Yukari!) and uses it without hesitation...&lt;br /&gt;
&lt;br /&gt;
...and the rather... unique result that protects the pair of girls within the shell of the lost girl&#039;s Persona.&lt;br /&gt;
&lt;br /&gt;
Is he happy that Houdini keeps the chains away from him? ... it&#039;s debatable. It would certainly be a cool look. Ultimately, though, he suspects that it&#039;d be hard to see, so. As-is seems like the best way for him to work with his.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;No physical...&amp;quot; No problem, there. &amp;quot;No light or dark?&amp;quot; Noted.&lt;br /&gt;
&lt;br /&gt;
Why is he following her lead? Well, she seems to know what she&#039;s talking about, from the looks of it, she&#039;s probably more experienced at this side of life than he is -- plus Minako backed up the order. That&#039;s more than enough on its own.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You heard her, Houdini. Freeze &#039;em.&amp;quot; comes the monotone voice, blue eyes staring at his foes from behind those purple lenses.&lt;br /&gt;
&lt;br /&gt;
Tyler&#039;s hand moves without hesitation, the barrel of the gun to the side of his head. The trigger pulled, the sound of glass shattering clouding everything for a moment...&lt;br /&gt;
&lt;br /&gt;
...and then the ice comes roaring in, shards of frozen &#039;glass&#039; flying through the air from the chained magician&#039;s &#039;cocoon&#039; directly at the offending shadows. As more and more join the fray, he&#039;s working his way towards the rear of the group, slinging those spells all the while. Some are clearly stronger, others might need close quarters for their combat. Though, he makes a point of stopping in front of the fallen Ririka upon noticing her. If she&#039;s already out of this fight... then he&#039;ll at least try to play human shield to keep her &amp;amp;#42;alive&amp;amp;#42;.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Tyler Gould has used the Water skill Bufula on Crossroads Bar!&lt;br /&gt;
 AS: Tyler Gould&#039;s turn has ended.&lt;br /&gt;
 AS: Tandem! Akihiko Sanada has used the Elec skill Polydeuces, to me! on Crossroads Bar! 2 Hits!&lt;br /&gt;
 AS: Akihiko Sanada&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Mitsuru Kirijo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;PENTHESILEA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s a roar of command that echoes across the ground floor of Tartarus that announces the rapid approach of Mitsuru Kirijo from Arqa&#039;s depths. Icy wrath coalesces from the moisture of the air, expanding into crystalline pillars of ice that seek to spear through the twin Arcana Shadows.&lt;br /&gt;
&lt;br /&gt;
Mitsuru Kirijo announces her presence with unflinching violence. Capitalize on any opening: that&#039;s what her experience has overwhelmingly taught her about the Dark Hour.&lt;br /&gt;
&lt;br /&gt;
... Unfortunately...&lt;br /&gt;
&lt;br /&gt;
These Arcana Shadows are so much different from the generic monstrosities they&#039;ve faced in the streets, and even in Tartarus itself.&lt;br /&gt;
&lt;br /&gt;
Dark red eyes widen as Mitsuru watches all that ice shatter harmlessly against the implacable duo-behemoths. She stifles a gasp; a shocked stare soon becomes a narrow-eyed glare of severity as the situation rapidly becomes clear to her -- and why Iori and the others had been struggling so much.&lt;br /&gt;
&lt;br /&gt;
Her brows furrow. She reaches out. She tries her hardest--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Dammit,&amp;quot; she exhales beneath her breath, &amp;quot;why--?!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
--and yet, she can&#039;t grasp onto the shape of them to save herself -- to save &#039;&#039;the others&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Is this really her limit? Is she really this weak--?&lt;br /&gt;
&lt;br /&gt;
Frustration grips its white-hot, smoldering grip on her heart by the time she sees Fuuka standing to face the Shadows. Fuuka, the girl Akihiko met in the hospital. Fuuka, the girl who managed to survive so long in -Tartarus-. Fuuka--&lt;br /&gt;
&lt;br /&gt;
--gripping an Evoker in her hand.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Red lips pull into a thin line, but Mitsuru does not stop Fuuka nor try to warn her. She just--&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Persona&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
--waits to see what unfolds.&lt;br /&gt;
&lt;br /&gt;
It&#039;s a gamble, in and of itself. She feels like she shouldn&#039;t be letting one of her juniors, unacquainted with the this world, place themselves in such immediate danger. But what more can she do, in this situation?&lt;br /&gt;
&lt;br /&gt;
And in the end? ... That gamble pays off far better than it has any right to.&lt;br /&gt;
&lt;br /&gt;
Fuuka&#039;s Persona blooms into its great, radiant majesty, and -envelops- her. And within her shimmering field, she sees -- sees &#039;&#039;far more&#039;&#039; than Mitsuru ever could have. Mitsuru blinks, taking a step forward.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;A Navigator--?&amp;quot; she begins. A true Navigator. And a -powerful- one. Fuuka can see the weaknesses of the Shadows. Moreover -- she can see them -shifting-. It isn&#039;t that the Arcana Shadows are completely invulnerable, it&#039;s just...&lt;br /&gt;
&lt;br /&gt;
Despite herself, Mitsuru closes her eyes, a confident, cool smile returning to her lips as things fall into place.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... D&#039;accord. We&#039;re depending on you, Yamagishi-san.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Dark red eyes narrow. In rapid motion, Mitsuru unlatches her evoker&#039;s holster and quickdraws it, bringing it to her forehead even as she announces their new marching orders:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Everyone who can utilize elemental attacks -- target the Shadows! Do not give them an ounce of mercy! Everyone else, keep Yamagishi-san and the others safe! Be prepared -- our tactics will have to adapt dynamically with these foes!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Point. Click.&lt;br /&gt;
&lt;br /&gt;
A thousandfold explosion of shattering blue glass.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Come and face me, Shadows! COME FORTH! PENTHESILEA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And the noble shroud of Penthesilea surges forth, rapier pointed at the Shadows as a black-purple ripple of magic spawns around them, forming void-spheres of deep inky blackness to seep into their defenses and further weaken them for the sake of her allies. Her... allies...&lt;br /&gt;
&lt;br /&gt;
There are so many people here. How? Some of them are very clearly not SEES. She supposes she shouldn&#039;t look a gift horse--&lt;br /&gt;
&lt;br /&gt;
--in the--&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;PERSONA!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
--mouth--?&lt;br /&gt;
&lt;br /&gt;
&amp;quot;--Aragaki?!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Mitsuru&#039;s eyes widen.&lt;br /&gt;
&lt;br /&gt;
To her credit -- she&#039;s much too composed and dignified a young woman to belt out surprised swears. &lt;br /&gt;
&lt;br /&gt;
But it&#039;s VERY TEMPTING. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Julian Marlowe has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Julian Marlowe, naturally, isn&#039;t here. Why would Kasugayama&#039;s English teacher be here? Dark Hour aside, this isn&#039;t even his school. There &#039;&#039;is&#039;&#039;, however, a mysterious masked man in a fancy suit who&#039;s been doing his best to hold off the Shadows, ever since arriving here from a teleporter in the company of Shinjiro, Eikichi and Umie. Vesper, a self-proclaimed Supernatural Investigator had been looking into Fuuka&#039;s disappearance on his own accord - his meeting with the others had been entirely coincidental. Or so he claimed.&lt;br /&gt;
&lt;br /&gt;
But that&#039;s not important right now. What matters right now are the giant, seemingly invincible Shadows. That being that case, he stopped using his Persona offensively and focused on protective auras for his fellow combatants, in an effort to keep everyone standing longer. But this was obviously a losing battle. Everyone was getting tired. There seemed to be little hope. Until, thankfully, the cavalry arrives, and with them--&lt;br /&gt;
&lt;br /&gt;
He had not gotten to see Fuuka Yamagishi yet, but it&#039;s clear enough who she is from the circumstances. For a moment, it appears as if the entire rescue operation will prove to be for naught with the Shadows bearing down on her and the one she sought to protect, however...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Of course. Now I see,&amp;quot; he mumbles to himself, when Fuuka summons her Persona. If she was able to make her voice heard like that, it only stands to reason she, too, had to have some sort of supernatural ability. Lucky for all of them, the exact type of ability they needed right now. In spite of it all, he lets out a laugh.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;It appears our rescuee has become the rescuer! What good fortune! In that case...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
His normal attack options defended against, he&#039;ll have to hope that these Skill Cards are all they&#039;re cracked up to be. A hand to his stark white mask, now aglow with blue flames, Vesper exclaims, &amp;quot;Time for our literal trump card! RAFFLES!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
His Persona - essentially a giant cricket player in a fancy coat and an iron mask, with inky black tendrils for limbs on his right side - appears behind him, raising the diamond tipped cane in his left hand, then waving it outward, sending out a lightning bolt towards the Shadows before him.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Julian Marlowe has used the Elec skill Zio on Crossroads Bar!&lt;br /&gt;
 AS: Julian Marlowe&#039;s turn has ended.&lt;br /&gt;
 AS: Persona! Mitsuru Kirijo has used the Almighty skill Pulinpa on Crossroads Bar!&lt;br /&gt;
 AS: Mitsuru Kirijo&#039;s turn has ended.&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 102 Fire damage from Hitomi Mandai&#039;s Agilao. Weak!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Mitsuru Kirijo&#039;s Pulinpa.&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 41 Wind damage from Remi Ryuuja&#039;s Blastbrand. Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 51 Wind damage from Remi Ryuuja&#039;s Blastbrand. Critical Hit! Weak!&lt;br /&gt;
 AS: Remi Ryuuja gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 56 Wind damage from Remi Ryuuja&#039;s Blastbrand. Critical Hit! Weak!&lt;br /&gt;
 AS: Remi Ryuuja gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 79 Water damage from Umie Akabane&#039;s Aqua. Weak!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Umie Akabane gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 198 Water damage from Tyler Gould&#039;s Bufula. Critical Hit! Weak!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 60 Elec damage from Akihiko Sanada&#039;s Polydeuces, to me!. Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 66 Elec damage from Akihiko Sanada&#039;s Polydeuces, to me!. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 85 Elec damage from Julian Marlowe&#039;s Zio. Weak!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eriko Kirishima has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Sometimes, following after rumours outside of Sumaru gets you nothing but a wasted evening. Nonetheless, this one had intrigued Eriko Kirishima enough to catch one of the last trains into Tatsumi Port Island that evening. She &amp;amp;#42;had&amp;amp;#42; planned to contact a certain RA at Iwatodai Dorm about it, but then changed her mind.&lt;br /&gt;
&lt;br /&gt;
    And she was so glad she had! A whole new maze of the supernatural, floors shifting every time you moved up or down the stairs, fascinating and horrible new demon-like entities! A golden hand she may have gotten a little caught up in trying to chase down! Fascinating, foreboding architecture! And the voices crying for help! Ahhh, a perfect haunted tower of the damned!&lt;br /&gt;
&lt;br /&gt;
    Still, she wasn&#039;t totally lost in her reverie, and when she heard the sounds of fighting downstairs, she ran towards it. &lt;br /&gt;
&lt;br /&gt;
    And that&#039;s why there&#039;s a model from magazines and local TV amongst those holding down the fort against the shadows, Epee drawn and an air of enthusiasm around her that only grew as the massive shadows showed up.&lt;br /&gt;
&lt;br /&gt;
    Even the fact that they were so difficult to pin down and hurt was worrying, certainly, there was a giddiness from being around so many Persona Users against a threat again. It reminded her of highschool!&lt;br /&gt;
&lt;br /&gt;
    Still, hearing someone (Eikichi) complaining about being special reminds Eriko of her first adventure too. &amp;quot;It is a touch disappointing, isn&#039;t it?&amp;quot; She calls, even in the throng. &amp;quot;Still, isn&#039;t it &#039;&#039;wonderful&#039;&#039; to see so many different Persona at once?&amp;quot; The &#039;wonderful&#039; is said in perfect American English.&lt;br /&gt;
&lt;br /&gt;
    Still, a sustained fight is hard, even for a Veteran Persona user like herself. Especially when the enemy is seemingly invulnerable to their attacks- and then someone, the boy with the sword- is sent flying by a strike from the Empress. That&#039;s... not good.&lt;br /&gt;
&lt;br /&gt;
    But so too comes the cavalry, and Eriko looks up briefly at the summoned Persona- &amp;quot;&#039;&#039;Oh my!&#039;&#039; The patron saint of the blind! &#039;&#039;How beautiful!&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Eriko is now really the time?&lt;br /&gt;
&lt;br /&gt;
    Now, however, it seems it is time to push back. &amp;quot;Nike!&amp;quot; She shouts, the Angel of Victory rising from her with a wave of her left hand, the right maintaining her guard with her Epee. &amp;quot;Come to me!&amp;quot; The armless angel with the wings of a jet flies upward, and releases a gale of wind from it&#039;s engines, a slightly manic smile on Eriko appearing as she does.&lt;br /&gt;
&lt;br /&gt;
    God, she missed this.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Eriko Kirishima has used the Wind skill Magaru on Crossroads Bar!&lt;br /&gt;
 AS: Eriko Kirishima&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Moriko&#039;s the new girl. Probably literally at this point. And any attempts to disuade her, probably met with the same level of success as getting in her face on the bridge had. She hadn&#039;t even managed to visit the shop yet. The idea of gearing up for this had been interesting, but she&#039;d missed out on the chance. Probably inavertantly. That&#039;s a later problem. She may or may not have grabbed a mop and unscrewed the head though. Good enough for now! &lt;br /&gt;
 &lt;br /&gt;
 Besides, they handed her an Evoker. &lt;br /&gt;
 &lt;br /&gt;
 She didn&#039;t know Reiya had been in on this and when he looks her way, she gives him a proper mean scowl, points to him. Then points to her eyes and back to him. She&#039;ll have words later clearly! He&#039;d definitely know the difference between her usual look and actually angry! &lt;br /&gt;
 &lt;br /&gt;
 Probably. &lt;br /&gt;
 &lt;br /&gt;
 They&#039;ve got their marching orders though and her focus shifts, both to the giant shadows and the person doing their best to help despite it all going sideways. &lt;br /&gt;
 &lt;br /&gt;
 She gives a.. somewhere between an acknowledging wave and a salute, draws the evoker in a cross draw and holds it to her jaw, head tilted to the side just a touch. &amp;quot;Persona.&amp;quot; She keeps it simple. She&#039;s still learning and doesn&#039;t want to accidentally invoke the wrong evocation and break something. &lt;br /&gt;
 &lt;br /&gt;
 It&#039;s somehow a familiar feeling. Staring down that kind of horror. Even if she doesn&#039;t go as fast as some, trying to take a bike to its upper limits. &lt;br /&gt;
 &lt;br /&gt;
 The fox appears with the sound of shattering glass, turning on the spot and lunging forward into the ground where an earthen spike rumbles away, then juts forth all sharp and jagged edges. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Do you guys always ride by the seat of your pants?&amp;quot; She can&#039;t help, but feel that planning or not, this is more on the spot improv than she&#039;d have expected. &lt;br /&gt;
 &lt;br /&gt;
 She likes it.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Moriko Kumamoto has used the Earth skill Magna on Crossroads Bar!&lt;br /&gt;
 AS: Moriko Kumamoto&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yanagi Nagisa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Oh my!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    An effusive young woman&#039;s voice sounds in the stillness of the Dark Hour from atop a building not far from Tartarus. Long, sunset-pink hair sways over a long-trained skirt that circles sturdy, supportive thigh-high boots. Steadied by a long cane in her left hand, she smiles in the direction of the so-called Tower of Ruin.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Pernelle, something truly wonderful has happened!&amp;quot; The speaker turns to her companion, her eyes greener than the night shining brighter than the moon. &amp;quot;Someone in that enormous tower has just awakened to their power!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    There have been two of these strange, abnormally powerful Shadows in this area recently already. This young woman had noticed a surge of power in this area last month and the month before, and had come with her companion to investigate this, the third time...&lt;br /&gt;
    &lt;br /&gt;
    But she hadn&#039;t anticipated this.&lt;br /&gt;
    &lt;br /&gt;
    How exciting this outing is already turning out to be!&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Shall we get closer and have a better look?&amp;quot; she suggests, lips curved as if in a joke. And it is a joke--that is, the idea that she would have to ask. She already knows how her friend will respond.&lt;br /&gt;
    &lt;br /&gt;
    And so, off they go.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Pernelle has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Is it so, dearest Yanagi? How exhilarating!&amp;quot; exclaims the woman&#039;s companion -- Pernelle -- a striking peacock-like creature in that he is almost certainly a peacock, but with his expressive face, ability to speak, and animated articulation suggesting he is quite more than just a peacock. &lt;br /&gt;
&lt;br /&gt;
That, and his dapper outfit. Upon his head sits fashionably tattered tricorne with one of his own (his own!) train feathers adorning it, accompanied by a matching indigo vest that wraps around his frame. He&#039;s even got a fluffy little ascot scarf bundled at his throat.&lt;br /&gt;
&lt;br /&gt;
He hops up to her side, twisting his head at one angle and then another as he squints through the orange-tinted glasses that rest upon his beak. He does not have the level of resonance of his companion, but there are still plenty of fireworks to observe even from this distance. A story of deliverance! A story of forgiveness! And so many companions together, facing up against the Shadows... fighting with such invigorating passion and purpose!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Well, well, well, you perceptive little peachick. Welcome to the waking world... to what ends shall you wield the strength of your soul...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Pernelle pops his head up to regard Yanagi with her inquiry, his feathers ruffling in barely contained glee as he gives her a devilishly impish smile.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;We will take but the itsiest, bitsiest sort of peek, I should think. Reconnaissance! Terribly responsible of us. Painfully responsible. None have ever witnessed such commitment to accountability for our actions and decisions.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He spins on his talon and begins hurrying along with a buoyant bounce to his steps.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Anything that transpires after that is, of course, an unforeseen consequence for which present parties cannot be blamed!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Remi Ryuuja spends Limit on Shift! Myunghon Yeo can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Crossroads Bar has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Fuuka?&amp;quot; Natsuki asks, slumped behind her, as she stands. &amp;quot;What are you planning to do...?&amp;quot; Something of her own will to live is sparked back to life by Fuuka&#039;s regard, as she cries: &amp;quot;Let&#039;s run away!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Horrifically, impossibly, Fuuka turns the gun -- it must be a gun, looks just &#039;&#039;like&#039;&#039; a gun, no matter what those people are saying -- on herself. &amp;quot;Don&#039;t!&amp;quot; She screams, stabbed through with the horror of where it ends, all her needling and poking and laughing...&lt;br /&gt;
&lt;br /&gt;
    Except it doesn&#039;t end, like that.&lt;br /&gt;
&lt;br /&gt;
    Fuuka doesn&#039;t want to die. She wants to &#039;&#039;live.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Natsuki finds herself protected, then, in an impossible bell jar -- no, a girl, a girl&#039;s prayer for &#039;&#039;connection&#039;&#039; rather than her alienation from the world.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Fuuka...&amp;quot; she echoes, again, looking up to her.&lt;br /&gt;
&lt;br /&gt;
    This girl she&#039;s made so miserable... is saving her life. Oh, she knows it&#039;s not enough, Yukari. That&#039;s why...&lt;br /&gt;
&lt;br /&gt;
    Magaru echoes out across the Empress and Emperor, knocking them to the side and causing them to turn back to the group. She&#039;s caught their attention...!!&lt;br /&gt;
&lt;br /&gt;
    Shinjiro would normally struggle with this aspect terribly -- but luckily, he has a Skill Card to help him attack, and Agi burns at the Empress&#039;s cape. (It shimmers back into existence, a moment later, but it still &#039;&#039;burned&#039;&#039;.) Myunghon &#039;&#039;sells&#039;&#039; Skill Cards, so it&#039;s no wonder they, too, have one on hand, as Kudlak calls down the spark of Zio onto the Emperor in the same breath. The Empress spreads her arms, and Mabufu wraps around them both!&lt;br /&gt;
&lt;br /&gt;
    Reiya, seeing the way the lumbering giants brace under these assaults, cuts through their defences with Rakunda. It &#039;&#039;isn&#039;t&#039;&#039; an elemental attack, so they turn, shifting back and forth as if looking at each other in confusion... no, they were just winding up their weapons. The Empress&#039;s sceptre comes down on Yukari, as the Emperor&#039;s sword swings down onto Reiya!&lt;br /&gt;
&lt;br /&gt;
    Linos takes the lead -- where &#039;&#039;is&#039;&#039; Minato, anyway? -- as Minako calls down nuclear fire on the Empress, burning her cape away again. (It shimmers back, AGAIN. Honestly. No respect for a woman&#039;s finery.) Suzume is here to help support her, with &#039;&#039;snacks&#039;&#039; to help the people who&#039;ve been fighting get their second wind. Speaking of second winds: Yukari&#039;s not the only one approaching this fight with gust-o. (... where is the Chairman when things like this are happening, anyway?) Atalanta is fast enough that she&#039;d never come in second place, though, her windy arrow piercing through the middle of Emperor&#039;s cross as if it were a bullseye. The Empress lifts her sceptre, and slams it in between the two of them!&lt;br /&gt;
&lt;br /&gt;
    The Chairman&#039;s greatest ally in puns, Shizuka, brings the landslide down on the Empress and the Emperor. The stones knock the Emperor&#039;s pauldrons askew, though this, too, rights itself as it rises again. Eikichi, who is having, just, the WORST day, is still here to help -- his own strange ghost from the... well, not machine, Eikichi is a &#039;&#039;person,&#039;&#039; how weird would it be if a robot had a Persona? -- anyway, the Emperor has no sooner righted itself that it&#039;s knocked down &#039;&#039;again,&#039;&#039; courtesy Rhadamanthus. The Empress blasts both of them with electricity to punish their insolence!&lt;br /&gt;
&lt;br /&gt;
    Hitomi has more fire for the Empress, though, before she can really get moving. Remi -- Tsurugi -- meanwhile, has another good reason to keep these Shadows busy: Yumi&#039;s fleeing into the night, somewhere past that front door. Perhaps she went to get help; it won&#039;t arrive in time. Right now it&#039;s &#039;&#039;Tsurugi&#039;s&#039;&#039; time, as she slices and dices the Empress alongside her Persona. The Emperor slashes his blade down on her in retribution, as the gust from his blade assaults Hitomi!&lt;br /&gt;
&lt;br /&gt;
    Umie unmasks herself, and Badb invokes her own skill card with a watery blast for the Emperor. Akihiko isn&#039;t about to go down without a fight, and so he and Polydeuces attack as one, with electrical fists slamming for the Emperor&#039;s cross. It&#039;s blasted back into the Empress, and &#039;&#039;both&#039;&#039; of them orient on the two of them, with the Empress slamming her sceptre towards Akihiko and the Emperor slashing his sword at Umie.&lt;br /&gt;
&lt;br /&gt;
    Tyler&#039;s efforts to protect Ririka are interrupted, though -- because the Empress felt the chill of Bufula, and orients on him in its rage! Swinging its sceptre towards him, she knocks him towards Mitsuru, as her own Persona freezes the &#039;&#039;Emperor.&#039;&#039; Did -- did that Shadow just use Tyler as a weapon? That&#039;s gotta be a party foul!&lt;br /&gt;
&lt;br /&gt;
    Julian -- no, the mysterious investigator Vesper -- pulls out his trump card, which is, as it happens, &#039;&#039;another skill card.&#039;&#039; Was someone selling these to everyone?! MYUNGHON! The Empress is zapped down again, just in time for Nike to come in and really rub her mask in the dirt. And the &#039;&#039;Emperor,&#039;&#039; at that, because he&#039;s knocked down by the same breeze; Nike&#039;s Garu game is evidently &#039;&#039;very&#039;&#039; strong, for some reason. They&#039;re not down for long, though, as they pick themselves up, and the Empress calls down fire on them both!&lt;br /&gt;
&lt;br /&gt;
    The new girl, meanwhile, is a bit ginger with her evocation -- but Moriko&#039;s Persona emerges regardless, as a fox rumbles in over the Empress to try and keep it off of them. She turns, then, to smash her sceptre down on &#039;&#039;Moriko&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
    But the Emperor shadow has lifted his sword, too -- and it&#039;s coming down, right for Fuuka...&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    SEES - Boy&#039;s Dormitory&lt;br /&gt;
&lt;br /&gt;
    A boy holds his Evoker in his hand, staring mildly down at it. If there&#039;s a little sadness in his expression, maybe it&#039;s just the green cast to the room.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Hi there,&amp;quot; says a voice which wasn&#039;t there, a moment prior.&lt;br /&gt;
&lt;br /&gt;
    Minato looks up, and sees a boy, dressed in the white and black stripes of a prisoner. &amp;quot;What?&amp;quot; He asks, lowering his hands to his lap. He isn&#039;t surprised to see him. He&#039;s rarely surprised, anyway.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It looks like your teammates have found the girl. Good for them. After all, her abilities are something that you guys need right now.&amp;quot; As the boy tells Minato this, his lips part, but he makes no effort to speak but a grunt. He blinks, instead.&lt;br /&gt;
&lt;br /&gt;
    The boy lifts his head, his bright blue eyes looking into Minato as he smiles brightly to him. &amp;quot;Are you sure you shouldn&#039;t go?&amp;quot; He asks, supportively.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I don&#039;t know,&amp;quot; Minato says, looking down.&lt;br /&gt;
&lt;br /&gt;
    That boy sighs, as he points out: &amp;quot;... even though the other girl has gone there?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;...?&amp;quot; Minato vocalises, as he looks up him, his dull eyes widening just a touch.&lt;br /&gt;
&lt;br /&gt;
    But the boy is gone.&lt;br /&gt;
&lt;br /&gt;
    Minato fearlessly ascends the girl&#039;s staircase, though no boys are to ascend past that point, to check the room he heard them put Natsuki in. ... she&#039;s gone.&lt;br /&gt;
&lt;br /&gt;
    When he walks back down, though, someone else isn&#039;t. Someone who heard him open the door, walk outside...&lt;br /&gt;
&lt;br /&gt;
    BABY BABY BABY BABY BABY&lt;br /&gt;
&lt;br /&gt;
    OST: https://www.youtube.com/watch?v=Q6q6pDC6Mas Persona 3 Reload - Mass Destruction&lt;br /&gt;
&lt;br /&gt;
    The sound of a motorcycle -- the MOTOR of a MOTORCYCLE! -- revs, echoing throughout Tartarus&#039;s vast atrium, as the Emperor&#039;s sword comes down. &lt;br /&gt;
&lt;br /&gt;
    And who is driving it but Koh Katsuhiro, helpful friend and notorious ladies&#039; man?!&lt;br /&gt;
&lt;br /&gt;
    Behind him, Minato Arisato holds on with one hand. The other lifts his Evoker, as he yells: &amp;quot;PERSONA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Orpheus rises up, behind them, bringing his lyre around to crash into the Emperor&#039;s sword before it can reach Fuuka and Lucia. Once the motorcycle&#039;s skid to a halt, he vaults off of it, eyes casting over the situation. The group has gathered... but there are people here without Personas. Minako can&#039;t fight freely with so many innocent people at risk, can she?&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I&#039;ll protect them,&amp;quot; he promises her -- and them, as he runs to interpose himself in front of Ririka and Fuuka and Natsuki both. &amp;quot;You focus on the battle!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 73 Wind damage from Eriko Kirishima&#039;s Magaru. Weak!&lt;br /&gt;
 AS: Haze added! Bind removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 104 Earth damage from Moriko Kumamoto&#039;s Magna. Weak!&lt;br /&gt;
 AS: Bind added! Haze removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Assault Dive on Yukari Takeba! 2 Hits!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Straight Slash on Reiya Aomori!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Water skill Mabufu on Shinjiro Aragaki and Myunghon Yeo!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Twinkle Punch on Mitsuru Kirijo and Suzume Fukura!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Elec skill Mazio on Eikichi Mishina and Shizuka Kuroki!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Wind skill Garula on Hitomi Mandai!&lt;br /&gt;
 AS: Weapon! Crossroads Bar has used the Strike skill Shadow Punch on Akihiko Sanada!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Straight Slash on Umie Akabane!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Twinkle Punch on Tyler Gould and Mitsuru Kirijo!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Fire skill Maragi on Julian Marlowe and Eriko Kirishima!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Assault Dive on Moriko Kumamoto! 2 Hits!&lt;br /&gt;
 AS: Crossroads Bar: Bind and Paralyze removed!&lt;br /&gt;
 AS: Crossroads Bar&#039;s turn has ended.&lt;br /&gt;
 AS: Counter Worst! Myunghon Yeo takes 76 Water damage from Crossroads Bar&#039;s Mabufu.&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 42 Water damage in return for their attack! Weak!&lt;br /&gt;
 AS: Avoid Best! Reiya Aomori takes 47 Slash damage from Crossroads Bar&#039;s Straight Slash.&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Avoid Worst! Umie Akabane takes 107 Slash damage from Crossroads Bar&#039;s Straight Slash. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Avoid Best! Yukari Takeba takes 25 Strike damage from Crossroads Bar&#039;s Assault Dive.&lt;br /&gt;
 AS: Avoid Worst! Yukari Takeba takes 65 Strike damage from Crossroads Bar&#039;s Assault Dive. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Avoid Neutral! Suzume Fukura takes 66 Strike damage from Crossroads Bar&#039;s Twinkle Punch.&lt;br /&gt;
 AS: Avoid Worst! Hitomi Mandai takes 112 Wind damage from Crossroads Bar&#039;s Garula.&lt;br /&gt;
 AS: Counter Worst! Shinjiro Aragaki takes 78 Water damage from Crossroads Bar&#039;s Mabufu.&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 43 Water damage in return for their attack! Weak!&lt;br /&gt;
 AS: Avoid Worst! Eikichi Mishina takes 82 Elec damage from Crossroads Bar&#039;s Mazio. Weak!&lt;br /&gt;
 AS: Avoid Best! Eriko Kirishima takes 45 Fire damage from Crossroads Bar&#039;s Maragi.&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: Counter Neutral! Shizuka Kuroki takes 66 Elec damage from Crossroads Bar&#039;s Mazio.&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 49 Elec damage in return for their attack! Weak!&lt;br /&gt;
 AS: Avoid Worst! Tyler Gould takes 117 Strike damage from Crossroads Bar&#039;s Twinkle Punch. Weak!&lt;br /&gt;
 AS: Crossroads Bar cancels 2 attacks on Mitsuru Kirijo.&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Twinkle Punch on Minako Arisato!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Twinkle Punch on Minako Arisato!&lt;br /&gt;
 AS: Crossroads Bar&#039;s turn has ended.&lt;br /&gt;
 AS: Crossroads Bar cancels 2 attacks on Minako Arisato.&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Twinkle Punch on Minako Arisato and Mitsuru Kirijo!&lt;br /&gt;
 AS: Crossroads Bar&#039;s turn has ended.&lt;br /&gt;
 AS: Block Best! Mitsuru Kirijo takes 86 Strike damage from Crossroads Bar&#039;s Twinkle Punch. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Neutral! Julian Marlowe takes 81 Fire damage from Crossroads Bar&#039;s Maragi. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum! Julian Marlowe gains 1 Limit from Comeback!&lt;br /&gt;
 AS: Avoid Worst! Akihiko Sanada takes 79 Strike damage from Crossroads Bar&#039;s Shadow Punch.&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Fatal End on Remi Ryuuja!&lt;br /&gt;
 AS: Crossroads Bar&#039;s turn has ended.&lt;br /&gt;
 AS: Counter Worst! Remi Ryuuja takes 83 Slash damage from Crossroads Bar&#039;s Fatal End. Resist!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 62 Slash damage in return for their attack! Weak!&lt;br /&gt;
 AS: Avoid Neutral! Minako Arisato takes 95 Strike damage from Crossroads Bar&#039;s Twinkle Punch. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Reiya Aomori spends Limit on Shift! Yukari Takeba can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Fuuka Yamagishi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Fukura-san? Oh, thank you...&amp;quot; Fuuka gasps, as Suzume calls out to her. She gratefully accepts the gift, and if she hadn&#039;t just spent ten hours wandering a nightmare labyrinth, she would&#039;ve perhaps gone about it a bit more delicately - but food and drink both vanish rather quickly. The crystals left behind by the cat she had found were a great help in keeping her energy up, but they did nothing for the sense of hunger and thirst.&lt;br /&gt;
&lt;br /&gt;
Now - Fuuka nods, as Shinjiro asks if she&#039;s okay.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Y-Yes... I&#039;m okay.&amp;quot; She replies. She doesn&#039;t get back, when so many call out to her to do so, warning her of the danger. She appreciates the thought... but she can feel it, now - what she can do, and what she needs to do.&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t stop, when Natsuki screams at her - though it fills her, simultaneously, with a feeling of gratitude and remorse for worrying her like this. She knows what it must &#039;&#039;look&#039;&#039; like, wielding the Evoker Hitomi hand handed to her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;It&#039;ll be alright.&amp;quot; Fuuka assures Natsuki, as she hears her echo her name. And where Fuuka had seemed fragile, before, vulnerable, easily pushed around - somewhere, she&#039;s drawn out a well of hidden strength.&lt;br /&gt;
&lt;br /&gt;
And they listen to her - they use her advice to the fullest. It&#039;s a new experience for her. She&#039;s used to her words being deflected. But, all these people... they barely even know her, but they&#039;re trusting her. They&#039;re depending on her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Thank you...&amp;quot; Fuuka says. She watches them all from within Lucia&#039;s protective sphere. She can only trust them to do the fighting for her. So many Personas... It&#039;s like she&#039;s seeing everyone&#039;s soul on display - their very self, brought to bear against the Shadows. They&#039;re all so brave...&lt;br /&gt;
&lt;br /&gt;
...And then, the Emperor turns his eyes upon her. His sword raises, as he prepares to deliver his imperial sentence unto her... Fuuka flinches back. She shifts, to better cover Natsuki...&lt;br /&gt;
&lt;br /&gt;
But then, there&#039;s the sound of a motorcycle. The driver and passenger come to view. She doesn&#039;t know Koh, but...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Arisato-san?&amp;quot; Fuuka gasps. He has a Persona, as well - and Orpheus&#039;s lyre &#039;&#039;crashes&#039;&#039; into the sword, knocking it off course. He says he&#039;ll protect them - and she nods.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Thank you!&amp;quot; She replies - and turns her attention back to the Shadows.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Their affinities have changed again! Give me a second...&amp;quot; She calls out. The auras have shifted... it takes a moment to get a grasp on them, to filter out the old information for the new...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;They&#039;re vulnerable to swords and other slashing weapons, now... As well as fire, electricity, wind, and darkness! Everything else, they&#039;ll resist!&amp;quot; She relays.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Fuuka Yamagishi has used the Almighty skill Full Analysis on Crossroads Bar!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Koh Katsuhiro has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Koh&#039;s teeth grind together almost as hard as the wheels of his commandeered bike grate against Tartarus&#039; floor. Thankfully the visible wince (and a little screaming) at the shriek of rubber is probably mostly concealed by the halting stop.&lt;br /&gt;
&lt;br /&gt;
He tries to maintain a modicum of Minato&#039;s cool as the bike clatters to the ground in the wake of his dismount.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yo! Kept you waiting, huh?&amp;quot; At least he nails that part. He&#039;d been practicing a cool line in his head the entire race over. &lt;br /&gt;
&lt;br /&gt;
The boy breaks into a sprint, knife and evoker clenched in hand as he heads toward the nearest familiar faces. Those are scary shadows. Why are there so many people? Is that Yamagishi&#039;s persona?&lt;br /&gt;
&lt;br /&gt;
He doesn&#039;t think about it.&lt;br /&gt;
&lt;br /&gt;
He just &#039;&#039;does it&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Got your back!&amp;quot; Click. &amp;quot;Zagreus!&amp;quot; The manic dancer at his side rips into its own heart, smiling mask breathing out lifegiving resonance after.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Minako, Suzume, and Hitomi all react to Shinjiro being there, one way or another. He notices, grimacing. &amp;quot;Tch! We can talk later!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But then, he hears his name. The one person he absolutely did not want to deal with. Luckily, he won&#039;t, today, but he knows it&#039;ll come back to haunt him.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Aki...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Shaking his head, he calls out to his childhood friend, even as he grapples with what to say.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So far they only change resistances! Be careful, in case they have something else up their sleeve!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That&#039;ll do.&lt;br /&gt;
&lt;br /&gt;
Mitsuru, meanwhile, does not curse. Good, that may have been used as ammunition against her if she approached Shinjiro to pressgang him... even so, there&#039;s a pang of guilt once more in his heart. His two closest friends... seeing a betrayal. Is it a betrayal? He&#039;s done after this, isn&#039;t he? He&#039;ll return to watching paint dry, and die in an alleyway somewhere where they don&#039;t have to worry about it, or get stabbed to death by the Joker Killer, or...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Kirijo, I&#039;ll get in close when it shifts again! Buy me an opening!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He shouldn&#039;t be acting like it&#039;s two years ago. But this is too pressing a situation. He&#039;ll deal with them later.&lt;br /&gt;
&lt;br /&gt;
As the ice blast comes in, Shinjiro takes a breath, and swings his axe forward. The cold washes over him, but he diverts some of it &amp;amp;#42;back&amp;amp;#42; at the Shadow, supernaturally potent as his body now is, even as it skids him back, the freeze chilling into his bones. &amp;quot;Fuck, I hate the cold!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But Fuuka&#039;s gonna die. The blade&#039;s coming down on her, how can he get there in time? What can he-&lt;br /&gt;
&lt;br /&gt;
Minato and Koh arrive right in time, and Shinjiro&#039;s eyes widen. He nods once. Impressive... maybe he misjudged Minato if he ever thought he could be a jerk.&lt;br /&gt;
&lt;br /&gt;
As Fuuka tells him that only his fire will work, Shinjiro takes another strategy, to prepare for later. The Evoker shakily returns up, a click quickly pressing as that flash of blue occurs once more, Castor rising forth.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Castor, time for a bloody charge!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
An aura of blood-red energy surrounds Shinjiro, as he grows in strength and endurance, roaring through the pain of the ice.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Shinjiro Aragaki has used the Almighty skill Bloody Charge on Shinjiro Aragaki!&lt;br /&gt;
 AS: Shinjiro Aragaki&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;It&#039;s a good thing you didn&#039;t get separated, Tsurugi,&amp;quot; Myunghon speaks to Remi with a confident little smile. Weren&#039;t they on opposing sides of the battle before? Well, Myunghon is no stranger to strange circumstances and stranger bedfellows. (Don&#039;t ask what their bedfellows are, though.)&lt;br /&gt;
&lt;br /&gt;
    KOALA MARCH -- We know.&lt;br /&gt;
&lt;br /&gt;
    Done being judged by the Koalas, Myunghon takes the opportunity to size up the battle as the teams from Arqa filter back in -- there&#039;s quite a lot of Persona-Users here. Some that they curiously recognise -- like the two girls that came to their store, Suzume and Hitomi, not to mention Reiya and of course Takeba. There&#039;s no time to call for their attention, though. These Shadows are definitely something else... just what&#039;s the source behind such powerful Shadows?&lt;br /&gt;
&lt;br /&gt;
    It doesn&#039;t take long before they&#039;re the centre of attention, and the Empress blasts them with ice -- there&#039;s a grimace as Kudlak bubbles up and forms a protective surface that Bufu crashes against, not their precious flesh, but that still stings quite a lot.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;You&#039;ve got quite the cast of people surprised to see you, Shinjiro-ssi,&amp;quot; Myunghon comments to the young beanie-wearing man. There&#039;s history here, between the Gekkoukan students and Shinjiro. So that&#039;s why he&#039;s out at Sumaru... there must be history here.&lt;br /&gt;
&lt;br /&gt;
    A mysterious investigator has joined the fray! Myunghon does not know him as Julian, of course, but... yes, perhaps it is because they&#039;ve been peddling SKILL CARDS? Perhaps it&#039;s this kind of situation that they really hope their efforts pay off, because they don&#039;t want to see a causality today. But there are definitely more allies that they&#039;ve met than not... and is that a model that&#039;s joined the fray? Myunghon can&#039;t help but think Eriko seems familiar, from the times they&#039;ve been forced to check out their own mother&#039;s superstardom...&lt;br /&gt;
&lt;br /&gt;
    Still, even more surprising is the roar of a motorcycle -- a motorcycle, in the middle of the Dark Hour?! -- and two fellows, Gekkoukan students, one of which manifests a Persona to shield Fuuka and Natsuki before the worst can befall them! There&#039;s a shake of Myunghon&#039;s head, impressed at their gumption.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I&#039;m beginning to think there are less unawakened students than there are awakened in Gekkoukan,&amp;quot; Myunghon murmurs to themself. &amp;quot;How interesting...&amp;quot; Fuuka is continually on the ball once more, and Myunghon can&#039;t help but be impressed at how fluid their mind is. The slightest changes in weakness, and they&#039;re on it once more. &amp;quot;Darkness, hmm...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Myunghon is given a chance by Remi, so they make great use of it as they thrust their hand forth --&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;ESTOMA!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    This should, normally, be a Nothing action -- people know to not use Estoma in battle?! But the way they&#039;ve cleverly shaped it such is that the repelling field is so concentrated that it should deter the Emperor and Empress for just a short while, enough for them to dip their hands into the floor along with their Cognitive Coat--&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Let&#039;s go into the Dark... you and I.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    --and the Coat&#039;s shadow seems to extend across Tartarus&#039; atrium floor, until it touches the Shadows&#039; equally dark feet -- and then briefly, a pitch-black MAW extends out from beneath to consume them in an imperishable, inexorable darkness--&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;And...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Myunghon snaps their fingers, as their Persona slithers away in a succession of chained explosions. Has their plan worked out? It&#039;s the first time they&#039;ve extended their powers to this degree. They have to find out the hard way -- through a live trial of fire.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;All according...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Take! Shinjiro Aragaki takes 0 Almighty damage from Shinjiro Aragaki&#039;s Bloody Charge.&lt;br /&gt;
 AS: Atk_Up, Crt_Up, and Def_Up added!&lt;br /&gt;
 AS: Persona! Myunghon Yeo has used the Almighty skill Weaponise Estoma on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Myunghon Yeo has used the Dark skill Imperishable Black on Crossroads Bar!&lt;br /&gt;
 AS: Myunghon Yeo&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Fuuka Yamagishi&#039;s Full Analysis.&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s Strength Scan! Crossroads Bar resists Pierce, Strike, Water, Earth, and Light!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s Weakness Scan! Crossroads Bar is weak against Slash, Fire, Elec, Wind, and Dark!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s Support Scan! Crossroads Bar has passive skills Ailment Boost, Momentum, Slash Boost, and Water&lt;br /&gt;
 Boost!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Shinjiro Aragaki is here... perhaps that&#039;s not too unexpected, after all, he&#039;d crossed their paths twice already in relation to Fuuka.&lt;br /&gt;
&lt;br /&gt;
But this is the first time she&#039;s seen him fight, the first time she&#039;s seen his Persona. There&#039;s something... disturbing about it, and familiar at once.&lt;br /&gt;
&lt;br /&gt;
Mitsuru certainly reacts to him - and well, that&#039;s not unexpected. He did say he knew her. She just hopes... well, concerns for a less dangerous time.&lt;br /&gt;
&lt;br /&gt;
Eikichi yells, asking whether anyone wants to explain what&#039;s going on and well- Yukari&#039;s answer is quick and concise, &amp;quot;Nope! No time!&amp;quot; Wondering briefly if he got lost on the way to a concert, until he summons is Persona&lt;br /&gt;
&lt;br /&gt;
 But where she really gets startled is- &amp;quot;... Do I know her?&amp;quot; She says softly, before her mind makes the connection recognizing Eriko quite well from her fashion magazines. &amp;quot;No way...!&amp;quot; Even models are Persona Users, she guesses!?&lt;br /&gt;
&lt;br /&gt;
The rest of them are taking the field, Reiya moving forward to weaken to them, even as Minako yells for Iori to get back, &amp;quot;I&#039;ve got him!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
However, it&#039;s then that she sees Ririka, on the floor, and effectively looking out of commission, which is when Yukari gets up and starts heading towards her, when... Tyler moves to cover Ririka.&lt;br /&gt;
&lt;br /&gt;
Yukari slows for a moment, as she looks at him, and perhaps there&#039;s still resentment in her eyes for the other day, but for now, she nods at him, as she runs up to grab Ririka&#039;s wrist and haul her up. &amp;quot;Come on, up already!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Before she then looks at Tyler again, &amp;quot;Cover me for a second!&amp;quot; It&#039;s perhaps the most respect she&#039;s given him since that moment with Moriko, treating him like part of the team, as she starts pulling Ririka back, and pulling her over by the stairs. &amp;quot;Stay put okay?&amp;quot; She instructs, before whirling around quickly.&lt;br /&gt;
&lt;br /&gt;
Only for the Empress Scepter to descend not far from Yukari, in full view of Ririka, as Yukari side-steps it quickly. It&#039;s almost a triumph...&lt;br /&gt;
&lt;br /&gt;
... until the Empress sweeps that scepter sideways to slam into her, through Io, who shatters, the scepter continuing to arc into her as Yukari gets slammed away, rolling along the checkered floor of Tartarus.&lt;br /&gt;
&lt;br /&gt;
And lays still for several painfully long moments. Just enough time to... hear the rev of a Motorcycle, and open her eyes to see.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Minato...?&amp;quot; It&#039;s a dim groan, as she pushes herself up to a knee. &amp;quot;Hey what are you-&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;I&#039;ll protect them,&#039;&lt;br /&gt;
&lt;br /&gt;
Yukari&#039;s eyes look at him as if he&#039;s just said the most unexpected thing, &amp;quot;But-&amp;quot; He wasn&#039;t asked. Is he here because... he wants to be?&lt;br /&gt;
&lt;br /&gt;
That night... when he saved her, without being asked to do it.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;-Why?&amp;quot; She says as she puts the Evoker to her head from her kneeling position.&lt;br /&gt;
&lt;br /&gt;
Why didn&#039;t you just say so before?&lt;br /&gt;
Now I can&#039;t even pay you back for what you did for me...&lt;br /&gt;
&lt;br /&gt;
The trigger pulls, and Io reforms, the ephemeral girl upon it arises, and spreads her arms wide, as a healing glow spreads, fresh-water scented to members of SEES...&lt;br /&gt;
&lt;br /&gt;
... but perhaps especially Minato, isolated as he is over ther. Though perhaps... not as much as she thought either, seeing Koh.&lt;br /&gt;
&lt;br /&gt;
Fuuka though makes a declaration, and Reiya keeps the Empress distracted from her, just long enough for her to capitalize on those instructions. &amp;quot;Alright then, I&#039;ll-!&amp;quot; As Io summons a maelstrom of winds, which then abruptly, slam the Emperor hard, trying to stagger them back towards...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Senpai!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
As she cants her head towards Mitsuru, giving her an opening to capitalize further on what they set up.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Myunghon Yeo&#039;s Weaponise Estoma.&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 57 Dark damage from Myunghon Yeo&#039;s Imperishable Black. Weak!&lt;br /&gt;
 AS: Bind, Charm, Exhaust, and Poison added!&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Wind skill Garula on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Koh Katsuhiro has used the Recovery skill Healing Wave on Minako Arisato, Mitsuru Kirijo, and Tyler Gould!&lt;br /&gt;
 AS: Koh Katsuhiro&#039;s turn has ended.&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Recovery skill Media on Minato Arisato, Tyler Gould, Hitomi Mandai, and Yukari&lt;br /&gt;
 Takeba!&lt;br /&gt;
 AS: Yukari Takeba&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Yukari Takeba takes 69 Recovery healing from Yukari Takeba&#039;s Media.&lt;br /&gt;
 AS: Yukari Takeba spends Limit on Shift! Mitsuru Kirijo can use another Weak skill this round!&lt;br /&gt;
 AS: Take! Minako Arisato takes 0 Recovery healing from Koh Katsuhiro&#039;s Healing Wave.&lt;br /&gt;
 AS: Regen added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Take! Hitomi Mandai takes 69 Recovery healing from Yukari Takeba&#039;s Media.&lt;br /&gt;
 AS: Yukari Takeba gains 1 Limit from Supporter!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Mitsuru, the very person Yukari mentioned (if not by name), as having powers similar to what Umie has, is the one to finally lay a word down for something Umie haven&#039;t been able to describe. &lt;br /&gt;
&lt;br /&gt;
    &#039;Navigator.&#039; Umie may not be one, but to be able to describe herself as being adjacent to the concept...&lt;br /&gt;
    &amp;quot;... Huh. So that&#039;s what it is...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    And Umie sees Shinjiro&#039;s interactions with Mitsuru and Akihiko. So, that is what that is.&lt;br /&gt;
&lt;br /&gt;
    And the sword that comes for Umie?&lt;br /&gt;
&lt;br /&gt;
    Ah, it is what it is; Umie&#039;s body is whipped back, she was unable to get out of the way in time. Getting up and gritting her teeth, she spots Eikichi&#039;s reaction to electricity.&lt;br /&gt;
&lt;br /&gt;
    Well, she has a fix for that mess.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Shroud!&amp;quot; Badb forms again, gesturing towards Eikichi; a temporary barrier forms over him. &amp;quot;That&#039;ll buy you some time!&amp;quot;    &lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shizuka Kuroki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
      &amp;quot;Wait, is that Aragaki-san?!&amp;quot; Shizuka seems to finally notice Shinjiro&#039;s presence, freezing for a bit before smacking her face and getting herself back on track. That would come later! &lt;br /&gt;
 &lt;br /&gt;
      &amp;quot;This place is packed! Who&#039;s been spilling the beans about the tower? I swear, discretion is a dead art!&amp;quot; Shizuka runs in closer, trying to get a good distance in to the Shadows, eyes widening when the Emperor goes for Fuuka. &amp;quot;Fuuka! Pei-kun!&amp;quot; But before she can react, Minato comes in like a knight on a gallant... well it&#039;s a motorcycle, which is kinda like a horse if you squint a little bit nah it&#039;s not. &amp;quot;Nato-kun! Am I glad to see you!&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      But before she can rejoice too much, a bolt of lighting comes straight for her. &amp;quot;Galatea!&amp;quot; Her Persona appears again, this time in front of her, bringing up a shield that reflects some of the attack back at the Shadows, though not all of it. She sucks in air through her teeth as the electric current tingles up her spine, seeming to lock her muscles in place! &lt;br /&gt;
 &lt;br /&gt;
      &amp;quot;That was shocking! Can&#039;t... move...&amp;quot; She struggles to bring her Evoker up to her chin. &amp;quot;Give &#039;em more, Galatea...&amp;quot; She fires, and brings another rain of rocks down!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Umie Akabane has used the Recovery skill Shroud on Eikichi Mishina!&lt;br /&gt;
 AS: Umie Akabane&#039;s turn has ended.&lt;br /&gt;
 AS: Persona! Shizuka Kuroki has used the Earth skill Landslide on Crossroads Bar!&lt;br /&gt;
 AS: Shizuka Kuroki: Paralyze removed!&lt;br /&gt;
 AS: Shizuka Kuroki&#039;s turn has ended.&lt;br /&gt;
 AS: Fuuka Yamagishi spends Limit on Shift! Akihiko Sanada can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya looks at Moriko, and when she points at him meanly, he inclines his head stoically. They&#039;ll have to talk--but he had his own missions to attend to the last couple of nights... &lt;br /&gt;
&lt;br /&gt;
But there is something that surprises him in the chaos and the melee. Eikichi, of course--he stands out anywhere--but the woman talking to him, too. To see so many different Persona at once... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...?&amp;quot; he starts. &amp;quot;You recognize her Persona?&amp;quot; he asks. &lt;br /&gt;
&lt;br /&gt;
He doesn&#039;t notice Yanagi and Pernelle yet--but he may if they come into view. It is his way to be watching as much as he can of the battle. &lt;br /&gt;
&lt;br /&gt;
His allies in SEES are all doing their best--and the ones &#039;&#039;not&#039;&#039; in SEES seem to be attending the battle as well. Like the man in the strange outfit--vesper, who is unknown to him a teacher named Julian. Raffles is very fancy, and Reiya looks to him. &amp;quot;Who are you?&amp;quot; he wonders. &amp;quot;You hide yourself...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Yeah, says the ninja. It&#039;s fine, he&#039;s a teenager. &lt;br /&gt;
&lt;br /&gt;
Less fine is the Emperor&#039;s sword crashing down towards him. &amp;quot;!&amp;quot; Reiya doesn&#039;t say, and rolls to the side. He has to hit the tile floor &#039;&#039;hard&#039;&#039; to get away in time though, and it smarts despite his training in taking falls. He moes quickly,t hough. &amp;quot;Takeba-san!&amp;quot; he shouts in a clipped tone, and darts towards the Shadow in the open, to make of himself a target and give her a moment to act. &lt;br /&gt;
&lt;br /&gt;
She can do some things better than he can; whether he trusts her outside battle or not, they&#039;re a team. &lt;br /&gt;
&lt;br /&gt;
And then... Minato and Koh arrive. ON a motorcycle!? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Leader!&amp;quot; Reiya calls in surprise. &amp;quot;...Yes. Then we can fight our best!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
If he&#039;s protecting them... &lt;br /&gt;
&lt;br /&gt;
And Koh, too. The line is cool... But Reiya must return his focus fully to the battle. And he does. &amp;quot;It&#039;s strong against all I have, then...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fukura-san!&amp;quot; he calls. &amp;quot;I give you the shadows!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Kunimitsu appears, and his reflective mantle settles over Suzume, too--making her fade partly from view.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Reiya Aomori has used the Recovery skill Shroud on Suzume Fukura!&lt;br /&gt;
 AS: Reiya Aomori&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Suzume Fukura takes 49 Recovery healing from Reiya Aomori&#039;s Shroud.&lt;br /&gt;
 AS: Eclipse added!&lt;br /&gt;
 AS: Take! Eikichi Mishina takes 53 Recovery healing from Umie Akabane&#039;s Shroud.&lt;br /&gt;
 AS: Eclipse added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Fukura-chan, Mandai-chan!&amp;quot; Minako calls out. &amp;quot;Let&#039;s make sure those things don&#039;t get near Yamagishi-san! We--gh!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The Empress&#039;s scepter smashes into Minako, bodily, hurling her away. She rolls and comes up, crouching, and takes a deep breath.&lt;br /&gt;
&lt;br /&gt;
She glances sideways at Fuuka, with a hint of nervousness entering her posture. Even if they&#039;ve gotten here, they&#039;re &#039;&#039;far&#039;&#039; from out of the wood works yet. She looks at Yukari, next. &amp;quot;Takeba-chan, if--if anyone needs healing, you know what to do.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She glances back at Akihiko -- then she nods. &amp;quot;Thanks, Sanada-senpai!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She turns -- and her eyes widen as she sees the sword coming down for Fuuka. But then Orpheus is there, and the blade slams into the Persona&#039;s harp. Minako blinks, before she turns and stares at her brother. &amp;quot;Minato-kun... you made it!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And he isn&#039;t alone. She looks at Koh Katsuhiro and blinks -- and then she cracks a smile at him. &amp;quot;Katsuhiro-san! You&#039;ve got great timing!&amp;quot; she calls out, before she looks back at the Empress and Emperor both. Minako considers, for a moment. Then, she pulls her Evoker out -- to her temple again -- and fires. &amp;quot;Valkyrie!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A horse-riding woman appeas, clad in golden armor, and carrying a long spear. She charges forth, the horse&#039;s hooves thundering -- if ghostly -- across the floor. Then, the spear swings back -- and the blade slashes hard across the middle of the huge Arcana.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yamagishi-san,&amp;quot; Minako says, glancing at Fuuka. &amp;quot;Are--are you okay in there?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Minako Arisato has used the Slash skill Straight Slash on Crossroads Bar!&lt;br /&gt;
 AS: Minako Arisato&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
(&amp;quot;Shinji?&amp;quot; Hitomi echoes when Akihiko-sempai identifies Beanie-san.) &lt;br /&gt;
&lt;br /&gt;
There are other people. Hitomi perceives them, but there are too many, and the fact that they&#039;re surrounding the Emperor and Empress don&#039;t seem to be a compensating or encouraging situation. Wind, lightning, fire, ice, stranger things too, pour inwards. Hitomi finds her lips trembling as she breathes heavily. Her heart&#039;s pounding. &lt;br /&gt;
&lt;br /&gt;
She actually giggles again, into a swiftly curled and held-against-her-mouth fist, when she hears the motorcycle. &amp;quot;Arisato... heh... I&#039;m surprised to see he&#039;s,&amp;quot; she begins, but after that, Hitomi&#039;s flames have earned a tragic response: wind bursting forwards, smashing into her. &lt;br /&gt;
&lt;br /&gt;
Tyche is already diffusing into an after-image and seems to care not for the wind; Hitomi herself is a different story, letting out a yelp of surprise and dismay at the bursting storm that smashes against her. Typhoon-intensity winds rip at, over, perhaps &amp;amp;#42;through&amp;amp;#42; her -- it hurts, scraping and burning and making her glasses shift abruptly -- &lt;br /&gt;
&lt;br /&gt;
The wind ends. A strange throbbing feeling, something like a sunburn, washes over Hitomi&#039;s face. Peculiar. She exhales for a moment -- by the time she&#039;s done, Yukari is already calling on Io. Hitomi breathes in the scent of water. &amp;quot;Thanks, Takeba,&amp;quot; she says, pushing her glasses up her nose and doing that dramatic sweep with her hand again-- &amp;quot;Tyche!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
The statue manifests again, and it can be seen that despite being carved from Grecian-style marble and holding the classical proportions of a European statue, the cloth wrapped over the goddess&#039;s statue is more like an obi, worn loose as a stole. There&#039;s a suggestion of something like embroidery but the paint is lost to time, to erosion, to the winds of entropy. &lt;br /&gt;
&lt;br /&gt;
And yet, that hand is held out... And what lashes outwards is a &amp;amp;#42;cone&amp;amp;#42; of fire now, as if the lips of the ancient goddess of fortune had exhaled fire. As it smashes out to walk over the Empress and the Emperor, Hitomi&#039;s eyes turn forwards to see -- &amp;quot;That&#039;s her from Cardboard Dragon,&amp;quot; Hitomi says, momentarily nonplussed. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Hitomi Mandai has used the Fire skill Fire Breath on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Hitomi Mandai&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eikichi Mishina has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Thanks.&amp;quot; Eikichi flashes Umie a grin before turning his attention back to the Arcana Shadows. He leans with his guitar case as he narrows his eyes at the Emperor Shadow, staring it down like it was one of the problem people at school. &amp;quot;These bastards are tough as hell. What the hell is going on?!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Eikichi is seeing all sorts of weird stuff. He is pretty sure he saw Shinjiro just press an empty pistol his head and pull the trigger. &lt;br /&gt;
&lt;br /&gt;
 Today has been an interesting day to say the least. &lt;br /&gt;
&lt;br /&gt;
And it gets worse when the Arcana Shadow retaliates, sending a bolt of electricity through the Death Boss. Eikichi coughs, looking cooked through out as he collapses to one knee. &amp;quot;Grrr. This is starting to piss me off!&amp;quot; He coughs again, hearing the girl (Yukari) that there is no time to explain whats going on. &amp;quot;Damnit.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
It&#039;s about then that the Shroud hits Eikichi and he feels some of those electrical burns soothe away. &lt;br /&gt;
&lt;br /&gt;
 &amp;quot;I owe you one, Akabane.&amp;quot; Eikichi gets to his feet, clicking his tongue as he points toward the Emperor again. &amp;quot;You think your little storm is gonna make me scared, pal. Let me show exactly how I roll!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
 Eikichi&#039;s persona manifests, revving it&#039;s engines as it blasts the Emperor arcana with a wave of dark energy which keeps building as the Persona floors it&#039;s engines.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Eikichi Mishina has used the Dark skill Mudo on Crossroads Bar!&lt;br /&gt;
 AS: Eikichi Mishina&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume brought those snacks to be eaten. She figured &amp;amp;#42;she&#039;d&amp;amp;#42; be miserable after ten hours running without a drink; if they found Fuuka, she&#039;d need them. It&#039;d be better if she &amp;amp;#42;wasn&#039;t&amp;amp;#42; also stumbling from dehydration.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You got it,&amp;quot; Suzume calls back toward &#039;Beanie-san&#039; - Shinjiro. She&#039;s surprised to see him here, but not in the same way or for the same reasons that Mitsuru and Akihiko are - but she knows just enough to understand &amp;amp;#42;why&amp;amp;#42; they might not look at it the same way as her.&lt;br /&gt;
&lt;br /&gt;
(&amp;quot;I promised not to spill,&amp;quot; is her answer to Hitomi.)&lt;br /&gt;
&lt;br /&gt;
She hears the sound of a motorcycle, and Suzume doesn&#039;t think anything of it for about two seconds until she realizes: nothing technological works here. Engines CERTAINLY don&#039;t work here. She turns, an expression of sheer bafflement on her face as she looks toward Koh and Minato... &amp;quot;Right,&amp;quot; she agrees. One thing she doesn&#039;t have to worry about, though she&#039;s surprised to see him here at all... it&#039;s the good sort of surprise, though.&lt;br /&gt;
&lt;br /&gt;
Fast as she is - and both Atalanta and Suzume are fast - Suzume has to take a descending giant sceptre seriously.&lt;br /&gt;
&lt;br /&gt;
Suzume does a backflip and immediately regrets it. She has not done a backflip in years, and her body isn&#039;t used to it anymore - but it does keep her at least partially away from the sceptre. It slams down next to her, and it&#039;s only the shockwave that launches her backwards rather than a direct hit.&lt;br /&gt;
&lt;br /&gt;
Which is bad enough, because it means Suzume lands badly. She catches herself on her hands and turns it into a tumbling roll, but it wasn&#039;t graceful (especially because she is in her uniform, which has skirts, dammit - why didn&#039;t she wear her gym pants??) and it wasn&#039;t neat. She pops back to her feet, looking more mussed than usual, but she&#039;s still up and she still has both tonfa and her Evoker, so she&#039;ll call it good. &lt;br /&gt;
&lt;br /&gt;
Though she dropped her backpack. She boots it as hard as she can toward Minato. &amp;quot;Medicine in there!&amp;quot; she calls (and there is, though it&#039;s mostly Tylenol and a gel for sore muscles plus some bandages). That poor melonpan has gone from &#039;slightly squashed&#039; to &#039;extremely squashed, and also kicked&#039;, though. It&#039;s just going to be a mess. She&#039;s going to be picking crumbs out of her backpack for weeks.&lt;br /&gt;
&lt;br /&gt;
Suzume looks up at the Shadows as Fuuka gives new directions. Wind is still okay, she thinks to herself. Fine. Even as Reiya summons the shadows for her, partially revitalizing her, Suzume has a new plan.&lt;br /&gt;
&lt;br /&gt;
This is the dumbest plan, she thinks to herself. But if it works...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey!&amp;quot; Suzume bounces on her feet, waving her tonfa-bearing arms overhead. &amp;quot;Hey ugly!&amp;quot; No word on whether she means Emperor or Empress. &amp;quot;Over here! Look, a bug you just can&#039;t squash! C&#039;mon!&amp;quot; She sticks her tongue out, briefly debates something else before she realizes she doesn&#039;t have &amp;amp;#42;quite&amp;amp;#42; the guts to do that in front of everyone else, and just half-turns, throwing a rude gesture over her shoulder (as best as she can with tonfa in hand, anyway).&lt;br /&gt;
&lt;br /&gt;
And then Suzume runs.&lt;br /&gt;
&lt;br /&gt;
She runs, ignoring the burn in her legs as her feet pound, going from zero to sprint in no time at all. And then she accelerates &amp;amp;#42;further&amp;amp;#42;, Atalanta running with her, the two of them surrounded by an increasingly intense whirling ripple of wind.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s running is directionless at first. She&#039;s simply trying to attract the attention of the Shadows, keeping them away from Fuuka, from Ririka, from Minato. But it leaves trails of wind across the room as the power builds and builds - &lt;br /&gt;
&lt;br /&gt;
And then on her last direction change, she charges directly toward Emperor, slamming into it (him?) with both tonfas in a wind-accelerated flurry, the gale catching up to her a moment later and adding a third hit into the mix!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Tandem! Suzume Fukura has used the Wind skill Race the Wind on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Suzume Fukura&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Remi Ryuuja has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
These battle conditions are, to put it mildly, &#039;&#039;less than ideal&#039;&#039;. But Tsurugi will keep powering through. Because that&#039;s all she can do. Yumi has gone for help, but--this is a battle that has to be fouhgt &#039;&#039;now&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
She and La Maupin work flawlessly in tandem, and in disturbing silence. Three wind-touched strikes hit home--&lt;br /&gt;
&lt;br /&gt;
And then the Shadow levels that giant blade on &#039;&#039;her&#039;&#039;. There is a moment&#039;s hesitation, as she goes to--&#039;&#039;somehw&#039;&#039; cross her much smaller blade with the larger one, and that hesitation costs her. She is thrown back, a line of blue fire cutting cross her black suit.&lt;br /&gt;
&lt;br /&gt;
But in that moment La Maupin seems to act instead, striking for a weak point on the Emperor even while its user is seemingly distracted.&lt;br /&gt;
&lt;br /&gt;
But La Maupin pulls back a moment later, moving to stand beside Tsurugi as she struggles to her feet. There&#039;s only the barest of grunts as she straightens up. Her head turns to the arrival of a &#039;&#039;motorcycle&#039;&#039;--that&#039;s a new mystery, and two more teenagers using those Evokers that are different from her own.&lt;br /&gt;
&lt;br /&gt;
Just how many of those &#039;&#039;are&#039;&#039; there? Questions for another time.&lt;br /&gt;
&lt;br /&gt;
But new advice comes from Fuuka--slashing weapons, and a list of elements. If she is surprised at taking advice from a teenager she doesn&#039;t show it--Maybe she just has a lot of practice taking advice from a Navigator. It&#039;s almost a reflex.&lt;br /&gt;
&lt;br /&gt;
There is a quiet, barest chuckle for Myuunghon&#039;s comment about not being separated. &amp;quot;There are many fortunate things happening this night, it seems,&amp;quot; is her reply to that. &amp;quot;I will make an opening for you, Rumormonger.&amp;quot; If they&#039;re going to be using aliases...&lt;br /&gt;
&lt;br /&gt;
But she turns her attention towards the Emperor and Empress shadows. La Maupin springs into action, attacking with a sudden zeal and a fervor that is far stronger than normal, lashing out at both shadows in turn.&lt;br /&gt;
&lt;br /&gt;
And then Tsurugi rushes in to fulfill her promise to Myunghon, trying to draw the shadow&#039;s attention for just a moment to allow her temporary ally an extra chance to act.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Remi Ryuuja has used the Slash skill Blade of Fury on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Remi Ryuuja&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akihiko Sanada has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The Empress swings and Akihiko takes a bad hit. &amp;quot;Damn! I&#039;m not out yet!&amp;quot; There&#039;s so many people here to help - and even Minato has arrived! &amp;quot;Still, it&#039;s best not to get careless. Matarunda!&amp;quot; He says as he brings Polydeuces back out, lowering the attack of the Empress and Emperor. &amp;quot;Now, we should take less scrapes!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    In thanks to the Fuuka&#039;s support, Akihiko raises a fist in support. &amp;quot;Thank you, Yamagishi-san! We&#039;ll all cover you!&amp;quot; He pulls the trigger on his envoker once more, summoning his persona to cast Zio.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Akihiko Sanada has used the Almighty skill Matarunda on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Akihiko Sanada has used the Elec skill Zio on Crossroads Bar!&lt;br /&gt;
 AS: Akihiko Sanada&#039;s turn has ended.&lt;br /&gt;
 AS: Avoid Neutral! Moriko Kumamoto takes 41 Strike damage from Crossroads Bar&#039;s Assault Dive.&lt;br /&gt;
 AS: Blast added!&lt;br /&gt;
 AS: Avoid Best! Moriko Kumamoto takes 29 Strike damage from Crossroads Bar&#039;s Assault Dive.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tyler Gould has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Seems that way so far.&amp;quot; is the answer the American offers to Moriko.&lt;br /&gt;
&lt;br /&gt;
Case in point? He&#039;d planned -- decided that moment -- to settle down into the back row and play the role of mortar, lobbing punishment from afar and stand in front of the non-combatant that wasn&#039;t inside a giant Persona.&lt;br /&gt;
&lt;br /&gt;
It seems that two had that particular plan, as Yukari&#039;s coming that way, also. His muscles tense instinctively -- he definitely still remembers that punch the other day -- but the nod assures him that she knows better than to do it again while they have a more imposing enemy to deal with. &#039;Cover me for a second!&#039; she tells him.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ve got your back.&amp;quot; he replies -- willing enough to be part of the team, if nothing more than for the greater goal of protecting the lives of those who can&#039;t save themselves.&lt;br /&gt;
&lt;br /&gt;
However, the Empress had other plans, clearly upset by the first &#039;mortar shell&#039;, decided to launch the lanky goth through the air, sending him barrelling at the &amp;amp;#42;other&amp;amp;#42; ice-specialist in SEES, Mitsuru.&lt;br /&gt;
&lt;br /&gt;
While many of the students at Gekkoukan would be mortified to be used as a weapon &amp;amp;#42;against&amp;amp;#42; the student body president, Tyler opts for all business, whether he crashes into her or not.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Let&#039;s make her pay for that.&amp;quot; he suggests to Mitsuru, raising the Evoker to his head once more.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Houdini? Lower the lights.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Cold is no longer a weakness, Fuuka said, but Darkness is, now. The chains above him rattle as that dark energy flows forward, intent on crashing into Empress and Emperor alike.&lt;br /&gt;
&lt;br /&gt;
Minato and Koh&#039;s arrival and epic entrance on that motorcycle don&#039;t go unnoticed, though, blue eyes widening slightly. &amp;quot;Reinforcements... our chances improve.&amp;quot; he says, mostly to himself.&lt;br /&gt;
&lt;br /&gt;
The reinforcements are &amp;amp;#42;felt&amp;amp;#42;, too, in the form of healing, first from Koh, and then from... Yukari? There&#039;s a momentary blink of confusion, but then a nod in her direction, too. The thanks are unspoken, but they&#039;re &amp;amp;#42;there.&amp;amp;#42;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Take! Tyler Gould takes 0 Recovery healing from Koh Katsuhiro&#039;s Healing Wave.&lt;br /&gt;
 AS: Regen added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Take! Tyler Gould takes 69 Recovery healing from Yukari Takeba&#039;s Media.&lt;br /&gt;
 AS: Yukari Takeba gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Persona! Tyler Gould has used the Dark skill Mamudo on Crossroads Bar!&lt;br /&gt;
 AS: Tyler Gould&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Mitsuru Kirijo takes 0 Recovery healing from Koh Katsuhiro&#039;s Healing Wave.&lt;br /&gt;
 AS: Regen added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Mitsuru Kirijo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
It&#039;s hard to say what Mitsuru Kirijo is feeling at this moment. Confusion, certainly. Relief, to a certain degree. Guilt? It goes without saying she feels that sharp stab deep in her chest.&lt;br /&gt;
&lt;br /&gt;
Happiness? ... she&#039;s not sure how possible it is to feel happy in circumstances like these, but...&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
... But she certainly knows she feels most right now is -frustrated-.&lt;br /&gt;
&lt;br /&gt;
Maybe that&#039;s why the first thing she does after the initial shock of seeing her former comrade wears off is shoot him a narrow-eyed stare. You learn to give and receive nonverbal command in SEES; it&#039;s part of the experience as much as it is the training.&lt;br /&gt;
&lt;br /&gt;
Shinjiro, of all people, will absolutely know what nonverbal command -that- look is communicating:&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;We are going to talk later.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
But first?&lt;br /&gt;
&lt;br /&gt;
They need to make sure everyone survives. -Everyone-. Including him.&lt;br /&gt;
&lt;br /&gt;
Her attention fixates on the two Shadows. And as she listens to Shinjiro... it all starts falling into place naturally. Her eyes narrow. Her jaw sets.&lt;br /&gt;
&lt;br /&gt;
It helps suppress the smile that threatens to form as she says, quite coolly,&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Bien sûr.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Of course she can. Of course she will.&lt;br /&gt;
&lt;br /&gt;
Just like old times.&lt;br /&gt;
&lt;br /&gt;
Not that they plan to make it easy: the Shadows attack, using one of her own teammates as a weapon. Mitsuru&#039;s eyes fly wide as she sees the Empress swing her scepter into one of their newer recruits, batting him into her like it was going for a humanball homerun. To her credit, Mitsuru reacts quickly: this is when she&#039;d -normally- parry with her rapier but, not wanting to accidentally stab one of her subordinates so soon after their joining sees, elects instead to swiftly and gracefully pivot on her heel, face Tyler--&lt;br /&gt;
&lt;br /&gt;
-WHAP!-&lt;br /&gt;
&lt;br /&gt;
and intercept him to the best of her ability.&lt;br /&gt;
&lt;br /&gt;
It&#039;s... painful. Bones and muscle were not meant to collide with more bones and muscle so forcefully. Mitsuru has no childhood experience with this, but if she had, she would feel sorry for all the action figures children mash into other action figures across the globe as her body protests against that head on collision.&lt;br /&gt;
&lt;br /&gt;
It could be worse. It -would- have been worse, if Mitsuru hadn&#039;t gone -with- the momentum of the blow, bending into it with a gymnast&#039;s grace until both she and Tyler go tumbling with the impact. But still, with the CRACK of bone on bone--&lt;br /&gt;
&lt;br /&gt;
--she &#039;&#039;felt&#039;&#039; that.&lt;br /&gt;
&lt;br /&gt;
Eventually, she ends in a smooth, crouched landing. Bangs fall messily across her face, only for the student council president to calmly push those bangs aside until they are once more pristine, cascading across -one- eye instead of -both-. She turns her gaze Tyler-wards.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Gould, yes?&amp;quot; She knows his name. Of course she knows; she looks into -every- prospective member of SEES. For a lot of reasons. One of them being micromanagement and another being paranoia which she calls &amp;quot;being prepared.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Steady yourself.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She means it to be a word of caution; she doesn&#039;t want him to push himself too hard and get hurt in the process.&lt;br /&gt;
&lt;br /&gt;
Unfortunately, that rigid professionalism of hers makes it sound like cold criticism more than anything else as she rises back onto her feet, and faces down the Shadows. She steels herself. Nothing she can target now, weakness-wise. So how does she...?&lt;br /&gt;
&lt;br /&gt;
The roar of a motorcycle. Mitsuru blinks. Did someone steal her bike--?!&lt;br /&gt;
&lt;br /&gt;
Fortunately -- what might have been a cold fury doesn&#039;t last; she can already tell from the way the engine roars it&#039;s not -her- bike (yes, really); and furthermore, the one riding shotgun on it is--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Arisato--!&amp;quot; The -other- Arisato. There&#039;s a small mote of relief in the back of her mind as healing magics wash over her courtesy of Koh. Because it -is- a relief: they need the twins&#039; flexibility for this. And even then, these Shadows are still barely moved.&lt;br /&gt;
&lt;br /&gt;
... Can they really manage this...?&lt;br /&gt;
&lt;br /&gt;
Her mind already running through a number of backup plans, Mitsuru&#039;s gaze narrows as her stance widens. Yukari calls out to her, and she sees the opening that they&#039;re making. So how does she exploit it...?&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Let&#039;s make them pay for that,&#039;&#039; Tyler says.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... hah. I was thinking the very same.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A smile. And Mitsuru surges into action. Penthesilea surges into being as she cuts in towards the Emperor and Empress&#039; defenses. The Warrior-Queen manifestation acts, and with a surge of magic --&lt;br /&gt;
&lt;br /&gt;
-- seeks to briefly -- BRIEFLY -- crush the barriers to cold those Shadows have erected, so that with its next motion, it may blast the Empress with a frigid surge of ice crystals.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;EN GARDE!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The golden rule of a desperate situation: if you cannot find your opening in the tide of battle--&lt;br /&gt;
&lt;br /&gt;
-Force one open-. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Mitsuru Kirijo has used the Almighty skill Water Break on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Mitsuru Kirijo has used the Water skill Bufu on Crossroads Bar!&lt;br /&gt;
 AS: Mitsuru Kirijo&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;With things picking up, Moriko twists, holding the mop handle out like a quarterstaff. This is totally a good idea. With the towering giant, that usual hard looking face briefly breaks. A look of fear, but she gets the staff up, getting out of the way of the worst of the first strike, though it causes her to wince and spin. Just barely giving her the momentum to get under the other. Mostly held up by said mop handle at this point. &lt;br /&gt;
 &lt;br /&gt;
 Though some of that had been a distraction caused by hearing a bike. It didn&#039;t SOUND like her bike, but the fact that it was working here, at this time gets a frustrated, &amp;quot;Tell me earlier we could have done that!&amp;quot; That indignation fueling her to get back to her feet. Pointing to the colossus with the stick, &amp;quot;And you. Go away!&amp;quot; It&#039;s.. fine. &lt;br /&gt;
 &lt;br /&gt;
 Especially since the others had prevented the worst from happening. Moriko clenches her teeth, going back for that stoic look (She thinks it&#039;s stoic at least!) and moves closer. &amp;quot;I&#039;ve got you covered.&amp;quot; Though she lowers the guard briefly, looking to the others. Most she knows at best, in passing. &amp;quot;We&#039;ve got you covered.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
 She then grins and raises the evoker again, with a bit of a twirling flourish. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Otohime Gitsune&amp;quot; She calls out, pulling the trigger again. Hearing that shattering glass as she keeps it fairly straight forward. The fox conjuring another spike of earth ahead of her. &lt;br /&gt;
 &lt;br /&gt;
 Moriko kind of has a brief sheepish look. Should she have been doing more? &lt;br /&gt;
 &lt;br /&gt;
 That&#039;s a later problem. Stoicism is hard sometimes.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Moriko Kumamoto has used the Earth skill Magna on Crossroads Bar!&lt;br /&gt;
 AS: Moriko Kumamoto&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Julian Marlowe has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Lightning is answered by flame, Vesper&#039;s eyes widening behind his mask as he realizes he won&#039;t be able to dodge such a wide-area attack. In a reflex, he attempts to shield himself by... opening his umbrella? That can&#039;t possibly work, can it??&lt;br /&gt;
&lt;br /&gt;
To his own surprise, rather than burning it up, the flames break as they strike the weather shield. It doesn&#039;t protect him from the heat entirely, but the damage was somewhat mitigated in the process. &amp;quot;...How unpleasant,&amp;quot; is his scathing review. 0/10, would not enjoy nearly getting burned alive again.&lt;br /&gt;
&lt;br /&gt;
Now it&#039;s doubly obvious that Julian Marlowe isn&#039;t here - if he was, surely he would&#039;ve been calling attention to Eriko&#039;s use of the English language for sure. Who knows if Vesper even knows English, he hasn&#039;t been using it at all, despite that whole Gentleman look he&#039;s got going on. There&#039;s more people who enjoy that style than just actual British people, you know.&lt;br /&gt;
&lt;br /&gt;
Meanwhile... &#039;There are so many&#039;, the Supernatural Investigator thinks to himself, seeing all the various Personas being summoned. Many by people he doesn&#039;t know, but in certain cases... a few things are falling into place as perhaps having been not quite coincidence at all. That group he ran into at the festival, in particular... they appear to be used to this already, it seems they might be more than just a regular group of friends. Interesting.&lt;br /&gt;
&lt;br /&gt;
The differing methods of materializing one&#039;s Persona would also be a fascinating subject for study. As is the fact that it seems less &#039;normal&#039;, in so far that word applies to any of this, for one&#039;s attire to transform the way his does.&lt;br /&gt;
&lt;br /&gt;
...Someone else appears to have taken notice of that. A curious boy, accusing him of hiding. Well, he&#039;ll have to set the record straight on that, turning to Reiya to educate him. &amp;quot;Excuse me? Vesper hides from no one! It&#039;s called &#039;professional caution&#039;, my boy. I&#039;m an Investigator, it comes with the territory. Surely you understand.&amp;quot; Of course, it&#039;s all clear now. Wait, he didn&#039;t explain anything!! While he, in turn does learn something, from Reiya addressing that boy who arrived on the motorcycle as &#039;Leader&#039;. It&#039;s always the quiet ones, isn&#039;t it.&lt;br /&gt;
&lt;br /&gt;
Pulling himself away from that distraction, he flanks Eikichi, nodding towards totally-not-his-student. He heard the call-out include Darkness, and he&#039;s all too ready to back the Death Boss up with that. &amp;quot;That&#039;s the spirit, Mishina-kun! Allow me to assist in kind!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Upon Vesper brushing his hand past his mask, Raffles brings his &#039;hands&#039; together, the dark tendrils of its right half enfusing the cane it holds with the more human-like left hand. With a flourish, the cane whips towards the Empress, sending out a very similarly shaped wave of darkness to the one Eikichi manifested towards the other target.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;We make a great team indeed, Mishina-kun,&amp;quot; he adds, jovially. &amp;quot;Would you be interested in an apprenticeship? My rates are quite reasonable!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Does he want money for everything??&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Julian Marlowe has used the Dark skill Mudo on Crossroads Bar!&lt;br /&gt;
 AS: Julian Marlowe&#039;s turn has ended.&lt;br /&gt;
 AS: Julian Marlowe spends Limit on Shift! Eikichi Mishina can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eriko Kirishima has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Even as Nike&#039;s winds strike true, the Empress responds with a gout of flame towards her and a fantastically besuited gentleman with a Persona she doesn&#039;t recognize the name of, and that alone is intriguing. What is a &#039;Raffles&#039;, she wonders, as like a tangential point to the main problem. Which is the fire. Still, Eriko&#039;s quick on her feet, and with a rapid jump back meaning it&#039;s mostly the residual heat that saps her energy, but even that isn&#039;t to be trifled with.&lt;br /&gt;
&lt;br /&gt;
    (Don&#039;t let her know you&#039;re a supernatural investigator, Vesper, Eriko will be wanting to talk shop the first chance she gets.)&lt;br /&gt;
&lt;br /&gt;
    Also her epee is on fire now and metal is not, typically, supposed to be flammable. That&#039;s a concern. She steps back a few more steps, and shifts from her traditional stance into, well, a salute, attempting to wave off the flames with the motion- if nothing else it looks cool and elegant- before she steps back into a more &#039;competition&#039; stance, her left arm raised behind her. She&#039;s not a cool teen anymore, she can&#039;t stand at ready during a fight anymore. (It was also foolish and reckless then, but she was seventeen, cut her some slack.)&lt;br /&gt;
&lt;br /&gt;
    Models &amp;amp;#42;can&amp;amp;#42; be persona users, Yukari! In fact, one might be surprised how many there are in the local media scene, as perhaps Myunghong can attest.&lt;br /&gt;
&lt;br /&gt;
    Still, Eriko didn&#039;t come here for recognition. she came here for mysteries and the occult! And goodness did she find it.&lt;br /&gt;
&lt;br /&gt;
    She looks to the reinforcements again briefly- and that Persona providing a protective shield for Fuuka and her... friend? Enemy? Something else? Never mind, the weakness is identified- and Nike can gladly provide. &amp;quot;Nike, keep up the pressure will you? Magarula!&amp;quot; She says with a smile, as her guardian angel of steel takes to the sky again, but where her Magaru was a gust from an unmoving angel, Nike rushes forward like the jet she is, and the winds come from behind her as she aims to fly between the two giant shadows.&lt;br /&gt;
&lt;br /&gt;
    Quietly, though, Eriko can hear the cry from another fencer, and smiles. It&#039;s good to see others enjoy the classics- she really should reach out to Tamaki sometime, she hasn&#039;t had a match that allowed personas in some time.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Eriko Kirishima has used the Wind skill Magarula on Crossroads Bar!&lt;br /&gt;
 AS: Eriko Kirishima&#039;s turn has ended.&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 118 Wind damage from Yukari Takeba&#039;s Garula. Weak!&lt;br /&gt;
 AS: Haze added! Bind removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 48 Earth damage from Shizuka Kuroki&#039;s Landslide. Resist!&lt;br /&gt;
 AS: Charm removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 84 Slash damage from Minako Arisato&#039;s Straight Slash. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 34 Fire damage from Hitomi Mandai&#039;s Fire Breath. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 34 Fire damage from Hitomi Mandai&#039;s Fire Breath. Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 31 Fire damage from Hitomi Mandai&#039;s Fire Breath. Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 102 Dark damage from Eikichi Mishina&#039;s Mudo. Weak!&lt;br /&gt;
 AS: Panic added!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 43 Wind damage from Suzume Fukura&#039;s Race the Wind. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 64 Wind damage from Suzume Fukura&#039;s Race the Wind. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 53 Wind damage from Suzume Fukura&#039;s Race the Wind. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 60 Slash damage from Remi Ryuuja&#039;s Blade of Fury. Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 60 Slash damage from Remi Ryuuja&#039;s Blade of Fury. Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 67 Slash damage from Remi Ryuuja&#039;s Blade of Fury. Critical Hit! Weak!&lt;br /&gt;
 AS: Remi Ryuuja gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 66 Slash damage from Remi Ryuuja&#039;s Blade of Fury. Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 83 Elec damage from Akihiko Sanada&#039;s Zio. Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 122 Dark damage from Tyler Gould&#039;s Mamudo. Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 47 Water damage from Mitsuru Kirijo&#039;s Bufu. Critical Hit! Resist!&lt;br /&gt;
 AS: Bind added! Haze removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Mitsuru Kirijo gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 56 Earth damage from Moriko Kumamoto&#039;s Magna. Critical Hit! Resist!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 143 Dark damage from Julian Marlowe&#039;s Mudo. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 109 Wind damage from Eriko Kirishima&#039;s Magarula. Weak!&lt;br /&gt;
 AS: Bind removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Akihiko Sanada&#039;s Matarunda.&lt;br /&gt;
 AS: Atk_Dn added!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Mitsuru Kirijo&#039;s Water Break.&lt;br /&gt;
 AS: Water_Break added!&lt;br /&gt;
 AS: Mitsuru Kirijo gains 1 Limit from Schadenfreude!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yanagi Nagisa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Mm, mm, mm!&amp;quot; Yanagi bobs her head in delighted agreement as Pernelle speaks at length of how very responsible the two of them are, and how they cannot possibly predict what might happens afterwards. &amp;quot;You&#039;re so wise, Pernelle! I&#039;m so happy you came along! &amp;amp;lt;3&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    She already finished her part of the ensemble, as promised, after all, but there&#039;s still the other preparations needed for the upcoming sale. Yanagi &#039;&#039;could&#039;&#039; have come alone... but all considered, it&#039;s more heartening to have a friend with her.&lt;br /&gt;
    &lt;br /&gt;
    Speaking of which, during their approach, there are changes. As Yumi runs off into the night, Yanagi&#039;s regard follows her from well beyond what would seem to be line of sight. Her effervescent cheer gutters out for that moment as she tracks her movement... but soon enough she looks back towards Tartarus as a motorcycle ROARS up past the gates and into the grand double doors that lead inside.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Oooh! What an entrance! I wonder how they get that motorcycle to work?&amp;quot; Yanagi wonders to her peacock pal, her cane tap-tap-tapping with each step the two of them take. They rise up the stairs that lead to the grand entrance of Tartarus--they walk inside--&lt;br /&gt;
    &lt;br /&gt;
    It would be nice to say that Yanagi is surprised by anything going on inside. But Giselle already sent her animated visions. The vastness of the two Major Arcana Shadows, the dozen-and-a-half Persona Users who rally ferociously against them, the two girls cowering at the back, and the one girl who guides the others to pinpoint the Shadows&#039; weak points...&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;I&#039;d heard Port Island had an active night life, but I had no idea just how true that was!&amp;quot; Yanagi declares, coming to a stop a short distance away from Fuuka and Natsuki. She doesn&#039;t join in on the battle, but she does watch it--on several levels. That girl who just awakened tracks those Shadows&#039; weakness changes with such precision, even though she&#039;s only just come into her power...!&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;What do you think, Pernelle? Shall we introduce ourselves now or should we wait until the main festivities have died down?&amp;quot; Yanagi wonders, turning to her companion. Another way of phrasing the same question would be &#039;should we help them fight or should we let them do it themselves before we pester them?&#039;&lt;br /&gt;
    &lt;br /&gt;
    Until he weighs in, though, she&#039;s content to watch directly as well as with the help of little spirits. She looks with fascination at Fuuka first, of course, calling out the Shadows&#039; resistances and strengths; her gaze soon turns thoughtful and travels to Koh as he calls up his own Persona to send out a wave of healing. From there, she blinks several times at Eriko, eyes wide before her head tilts to one side, the thoughtfulness pushing her lips into a frown. That frown lingers as her gaze slides towards Tsurugi in her mask, and her pink lashes droop...&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Oh my,&amp;quot; she murmurs, sotto voce. &amp;quot;Actually, I&#039;ve changed my mind. Let&#039;s stay over here, shall we?&amp;quot; And, the next time Pernelle begins to call her &#039;dearest Yanagi&#039;--she&#039;ll touch a finger to his beak gently, just in time to stop him calling her name. Her eyes linger on his for a moment, and just might convey a need for caution, at least when it comes to dropping names.&lt;br /&gt;
    &lt;br /&gt;
    Then she pulls her finger back and resumes watching, smile faint. There are many people here--so many fascinating, amusing, wondrous, nostalgic, terrible people to take in and observe!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Pernelle has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;It is my blessing and it is my curse,&amp;quot; Pernelle reports of wisdom, eyes closed in grim sageliness. He brings a wing to his chest. &amp;quot;But where there is adventure calling, there will gladly be Pernelle joining!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Indeed, Yanagi could have come alone if that was truly Yanagi&#039;s wish to do. But she asked, and so Pernelle is there, lockstep, as they make their approach. They are not the only ones here arriving fashionably late: there is no ignoring THE MOTORCYCLE!&lt;br /&gt;
&lt;br /&gt;
Pernelle flaps his wings as it passes to keep his balance from the shock of it, his glasses briefly popping off his face. But the way his peak falls open wide is not one of shock, oh no. The corners are too teased upward for that, and his outstretched wings become raised in a cheer.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;How intrepid!&amp;quot; he cries. He turns to Yanagi with a 90 degree hop. &amp;quot;A curious adaption... But Saika would look splendid astride one, I should think. Shall we look for one on the way home?&amp;quot; At this hour?! Yes, if you intend to steal it!&lt;br /&gt;
&lt;br /&gt;
The closer they get, the more exciting it all becomes, Pernelle occasionally lowering his head to peer upon the details, giving hops side to side before catching up to Yanagi. He rustles his feathers and wriggles his train. Oh! Explosive! Impressive! How they strive! Like artists upon the canvas of survival!&lt;br /&gt;
&lt;br /&gt;
Yanagi asks if they should join and he looks like he is about to vibrate out of his own body. &amp;quot;Did you hear her? A weakness to the flame! My heart has so many flames and unforeseen consequences to provide, dearest Y--!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But then her finger is on her beak, and he is wisely silenced. Pernelle&#039;s pupils cross to look to her finger, then slide back up at Yanagi. Right, yes. The names and the quiet. That matters to the human sorts, generally, &#039;&#039;and&#039;&#039; they can hear him right now. It is with neither resistance nor complaint that he accepts Yanagi&#039;s changed mind, despite the aforementioned insistence on arson.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hmm, yes,&amp;quot; he agrees easily instead, craning his neck to look around top, side, and upside down. &amp;quot;A sound suggestion. Our view from here allows us to bask in the chaos most thoroughly.&amp;quot; He fluffs up his feathers and smooths them down as a bird preparing to roost.&lt;br /&gt;
&lt;br /&gt;
... Then reaches into his vest with a talon and pulls out a bag of vending machine cookies. Pernelle rips it open cleanly with a swipe of his beak before dunking his head in. As he pulls one out and throws his head back to gobble it down, he offers the bag to Yanagi should she wish to share. &lt;br /&gt;
&lt;br /&gt;
Entertainment AND snacks!&lt;br /&gt;
&lt;br /&gt;
Cookie devoured, his attention snaps back ahead, and his eyes narrow in a squint, glancing from one person to the next, and tracing the way their bonds connect as they call to each other in surprise, relief, and worry.&lt;br /&gt;
&lt;br /&gt;
Curious and curiouser... Curious&#039;&#039;est&#039;&#039;, even.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Crossroads Bar has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Somehow, when Fuuka tells Natsuki it will be all right -- she &#039;&#039;believes&#039;&#039; her.&lt;br /&gt;
&lt;br /&gt;
    (Minato beholds Koh&#039;s cool one-liner, meanwhile, and feels an extra spark of affinity with him.)&lt;br /&gt;
&lt;br /&gt;
    Zagreus dances them to health, as Shinjiro does the precise &#039;&#039;opposite;&#039;&#039; where one is graceful and soothing and reaches out to the people around him, the other is vicious and brutal and tearing into his own existence. They are stark displays, beside each other, each complimenting the other -- though the Emperor regards them both with the same brutal slash, carving horizontally across the battlefield.&lt;br /&gt;
&lt;br /&gt;
    Myunghon sinks their hands into darkness, and their Cognitive Coat opens its maw. Keikaku might mean plan, but &#039;&#039;kogo&#039;&#039; means &#039;&#039;Empress,&#039;&#039; and it rises up after it&#039;s dragged to the ground to face them. The Emperor, meanwhile, is knocked down by Yukari&#039;s maelstrom, and the two call down Zionga and Bufula in concert as they lift their weapons high.&lt;br /&gt;
&lt;br /&gt;
    Umie learns something new, though, even as the Empress&#039;s sceptre (for a change!) proceeds to slam down on &#039;&#039;her.&#039;&#039; Her Shroud settles over Eikichi&#039;s shoulders, obscuring his weaknesses from the enemy. Shrouded in shadows in a &#039;&#039;different&#039;&#039; sense is Reiya, who&#039;ll find himself dealing with the Emperor&#039;s sword as it comes down, in turn -- if he&#039;s going to make himself a target, he&#039;s going to &#039;&#039;be&#039;&#039; targeted. They&#039;ve both got similar tricks, though, as Kunimitsu shrouds Suzume to protect her just the same!&lt;br /&gt;
&lt;br /&gt;
    Valkyrie rides out to assault the Emperor, slashing across the cross in his middle as if it were a guiding line to show just where to cut. Somehow, he isn&#039;t bisected, though he tumbles over with the blow. A cone of flame washes over it, splitting to catch the Empress just the same. (There goes its cape! AGAIN!) Empress takes offence to that, and pours out flames of its own over Hitomi and Minako. Can&#039;t it tell that you don&#039;t usually use the element you&#039;re weak to...? (It can&#039;t. It isn&#039;t &#039;thinking&#039; about its strategy, per se. It&#039;s more -- &#039;&#039;acting.&#039;&#039;)&lt;br /&gt;
&lt;br /&gt;
    Eikichi is right about that one, though -- these Shadows are &#039;&#039;immeasurably&#039;&#039; tough. He&#039;s pretty tough himself, though, and the Death Boss employs a suitably morbid assault in &#039;&#039;Mudo,&#039;&#039; knocking the Emperor down once more. The other Shrouded combatant, Suzume, goes on a tumble -- and kicks her backpack to Minato, helpfully. (&amp;quot;Got it,&amp;quot; Minato nods, stern, and takes a moment to give Ririka a melon pan to keep her going. ... Fuuka and Natsuki are in a bubble, and he&#039;s not going to break the bubble for bread.) Suzume then enacts her dumb plan -- is it dumb if it works? -- calling out to the Empress tauntingly. It&#039;s &#039;&#039;huge,&#039;&#039; and lumbering, but one thing it isn&#039;t is &#039;&#039;agile,&#039;&#039; and for a moment it&#039;s stuck chasing Suzume around the atrium before she charges into the Emperor as it&#039;s picking itself up. Down he goes... but the Empress gives up on catching up, and calls down an electrical storm on Suzume and Eikichi instead!&lt;br /&gt;
&lt;br /&gt;
    Tsurugi, meanwhile, bids her Persons slash furiously into the Arcana Shadows. Her offence is matched by Akihiko&#039;s defence, as he enervates the Shadows&#039; offensive powers in turn. The Empress receives a zap to follow up, and the Emperor lifts his sword, summoning swirling ice around them. It &#039;&#039;is&#039;&#039; less freezing than it was -- but the power they&#039;re bringing to bear isn&#039;t so easily put aside.&lt;br /&gt;
&lt;br /&gt;
    Tyler has a magic trick up his sleeve. He may have noticed that offensive attacks against the Shadows are drawing them towards their attackers -- and Mamudo sinks into them knocking them down. Mitsuru, luckily, managed to catch him, but &#039;&#039;she&#039;s&#039;&#039; one who makes the landing bearable. Somehow, the Ice Queen of SEES manages to bear up under the pain, and the bruises? The bruises are for tomorrow. The Warrior Queen, meanwhile, isn&#039;t about to just &#039;&#039;let&#039;&#039; the Shadows resist Mitsuru -- she forces the matter, and follows up with an icy blow. The Empress is frozen solid, for a moment, leaving the Emperor to swing his sword out to assault her and Tyler both.&lt;br /&gt;
&lt;br /&gt;
    The matter of bike thievery is a matter for tomorrow, too... so, too, the matter of &#039;&#039;bike envy.&#039;&#039; Moriko seems to realise she&#039;s not alone today, though, as she amends from &#039;I&#039; to &#039;we&#039; -- and Otohime Gitsune launches another spire of stone towards the Emperor to distract it from its assault on SEES&#039;s queen. Vesper, meanwhile, assaults the Empress with a wave of darkness -- which must be what an Investigator does, Vesper just &#039;&#039;said&#039;&#039; he was one. Once they&#039;ve righted themselves, the Empress and Emperor whirl on them, bringing down fire and wind!&lt;br /&gt;
&lt;br /&gt;
    Eriko is a force unto herself, meanwhile, as she blows the giants away from Vesper and Moriko with her formidable winds. The Empress whirls on her, swinging its great sceptre down in a terrible blow!&lt;br /&gt;
&lt;br /&gt;
    Meanwhile, the Emperor moves to advance on &#039;&#039;Fuuka,&#039;&#039; again. His great blade crashes downwards, only for Orpheus to manifest in front of it, holding up his lyre to block the blow. But Minato isn&#039;t strong enough to force this enemy back himself -- Orpheus sinks back towards Lucia, as the Emperor forces his blade further on, gaining inch after agonising inch. Finally, Orpheus shatters, and the Emperor&#039;s blade slams down -- just barely &#039;&#039;not&#039;&#039; bisecting Minato in half, as the shockwave knocks him back, impacting with the front of Fuuka&#039;s bubble with a pained cry.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Ugh,&amp;quot; Minato grunts, listing forward as he struggles to stand. Even knowing their tricks, the enemy is so strong...&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Gale Slash on Koh Katsuhiro and Shinjiro Aragaki!&lt;br /&gt;
 AS: Crossroads Bar takes 40 damage from Panic!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Water skill Bufula on Yukari Takeba!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Elec skill Zionga on Myunghon Yeo!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Assault Dive on Umie Akabane! 2 Hits!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Straight Slash on Reiya Aomori!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Fire skill Maragi on Minako Arisato and Hitomi Mandai!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Elec skill Mazio on Suzume Fukura and Eikichi Mishina!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Water skill Mabufu on Remi Ryuuja and Akihiko Sanada!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Gale Slash on Mitsuru Kirijo and Tyler Gould!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Wind skill Garula on Moriko Kumamoto!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Fire skill Agilao on Julian Marlowe!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Black Spot on Eriko Kirishima!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Gale Slash on Fuuka Yamagishi and Minato Arisato!&lt;br /&gt;
 AS: Take! Minato Arisato takes 69 Recovery healing from Yukari Takeba&#039;s Media.&lt;br /&gt;
 AS: Block Worst! Minato Arisato takes 47 Slash damage from Crossroads Bar&#039;s Gale Slash.&lt;br /&gt;
 AS: Block Worst! Shinjiro Aragaki takes 29 Slash damage from Crossroads Bar&#039;s Gale Slash.&lt;br /&gt;
 AS: Avoid Neutral! Yukari Takeba takes 93 Water damage from Crossroads Bar&#039;s Bufula. Critical Hit!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Best! Hitomi Mandai takes 13 Fire damage from Crossroads Bar&#039;s Maragi. Resist!&lt;br /&gt;
 AS: Avoid Best! Eriko Kirishima takes 56 Strike damage from Crossroads Bar&#039;s Black Spot.&lt;br /&gt;
 AS: Block Best! Suzume Fukura takes 44 Elec damage from Crossroads Bar&#039;s Mazio. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Neutral! Fuuka Yamagishi takes 53 Slash damage from Crossroads Bar&#039;s Gale Slash. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Best! Mitsuru Kirijo takes 41 Slash damage from Crossroads Bar&#039;s Gale Slash.&lt;br /&gt;
 AS: Block Neutral! Minako Arisato takes 53 Fire damage from Crossroads Bar&#039;s Maragi. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Avoid Neutral! Reiya Aomori takes 69 Slash damage from Crossroads Bar&#039;s Straight Slash. Critical Hit!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Counter Best! Eikichi Mishina takes 19 Elec damage from Crossroads Bar&#039;s Mazio. Eclipsed!&lt;br /&gt;
 AS: Paralyze added! Eclipse removed!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 49 Elec damage in return for their attack! Weak!&lt;br /&gt;
 AS: Counter Neutral! Remi Ryuuja takes 42 Water damage from Crossroads Bar&#039;s Mabufu.&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 43 Water damage in return for their attack! Weak!&lt;br /&gt;
 AS: Avoid Best! Moriko Kumamoto takes 53 Wind damage from Crossroads Bar&#039;s Garula. Critical Hit!&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Counter Worst! Myunghon Yeo takes 102 Elec damage from Crossroads Bar&#039;s Zionga. Critical Hit!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 75 Elec damage in return for their attack! Weak!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Worst! Koh Katsuhiro takes 61 Slash damage from Crossroads Bar&#039;s Gale Slash.&lt;br /&gt;
 AS: Block Worst! Tyler Gould takes 80 Slash damage from Crossroads Bar&#039;s Gale Slash. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Avoid Best! Umie Akabane takes 15 Strike damage from Crossroads Bar&#039;s Assault Dive.&lt;br /&gt;
 AS: You have 1 more attack in queue!&lt;br /&gt;
 AS: Avoid Neutral! Umie Akabane takes 25 Strike damage from Crossroads Bar&#039;s Assault Dive.&lt;br /&gt;
 AS: Block Neutral! Akihiko Sanada takes 67 Water damage from Crossroads Bar&#039;s Mabufu. Weak!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: Remi Ryuuja spends Limit on Shift! Reiya Aomori can use another Weak skill this round!&lt;br /&gt;
 AS: Avoid Worst! Julian Marlowe takes 80 Fire damage from Crossroads Bar&#039;s Agilao.&lt;br /&gt;
 AS: Mitsuru Kirijo spends Limit on Shift! Shinjiro Aragaki can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Fuuka Yamagishi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Minako calls out to her, asking if she&#039;s okay in there. Fuuka nods.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yes... I&#039;m alright. Lucia...&amp;quot; Somehow, she knows the name, as surely as she knows her own. &amp;quot;She&#039;s keeping me safe. But... thank you, for worrying about me.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
There&#039;s almost a watery look to the globe surrounding her, but it&#039;s far from unpleasant. She feels more in tune, right now - safer, protected.&lt;br /&gt;
&lt;br /&gt;
Every continues to fight, and behind her, she can feel Natsuki - not &#039;&#039;relax&#039;&#039;, perhaps... but she can feel her trust, too.&lt;br /&gt;
&lt;br /&gt;
At some point, she feels two presences slip in the room. She doesn&#039;t sense any innate hostility - so she studies them only briefly before turning her attention turns back to the Shadows.&lt;br /&gt;
&lt;br /&gt;
Even being able to relay their weakness, they prove dangerous. They lash out - and the Emperor begins to advance on her. Fuuka&#039;s eyes open wide. His blade crashes down - and Orpheus intercepts it once more. The Emperor is not pushed back, this time. The blade presses forward, into Orpheus - and then &#039;&#039;through&#039;&#039;, continuing on to slam into the front of Lucia. Fuuka lets out a sharp, pained gasp.&lt;br /&gt;
&lt;br /&gt;
It &#039;&#039;hurts&#039;&#039;. Though it doesn&#039;t strike her fully - she&#039;s not certain she would survive if it had - she can feel Lucia&#039;s pain as surely as her own. Lucia flickers for a moment, but with a sharp intake of breath, Fuuka forces herself to maintain her presence. The act is draining her already low reserves of stamina, but...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Arisato-san...&amp;quot; Fuuka says. She sees Minato, struggling to stand. He fell because of her. And if the Emperor attacks again...&lt;br /&gt;
&lt;br /&gt;
She can&#039;t let that happen. She has to -&lt;br /&gt;
&lt;br /&gt;
Lucia reacts to Fuuka&#039;s desire. She extends her hands. Water swirls and converges in the air and front of her - and then splashes out, to try and knock the Emperor back.&lt;br /&gt;
&lt;br /&gt;
So, she can do more than just Navigate...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Switch back to elemental attacks.&amp;quot; Fuuka calls out. There&#039;s a hitch in her voice, as she struggles to keep herself calm so that she can keep relaying information to them. &amp;quot;Physical attacks are no good... Light or darkness, either.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Fuuka Yamagishi has used the Water skill Aqua on Crossroads Bar!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    That IS the Weirdo from the Cardboard Dragon, Hitomi! Would you like to buy a BOOSTER PACK of SKILL CARDS mid-battle? Guaranteed to hit a weakness! Ahahahahaha! No, Myunghon isn&#039;t that mercantile. Yet. maybe. Or perhaps they&#039;re in on all this with a Pay to Win button for the DLC someday, and that&#039;s when their name will turn red as a Nemesis...&lt;br /&gt;
&lt;br /&gt;
    Miho did say they betrayed them, after all.&lt;br /&gt;
&lt;br /&gt;
    Indeed, Myunghon is perhaps slightly &amp;amp;#42;less&amp;amp;#42; surprised a model like Eriko can be a Persona-User, given what they found out about their own family. Perhaps one day there&#039;ll even be enough to cast them in a movie... or at least a dancing competition? They could all be dancing all night. That might be a dream they might make happen for Yua. Would that make Yua happy?&lt;br /&gt;
&lt;br /&gt;
    Tsk. There&#039;s another that&#039;ve entered, and they&#039;re quite close to Fuuka and Natsuki -- but they&#039;ve elected to leave their defence to the Gekkoukan boys. Still, that getup... wait-- is that a PEACOCK? A peacock that&#039;s decided it&#039;s Cookie Time. ... hmmmm. Yanagi and Pernelle both are quite extravagant in garb, certainly, but--&lt;br /&gt;
&lt;br /&gt;
    Myunghon takes a spiritual second to evaluate their choice of cookie.&lt;br /&gt;
&lt;br /&gt;
    KOALA MARCH -- A half-brother. We are &amp;amp;#42;all&amp;amp;#42; mass produced by steel pistons and die casts. Glucose and cocoa solids and processed wheat on the steelbed of industralisation. &lt;br /&gt;
&lt;br /&gt;
    Two o/~ yellow notes erupt out of their head. They approve of Pernelle&#039;s choice of snacks.&lt;br /&gt;
&lt;br /&gt;
    Myunghon&#039;s keikaku doesn&#039;t go so far, because of the kogou... and the teikou threatens to eikou-ari them into oblivion as Zionga crashes over them and sends them back and sprawling against one of Tartarus&#039; atrium pillars. Kudlak is going to break at this point. They can&#039;t withstand much more damage. So they&#039;re going to have to step it up...&lt;br /&gt;
&lt;br /&gt;
    It&#039;s perhaps surprising -- and yet not surprising -- how easy they find to work in tandem with Remi and Le Maupin. They&#039;ve known each other for quite a while, after all. Where they catch that Le Maupin have drawn the Shadow&#039;s attention, they&#039;re already on the move, to seal the deal on the plan they&#039;ve been cultivating all this time. Even as powerful as these Shadows are, there&#039;s a pattern to them, still. They&#039;re still being manifested by some measure of Cognition... but whose? Just what powers the Shadows in this tower, so different than Mementos?&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;With compliments to Yamagishi-kun... I can now predict all your movements!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Myunghon&#039;s mark was left upon the Shadows before -- the almost imperceptible &#039;curses&#039; that they&#039;ve left to wear them down. In an instant, their pupil dilates as they thrust more power, channeled through Kudlak as that darkness spreads from underneath their coat once more -- and each of the ribbon-like tendrils seek to strike at those cursemarks, and if they seek their mark... they&#039;ll all explode in a succession of explosions! Even though Fuuka identified Darkness as a no-go, this is something they must test for themselves.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Mhhahahaha! Yes... just as I planned&amp;amp;#42;!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Myunghon takes the time to punish their own spine by reclining with bad, but Cool posture, drawing a hand over their hair. This might backfire dramatically, Myunghon.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;The time is NOW, Tsurugi! Capitalise on this opening and rend them in twain with your gusts!&amp;quot; Myunghon dramatically sweeps their hand, Cognitive Cape billowing behind them. &lt;br /&gt;
&lt;br /&gt;
    &amp;amp;#42;There&#039;s a new Plan shop down Yumezaki Centre, Cake-kaku-doori, 3-chome, 7-ban. It&#039;s very nice. They do 2 for 1 deals on Tuesdays.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Myunghon Yeo has used the Dark skill All According to Plan on Crossroads Bar! 2 Hits!&lt;br /&gt;
 AS: Myunghon Yeo&#039;s turn has ended.&lt;br /&gt;
 AS: Myunghon Yeo spends Limit on Shift! Remi Ryuuja can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eikichi Mishina has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Eikichi smirks at Vesper, giving the mysterious not teacher a thumbs up. &amp;quot;Hell yeah! Lets get this punk!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
 The blue haired punk keeps his footing as he swings the guitar case up to his grip. &lt;br /&gt;
&lt;br /&gt;
For anyone watching, why is the Death Boss of Kasu High School about to play a song. Were Shadows weak to music?&lt;br /&gt;
&lt;br /&gt;
Eikichi pulls back the guitar case from the neck of a rather impressive machine gun. &lt;br /&gt;
&lt;br /&gt;
The kind you see in movies.&lt;br /&gt;
&lt;br /&gt;
The kind that are very illegal...well anywhere. &lt;br /&gt;
&lt;br /&gt;
 Eikichi clicks his tongue holding the guitar case/machine gun for a moment before his finger just pulls down on the trigger, sending a spray of &amp;quot;bullets&amp;quot; for the pair of Arcana Shadows as he lets out a powerful &amp;quot;WOOOOOOOOOO!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The Muzzle flash twinkles in his eyes as a demonic grin crosses his face.&lt;br /&gt;
&lt;br /&gt;
The electricity hits again, charing Eikichi to a crisp but he still pulls back on the trigger. Maybe his finger is stuck? Eikichi coughs, feeling his muscles tense from the electricity, making it harder to move for the moment. &lt;br /&gt;
&lt;br /&gt;
 Eikichi&#039;s Persona appears behind him, whirring as it hovers there and summons a ball of water, which shoots toward the Arcana Shadows.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Eikichi Mishina has used the Pierce skill Bullet Rain on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Persona! Eikichi Mishina has used the Water skill Aqua on Crossroads Bar!&lt;br /&gt;
 AS: Eikichi Mishina&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The blast of fire comes at Minako and Hitomi. The fire slams into Minako, even as she brings her arms up to deflect it. The flame washes over her, driving her backward. Then, she turns her head -- and she looks to the Emperor, and the blade that comes down.&lt;br /&gt;
&lt;br /&gt;
Orpheus is cloven apart. Minato is thrown backward, hit hard by that blow, and Minako&#039;s blood turns to ice. She sucks a breath in, raggedly, and then she shouts: &amp;quot;MINATO-KUN!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Something deep and primal takes hold. Her crimson eyes ablaze, Minako leaps into the air. Her naginata is drawn out in one hand; her Evoker is briefly in the other, and she jumps &#039;&#039;as&#039;&#039; she fires it. Glass and blue light trail from her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Linos! Get in there!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
To her surprise, Lucia sends a blast of water out for the Emperor -- and then Linos follows that up, throwing out a trio of glowing points of blue-white light. They each swing out, hurtling towards the Emperor Shadow Arcana like a missile.&lt;br /&gt;
&lt;br /&gt;
And Linos appears -- next to Lucia, as Minako slams the Evoker back into the holster. She lands in front of her brother, Fuuka, and Lucia alike. She looks up at the Emperor, her jaw setting. Then, she looks up at the large Arcana Shadow.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;C&#039;mon,&amp;quot; she says. &amp;quot;You wanna hurt them? You get through me!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Minako Arisato spends Limit on Psych! &lt;br /&gt;
 AS: Persona! Minako Arisato has used the Fire skill Trio Freila on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Minako Arisato: Gains 37 HP from Regen! Psych removed!&lt;br /&gt;
 AS: Minako Arisato&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shizuka Kuroki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
      Shizuka manages to work her muscles back into shape, rolling her shoulders as the rocks glance off. &amp;quot;Yeah, not gonna do much...&amp;quot; Fuuka&#039;s analysis comes over, though. &amp;quot;Will these damn things make up their minds?! God!&amp;quot; She stomps her foot in frustration, letting out a huff. &lt;br /&gt;
 &lt;br /&gt;
      She scans around the field. Nato-kun&#039;s not doing too hot... If he falls, then that bastard&#039;s gonna get Fuuka and this&#039;ll all be for nothing! &lt;br /&gt;
 &lt;br /&gt;
      &amp;quot;Hold on, Nato-kun, I gotcha! Bring &#039;em up, Galatea!&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      She fires her Evoker, causing Galatea to bring down a healing light across the battlefield.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Shizuka Kuroki has used the Recovery skill Media on Minato Arisato, Akihiko Sanada, Remi Ryuuja, and Julian&lt;br /&gt;
 Marlowe!&lt;br /&gt;
 AS: Shizuka Kuroki&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro internally withers and dies a death as Mitsuru gives him that old Signal. This is step one of the execution... there will now &amp;amp;#42;have&amp;amp;#42; to be a step two.&lt;br /&gt;
&lt;br /&gt;
But even so, they&#039;ve reached an accord. Work together now, talk later. He won&#039;t be able to avoid that talk... Mitsuru can find him anywhere. She&#039;s rich.&lt;br /&gt;
&lt;br /&gt;
But as the blade comes down on him, Shinjiro swings his axe, deflecting most of the blow even as it slashes into him and skids him backwards again, grunting. As Mitsuru makes his opening, he shoots the Evoker at his head, a wave of sickness blasting over the two Shadows.&lt;br /&gt;
&lt;br /&gt;
And then, a scepter comes down on Umie. &amp;quot;Akabane, watch out!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He darts over there, sidestepping, signalling two things.&lt;br /&gt;
&lt;br /&gt;
First, that Umie should dodge.&lt;br /&gt;
&lt;br /&gt;
Second... that he might have new friends. Has he left SEES for another group...?&lt;br /&gt;
&lt;br /&gt;
(No, but it might look that way, as unbelievable as it is.)&lt;br /&gt;
&lt;br /&gt;
As she dodges her blow, Shinjiro comes forth, clicking the Evoker once more as he rushes in with his axe. No physical attacks will work, so he can&#039;t get into close combat, but even as he swings a feint, he&#039;s close enough to do what he wanted.&lt;br /&gt;
&lt;br /&gt;
Castor comes forth, firing off another blast of flame, point blank at the Shadows! What did Shinjiro want...?&lt;br /&gt;
&lt;br /&gt;
To be as close as possible to try and bait the Shadows away from his allies.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Shinjiro Aragaki has used the Almighty skill Evil Smile on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Shinjiro Aragaki has used the Fire skill Agi on Crossroads Bar!&lt;br /&gt;
 AS: Shinjiro Aragaki: Bind removed!&lt;br /&gt;
 AS: Shinjiro Aragaki&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Koh Katsuhiro has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Koh raises an arm in attempt to ward off the shockwave resulting from the Emperor&#039;s blow, the gale force still throwing the boy momentarily off his feet and to the ground. Hard.&lt;br /&gt;
&lt;br /&gt;
But at least Minako&#039;s smile makes nearly crashing into Tartarus worth it. Someone thought he was cool!&lt;br /&gt;
    he young man groans as he rolls to his feet. He coughs, something wet and ugly. &amp;quot;What the hell--&amp;quot; No time for that. He swallows, &amp;quot;This be why Yamagishi-san&#039;s so popular these days...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She says no physical attacks. Which means he&#039;s got a reason to stay where he likes being: the back line. &amp;quot;Persona!&amp;quot; Once again healing power rains down upon the members of SEES.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Koh Katsuhiro spends Limit on Exploit! Koh Katsuhiro can use another Weak skill this round!&lt;br /&gt;
 AS: Persona! Koh Katsuhiro has used the Recovery skill Relaxing Wave on Yukari Takeba, Suzume Fukura, and Moriko&lt;br /&gt;
 Kumamoto!&lt;br /&gt;
 AS: Persona! Koh Katsuhiro has used the Recovery skill Bacchanaiia: Revelry on Akihiko Sanada, Reiya Aomori, and Fuuka&lt;br /&gt;
 Yamagishi!&lt;br /&gt;
 AS: Koh Katsuhiro&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Yukari Takeba takes 0 Recovery healing from Koh Katsuhiro&#039;s Relaxing Wave.&lt;br /&gt;
 AS: Vigor added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Take! Reiya Aomori takes 0 Recovery healing from Koh Katsuhiro&#039;s Bacchanaiia: Revelry. 12 SP regained!&lt;br /&gt;
 AS: Def_Up added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Take! Fuuka Yamagishi takes 0 Recovery healing from Koh Katsuhiro&#039;s Bacchanaiia: Revelry. 12 SP regained!&lt;br /&gt;
 AS: Atk_Up added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
It&#039;s true, whether or not she trusts some members of SEES, such as Mitsuru or Reiya, they&#039;re a team. Which is why when Reiya gives her an opening - she capitalizes. And it&#039;s why when she follows up, she tries to offer one to Mitsuru.&lt;br /&gt;
&lt;br /&gt;
Yukari has a goal for being here. That&#039;s more important than her like, or dislike of anyone. She will find out what happened to him.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Leave it to me.&amp;quot; Is her succinct reply to Minako as she rises to her feet, the Evoker in hands and Hitomi&#039;s thanks is met with a comment, &amp;quot;Thank me by taking this down!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The Empress responds by a shower of Ice, and Yukari swings sideways as Io moves between her and it, Io covered with rimefrost in the aftermath, her movements slowing.&lt;br /&gt;
&lt;br /&gt;
But not stopping.&lt;br /&gt;
&lt;br /&gt;
No one has died, and with Fuuka&#039;s awakening, they can do this. Part of Yukari withers at the thought of Fuuka sacrificing her innocence for the sake of her goal.&lt;br /&gt;
&lt;br /&gt;
But despite her dislike of it, she&#039;ll keep moving forward.&lt;br /&gt;
&lt;br /&gt;
And that&#039;s when she looks at Minato almost get bisected, and she looks at him alarm, &amp;quot;You&#039;ve done enough!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
However, despite how she&#039;s acted, Minako is counting on her to keep everyone up and alive. But - there&#039;s one more than anyone who means anything to her here, she knows this. So instead of capitalizing upon this moment to buffet either Shadow with winds, Io raises her hands again...&lt;br /&gt;
&lt;br /&gt;
And it&#039;s like a breeze blows through scented with fresh Spring Water, before landing upon...&lt;br /&gt;
&lt;br /&gt;
Minato.&lt;br /&gt;
&lt;br /&gt;
It swirls around him, before backing up Shizuka&#039;s healing to decisively keep him up on his feet.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Minato- If you don&#039;t fall back, you&#039;re going to die!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And while more composed than Minako, there&#039;s unmistakably some panic in her voice too.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Recovery skill Naiad Diarama on Minato Arisato!&lt;br /&gt;
 AS: Yukari Takeba&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Suzume Fukura takes 0 Recovery healing from Koh Katsuhiro&#039;s Relaxing Wave.&lt;br /&gt;
 AS: Vigor added!&lt;br /&gt;
 AS: Shinjiro Aragaki spends Limit on Shift! Umie Akabane can use another Weak skill this round!&lt;br /&gt;
 AS: Take! Minato Arisato takes 65 Recovery healing from Shizuka Kuroki&#039;s Media.&lt;br /&gt;
 AS: Take! Minato Arisato takes 101 Recovery healing from Yukari Takeba&#039;s Naiad Diarama.&lt;br /&gt;
 AS: Yukari Takeba gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 74 Water damage from Fuuka Yamagishi&#039;s Aqua. Weak!&lt;br /&gt;
 AS: Take! Julian Marlowe takes 65 Recovery healing from Shizuka Kuroki&#039;s Media.&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 51 Fire damage from Minako Arisato&#039;s Trio Freila. Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 66 Fire damage from Shinjiro Aragaki&#039;s Agi. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 42 Dark damage from Myunghon Yeo&#039;s All According to Plan. Critical Hit! Resist!&lt;br /&gt;
 AS: Paralyze and Sick added!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 27 Dark damage from Myunghon Yeo&#039;s All According to Plan. Resist!&lt;br /&gt;
 AS: Paralyze and Sick added!&lt;br /&gt;
 AS: Myunghon Yeo gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 24 Pierce damage from Eikichi Mishina&#039;s Bullet Rain. Critical Hit! Resist!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 20 Pierce damage from Eikichi Mishina&#039;s Bullet Rain. Resist!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 23 Pierce damage from Eikichi Mishina&#039;s Bullet Rain. Resist!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 88 Water damage from Eikichi Mishina&#039;s Aqua. Weak!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 49 Fire damage from Minako Arisato&#039;s Trio Freila. Weak!&lt;br /&gt;
 AS: Blast added! Paralyze removed! Explosion! 45 damage!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 54 Fire damage from Minako Arisato&#039;s Trio Freila. Weak!&lt;br /&gt;
 AS: Blast added! Paralyze removed! Explosion! 45 damage!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Shinjiro Aragaki&#039;s Evil Smile.&lt;br /&gt;
 AS: Sick added!&lt;br /&gt;
 &lt;br /&gt;
 AS: Hitomi Mandai spends Limit on Psych! &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume &amp;amp;#42;explodes&amp;amp;#42; off of Emperor in a blast of wind that literally throws her ten feet into the air, arms windmilling as she tries to regain control of herself before she hits the ground.&lt;br /&gt;
&lt;br /&gt;
oh crap oh crap oh crap&lt;br /&gt;
&lt;br /&gt;
Suzume almost doesn&#039;t... but she drags her foot and arm through one of those ribbons of wind that were just running along with her and manages the world&#039;s least graceful double jump, less getting additional height and more straightening herself out and slowing her enough that, when she lands, it&#039;s on her feet in a deep crouch and not faceplanting into the floor.&lt;br /&gt;
&lt;br /&gt;
Panic is replaced with a thrill as she somehow &amp;amp;#42;manages it&amp;amp;#42; and &amp;amp;#42;looks cool&amp;amp;#42;, not that anyone has much of an opportunity to look giving the increasing chaos in the area. AND she managed to get one of them chasing her around, though the lightning is not a plus!&lt;br /&gt;
&lt;br /&gt;
Suzume braces against the thunderous boom as she covers her upper body with her pair of tonfa in a boxing-like guard - and this actually works, more or less. It breaks her guard, though; she staggers back, one of the tonfa having a rather obvious scorch mark down the side.&lt;br /&gt;
&lt;br /&gt;
She blinks, trying to clear her eyes from the flash and sparks without actually rubbing her face. She sees what Yukari is doing, recognizing the effect - &amp;quot;Takeba! Arisato-chan! I&#039;ll keep her off you while you keep them up!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Which her? Well, there&#039;s only one that matters. And Empress looks like the one more vulnerable to this trick. Plus, she&#039;s a big target; even with her vision blurry and covered in spots, Suzume can find her just fine.&lt;br /&gt;
&lt;br /&gt;
Suzume makes a come-on gesture to Empress. She was just being chased by the greater Shadow; it&#039;s probably mad at her if it feels emotions at all and Suzume is going to push that as far as she goes. She hops backwards, revitalized by Koh&#039;s energy, as if trying to convince Empress to run after her again...&lt;br /&gt;
&lt;br /&gt;
...but this time Suzume has a little card. A gift.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Atalanta!&amp;quot; she calls, firing the Evoker again - she wants to do this &amp;amp;#42;exactly right&amp;amp;#42;. And when Atalanta appears, she has her arms spread, wind dancing around them. It&#039;s not wind that swirls around Empress, though; it&#039;s a darker force, forming a sphere that &amp;amp;#42;slams&amp;amp;#42; downward, crushing Empress beneath force itself. &amp;quot;Gry!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Empress, Suzume figures, is kind of round already. She can get way more Empress in the same amount of bubble than she could with Emperor.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Suzume Fukura has used the Earth skill Gry on Crossroads Bar!&lt;br /&gt;
 AS: Suzume Fukura&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The sword comes down. Reiya swings up his sai to block the attack, but his guard is battered and he&#039;s knocked flying away. &amp;quot;Gh--&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Julian explains, sort of. Professional caution. &amp;quot;No,&amp;quot; Reiya says, &amp;quot;That makes sense.&amp;quot; He&#039;s not going to begrudge someone a mask, on reflection, though it&#039;s unusual among Persona-users. Of course, he still thinks it&#039;s hiding in a sense... but he doesn&#039;t mind hiding. It&#039;s a useful skill! &lt;br /&gt;
&lt;br /&gt;
Eikichi and Julians eem to work well together. And Eriko, with the briefly-flaming sword, is elegant and cool. Reiya watches her for a moment; he can see her comfort with battle. &lt;br /&gt;
&lt;br /&gt;
Suzume does her thing--and Reiya smiles grimly to see it. He also spots &#039;Tsurugi&#039; ahead, and while he does not know her, he sees something he can use in the opening she creates with her skills. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Persona,&amp;quot; Reiya intones, and the Evoker sprads its crsytalline carnage once again from his head. Reiya ducks down, shifts forward, and--&lt;br /&gt;
&lt;br /&gt;
His Persona throws forth its hands, and a crashing wave erupts along the ground. With another gesture, Reiya brings forth a burst of purple-gray energy that &#039;&#039;crashes&#039;&#039; down on Empress in an effort to slam her to the ground. &lt;br /&gt;
&lt;br /&gt;
Reiya looks back to Minako at her challenge. Her leadership is plain to him; he feels more secure with her helping to protect the others. And as he does, he sees... Yanagi and Pernelle. That&#039;s a thing to follow up with. But first--&lt;br /&gt;
&lt;br /&gt;
Reiya darts up--and steps up close to Mitsuru, this time. &amp;quot;Kirijo-senpai,&amp;quot; he says. &amp;quot;Allow me to assist.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Reiya Aomori has used the Water skill Aques on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Reiya Aomori has used the Earth skill Gry on Crossroads Bar!&lt;br /&gt;
 AS: Reiya Aomori: Paralyze removed!&lt;br /&gt;
 AS: Reiya Aomori&#039;s turn has ended.&lt;br /&gt;
 AS: Reiya Aomori spends Limit on Shift! Mitsuru Kirijo can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akihiko Sanada has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    Excited with the solid progress, a solid block as Akihiko slides back from the force of a weakened Mabufu. He spots the Emperor progress and strike Yamagishi&#039;s Persona. It fills him with a sense of duty, to protect his kouhais.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;You won&#039;t get away with that!&amp;quot; Taking his envoker once more for another summon. He goes big this time. Polydeuces is summoned, and creates an electric ball in the air, crackling with energy. Akihiko jumps up. &amp;quot;I&#039;ll show you all how it&#039;s done!&amp;quot; With as much force as he can manage, he &amp;amp;#42;punches&amp;amp;#42; the electric ball, sending it at the Emperor Shadow.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Akihiko Sanada spends Limit on Psych! &lt;br /&gt;
 AS: Take! Akihiko Sanada takes 65 Recovery healing from Shizuka Kuroki&#039;s Media.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi&#039;s head swivels to look as Suzume starts trying to... draw the attention of one or both of the Shadows. Her mouth hangs slightly open in wordless signification of &#039;wtf are you doing.&#039; But then she sees it, and the open mouth splits into another grin. (I am losing my mind, Hitomi thinks, even as Suzume runs forwards. That is her strongest thought. Even as Suzume is getting up NEAR the thing.) &lt;br /&gt;
&lt;br /&gt;
At this point she realizes she DID hear a motorcycle and that Minato Arisato is ON a motorcycle and she has no real time to process this information before Fuuka is updating them. It is chaos; the motion of the Shadows, horrible as it is, is starting to become familiar. Then a burst of flame comes towards them. &lt;br /&gt;
&lt;br /&gt;
The heat washes over Hitomi&#039;s face as it closes. As the light builds, matching the heat. As the flames strike her. As the burn suddenly spikes -- &lt;br /&gt;
&lt;br /&gt;
-- &lt;br /&gt;
&lt;br /&gt;
-- &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s eyes open. She blinks several times. Her body feels... lighter? She realizes it in a moment - the sweat in her clothes has disappeared. She &amp;amp;#42;is&amp;amp;#42; lighter, more or less. She actually giggles for a moment, reaching up to sweep back some hair that has fallen loose from the bun of hair held back behind her head with several pins. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do you really want to see who&#039;s burning brighter?&amp;quot; Hitomi finds herself saying, before the hand not sweeping her stray locks of hair back (and around, and behind an ear) sweeps up again, this time palm upwards. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;&#039;k. Tyche!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tyche reappears. Or does she? No, it&#039;s the same statue, it just moved. Normal, really, for a Persona, although perhaps peculiar for a statue. Now her head is tilted upwards, both hands held in an upwards facing way, as if imploding or reaching to clasp hands with someone above them. &lt;br /&gt;
&lt;br /&gt;
There is a scream like the climax of a summertime fireworks show. A dozen white lights streak towards the Emperor and the Empress. They explode, and every spark they throw is hot and luminous and golden against a red background for a flicker of a moment: &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fukuraa, don&#039;t stand near it! Arisato is he--!!?&amp;quot; Hitomi says, that momentary sensation of exaltation swept away in the breeze (of explosions). &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Take! Akihiko Sanada takes 0 Recovery healing from Koh Katsuhiro&#039;s Bacchanaiia: Revelry. 12 SP regained!&lt;br /&gt;
 AS: Spd_Up added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Persona! Hitomi Mandai has used the Fire skill Explosion of Fortune on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Hitomi Mandai: Psych removed!&lt;br /&gt;
 AS: Hitomi Mandai&#039;s turn has ended.&lt;br /&gt;
 AS: Persona! Akihiko Sanada has used the Elec skill Lightning Spike on Crossroads Bar!&lt;br /&gt;
 AS: Akihiko Sanada: Psych removed!&lt;br /&gt;
 AS: Akihiko Sanada&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Moriko Kumamoto takes 0 Recovery healing from Koh Katsuhiro&#039;s Relaxing Wave.&lt;br /&gt;
 AS: Vigor added!&lt;br /&gt;
 AS: Koh Katsuhiro gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Take! Remi Ryuuja takes 65 Recovery healing from Shizuka Kuroki&#039;s Media.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Mitsuru Kirijo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
They&#039;re still so new at this.&lt;br /&gt;
&lt;br /&gt;
It&#039;s a cold realization that dawns on Mitsuru as she sees the scramble this fight has become. There are so many here unaffiliated with SEES - people she does not know, people whose strengths and weaknesses she cannot account for, making coordination that much more difficult. Her cold glare affixes on a pair of others just -watching- beyond, another complication that may be friend or foe or neither -- either way, their lack of help, the entertainment they take watching them, makes things that much more a quagmire that she can&#039;t even spare the time to question. And for their own members... &lt;br /&gt;
&lt;br /&gt;
This is what -must- amount to the first outing for so many members of SEES here today, and even those who have experience under their belt...&lt;br /&gt;
&lt;br /&gt;
Her gaze can&#039;t help but drift to Akihiko and Shinjiro both as she darts backwards to gain space anew during the melee, dark gaze lidding fractionally.&lt;br /&gt;
&lt;br /&gt;
... dysfunction. Interpersonal issues. Things can&#039;t keep going like this.&lt;br /&gt;
&lt;br /&gt;
She can&#039;t let this all fall into the same tragedies, -again-.&lt;br /&gt;
&lt;br /&gt;
Thoughts consume her mind. They -always- consume her mind. But Mitsuru is a Kirijo, and a Kirijo is trained from birth to be a frightening and uncompromising multi-tasker. Even as she debates the possible outcomes of this situation, she catches a sudden and violent rush of movement from her peripherals. She sucks in a breath, pivots--&lt;br /&gt;
&lt;br /&gt;
--And the sharp edge of the Emperor&#039;s sword meets Mitsuru&#039;s rapier and Penthesilea&#039;s parrying dagger in a sharp, spark-screaming impact. Spiritual metal struggles against spiritual metal and real, tempered steel for three seconds of struggle. In these moments it&#039;s clear, as Mitsuru reacts so smoothly, as she offers nothing but bloody vengeance in her stare for the great Shadow beyond her even in such dire circumstances--&lt;br /&gt;
&lt;br /&gt;
Languishing in support was always a necessity for Mitsuru. A burden she bore gladly for the sake of the team, but. In her heart?&lt;br /&gt;
&lt;br /&gt;
She yearned for the frontlines.&lt;br /&gt;
&lt;br /&gt;
Three seconds pass before the force and momentum of the Emperor&#039;s swing, diluted though it is, knock Mitsuru off her feet with a cold suck of air. She goes flying as Penthesilea flickers from existence, smashing back-first into a nearby wall with a wordless gasp of pain. Her arms are numb, tingling all the way down to her shoulder joints; she is certain she must have done -something- wrong to her dominant hand in that exchange. She slumps to the ground, head lolling to the right for a brief, vision-swimming moment.&lt;br /&gt;
&lt;br /&gt;
Even with Fuuka&#039;s support, these Shadows aren&#039;t stopping. They were born to coordinate with each other, while many of the people fighting them now don&#039;t even know each others&#039; -names-.&lt;br /&gt;
&lt;br /&gt;
Mitsuru focuses. Her hand reaches to grip the nearby support pillar behind her--&lt;br /&gt;
&lt;br /&gt;
--only to find Reiya there, instead. She blinks -- but then, her expression settles. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Thank you, Aomori,&amp;quot; she says, sincerely. And through grit teeth, she lifts back onto her feet with his help, slowly and shakily. But unbowed. &amp;quot;I need you... to be prepared. I can trust you to see the way the tide is turning.&amp;quot; She shuts her eyes. Draws in a breath.&lt;br /&gt;
&lt;br /&gt;
And slowly, she lowers back into that fighting stance once more as her steely gaze shifts leftwards, towards,&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Arisato.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minato. The brother - the elder. She&#039;s never had siblings. But she can imagine the protective urge there. She doesn&#039;t want to make him do this. But--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Take Yamagishi and the non-combatants and -get them out of here-.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Her voice is a bulwark of unbending steel, not to be questioned. Her stance widens as the sapphire flame of her Persona&#039;s power enshrouds her like a flickering corona.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do you understand? If they stay, they&#039;ll die here! You need to save them!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Save yourself--&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now go! Hurry!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She won&#039;t have more loss on her hands. She won&#039;t let people die who had nothing to do with this.&lt;br /&gt;
&lt;br /&gt;
Not again--&lt;br /&gt;
&lt;br /&gt;
Mitsuru breaks into a sprint. She doesn&#039;t here what Fuuka says about their weakness now -- she knows in her heart this is her opening. More to the point... she knows this is the moment she -must- seize. To demand their attention.&lt;br /&gt;
&lt;br /&gt;
To give Minato his opening to escape.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Face me now! Penthesilea, come!!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Her body screams in protest. She ignores it, becoming a blur of black and white motion as she comes to a skidding halt before the Shadows. -Commanding- them to notice her. To turn their attention on -her-. And if her voice and actions cannot do it--&lt;br /&gt;
&lt;br /&gt;
--then perhaps Penthesilea can encourage them as the upward swing of its mighty rapier conjures great boulders of frost and ice-crystal above them--&lt;br /&gt;
&lt;br /&gt;
--sending them crashing down like an executioners&#039; axe on -both- their heads.&lt;br /&gt;
&lt;br /&gt;
And then -does it again-.&lt;br /&gt;
&lt;br /&gt;
She won&#039;t let it happen. Not again.&lt;br /&gt;
&lt;br /&gt;
            &amp;quot;GO, ARISATO! That&#039;s an order!!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Never again. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt; &lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Mitsuru Kirijo has used the Almighty skill Disrupting Wave on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Mitsuru Kirijo has used the Water skill Bufula on Crossroads Bar!&lt;br /&gt;
 AS: Mitsuru Kirijo&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tyler Gould has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Gould, yes.&amp;quot; is the reply to Mitsuru -- why does &amp;amp;#42;she&amp;amp;#42; get exempted from &#039;just Tyler, please&#039;?&lt;br /&gt;
&lt;br /&gt;
Because they&#039;re fighting for their lives, and ultimately his surname is one syllable shorter than his given, and that one syllable could be the difference between life and death, for all he knows.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Right.&amp;quot; The order to steady himself comes across well enough -- that external appearance of coldness is something they can share, to a point. Tyler&#039;s voice lacks emotion at most times, it can sound uncaring. His words? They sound bleak when he uses the ones he wants.&lt;br /&gt;
&lt;br /&gt;
He takes the words literally. Bracing himself against the ground, he&#039;ll stay on his hands and knees, present less of a target, perhaps. What happens when shadows&#039; weapons strike the ground? It was time to find out, if the scepter came swinging his way again. It might also make it harder for him to become a weapon against one of the others.&lt;br /&gt;
&lt;br /&gt;
Well. He manages not to be used as a weapon, at least, but while his attention was on the Empress, it&#039;s the Emperor that targets him this time, and moving out of the way of that giant sword? That just wasn&#039;t going to happen, so instead he just.... turtles up, frankly, to try and just &amp;amp;#42;take&amp;amp;#42; the blow as the sword slices through some of Houdini&#039;s many, many chains and down into Tyler.&lt;br /&gt;
&lt;br /&gt;
It definitely &amp;amp;#42;hurt&amp;amp;#42;, and he is, indeed, becoming quickly aware that bringing the offense against the Emperor or Empress gets their attention turned the attacker&#039;s way...&lt;br /&gt;
&lt;br /&gt;
...but for as much as a glass cannon he might be, the cannon part is every bit as true as the glass part, and even if it means he&#039;s going to face another shattering blow?&lt;br /&gt;
&lt;br /&gt;
The enemies&#039; weakness just shifted right back into his &amp;amp;#42;strength&amp;amp;#42;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This is going to hurt.&amp;quot; It&#039;s a prediction; less for what it&#039;s going to do to the Shadows but what they&#039;re going to try to do to him. Optimism? That&#039;s not at all in his playbook, but what is?&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Persona.&amp;quot; The Evoker fires, that inner glass is shattered in turn, and Houdini&#039;s chains rattle once again as the cold air seeps out from those bindings, freezes into deadly shards of ice in the air above Tyler, and fire back at the Emperor with deadly precision... of the two, he thinks the one with the sharp, pointy thing is probably the one that he&#039;d rather anger.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Tyler Gould has used the Water skill Bufula on Crossroads Bar!&lt;br /&gt;
 AS: Tyler Gould&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Remi Ryuuja has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Tsurugi is heaving a bit with the sustained exhaustion, but still she continues to send herself and her Persona to relentlessly attack. Ice comes at the Emperor&#039;s behest, and La Maupin turns to face it. With a terrific slash at the spell, they send some of it &#039;&#039;back&#039;&#039; to strike the Shadow.&lt;br /&gt;
&lt;br /&gt;
Meanwhile, La Maupin&#039;s user grunts as they feel the feedback from that spell, their body momentarily chilled and slower to act. It&#039;s fine.&lt;br /&gt;
&lt;br /&gt;
They&#039;ve been through worse. But not &#039;&#039;much&#039;&#039; worse, in terms of fighting Shadows. Nothing like &#039;&#039;these&#039;&#039;... She snarls quietly as she redoubles her resolve, her grip tightening on her rapier.&lt;br /&gt;
&lt;br /&gt;
Elemental attacks again. There&#039;s a barely perceptible nod. There is also, a barest of turns of her head towards Yanagi and Pernelle. A chance scanning of the battlefield, or did she notice them in all the chaos? It might be hard to tell, since that mask obscures her sightline.&lt;br /&gt;
&lt;br /&gt;
But Myunghon calls for dramatic action, as precisely predicted, and behind her mask Tsurugi smirks. &amp;quot;Hmm.&amp;quot; She holds her hand out and calls, &amp;quot;Garu!&amp;quot; (Look who&#039;s suddenly calling their attacks out--is she responding to Myunghon&#039;s theatrical flare?)&lt;br /&gt;
&lt;br /&gt;
(... Nah, probably not.)&lt;br /&gt;
&lt;br /&gt;
La Maupin darts back, and with a slash of their sword stirs uyp a cyclone of winds for the Emperor Shadow, to repay the ice from a moment ago. Then Tsurugi calls out, &amp;quot;GARULA!&amp;quot; The reaction is instant, a second alsh right on the tails of the first, as the biting, cutting winds suddenly intensify.&lt;br /&gt;
&lt;br /&gt;
Some of the tension in her body relaxes as Shizuka calls forth healing magic, and she glances back over her shoulder to offer the girl a nod in gratitude. Her gaze flicks over to Reiya as he takes advantage of the opening. Sharp and quick... something to be watched.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Remi Ryuuja has used the Wind skill Garu on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Remi Ryuuja has used the Wind skill Garula on Crossroads Bar!&lt;br /&gt;
 AS: Remi Ryuuja&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;There&#039;s an order to get others out of the way. Moriko is torn though. On the one hand, it still rubs her the wrong way to leave the others behind because she&#039;s in the fight, she&#039;s doing it. The other part of her tells her that dragging other people out fills the same role and she turns, getting ready to call out to the others. &lt;br /&gt;
 &lt;br /&gt;
 She twists in place, making a decision, &amp;quot;Get back behind us-&amp;quot; she starts, &amp;quot;I don&#039;t think there&#039;s any getting way.&amp;quot; Her counter argument to the order. Someone (her) can deal with the fallout later. It&#039;s not the first person she&#039;s told to pound sand, sort of. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Screw it.&amp;quot; She plants the staff (It&#039;s a mop) in front of her and pulls the trigger again. &amp;quot;Come on out!&amp;quot; Her head jerking to the side. Following up one gravity attack from a certain someone she still wants to chew out with a larger sphere. Adding to the immense pressure of the situation. A larger, more intense force! &lt;br /&gt;
 &lt;br /&gt;
 Though there is a quick look to the others. Like she needs to do more. Maybe a hand up. &lt;br /&gt;
 &lt;br /&gt;
 She&#039;s not so stoic looking and she&#039;s maybe leaning on that staff a bit.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Moriko Kumamoto has used the Earth skill Riotous Gryva on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Moriko Kumamoto&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    And who are Shinjiro&#039;s merry band? (Aside from Merry, who is over there and exploding status effects. It&#039;s okay, Umie can lay more on!)&lt;br /&gt;
&lt;br /&gt;
    Why, it&#039;s a fashionable masked man, the Death Boss himself, and an comparably underwhelming young woman(?) in a windbreaker!&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Uh, Mishina-san, I think that&#039;s pretty unique right there,&amp;quot; Umie mutters, under her breath. &amp;quot;Kasugayama students are really something else...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    &#039;Akabane, watch out!&#039; Umie twists out of the way, her assisted agility landing her artfully away from where the sceptre lands, with only a few bruised areas to show for it. &lt;br /&gt;
&lt;br /&gt;
    Reiya&#039;s question to Vesper(Julian) catches Umie&#039;s attention as well. &amp;quot;Identity can be used as a weapon,&amp;quot; she says, over her shoulder, even if Reiya seems satisfied with his answer. &amp;quot;He wouldn&#039;t have been the only one; mine just didn&#039;t make the cut.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;But.&amp;quot; Something about this Reiya person is... almost... ninja-like? (_oh god she has to meet up with that bridge ninja guy in a month, why did she agree to that?!_)&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Mask or no, it&#039;s time to show what a Badb really is capable of.&amp;quot; Using the opening Shinjiro created, the girl in the white windbreaker hunches down, willing the battle crow to manifest above her in blue light. She&#039;s barely aware of Mitsuru&#039;s pleas to Minato.&lt;br /&gt;
&lt;br /&gt;
    One: a bell of ill fortune, signalling the end of reason and the spring of bloodshed, a grasping hand held upwards towards glory.&lt;br /&gt;
    Two: the haunted red-lipped smile, the badb as the steward of battle, fingers curling in a beckon towards a warrior on their last breath. &lt;br /&gt;
    &#039;Keep going. It&#039;s not enough.&#039;&lt;br /&gt;
    And then the third, forming the trinity: a shriek, the hollow cry that sends a cold shiver down the spine to those who decide to heed its call.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Umie Akabane spends Limit on Exploit! Umie Akabane can use another Weak skill this round!&lt;br /&gt;
 AS: Persona! Umie Akabane has used the Almighty skill Warrior&#039;s Bell on Crossroads Bar!&lt;br /&gt;
 AS: You still have 1 regular actions and 1 bonus Weak actions!&lt;br /&gt;
 &lt;br /&gt;
 AS: Persona! Umie Akabane has used the Almighty skill Hooded Smile on Crossroads Bar!&lt;br /&gt;
 AS: You still have 1 regular actions and 0 bonus Weak actions!&lt;br /&gt;
 AS: Persona! Umie Akabane has used the Dark skill Pale Shriek on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Umie Akabane&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eriko Kirishima has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Apparently, Eriko has angered the Empress with Nike&#039;s intervention, after sending them flying. The scepter of the Empress slams down toward Eriko, and it&#039;s only with a burst of speed granted by Nike&#039;s presence and putting the effort in to move her epee to deflect that she avoids the worst of it, landing gracefully on her feet as the combination of jumping away and the Empress&#039; powerful swing give her a little too much airtime. If the floors of Tartarus can dent or crack, that would do it. Her sword arm stings badly, but it could have been much worse. &amp;quot;&#039;&#039;Off with her head&#039;&#039;, is it?&amp;quot; Eriko retorts as she compares the Empress with the Queen of Hearts- and casting herself once again as Elly in Wonderland, switching between English and Japanese effortlessly. Still, despite her... it&#039;s not bravado, is it? She&#039;s just having a blast, honestly. Eriko&#039;s a very odd woman.&lt;br /&gt;
&lt;br /&gt;
    But its hard not to notice the pain on the battlefield- the cries of fear for their leader, the decision to pull back the non-combatants... It&#039;s a fear Eriko is very familiar with. She remembers those times, when she feared for her friends so- and the times she caused that same fear with her recklessness. She also hears several names, but one stands out more than others for a very good reason. &#039;Kirijo-senpai&#039;. They have to be the ones...&lt;br /&gt;
&lt;br /&gt;
    Eriko has maintained her barrage of wind, she can&#039;t keep it up forever- and Nike&#039;s winds have another purpose as well. &amp;quot;Boldly declared, &#039;&#039;Miss Kirijo&#039;&#039;,&amp;quot; Eriko calls, with a smile. &amp;quot;Allow a senpai to lend your and yours a hand! You as well, &#039;&#039;Mr Inspector&#039;&#039;!&amp;quot; She raises her sword up, saluting Mitsuru, before letting out a dramatic declaration of her own.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;&#039;&#039;Nike, may you have our lives in our charge and never cease garlanding our heads!&#039;&#039;&amp;quot; She doesn&#039;t bother translating again from English to Japanese, translating from Ancient Greek to English was enough. &amp;quot;&#039;&#039;Victory Blessing!&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Nike circles above Eriko, before flying briskly through the crowd, past Vesper, past Umie, circling around Mitsuru twice before settling behind Eriko. In her wake laurel wreaths of green light are lowered onto the four&#039;s heads, before erupting in a burst of wind that provides a rush of speed and strength. &amp;quot;Don&#039;t hold back now!&amp;quot; Eriko says, shooting a hopefully bolstering smile to SEES&#039; chief- and by god can she see some certain similarities now.&lt;br /&gt;
&lt;br /&gt;
    But suddenly, she feels the hairs on the back of her neck twitch, sensing the resonance. She looks away from the Shadows, towards the feeling- and her eyes fall on Yanagi and Pernelle, her eyes fixing briefly on the two. Now who are they, and why are they not taking part? Curious. And as much as she wants to pursue, well, her focus has to be elsewhere. One shouldn&#039;t walk away from regicide once you&#039;ve started, after all.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Eriko Kirishima has used the Wind skill Victory Blessing on Mitsuru Kirijo, Julian Marlowe, Umie Akabane,&lt;br /&gt;
 and Eriko Kirishima!&lt;br /&gt;
 AS: Eriko Kirishima: Haze removed!&lt;br /&gt;
 AS: Eriko Kirishima&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Eriko Kirishima takes 0 Wind damage from Eriko Kirishima&#039;s Victory Blessing.&lt;br /&gt;
 AS: Atk_Up and Spd_Up added!&lt;br /&gt;
 AS: Take! Julian Marlowe takes 0 Wind damage from Eriko Kirishima&#039;s Victory Blessing.&lt;br /&gt;
 AS: Atk_Up and Spd_Up added!&lt;br /&gt;
 AS: Take! Umie Akabane takes 0 Wind damage from Eriko Kirishima&#039;s Victory Blessing.&lt;br /&gt;
 AS: Atk_Up and Spd_Up added!&lt;br /&gt;
 AS: Take! Mitsuru Kirijo takes 0 Wind damage from Eriko Kirishima&#039;s Victory Blessing.&lt;br /&gt;
 AS: Atk_Up and Spd_Up added!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 84 Earth damage from Suzume Fukura&#039;s Gry. Weak!&lt;br /&gt;
 AS: Paralyze added! Blast removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 134 Water damage from Tyler Gould&#039;s Bufula. Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 76 Wind damage from Remi Ryuuja&#039;s Garu. Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 115 Wind damage from Remi Ryuuja&#039;s Garula. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 72 Earth damage from Moriko Kumamoto&#039;s Riotous Gryva. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 72 Earth damage from Moriko Kumamoto&#039;s Riotous Gryva. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 61 Earth damage from Moriko Kumamoto&#039;s Riotous Gryva. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 48 Dark damage from Umie Akabane&#039;s Pale Shriek. Critical Hit! Resist!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 36 Dark damage from Umie Akabane&#039;s Pale Shriek. Critical Hit! Resist!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 137 Water damage from Reiya Aomori&#039;s Aques. Weak!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 33 Dark damage from Umie Akabane&#039;s Pale Shriek. Resist!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 79 Earth damage from Reiya Aomori&#039;s Gry. Weak!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Reiya Aomori gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 63 Fire damage from Hitomi Mandai&#039;s Explosion of Fortune. Weak!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Umie Akabane&#039;s Warrior&#039;s Bell.&lt;br /&gt;
 AS: Rage added!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Umie Akabane&#039;s Hooded Smile.&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Mitsuru Kirijo&#039;s Disrupting Wave.&lt;br /&gt;
 AS: Crt_Dn added!&lt;br /&gt;
 AS: Mitsuru Kirijo gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 78 Fire damage from Hitomi Mandai&#039;s Explosion of Fortune. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 44 Fire damage from Hitomi Mandai&#039;s Explosion of Fortune. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 84 Fire damage from Hitomi Mandai&#039;s Explosion of Fortune. Critical Hit! Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 115 Elec damage from Akihiko Sanada&#039;s Lightning Spike. Weak!&lt;br /&gt;
 AS: Paralyze and Sick added!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 158 Water damage from Mitsuru Kirijo&#039;s Bufula. Critical Hit! Weak!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Julian Marlowe has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Thankfully Reiya accepts the explanation, Julian really isn&#039;t sure where he was even going to go with that. He tips his hat before leaving one boy&#039;s side to join another&#039;s, the impromptu team-up with Eikichi going off without a hitch. His smile, one of the few things that remains visible even with the mask on, seems one of genuine fondness. For all the theatrics, he seems to really enjoy seeing the Death Boss in his element.&lt;br /&gt;
&lt;br /&gt;
Though he sought to step aside more elegantly, he receives more fire for his trouble - a more concentrated blast this time. He&#039;d thought that perhaps this time he&#039;d be able to avoid it... but it came at him a little more quickly than he reckoned, turning what should have been a graceful leap into a shoulder-first crash into the ground, knocked off-course by the fireball. He grimaces, not getting up immediately. His earlier wound and fatigue starting to catch up with him. But he needs to keep up appearances - and besides, he can&#039;t stay down while others are still fighting. He needs to get up...!&lt;br /&gt;
&lt;br /&gt;
He suddenly finds this easier, as healing light washes over him. He somehow wasn&#039;t expecting that, mumbling a &#039;thank you&#039; in Shizuka&#039;s general direction. He might be a little embarrassed. This wasn&#039;t the plan, he was supposed to be the one looking out for others! Although, it&#039;s increasingly looking like many here actually have more experience than he does.&lt;br /&gt;
&lt;br /&gt;
Such as that young lady, there, seeking to carry everything on her shoulders. &#039;Kirijo&#039;, he&#039;s heard her being referred to. It would have to be &#039;&#039;that&#039;&#039; Kirijo, so he&#039;d have to assume. ...Someone he may well have gotten to know under very different circumstances, if things hadn&#039;t gone the way they did. Is this fate as well, then?&lt;br /&gt;
&lt;br /&gt;
Another seems impressed by this, drawing Julian&#039;s attentions towards Eriko. With a smile, he tips his head in her direction. &amp;quot;Thank you for your encouragement, milady. I do believe you have inspired me.&amp;quot; With that, he turns to the three he had accompanied through Tartarus.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Mishina-kun, Aragaki-kun, Badb... I believe you&#039;ll do fine if choose to reposition myself, won&#039;t you? But, just in case, a parting gift for you. Raffles!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
With a word, Vesper&#039;s Persona raises aloft its cane, applying a protective aura on his companions one last time, before the Supernatural Investigator takes off in a run, carried on his new wings of Victory. Heading staight for...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Kirijo-san!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
With a wave of the masked stranger&#039;s hand, the protective aura is applied to Mitsuru as well, as Vesper takes position alongside her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;If I may be so bold... such an order is a disservice to your companions as well as yourself. Burdens are lighter when they are shared, wouldn&#039;t you say?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Julian Marlowe has used the Almighty skill Marakukaja on Shinjiro Aragaki, Eikichi Mishina, Umie Akabane, and Mitsuru Kirijo!&lt;br /&gt;
 AS: Julian Marlowe&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yanagi Nagisa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;She &#039;&#039;would&#039;&#039;! But... most motorcycles don&#039;t work during the Dark Hour. In fact, I think that&#039;s the first time I&#039;ve ever seen one running during this time. Would we really be able to find one just browsing on the way home?&amp;quot; Yanagi wonders to Pernelle. &amp;quot;It&#039;s almost like...&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    She&#039;s silent for a moment, then looks again towards Tsurugi. She does not finish that thought--at least, not aloud.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;It &#039;&#039;is&#039;&#039; a shame to leave those Shadows untorched,&amp;quot; she laments instead, for Pernelle is a very good bird who understands unspoken cues and is kind enough to abide by them, like the responsible bird he is. She also leaves it at that at first. There may be other giant Shadows to rend unto ash in the future, but who knows if the future will ever come? But the present is here, and it exists, and there is someone here she does not want to know her name.&lt;br /&gt;
    &lt;br /&gt;
    Still, he is being thoughtful for her, and she wants to be thoughtful back for her friend...&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;We&#039;ll just have to find something else to torch later!&amp;quot; she adds brightly. &amp;quot;Oh!! Maybe some motorcycles! Do you think if you use your power on them, that might power them up?&amp;quot; Nuclear power is a thing, she&#039;s pretty sure! &amp;quot;Maybe that&#039;s how they&#039;re doing it!&amp;quot; Clearly it&#039;s worth testing out! &amp;quot;Once we figure it out, we can take the one we get working home for ourselves, then!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    Friendship!!&lt;br /&gt;
    &lt;br /&gt;
    Also friendship: cookies! Pernelle swipes the bag open and knocks a sweet treat back with grace and elegance. Yanagi gratefully accepts one of the other cookies from the bag--white chocolate and walnuts, as the Koala March may recognize, already knowing it for the family it is--and nibbles upon it. As she does, the Emperor swings his blade again towards Fuuka and plays a grim sort of sumo with Orpheus until the Persona is shattered, and its User smashed against Fuuka&#039;s defensive bubble. He might be about to crash after nearly dying--he might be struggling to stand--but still, he is struggling to &#039;&#039;stand&#039;&#039;. Yanagi watches this brief and brutal exchange, enraptured, until she pulls the cookie from her lips and lets her cane-holding hand keep it for a moment.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Fight-o!&amp;quot; she calls to Minato encouragingly, her smile dazzling in its sincerity as she reaches down to him with her now-free hand. &amp;quot;Until your very end!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    Lucia flickers around Fuuka, and she looks up at her as she struggles to maintain her composure. As she calls up power not just to observe and analyze but to attack. Yanagi chuckles softly.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;You&#039;re doing well for your very first time,&amp;quot; she reassures Fuuka. &amp;quot;It&#039;s so thrilling to `see` you use your power so effectively!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    And indeed, Fuuka will clearly see her, just as Yanagi sees &#039;&#039;her&#039;&#039;--a brief vision of a woman with a dress of ghostly mist, a bride&#039;s veil affixed to a bejeweled crown, and arms and legs that end in catheter needles... There&#039;s no mistaking it, particularly since Yanagi expresses her own Resonance towards her in greeting: she is a Persona User too. Koh may sense this &#039;greeting&#039; too, since Yanagi is not excluding him, and so may Eriko and Mitsuru in the moment that they focus in on her and Pernelle--but neither are they her target, and Eriko in particular isn&#039;t a Navigator, in full or in part, like the rest of them.&lt;br /&gt;
    &lt;br /&gt;
    Of course, Fuuka, Koh, Eriko, and Mitsuru all have bigger things to worry about, literally, so Yanagi will forgive them if they can&#039;t quite give her any attention for the moment. Whether they do or don&#039;t, Yanagi erupts into a broad smile when Minako runs in front of Minato and Fuuka to protect them, openly putting her life on the line to protect them. &amp;quot;Oh! Look, look!&amp;quot; she breathes to Pernelle, more than loud enough to be overheard. &amp;quot;She&#039;s so excited to sacrifice herself for love! What a beautiful way to choose her death!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    But not everyone agrees. A regal-looking redheaded woman shouts at &#039;Arisato&#039; to take &#039;Yamagishi&#039; and the non-combatants and &#039;&#039;run&#039;&#039;. Yanagi tilts her head at Mitsuru; then her peacock green eyes shift towards Myunghon, briefly. They&#039;ve got a very fabulous presentation of their own, including that daring and possibly painful pose of theirs, but, hmm... It seems like they&#039;re with &#039;&#039;her&#039;&#039;... And speak of the Tower, Tsurugi glances in her direction briefly. However, Yanagi, Transmuted as she is and looking quite different from her normal self, isn&#039;t worried about being visually recognized.&lt;br /&gt;
    &lt;br /&gt;
    For now, she looks back down at Minato, whether he&#039;s taken her hand or not. Down at Minato, beaten and battered and on the verge of death, as some of his friends so desperately fret.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;Are you going to run?&amp;quot; she wonders with wide-eyed interest.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Take! Eikichi Mishina takes 0 Almighty damage from Julian Marlowe&#039;s Marakukaja.&lt;br /&gt;
 AS: Def_Up added!&lt;br /&gt;
 AS: Take! Shinjiro Aragaki takes 0 Almighty damage from Julian Marlowe&#039;s Marakukaja.&lt;br /&gt;
 AS: Def_Up added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Pernelle has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Alas, we are bound to wandering the vast expanse of the world with but our own feet,&amp;quot; Pernelle laments, lifting a talon and wriggling his clawed toes. He pauses, tilting his head at this notion, and slowly turning his gaze upon Koh&#039;s glorious and ride. Hm. Hmm. But in his contemplation, his gaze slides to Yanagi&#039;s, following it to the object of her attention and trailing statement.&lt;br /&gt;
&lt;br /&gt;
A mental note is made, but nothing is said, for he is, indeed, a very good bird who understands that which is said between the lines. His favorite sort of way things get said, honestly! Or &#039;&#039;dis&#039;&#039;honestly, as is sometimes the delightful case.&lt;br /&gt;
&lt;br /&gt;
But now presenting: the promise of immolation. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yay!&amp;quot; Pernelle shouts in uncharacteristically laconic delight. But what of setting a motorcycle on fire? &amp;quot;This is a fantastic question. A fascinating question. The responsible course of action would be to test the answer, and is tonight no the most responsible of nights? We come, we witness, and we learn. Noble of us!&amp;quot; He gives a decisive nod, confident in Yanagi&#039;s logic. &lt;br /&gt;
&lt;br /&gt;
Somewhere, Pernelle senses the yellow notes of approval, and puffs up with his own lines of joy.&lt;br /&gt;
&lt;br /&gt;
Like Yanagi, Pernelle&#039;s gaze locks onto Minato&#039;s struggle against the Emperor, refusing to tear his eyes away from the spectacle of one about to be cleaved in twain. His train rustles with the intensity of his attention, eyes remaining on the fight even when his beak reaches back into the bag for another cookie. Riveting...! Oh, he can barely contain his admiration! If only it were not quiet time!&lt;br /&gt;
&lt;br /&gt;
Yanagi cheers, and Pernelle takes this as permission to explode upright, raising his train like a fan and dancing back and forth from one talon to the other.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do not go gentle! Rise! Rage! Resist! I believe in you!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He plops back down, feather display drooping back down as elegantly as it is abrupt, and gobbles up another cookie. His attention remains rapt as the battle continues to unfold. Everyone working together for their goal, fighting, throwing orders, as if the entire world were going to end tonight! And it might. It could. Any world always could.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;A choice has been made, and with the whole of her heart&#039;s desire,&amp;quot; Pernelle muses back to Yanagi. &amp;quot;There are few things in this world more resplendent...&amp;quot; But where Yanagi is enraptured, Pernelle&#039;s words trail with a tone threatening on pensive.&lt;br /&gt;
&lt;br /&gt;
He rectifies this, immediately, by squawking another cheer.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Take! Mitsuru Kirijo takes 0 Almighty damage from Julian Marlowe&#039;s Marakukaja.&lt;br /&gt;
 AS: Def_Up added!&lt;br /&gt;
 &lt;br /&gt;
 AS: Take! Umie Akabane takes 0 Almighty damage from Julian Marlowe&#039;s Marakukaja.&lt;br /&gt;
 AS: Def_Up added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Crossroads Bar has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    It&#039;s hard to relax in a place like this, but Natsuki believes Fuuka will keep her &#039;&#039;safe,&#039;&#039; despite all she&#039;s done. Still, she yelps, when Lucia flickers. &amp;quot;Fuuka!!&amp;quot; She&#039;s afraid for Fuuka -- and afraid of what happens if Fuuka is defeated, too.&lt;br /&gt;
&lt;br /&gt;
    But Lucia isn&#039;t &#039;&#039;so&#039;&#039; defensive that she can&#039;t splash out into the world, and Aqua rebukes the Emperor for its anger.&lt;br /&gt;
&lt;br /&gt;
    Myunghon employs the scientific method, only to learn -- Fuuka was right! The Shadows do Resist Dark, now, though they were Weak to it moments prior. Her evil plan still shudders at them, though, sickening their movements. Eikichi will find, as well, that Persona are Strong against Bullets -- or at least, they are right &#039;&#039;now.&#039;&#039; It&#039;s still a very impressive machine gun, though. Very &#039;contraband&#039;. The Empress twirls its sceptre, bringing the &#039;&#039;staff&#039;&#039; end down on him, and he&#039;ll find that it ends in a nasty point! He&#039;s been engaged in a Pierce-off!! Myunghon, meanwhile, earns the attentions of the Emperor, whose sword only has one setting: slash.&lt;br /&gt;
&lt;br /&gt;
    Minako, meanwhile, bursts forward to cover her brother. (Minato grits his teeth, as he pushes himself standing, using her cover to get himself standing again. With the help of Galatea&#039;s healing light, he&#039;s able to manage it.) The Emperor slams his blade into Linos, obligingly brutal. The Empress, meanwhile, is entirely inconsiderate as to Shizuka&#039;s wish for certainty, waving her sceptre as she summons down a freezing Bufula on the helpful girl.&lt;br /&gt;
&lt;br /&gt;
    Shinjiro gets up close and personal, despite the Shadows&#039; resistance. The Emperor obliges him, turning from Minako to wrack him with lightning, even as Castor&#039;s Evil Smile redoubles the trouble in what must pass for its gut. The Empress continues her vengeance against the healers, meanwhile, by blowing at Koh with terrifying winds.&lt;br /&gt;
&lt;br /&gt;
    The Emperor sends more lightning towards Fuuka, and Minato intercepts it, firing on his skull again to place another Persona -- the fey warrior who he announced as, &amp;quot;Tam Lin!&amp;quot; -- in front of them. Even firing into his resistance, the Emperor&#039;s power shatters Minato&#039;s Persona -- his &#039;&#039;other&#039;&#039; Persona, notably, somehow he summoned two DIFFERENT ones -- again, this time scattering his Evoker to the ground. Yukari is quick to back up that first round of healing he received, and it keeps him in the fight, but she knows &#039;&#039;very&#039;&#039; well how draining it is to fire that Evoker again and again. He notes, distantly, that she wants him to leave.&lt;br /&gt;
&lt;br /&gt;
    (&#039;Arisato-kun, let&#039;s go after him!&#039; Yukari had snapped, in the cramped confines of the train, after Junpei pushed past his senpai Shizuka to rush forward alone. When Minato hesitated, &#039;But...&#039;, she screamed in reply: &#039;He&#039;s our teammate!&#039;)&lt;br /&gt;
&lt;br /&gt;
    The Empress notices Yukari, too, and the Empress has &#039;&#039;not&#039;&#039; been kind to healers in these last few moments. It summons flame to consume her, but before it can press the attack, it&#039;s pressed &#039;&#039;in&#039;&#039; an attack. Gry pulls its sceptre in towards herself, bending its lovely neck until it&#039;s laying against its round belly, pulling that too-flammable cape (it must be made of silk, silk burns easily) in towards its centre. For just a moment... the Empress is Round. Let us behold it. That beholding is tragically cut short as it breaks free from the magic, though, to slam its sceptre down on Suzume!&lt;br /&gt;
&lt;br /&gt;
    Reiya knows a thing or two about masks, though he wears none. He knows Gry, &#039;&#039;too,&#039;&#039; as it happens, and he&#039;s able to make the Empress round a second time before it can lay into Suzume too much. The Emperor, meanwhile, is soaked in Aques. Akihiko punches lightning towards the Emperor, and the manly combination leaves its armour sizzling... but the Empress has already recovered, and barrels towards them both, slamming its sceptre at them!&lt;br /&gt;
&lt;br /&gt;
    Tyler freezes the Emperor in place, with a dire prediction -- and Tsurugi blows it down with her Garula, a moment later. The sharp, pointy thing is dutifully put aside, for the moment... though the Empress responds with winds of her own!&lt;br /&gt;
&lt;br /&gt;
    Moriko shows her resolve, though, in the face of Mitsuru&#039;s orders. She&#039;s keeping the vulnerable &#039;&#039;behind&#039;&#039; her, as she strikes the Empress down with the pressure of the most riotous gravity she&#039;s faced yet. She is compressed once, twice, and three times, as the Morrigan shrieks, echoing into both Emperor and Empress. It&#039;s the Emperor who&#039;s managed to recover in time to strike them, though, calling down thunder on them both!&lt;br /&gt;
&lt;br /&gt;
    Nike offers them a victory blessing, with all Eriko&#039;s belief in the young warriors. But the Emperor might have sensed her distraction -- because his sword comes down on &#039;&#039;her,&#039;&#039; next, in a mighty blow!&lt;br /&gt;
&lt;br /&gt;
    Tyche is a statue, though she&#039;s certainly &#039;&#039;moved,&#039;&#039; as fireworks crash out in an echo of every festival they&#039;ve ever witnessed. Hitomi doesn&#039;t strike Fuuka or Minato with them, though he looks up at them, distantly. (&#039;I don&#039;t want to leave,&#039; Minako, a few years younger, pouts as she pokes at her obi sash. &#039;We only see each other at festivals now... shouldn&#039;t family stick together?&#039; But Minato, separated from her for those years, has grown cold; he just grunts, looking up at the sky. &#039;... beats me.&#039;) Mitsuru is a woman destined for the fight, meanwhile; &#039;&#039;her&#039;&#039; festival is glorious battle. It&#039;s because of the battle boiling in her blood, though, that she sees the shape of this conflict: their enemy is powerful, and coordinated, and they are scattered still. She CHARGES forward, with all the fury of the ice, frosting over the Empress and Emperor for a few more moments -- as that Disrupting Wave enervates them further. Vesper darts in to defend Mitsuru -- and suddenly, he&#039;s a target, too. Despite hitting their weaknesses, though, the enemies break free, rise &#039;&#039;up,&#039;&#039; and slam their weapons at Hitomi, Vesper, Mitsuru mercilessly.&lt;br /&gt;
&lt;br /&gt;
    And Mitsuru... &#039;&#039;orders&#039;&#039; Minato to leave. Yukari wants him to go... Mitsuru&#039;s telling him. (&#039;Yes, I&#039;m afraid,&#039; Fuuka admits, on the street, the light filtering down over them, &#039;that&#039;s why I have to care.&#039; The lighting shifts, as the memory jumps from Minato&#039;s mild expression with Fuuka to the one he wore for Natsuki, telling her what Fuuka said: &#039;... she said she was scared because you&#039;re her precious friend.&#039; The way Natsuki startled, her miserable expression...) ... Minato can hear her, but he doesn&#039;t move. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Get going, damn it!&amp;quot; Junpei yells, as he struggles to summon Hermes, again. (&#039;I&#039;m trusting you to watch my six,&#039; Minato says, and it sounds so &#039;&#039;cool,&#039;&#039; even though it&#039;s just what he&#039;s supposed to say in a situation like this. Even so, Junpei grins, putting his Evoker to his head again as he faces down the Priestess Shadow. &#039;Damn show-off,&#039; Junpei grits out, forcing confidence, &#039;if I don&#039;t do this...&#039;) Minato swallows, facing down the enemies... and leans down, slowly, to avoid his brain hurtling forward out of his skull as it feels it might. Slowly, he picks up his Evoker, and steps forward again.&lt;br /&gt;
&lt;br /&gt;
    He remembers Koh, declaring he&#039;ll cover them even as he was slowing in the fight, and Shizuka, realising where Fuuka is and deciding to help anyway, and Suzume, kicking over that bag of supplies... Tyler and Moriko, leaping into this mission despite only awakening days earlier... everyone in SEES...!&lt;br /&gt;
&lt;br /&gt;
    All of them... know something he didn&#039;t.&lt;br /&gt;
&lt;br /&gt;
    Knew something he didn&#039;t, until he was told do to something he &#039;&#039;didn&#039;t want to do.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    He wants... to protect them.&lt;br /&gt;
&lt;br /&gt;
    He wants to protect his friends!&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;ORPHEUS!&amp;quot; He yells, as he summons his Persona, again, only for the Empress to blow him away with a brutal Garula. Knocked back into Lucia, again, he slumps. But he can hear people calling out to him... urging him to fight, to resist, to rage. He hears them, and he stands -- &#039;&#039;again.&#039;&#039; Lifts his Evoker, again.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I won&#039;t,&amp;quot; he says, though his voice is still mild. &amp;quot;I don&#039;t want to run... while everyone&#039;s still fighting.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Crossroads Bar spends Limit on Break! &lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Pierce skill Cruel Attack on Eikichi Mishina!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Straight Slash on Myunghon Yeo!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Fatal End on Minako Arisato!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Water skill Bufula on Shizuka Kuroki!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Elec skill Zionga on Shinjiro Aragaki!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Wind skill Garula on Koh Katsuhiro!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Elec skill Zionga on Minato Arisato!&lt;br /&gt;
 AS: Crossroads Bar: Loses 8 SP from Sick! Break removed!&lt;br /&gt;
 AS: Crossroads Bar&#039;s turn has ended. It&#039;s time for an All-Out Attack!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Fire skill Agilao on Yukari Takeba!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Black Spot on Suzume Fukura!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Twinkle Punch on Reiya Aomori and Akihiko Sanada!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Fatal End on Mitsuru Kirijo!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Strike skill Black Spot on Hitomi Mandai!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Pierce skill Cruel Attack on Julian Marlowe!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Wind skill Magaru on Remi Ryuuja and Tyler Gould!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Elec skill Mazio on Moriko Kumamoto and Umie Akabane!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Wind skill Garula on Minato Arisato!&lt;br /&gt;
 AS: Counter Best! Myunghon Yeo takes 64 Slash damage from Crossroads Bar&#039;s Straight Slash.&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 20 Slash damage in return for their attack! Resist!&lt;br /&gt;
 AS: Break! Myunghon Yeo can take another Weak action this round!&lt;br /&gt;
 AS: Counter Best! Eikichi Mishina takes 74 Pierce damage from Crossroads Bar&#039;s Cruel Attack.&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 28 Pierce damage in return for their attack! Resist!&lt;br /&gt;
 AS: Break! Eikichi Mishina can take another Weak action this round!&lt;br /&gt;
 AS: Avoid Worst! Minako Arisato takes 113 Slash damage from Crossroads Bar&#039;s Fatal End.&lt;br /&gt;
 AS: Break! Minako Arisato can take another Weak action this round!&lt;br /&gt;
 AS: Block Best! Hitomi Mandai takes 105 Strike damage from Crossroads Bar&#039;s Black Spot.&lt;br /&gt;
 AS: Block Worst! Reiya Aomori takes 61 Strike damage from Crossroads Bar&#039;s Twinkle Punch.&lt;br /&gt;
 AS: Block Worst! Shinjiro Aragaki takes 95 Elec damage from Crossroads Bar&#039;s Zionga. Weak!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Break! Shinjiro Aragaki can take another Weak action this round!&lt;br /&gt;
 AS: Block Best! Yukari Takeba takes 99 Fire damage from Crossroads Bar&#039;s Agilao. Critical Hit!&lt;br /&gt;
 AS: Bind removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Worst! Minato Arisato takes 169 Elec damage from Crossroads Bar&#039;s Zionga. Critical Hit! Weak!&lt;br /&gt;
 AS: Break! Minato Arisato can take another Weak action this round!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Worst! Minato Arisato takes 130 Wind damage from Crossroads Bar&#039;s Garula. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Minato Arisato is unable to continue fighting!&lt;br /&gt;
 AS: Minato Arisato has readied for combat as Orpheus! He is now fully healed!&lt;br /&gt;
 AS: Counter Neutral! Shizuka Kuroki takes 111 Water damage from Crossroads Bar&#039;s Bufula.&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 81 Water damage in return for their attack! Weak!&lt;br /&gt;
 AS: Break! Shizuka Kuroki can take another Weak action this round!&lt;br /&gt;
 AS: Avoid Worst! Koh Katsuhiro takes 143 Wind damage from Crossroads Bar&#039;s Garula. Critical Hit!&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: Break! Koh Katsuhiro can take another Weak action this round!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Block Best! Akihiko Sanada takes 67 Strike damage from Crossroads Bar&#039;s Twinkle Punch.&lt;br /&gt;
 AS: Counter Neutral! Remi Ryuuja takes 54 Wind damage from Crossroads Bar&#039;s Magaru.&lt;br /&gt;
 AS: Haze added! Bind removed! Explosion! 40 damage!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 40 Wind damage in return for their attack! Weak!&lt;br /&gt;
 AS: Counter Worst! Tyler Gould takes 75 Wind damage from Crossroads Bar&#039;s Magaru.&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes 42 Wind damage in return for their attack! Weak!&lt;br /&gt;
 AS: Counter Worst! Suzume Fukura takes 142 Strike damage from Crossroads Bar&#039;s Black Spot. Critical Hit!&lt;br /&gt;
 AS: COUNTER! Crossroads Bar takes -7 Strike damage in return for their attack! Resist!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Persona! Crossroads Bar has used the Slash skill Fatal End on Eriko Kirishima!&lt;br /&gt;
 AS: Avoid Worst! Julian Marlowe takes 78 Pierce damage from Crossroads Bar&#039;s Cruel Attack.&lt;br /&gt;
 AS: Avoid Worst! Eriko Kirishima takes 91 Slash damage from Crossroads Bar&#039;s Fatal End.&lt;br /&gt;
 AS: Avoid Best! Umie Akabane takes 32 Elec damage from Crossroads Bar&#039;s Mazio. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Avoid Best! Mitsuru Kirijo takes 54 Slash damage from Crossroads Bar&#039;s Fatal End. Critical Hit!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Eriko Kirishima spends Limit on Shift! Reiya Aomori can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eikichi Mishina has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Go get &#039;em&amp;quot; Eikichi responds to Julian as he gets ready to change positions in this giant battle against armored shadows. &lt;br /&gt;
&lt;br /&gt;
 Eikichi is very unimpressed by the fact his bullets are just scuffing up the armor of the Emperor. He clicks his tongue once more just as the Shadow lands a powerful attack on him. &lt;br /&gt;
&lt;br /&gt;
 Eikichi lets out a very moist and painful sounding cough, grinning through the pain. &amp;quot;Ow. You stupid son of a---&amp;quot; He pulls down the trigger again, sending a counter attack toward the Emperor Arcana. &lt;br /&gt;
&lt;br /&gt;
 Click. Click. &lt;br /&gt;
&lt;br /&gt;
 Eikichi drops his &#039;guitar case&#039;, feeling his knees struggle to hold him up for a moment. &lt;br /&gt;
&lt;br /&gt;
 &amp;quot;You think that&#039;s all I got, EH?!&amp;quot; Eikichi cracks his knuckles, narrowing his eyes as he begins to slowly walk toward the Emperor. &amp;quot;I have no idea what you are Shadow but you are REALLY pissing me off.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
 Biting through the pain, Eikichi begins to charge the Emperor Arcana, clenching his fist before he sends it flying toward the impressive Shadow&#039;s form&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Fuuka Yamagishi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Natsuki calls to her out of fear. Fuuka looks back, managing a small smile.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll be okay... I won&#039;t let them through.&amp;quot; She assures hers.&lt;br /&gt;
&lt;br /&gt;
Lucia&#039;s blast of water is joined by three points of blue-white light. Fuuka looks toward the girl who positions herself in front of her, Lucia, and Minato - the same one who had asked her if she was alright, before.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Thank you...&amp;quot; She offers Minako, grateful. Shortly after, healing power rains down on her, courtesy of Koh - the pain from the Emperor&#039;s attack lessens. She can breathe a bit more easily. She sends him a grateful nod.&lt;br /&gt;
&lt;br /&gt;
Her attention is drawn away, briefly, as she hears someone calling out to her. One of the presences that came in late - Yanagi says she&#039;s doing well for the first time. &#039;See&#039;... She catches the double meaning.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Thank you. It&#039;s difficult, but... I think I&#039;m beginning to understand it.&amp;quot; She replies - and her eyes are drawn to that brief vision of a veiled woman... &amp;quot;Ah... You too?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And the peacock besides... he talks? He doesn&#039;t sound like a parrot, only mimicking words. Fuuka can only double-take briefly - and tear her eyes away to focus back on the Shadows.&lt;br /&gt;
&lt;br /&gt;
The situation is too dire to let herself be distracted for long. The Emperor calls down lightning and Fuuka braces herself - but Tam Lin appears, intercepting the bolt and shattering for his efforts. She gasps, as Minato&#039;s Evoker is knocked away.&lt;br /&gt;
&lt;br /&gt;
Mitsuru makes the call for him to retreat - to take her and the others who can&#039;t fight and go... She looks to him. She can tell he&#039;s low on energy... and yet, he picks up the Evoker and steps forward again. She draws in a sharp breath, holding her Evoker closer as he slumps against Lucia - and readies his own again.&lt;br /&gt;
&lt;br /&gt;
He doesn&#039;t want to run, not while everyone&#039;s still fighting...&lt;br /&gt;
&lt;br /&gt;
Even in that state, he&#039;ll still fight for them. If he isn&#039;t going to run... then she can&#039;t, either.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Lucia, please...&amp;quot; Fuuka murmurs. A little further. Lucia hears her words - and in response, she spreads her arms out wide. She bestows energy onto the gathered - to try and reinvigorate them all for one last push.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I see... Piercing and Strike attacks. Water, too - and Earth, and Light... Those are their weaknesses, now.&amp;quot; Fuuka says. &amp;quot;Please... We can do this.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then, her eyes turn toward Minako, who had risen to the defense of her and Minato. It&#039;s a silent display of trust.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Weapon! Eikichi Mishina has used the Strike skill School of Hard Knocks on Crossroads Bar! 2 Hits!&lt;br /&gt;
 AS: Persona! Fuuka Yamagishi has used the Recovery skill Rousing Wave on Minako Arisato, Suzume Fukura, Hitomi Mandai,&lt;br /&gt;
 and Shizuka Kuroki!&lt;br /&gt;
 AS: Fuuka Yamagishi&#039;s turn has ended.&lt;br /&gt;
 AS: Fuuka Yamagishi spends Limit on Shift! Minako Arisato can use another Weak skill this round!&lt;br /&gt;
 AS: Take! Suzume Fukura takes 0 Recovery healing from Fuuka Yamagishi&#039;s Rousing Wave.&lt;br /&gt;
 AS: Crt_Up added!&lt;br /&gt;
 AS: Persona! Eikichi Mishina has used the Strike skill Sucker Punch on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Eikichi Mishina: Paralyze removed!&lt;br /&gt;
 AS: Eikichi Mishina&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    There&#039;s a moment in which Myunghon and Yanagi&#039;s eye (well, Myunghon&#039;s one eye, and Yanagi&#039;s beautiful peacock-green eyes) meet; oh, these people are &amp;amp;#42;really&amp;amp;#42; exciting. A talking peacock? White chocolate and walnut cookies. Their extravagance. The way they treat this life-or-death battle like it were some kind of entertainment to spectate! What wonders and secrets of the supernatural do they know? They really want to sit down and have a chat with them.&lt;br /&gt;
&lt;br /&gt;
    It&#039;s not to be, right now.&lt;br /&gt;
&lt;br /&gt;
    It&#039;s as Pernelle speaks. Rise. Rage. Resist.&lt;br /&gt;
&lt;br /&gt;
    Rebel.&lt;br /&gt;
&lt;br /&gt;
    They realise that their extensions have earned the wrath of the Emperor, though, and the Sword of Damocles hangs over their head. &amp;quot;Tsk!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    Myunghon leaps to one side, Cognitive Coat rising into a webwork of ribbons that barely grapples against the sword -- the first few threads are rent apart, which drop uselessly to the side and dissolve in a burst of Cognition; it&#039;s slowed long enough that only their leg is grazed before they come clear.&lt;br /&gt;
&lt;br /&gt;
    Remi shows the power of Le Maupin, with twinned wind attacks. &amp;quot;Hm hm hm... wonderful, Tsurugi! The battle is turning well in our favour!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    They&#039;ve got a bravado about them, but they feel the limits of Kudlak approaching -- it&#039;s going to be extremely bad if their Persona Breaks in the middle of battle, leaving them defenceless. But in the midst of this, though Minato&#039;s voice is mild... they hear their desire to not want to run away, while everyone is still fighting.&lt;br /&gt;
&lt;br /&gt;
    ... yes.&lt;br /&gt;
&lt;br /&gt;
    Running away might be fine for a time... it might dull the ache and soothe the pain. But it doesn&#039;t take it away. When you come back and look again... things will just be just as bad as when you chose to do nothing. These youths all have to face that one way or another, sooner or later...&lt;br /&gt;
&lt;br /&gt;
    The world&#039;s just that cruel. But... facing the world no matter how unpleasant it may--&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I am Rumourmonger Merry. You can&#039;t rend me asunder with that great sword of yours...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    They snap their fingers once more, and Kudlak is once more blending in with their Cognitive Coat -- and several ribbon-like threads thrust forward to grapple and bind at the Emperor, before--&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Slice me, freeze me, char my corpse to nothing but cinders as you may -- you cannot destroy me in a way that matters, Great Shadow, for I am Hope!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    With that dramatic declaration, they thrust both their hands forward -- and their coat and Kudlak both peak outwards, like an overturned umbrella, sending a chain of dark detonations forward in their wake.&lt;br /&gt;
&lt;br /&gt;
    They&#039;re thrust back from the force of their own offence -- and then, dramatically: &amp;quot;Tsurugi! Just one more time!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Shizuka Kuroki spends Limit on Exploit! Shizuka Kuroki can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Koh Katsuhiro has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Koh&#039;s eyes flicker toward Minato and his sister. He sees the former fall, his persona buffeted by the horrifying wind. &amp;quot;Hey! Arisato-kun!&amp;quot; Like the others, he too is gripped by a sudden panic.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Takeba-san! Leaving healing to you!&amp;quot; And, sincve Minato&#039;s sister is the main barrier in the Emperor&#039;s path, he calls too: &amp;quot;Aristao-chan, hold on!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He knows she can keep their leaders alive however she chooses to. Koh can contribute to keeping the Arcana occupied.&lt;br /&gt;
&lt;br /&gt;
There&#039;s some tug at the edges of his perception, a gut reaction to Yanagi&#039;s resonance. But in the moment it&#039;s hard to focus on anything but the danger the two Shadows are presenting and the urgency of his allies&#039; condition.&lt;br /&gt;
&lt;br /&gt;
This time Koh attacks. Not Zagreus, just the boy with the big knife.&lt;br /&gt;
&lt;br /&gt;
It&#039;s stupid to just run &#039;&#039;at&#039;&#039; the Emperor, for sure. But he makes his shaking legs move the distance to lunge and stab his weapon into the shadow&#039;s side.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Myunghon Yeo has used the Dark skill Shibaboo on Crossroads Bar!&lt;br /&gt;
 AS: Koh Katsuhiro spends Limit on Shift! Yukari Takeba can use another Weak skill this round!&lt;br /&gt;
 AS: Persona! Myunghon Yeo has used the Dark skill Dark Metamorphosis on Crossroads Bar!&lt;br /&gt;
 AS: Myunghon Yeo: Paralyze removed!&lt;br /&gt;
 AS: Myunghon Yeo&#039;s turn has ended.&lt;br /&gt;
 AS: Weapon! Koh Katsuhiro has used the Slash skill Slash Weapon D on Crossroads Bar!&lt;br /&gt;
 AS: Weapon! Koh Katsuhiro has used the Slash skill Slash Weapon E on Crossroads Bar!&lt;br /&gt;
 AS: Koh Katsuhiro&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shizuka Kuroki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
      Galatea brings up another barrier, pushing the icy attack back towards the Empress, frost gathering on the edges of Shizuka&#039;s uniform as she&#039;s chilled to the bone. &amp;quot;That&#039;s one frigid b--Waugh!&amp;quot; Shizuka slips on a bit of ice that had formed at her feet before she could finish whatever word would end that sentence. &lt;br /&gt;
 &lt;br /&gt;
      She pulls herself up and looks over to Minato and Orpheus. &amp;quot;Whatever you wanna do, Nato-kun, I&#039;ve got your back!&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      Upon hearing Fuuka&#039;s final analysis, a grin crosses Shizuka&#039;s face. &amp;quot;Hear that, Galatea? Sounds like we can go all out!&amp;quot; She gives her Evoker a twirl, cupping it to her chin and firing three times in succession. &amp;quot;Snare her! Then bring the earth down!&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      Galatea slams into the ground, causing spires of stone to srpout up from the ground around the Empress&#039; feet, holding her in the earth, then brings two more showers of stone down on top of her.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Take! Shizuka Kuroki takes 0 Recovery healing from Fuuka Yamagishi&#039;s Rousing Wave.&lt;br /&gt;
 AS: Atk_Up added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro&#039;s hubris is met with lightning. He&#039;s struck, this time being blasted &amp;amp;#42;off&amp;amp;#42; his feet and rolling backwards, even as he stabilizes himself mid-roll with a rapidly outstretched hand. &amp;quot;Shit!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He&#039;s running out of energy. He&#039;s afraid what&#039;ll happen if he keeps abusing his Evoker - he might be on pills, but all it&#039;d take is one lapse and it could kill everyone here.&lt;br /&gt;
&lt;br /&gt;
Shinjiro lifts the gun up again, taking a breath. Everyone&#039;s counting on each other.&lt;br /&gt;
&lt;br /&gt;
Umie and the merry band (not that Shinjiro would ever think of it as that), Akihiko and Mitsuru, SEES... if any of them died, he&#039;d never forgive himself.&lt;br /&gt;
&lt;br /&gt;
Minato, especially, has earned Shinjiro&#039;s respect. He&#039;ll remember that.&lt;br /&gt;
&lt;br /&gt;
Shinjiro takes a step forward, finger on the trigger.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;CASTOR! FUCK THEM UP!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Castor appears once more in a spark of blue. He charges forth, taking the hobby horse and using it to &amp;amp;#42;crash&amp;amp;#42; across the two tyrant Shadows, a heat wave extending from his every strike. This is followed by Shinjiro rushing up with Castor, a tandem dual strike as both impact the Shadows with jawdropping force.&lt;br /&gt;
&lt;br /&gt;
Shinjiro staggers. Is he okay?&lt;br /&gt;
&lt;br /&gt;
No.&lt;br /&gt;
&lt;br /&gt;
He nearly falls to his knees, Evoker falling to the ground and clattering nearby. The sheer strain of these draining physical attacks after this entire day has him bring his hand to his mouth, staunching the cough of blood. Hopefully the others don&#039;t see... For once, he can&#039;t truly hide it like he tried to in the upper floors, as it drips from his fingers, splashing across the evoker on the floor. Did he take that much internal damage...?&lt;br /&gt;
&lt;br /&gt;
(Yes, but not solely from attacks. Two years without any practice or warmups, in his condition...)&lt;br /&gt;
&lt;br /&gt;
Shinjiro steadies himself physically, not letting himself fall even as he staggers backwards, moving back towards his fallen Evoker. They have to take it down now, or everyone&#039;s done for.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Shizuka Kuroki has used the Earth skill Marble Snare on Crossroads Bar! 2 Hits!&lt;br /&gt;
 AS: Persona! Shizuka Kuroki has used the Earth skill Landslide on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Shizuka Kuroki has used the Earth skill Landslide on Crossroads Bar!&lt;br /&gt;
 AS: Shizuka Kuroki&#039;s turn has ended.&lt;br /&gt;
 AS: Persona! Shinjiro Aragaki has used the Strike skill Heat Wave on Crossroads Bar!&lt;br /&gt;
 AS: Tandem! Shinjiro Aragaki has used the Strike skill Dual Smash on Crossroads Bar! 2 Hits!&lt;br /&gt;
 AS: Shinjiro Aragaki&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari Takeba does not like Mitsuru Kirijo. Oh she&#039;ll say she doesn&#039;t hate her, and even mean it. But there&#039;s a semantic difference there.&lt;br /&gt;
&lt;br /&gt;
She thinks Mitsuru Kirijo is hiding the secret behind what happened to her father... based on the fact that she still doesn&#039;t know the truth. Because so many times growing up she was told that it was &#039;&#039;his fault&#039;&#039; for what happened.&lt;br /&gt;
&lt;br /&gt;
And she knows that isn&#039;t true. Not him. Not the good man that loved her so dearly.&lt;br /&gt;
&lt;br /&gt;
Despite that, she&#039;s here, because it&#039;s her only hope of ever finding out the truth, of clearing his name, of telling each and every person that they were &#039;&#039;wrong&#039;&#039; about him. That he did nothing wrong, that the responsibility isn&#039;t &#039;&#039;his&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
That it&#039;s the Kirijo Group&#039;s.&lt;br /&gt;
&lt;br /&gt;
And even so, in this moment when she tells that boy who she thought only did anything because he was asked to - to retreat. When she calls it an order.&lt;br /&gt;
&lt;br /&gt;
Thank you, Senpai.&lt;br /&gt;
&lt;br /&gt;
She thanks her, even if it&#039;s only silently, in her heart.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You heard her!&amp;quot; Is what she says instead. &amp;quot;Go.&amp;quot; And she tries to keep the plea out of her voice. Instead- she tries to make it sound like anger, like she&#039;s angry that he&#039;s still here even.&lt;br /&gt;
&lt;br /&gt;
That he came at all.&lt;br /&gt;
&lt;br /&gt;
The Empress does not give her time, the flames erupt, and bound as she is, all she can do is bid Io to intercept. It&#039;s not the first time that her other self has burned to death in panic, and fear.&lt;br /&gt;
&lt;br /&gt;
It shatters, and the very act sends her sprawling back again, dazed from the force of the blow.&lt;br /&gt;
&lt;br /&gt;
Up.&lt;br /&gt;
Come on. UP!&lt;br /&gt;
&lt;br /&gt;
Even though he&#039;s obviously gone - they still have to beat this thing.&lt;br /&gt;
&lt;br /&gt;
But at least...&lt;br /&gt;
&lt;br /&gt;
&#039;I won&#039;t,&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Huh?&amp;quot; Yukari looks so confused that he&#039;s still here at all. They told him to go, but she understands immediately after.&lt;br /&gt;
&lt;br /&gt;
&#039;I don&#039;t want to run... while everyone&#039;s still fighting.&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;But that... never mattered to you before...&amp;quot; Yukari trembles, before she clenches her evoker hard in her hands, and as she puts it to her head. &amp;quot;... Why now?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
There&#039;s something small in her voice, like she&#039;s scared. Terrified of the answer. And that is when she sees him get consumed in wind and lightning.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;No!&amp;quot; She cries out, raw and strident, and Io appears anew. The Persona a reflection of that terror and grief of ignorance. &lt;br /&gt;
&lt;br /&gt;
It is the healing that Koh leaves to her in this moment, but she has other ideas, because Fuuka has told her what it&#039;s weak to. &amp;quot;...Take care of him.&amp;quot; Is all she says in reply.&lt;br /&gt;
&lt;br /&gt;
The Persona&#039;s hair billows, lifting her arms against her chains, and between those hands forms a single projectile. &lt;br /&gt;
&lt;br /&gt;
Then two more, each shaped like the tip of a heifer&#039;s horn, it&#039;s tip sharp and pointed.&lt;br /&gt;
&lt;br /&gt;
Gleaming with light - the first hurtles towards the Empress&#039; Mask. Then the second to the Emperor&#039;s throat. &lt;br /&gt;
&lt;br /&gt;
And the third tries to blast through both, at an angle.&lt;br /&gt;
&lt;br /&gt;
None of them are particularly powerful attacks, on their own. But with their vulnerabilities exposed, there is no cruelty she would not inflict upon them in this moment.&lt;br /&gt;
&lt;br /&gt;
And hypocrite that she is, she would call the act meaningless... most of all to herself.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Pierce skill Single Shot on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Pierce skill Single Shot on Crossroads Bar!&lt;br /&gt;
 AS: Yukari Takeba&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
It&#039;s messing everyone up, Hitomi thinks. Why am I excited? &lt;br /&gt;
&lt;br /&gt;
Like six other people showed up including Shinji the Beanie, Myunghon, and even Arisato(M), Hitomi thinks. We&#039;re still getting messed up. Even Yamagishi&#039;s power is just letting us keep pace. &lt;br /&gt;
&lt;br /&gt;
Why do I want to smile? WHAT IS WRONG WITH ME&lt;br /&gt;
&lt;br /&gt;
Helpfully, Hitomi&#039;s attack of self-recrimination disbelief at herself is eased by the rise of the Shadow. One of them turns to slash towards her and she hunches herself up, something like an impromptu crane stance (not peacock, sad to say - but then again, they already have one here) - which has some advantages. &lt;br /&gt;
&lt;br /&gt;
It means the leg guards she&#039;s wearing catch the brunt of it, with the remainder of the thrust putting a crack in the arm guard. It&#039;s good she didn&#039;t go in the other direction. Hitomi topples afterwards from this, although she throws out one leg - sliding, in fact, back a pace and a half, the pain washing over her with an &amp;quot;nngh!&amp;quot; Her eyes well up slightly, reflexively. &lt;br /&gt;
&lt;br /&gt;
Awkward. Undignified. She sweeps her feet back together with a grunt, raising herself upright again. One of the lenses of her glasses popped out somewhere -- the frames were not the best, and the piece of optical synthetic has doubtless bounced away, somewhere to disappear. &lt;br /&gt;
&lt;br /&gt;
The battlefield is hazy, part clear and part opaque. Hitomi makes another little choked giggle. &amp;quot;Thanks, Yamagishi... I was getting worn out,&amp;quot; she finds herself saying, followed by - with more consternation - &amp;quot;-- Persona!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Tyche has the same form as she did before, with that reaching/proffering imploring hand. It is reaching out towards others - the group with whom Hitomi had challenged the heights of Tartarus when this accursed hour started. Confidence and fortune pouring out, like water between fingers. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Take! Hitomi Mandai takes 0 Recovery healing from Fuuka Yamagishi&#039;s Rousing Wave.&lt;br /&gt;
 AS: Crt_Up added!&lt;br /&gt;
 AS: Fuuka Yamagishi gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Persona! Hitomi Mandai has used the Almighty skill Revolution on Suzume Fukura, Minako Arisato, and Mitsuru Kirijo!&lt;br /&gt;
 AS: Hitomi Mandai&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Minako Arisato takes 0 Recovery healing from Fuuka Yamagishi&#039;s Rousing Wave.&lt;br /&gt;
 AS: Crt_Up added!&lt;br /&gt;
 AS: Fuuka Yamagishi gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Take! Minako Arisato takes 0 Almighty damage from Hitomi Mandai&#039;s Revolution.&lt;br /&gt;
 AS: Crt_Up added!&lt;br /&gt;
 AS: Take! Suzume Fukura takes 0 Almighty damage from Hitomi Mandai&#039;s Revolution.&lt;br /&gt;
 AS: Crt_Up added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;We&#039;ve got it, Takeba-chan!&amp;quot; Minako calls back to her. She catches the panic in her voice -- and she glances, sideways, at her. Yukari did seem worried about him, when they talked. She just didn&#039;t understand how much or why.&lt;br /&gt;
&lt;br /&gt;
She looks at Suzume -- then she nods, quickly, and looks back up at the Emperor. &amp;quot;He&#039;s--he&#039;s fine! Just focus on bringing these things down, Mandai-chan!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The Emperor&#039;s blade slams into Linos; like Orpheus, she is struck down, nearly cleaved in two. The Emperor turns for Shinjiro -- and Minako exhales, shoulders tense as she looks at Mitsuru.&lt;br /&gt;
Minako hesitates; there&#039;s a moment of trepidation, as she realizes what she is saying. Telling Minato to escape, because their time is running out. And when she looks back up at the Emperor, she realizes.&lt;br /&gt;
&lt;br /&gt;
This is on her, too. She is the co-leader. &amp;quot;Kirijo-senpai...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks back at her brother. She expects him to start to run -- and instead, he says he wants to be here. Minako&#039;s eyes widen. She looks at Koh, and then she exhales -- nervous and tense -- as he charges with a knife. But it gives her the courage. &amp;quot;Right behind you, Katsuhiro-kun!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Then, Minako looks back at Mitsuru. &amp;quot;We can still do this! Just a little further, senpai!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks at Fuuka, her expression tense, but she nods. She turns, looking back at the Emperor and Empress Arcana both. Minako lifts her Evoker again -- the butt of her naginata hitting the floor with a clack -- and pulls the trigger. Glass and blue light explode from the other side of her head.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Pyro Jack!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
THREE WEEKS AGO&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fusion,&amp;quot; Igor explained, as Minako sat across from him inside the Velvet Room. The elevator car -- with plush surroundings, and a large desk, with a chair before and behind it -- went downward, as ever.&lt;br /&gt;
&lt;br /&gt;
Theodore stood behind Igor, arms folded behind his back.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;And... it&#039;ll let a Persona do something &#039;&#039;different&#039;&#039;?&amp;quot; Minako asked.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Just so,&amp;quot; Theodore replied.&lt;br /&gt;
&lt;br /&gt;
NOW&lt;br /&gt;
&lt;br /&gt;
A jack-o-lantern, with a purple cloak and a purple hat appears. He rises with a twirl and a cry of &#039;Hee-ho!&#039; Then, Pyro Jack aims both hands out towards the two Arcana Shadows. First, a single spear of ice explodes from the ground.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;More!&amp;quot; Minako cries, still standing before Fuuka. She exhales -- as light pours over her like water, infusing her. &amp;quot;Let&#039;s go, Pyro Jack!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;HEE-HO!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then four more large spikes of ice explode out every which way, trying to skewer through the Emperor Arcana.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Minako Arisato spends Limit on Psych! &lt;br /&gt;
 AS: Persona! Minako Arisato has used the Water skill Bufu on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Minako Arisato has used the Water skill Bufula on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Minako Arisato has used the Water skill Bufu on Crossroads Bar!&lt;br /&gt;
 AS: Minako Arisato: Gains 41 HP from Regen! Psych and Regen removed!&lt;br /&gt;
 AS: Minako Arisato&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The Empress swings her enormous sceptre at Suzume - &lt;br /&gt;
&lt;br /&gt;
And Suzume steps into the swing.&lt;br /&gt;
&lt;br /&gt;
It slams into her midline; she practically folds up around the impact, but she manages to hammer wildly with her tonfa despite this, pulling herself &amp;amp;#42;up&amp;amp;#42; the Shadow rather than dropping &amp;amp;#42;away&amp;amp;#42;, clinging desperately to the sceptre and trying to get one foot on the Empress proper to hang on better.&lt;br /&gt;
&lt;br /&gt;
As the Empress swings her sceptre around, Suzume hangs onto it. Her legs dangle as she tries to bring them up to press against the Shadow, to brace herself, but she can&#039;t quite manage it for a while. She desperately wishes she was about three inches taller so her legs would reach. Everything except the Shadow is a blur as she&#039;s swung around, getting progressively dizzier.&lt;br /&gt;
&lt;br /&gt;
But Suzume does not let go.&lt;br /&gt;
&lt;br /&gt;
SEES saved her, Suzume, from dying in Mementos with Jiro. The two of them, lost, unable to fight, until Suzume took the Evoker off the ground. Fuuka, too, took an Evoker - and Natsuki can&#039;t fight. Minato&#039;s doing everything he can, and Yukari, and Minako, and all the rest. It&#039;s the same. It&#039;s the SAME and she won&#039;t let ANY OF THEM die - &lt;br /&gt;
&lt;br /&gt;
The Empress barrels toward Akihiko, and here Suzume almost does fall off. She slips down the sceptre, legs dragged along the ground before she manages to twist, pushing up - &lt;br /&gt;
&lt;br /&gt;
And Suzume does not let go.&lt;br /&gt;
&lt;br /&gt;
She finally pushes off the ground, shoving herself up to the Shadow&#039;s back as she shifts her grip higher up the Empress&#039; arm. She grips the shoulders of the Shadow, pummeling with her tonfa again as she tries to steady herself, almost knocked off again as Empress takes damage from the front.&lt;br /&gt;
&lt;br /&gt;
And, still, Suzume does not let go.&lt;br /&gt;
&lt;br /&gt;
She told Yukari she wouldn&#039;t be useless, wouldn&#039;t be helpless. She told Minato that she owed him. And she promised SEES - in her mind, if not out loud - that she would do for another what they did for her. And, if she&#039;s being honest, she lets out every bit of anger, every frustration; from all the problems she couldn&#039;t solve, from all the stupid things she&#039;s said, from all the times she&#039;s made it worse, from all the things she couldn&#039;t do. &lt;br /&gt;
&lt;br /&gt;
Suzume lets out a wordless, primal scream, and begins to &amp;amp;#42;twist&amp;amp;#42; Empress&#039; arm. And while that alone wouldn&#039;t do much: &amp;quot;ATALANTA!&amp;quot; she roars, and the Persona is there, helping Suzume literally throw Empress to the floor, face-first, with Suzume riding her all the way down to the ground.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Suzume Fukura has used the Strike skill Hurl Down on Crossroads Bar!&lt;br /&gt;
 AS: Suzume Fukura: Gains -8 SP from Vigor! Eclipse removed!&lt;br /&gt;
 AS: Suzume Fukura&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Akihiko Sanada has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;We have them on the back foot!&amp;quot; Akihiko yells to the team. His boxer&#039;s intuition is telling him so. When they&#039;re stumbling, that&#039;s when you press your advantage. He revs up for another strike. &amp;quot;Polydeuces!&amp;quot; To punch the Emperor hard.&lt;br /&gt;
&lt;br /&gt;
    Then, he turns to Mitsuru. &amp;quot;I know you&#039;ve got more in you, Mitsuru-san! Press your advantage!&amp;quot;        &lt;br /&gt;
It&#039;s only for a moment however, as he sees Shinji crumble under the pressure. &amp;quot;Shinji, no!&amp;quot; He breaks off running out of the battleline to his friend, coming down next to him. &amp;quot;Hey, get up...! You&#039;re okay, right Shinji?!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Akihiko Sanada has used the Strike skill Sonic Punch on Crossroads Bar!&lt;br /&gt;
 AS: Akihiko Sanada: Bind removed!&lt;br /&gt;
 AS: Akihiko Sanada&#039;s turn has ended.&lt;br /&gt;
 AS: Yukari Takeba spends Limit on Shift! Mitsuru Kirijo can use another Weak skill this round!&lt;br /&gt;
 AS: Akihiko Sanada spends Limit on Shift! Mitsuru Kirijo can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eriko Kirishima has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The grand show Eriko makes of manifesting Nike&#039;s power draws attention, and not the welcome sort- and leaves her open to attack. As the Emperor swings, Eriko&#039;s not fast enough on her feet and that sword as large as she is slashed top to bottom, and forced to the ground by the impact, her lighter blade easily powered through. That one.... definitely stings.&lt;br /&gt;
&lt;br /&gt;
    It&#039;s a good thing she&#039;s right near the entrance, she does not want to have pay Trish&#039;s rates tonight, if she doesn&#039;t have enough left in her to use Diarama herself. Still, damn if it doesn&#039;t hurt, and she&#039;s glad for the magic of persona to not explain to the photographers why she has a giant scar running down her face.&lt;br /&gt;
&lt;br /&gt;
    Still. She looks to the young one&#039;s facing the Shadow in this battle (Eriko Kirishima you are 20 years old) and shakes her head. She looks to the young, ninja like man who caught Miss Kirijo. She chooses in that moment to grin at him. &amp;quot;Now&#039;s rather the time to pull out all the stops, I think?&amp;quot; She says, shooting a little encouragement his way, before looking back to the Emperor. &amp;quot;I certainly don&#039;t intend to hold back when we&#039;re so close to pushing through.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Eriko titters a bit at Vesper&#039;s compliment. &amp;quot;Well, it is fun to be a muse sometimes!&amp;quot; She responds, as she stands back to her feet. Certainly, she&#039;s a little woozy now- but this isn&#039;t the worst she&#039;s faced.&lt;br /&gt;
&lt;br /&gt;
    Admittedly, she was much more active when she faced that worse, and not relatively out of practice for three years as she is now.&lt;br /&gt;
&lt;br /&gt;
    And seeing the resolve in the fallen Minato, Eriko can&#039;t help but be reminded of others. Of Brown, and Mark, and...&lt;br /&gt;
&lt;br /&gt;
    The look on her face falls for just a moment, but she shakes it off. You have to finish what you start. &amp;quot;We can&#039;t falter now, can we?&amp;quot; She casts a look to Vesper, then Myunghong. &amp;quot;We&#039;d be poor adults if we let any of them fall first, wouldn&#039;t we?&amp;quot; She may be making a bit of an assumption, and she only went through her coming of age ceremony last year, but still. &amp;quot;Let&#039;s lend them all our firepower, shall we?&amp;quot; She raises her sword again. Wind isn&#039;t Nike&#039;s only element.&lt;br /&gt;
&lt;br /&gt;
    She is, after all, an angel.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Nike! Hama!&amp;quot; She turns her wrath to the Emperor, pointing her blade at him, Nike swooping down from above, buzzing low to the ground before pulling up in a manner any plane would be jealous of. As she flies up, hexagonal pillar of red light emerges from the ground, sections turning as characters form down each side, hoping to encase the giant shadow- before it glows with white light and disappears.&lt;br /&gt;
&lt;br /&gt;
    ...Still, Eriko rather has to hope the Shadows don&#039;t have much more in them. Eriko is starting to run on fumes. It&#039;s been a long time since she was pressed this hard, and she doesn&#039;t need a repeat of what happened in the SEBEC building when they first got their Personas.&lt;br /&gt;
&lt;br /&gt;
    There&#039;s no idealized version of her best friend to save her by magically producing a 9MM this time.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;...They&#039;re a loyal bunch, aren&#039;t they?&amp;quot; Elly murmurs, a little more quietly. Bonds like these can be one of the most pure forms of strength.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Eriko Kirishima has used the Light skill Hama on Crossroads Bar!&lt;br /&gt;
 AS: Eriko Kirishima&#039;s turn has ended.&lt;br /&gt;
 AS: Avoid Neutral! Moriko Kumamoto takes 105 Elec damage from Crossroads Bar&#039;s Mazio. Critical Hit!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Crossroads Bar gains 1 Limit from Momentum!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Reiya Aomori has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Reiya is there, when Mitsuru requires him. He inclines his head once at her statement, after he helps her up, drawing no extra attention to that fact. &amp;quot;I can,&amp;quot; he answers, see how the tide is turning. He is quiet, dispassionate as Mitsuru makes her judgement--and then he nods. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I am prepared,&amp;quot; he says, when Mitsuru gives her orders. The noncombatants... and--&lt;br /&gt;
&lt;br /&gt;
Ah. She intends to hold them off herself. Reiya frowns, his expression tilting down as he watches Kirijo put herself at risk. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
The Empress barrels forward, and Reiya starts back. But he can&#039;t block; his attempt is battered to the side, and he hits the stairs hard. The shielding he was granted earlier goes a long way towards defending him--but he still has to get up a moment later. &lt;br /&gt;
&lt;br /&gt;
And then... And then, Minato doesn&#039;t move. Junpei shouts at him. Reiya turns towards him, his gaze piercing for the few instants he can look. And then... &lt;br /&gt;
&lt;br /&gt;
To protect them. &lt;br /&gt;
&lt;br /&gt;
Reiya is suddenly &#039;&#039;there&#039;&#039;, despite everything, at Mitsuru&#039;s side once again. &amp;quot;Senpai,&amp;quot; he says calmly. &amp;quot;You are injured. Allow me to be your shield, so you can continue to wield your sword.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Minato has disobeyed orders. &amp;quot;Since it appears that our leader has refused your order,&amp;quot; he says quietly, only for her to hear--except perhaps Fuuka, who can hear many things at the moment. But he continues, &amp;quot;The honor of the clan demands that I see you safely through the battle, regardless of outcome.&amp;quot; A pause. &amp;quot;...But I do believe we can win.&amp;quot; His eyes track to Eriko, who just encouraged him, and he inclines his head. &amp;quot;Onward!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Reiya stows his sai, each one through a beltloop made for them, and begins to focus his energy. &amp;quot;Per...&amp;quot; An intricate gesture with his left hand. &amp;quot;So...&amp;quot; Lifting the Evoker... &amp;quot;NA!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Kunimitsu appears once more. Raising his blades, he shoves one forward--and a dozen needles crash down around the Shadows, attempting to pin their essence in place for what&#039;s to come. A rushing wave of water is next, and beyond it, a thousand more needles, all rushing towards Emperor and Empress to shoot them full of holes.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Tandem! Reiya Aomori has used the Water skill Punishment Seal - Suiton on Crossroads Bar!&lt;br /&gt;
 AS: Persona! Reiya Aomori has used the Pierce skill Darkness Nail on Crossroads Bar!&lt;br /&gt;
 AS: Reiya Aomori&#039;s turn has ended.&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Tyler Gould has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The Empress&#039; winds slam into Tyler, but with his position low to the ground he&#039;s able to not only endure the brutal attack, but push some of it &amp;amp;#42;back&amp;amp;#42; towards the shadow through his own magical affinity.&lt;br /&gt;
&lt;br /&gt;
Thanks to Koh and Yukari&#039;s healing efforts early in the battle, he&#039;s actually managing pretty well. Could he do this all day? No, of course not.&lt;br /&gt;
&lt;br /&gt;
...but when he starts to see people falling, &amp;amp;#42;especially&amp;amp;#42; Minato who was part of that rescue party? Well... if attacking the shadows draw their attention...&lt;br /&gt;
&lt;br /&gt;
He looks up towards Mitsuru, as the closest SEES member to his current position.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;re going to want to move, either I&#039;m turning them to dust... or the spotlight&#039;s going to shine bright on me next.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Does he know for sure that he can endure anything the Emperor and Empress might throw at him for what he&#039;s about to do? No. Not in the slightest. But there are lives more valuable than his own at stake, and if he&#039;s lucky? He&#039;ll wash the shadows away before they can strike back... at him, or at Koh who&#039;s charging them with that wicked looking knife, or Minako, or... well, &amp;amp;#42;everyone&amp;amp;#42; else who&#039;s trying the same strategy.&lt;br /&gt;
&lt;br /&gt;
That could work in their favor. Overwhelm. Overpower.&lt;br /&gt;
&lt;br /&gt;
Or die trying.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Houdini, the stage is ours.&amp;quot; he declares with all the emotion of a wet paper bag. The Evoker goes up, and the trigger is pulled.&lt;br /&gt;
&lt;br /&gt;
As before, ice starts to radiate out from the magician&#039;s chains, but this time rather than freezing into shards it forms into a giant ball of ice....&lt;br /&gt;
&lt;br /&gt;
Which then cracks, and shatters.&lt;br /&gt;
&lt;br /&gt;
Now do the shards of ice slice through the air at the shadows, but they aren&#039;t alone, as the ice itself was a shell to hold a flood of water that comes to follow, joining the deluge that Reiya had already put forth.&lt;br /&gt;
&lt;br /&gt;
...maybe they&#039;ll get lucky. If not? Everyone has to face their own mortality someday.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Tyler Gould spends Limit on Psych! &lt;br /&gt;
 AS: Persona! Tyler Gould has used the Water skill A Drowning Death on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Tyler Gould: Gains 36 HP from Regen! Psych and Regen removed!&lt;br /&gt;
 AS: Tyler Gould&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Remi Ryuuja has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&#039;&#039;Is&#039;&#039; it a good idea, to send Wind at Tsurugi or La Maupin, who seems to wield it so effortlessly themselves? Perhaps not, but maybe the Shadow just can&#039;t &#039;&#039;think&#039;&#039; in those terms. Winds come, and La Maupin withdraws--but Tsurugi charges &#039;&#039;in&#039;&#039;, slashing to try and redirect some of that wind back at the Shadow--but what she didn&#039;t count for was an interaction of the two spells afllicting her. They no longer afflict her--&lt;br /&gt;
&lt;br /&gt;
But only because the two magics &#039;&#039;explode&#039;&#039;, and send her flying back. La Maupin catches her in their arms, though, and Tsurugi is panting harshly now. &amp;quot;Grr...&amp;quot; She stands, then, as if that hadn&#039;t just happened, but her posture is slightly slouched. She hears what the new weaknesses are--nothing that she can exploit, sadly. Water and Earth are not her elements. And while a rapier can pierce, it is not in the way that matters right now.&lt;br /&gt;
&lt;br /&gt;
She glances sidelong to Myunghon. They say the battle turns in their favor, but she has a different take. &amp;quot;It draws on too long. We must end this.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
One more time, Myunghon calls. Tsurugi nods slowly. &amp;quot;One more time.&amp;quot; She draws that gun from ther thigh again, that thing that can&#039;t be an Evoker since it looks so different from the evokers of everyone in SEES, all dark gray and a heavy revolver, yet...&lt;br /&gt;
&lt;br /&gt;
She puts it up to her temple and pulls without the least bit of hesitation. &amp;quot;Persona.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Broken glass and blue flames surge, and &#039;&#039;La Maupin&#039;&#039; surges with new energy too, revitalized with new strength. Tsurugi smoothly puts her Evoker away, and then takes up her sword once more. She lifts it in her right hand, her right foot sliding forward to take up a proper fighting stance, while her left hand effortlessly draws a dagger--or more properly, a main gacuhe--from her back. La Maupin falls into step with her.&lt;br /&gt;
&lt;br /&gt;
Tsurugi draws in a sharp breath. &amp;quot;OURAGAN!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Those who know their French might know what&#039;s coming next. La Maupin makes a big, wide gesture with their sword, summoning the power of a hurricane as blistering winds kick up around the pair of Shadows. Tsurugi and La Maupin throw themselves into this hurricane, riding tis currents as they lash out again and again and again at both shadows, switching targets effortlessly to cover for each other and strike at weaknesses.&lt;br /&gt;
&lt;br /&gt;
And when they finish, they both fall back in unison. Tsurugi&#039;s chest heaves with the effort, but her stance remains firm, resolute.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Tandem! Remi Ryuuja has used the Wind skill Ouragan on Crossroads Bar! 3 Hits!&lt;br /&gt;
 AS: Remi Ryuuja&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Umie turns to Vesper, giving Vesper a smirk. &amp;quot;... I think I can trust you. Akabane&#039;s fine. Wouldn&#039;t mind fighting beside you again.&amp;quot; For someone who warned about an identity being used as a weapon, she can be careless.&lt;br /&gt;
&lt;br /&gt;
    There can be times when that caution can lead to loneliness.&lt;br /&gt;
&lt;br /&gt;
    Eriko helps with a boost; with an appreciative nod, Umie&#039;s grin wides like the crescent of a scythe. &amp;quot;Not slowing any time soon.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Is that... a peacock, along with a girl, over there?&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s wandering eye will punish her if she doesn&#039;t focus. With Eikichi and Shinjiro in front, all she needs to do is keep fast on her feet. Electricity spikes towards the blonde haired young woman and she&#039;s a flash of white, leaping backwards.&lt;br /&gt;
    &lt;br /&gt;
    She&#039;s still in awe of Fuuka. &amp;quot;Yamagishi-san! You&#039;re doing a damn fine job for someone who just awoke moments ago. Doing whatever it is you do isn&#039;t easy; trust in your abilities.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Oop, Umie slipped into tutor mode again. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Mishina-san, Aragaki-san,&amp;quot; Umie calls, &amp;quot;coming right behind you.&amp;quot; Strike, huh? The Kyoketsu-shoge&#039;s bladed end is snaked out of one pocket, Umie jerking up to encourage the full length of rope, and eventually, the ring, which she takes with her other hand to begin swinging over her head.&lt;br /&gt;
&lt;br /&gt;
    After building momentum, the rope in Umie&#039;s other hand is loosened, letting the hoop fling out towards the Emperor shadow. Nothing fancy; it was meant as a game of keep away than full assault. Shinjiro&#039;s the one with the force, as his Persona shows.&lt;br /&gt;
&lt;br /&gt;
    .... Or, is she simply playing the role of Badb to the very end?&lt;br /&gt;
&lt;br /&gt;
    Umie&#039;s eyes catch the drip of red; as Akihiko goes to Shinjiro side, Umie does the same, but gives Akihiko space. Something in her gaze softens at the display of concern. Just what is the whole story here? &amp;quot;Are you gonna leave him in a lurch like that, Aragaki? I can&#039;t heal you like Takeba-san can, so cool it, unless you want me to tie you up,&amp;quot; she says, in a soft rebuke. &amp;quot;I got the tool for that right here.&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Weapon! Umie Akabane has used the Strike skill Ring Bash on Crossroads Bar!&lt;br /&gt;
 AS: Umie Akabane&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;It turns out that even if you race and consider yourself fast, it doesn&#039;t quite match up to lightning. Magical or not and she catches the brunt of the arc aimed her way despite her best efforts. She collapses back for a moment with a cry. But she forces herself back up quickly, using the adhoc staff to pull herself to her feet. &lt;br /&gt;
 &lt;br /&gt;
 She already made it clear she had no intent to leave. And right now she&#039;s frustrated enough that she&#039;s about to try and javelin the borrowed cleaning stick at the paired arcana. &lt;br /&gt;
 &lt;br /&gt;
 She shakes her head to clear it. Hair frizzled out around her. Trying to brush it down and compose herself. Why though? &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Always knew what I was getting into any time I threw a punch.&amp;quot; Or a garbage can. She&#039;s not about to stand by and let someone fight on her behalf. &amp;quot;I&#039;m here, you&#039;re stuck with that.&amp;quot; Her vocabulary&#039;s slipped a little. Sounding rougher around the edges again. She might have had some interesting figures in her life. &lt;br /&gt;
 &lt;br /&gt;
 She doesn&#039;t quite... think ahead far enough to see her stick as a &#039;strike&#039; and has already pulled the evoker up again. Tired, wondering if it&#039;s really a good idea to lean so hard into it. That she&#039;s going to figure out where people were getting their equipment from. Later. &lt;br /&gt;
 &lt;br /&gt;
 Definitely going to be a later. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Otohime let&#039;s go.&amp;quot; She pulls the trigger again. The figure twisting and casting light, rather than the previous magic. Something maybe befitting its dress?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Moriko Kumamoto has used the Light skill Hama on Crossroads Bar!&lt;br /&gt;
 AS: Moriko Kumamoto: Gains -8 SP from Vigor! Haze removed!&lt;br /&gt;
 AS: Moriko Kumamoto&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Mitsuru Kirijo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Two strangers calls her by name.&lt;br /&gt;
&lt;br /&gt;
The first, an older man. Tall. Masked. (Several here today are masked. Could it simply be coincidence? No; Mitsuru knows better than most, coincidences just don&#039;t -happen- in the realm of allegory, everything has -meaning-.)&lt;br /&gt;
&lt;br /&gt;
The way he talks, the way he looks. Something about it...&lt;br /&gt;
&lt;br /&gt;
There&#039;s no time to dwell. It&#039;s his words she focuses on for now, not his presentation.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;If I may be so bold... such an order is a disservice to your companions as well as yourself. Burdens are lighter when they are shared, wouldn&#039;t you say?&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
That oft-invoked family crest rises to the forefront of her thoughts:&lt;br /&gt;
&lt;br /&gt;
        Two in harmony surpass one in perfection.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s silence that answers Vesper, even as that supportive magic weaves into the Kirijo heiress, fortifying her spirit with powerful metaphor to face her foes. Dismissive, maybe. Standoffish, perhaps.&lt;br /&gt;
&lt;br /&gt;
The world of Mitsuru Kirijo&#039;s thoughts are her own, though, and that sentiment is currently tumbling within it, even as she wrestles with the very idea.&lt;br /&gt;
&lt;br /&gt;
Is she wrong?&lt;br /&gt;
&lt;br /&gt;
Does she simply not have enough faith in them?&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
For now, she has made her decision. And she must commit to it. For now--&lt;br /&gt;
&lt;br /&gt;
For now, she must -act-. Her gaze snaps to the masked stranger.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;-Move-!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s a warning, but a critical one -- and one that heralds the powerful dual-blows of the Emperor and the Empress, striking in tandem. Mitsuru -springs- not even a second after her shout; the broad blade of the Emperor&#039;s sword CRASHES into ground that she once occupied in a stroke that would have cleanly bifurcated her. As it is -- the aftershocks of it all -knock- her back, rubble pelting and striking her, one knocking her violently across the scalp. &lt;br /&gt;
&lt;br /&gt;
Her lips part, but she gives no voice to the pain; she simply -stabs- her rapier into the once-beautiful marbling of Tartarus&#039; ground floor, providing the mooring she needs to -stop- her backwards tumble as she heaves out a sudden rush of air she didn&#039;t even know she was holding.&lt;br /&gt;
&lt;br /&gt;
The question still churns. Why can&#039;t she just believe in them?&lt;br /&gt;
&lt;br /&gt;
Because I can&#039;t protect them all-- &lt;br /&gt;
&lt;br /&gt;
The voice of a second stranger reaches her ears, even as she recovers.&lt;br /&gt;
&lt;br /&gt;
An older woman. Weaving English fluidly into her speech like it was as second nature to her as French is to Mitsuru. The Kirijo heiress blinks as she turns her head Eriko&#039;s way. This one...&lt;br /&gt;
&lt;br /&gt;
... this one, she actually has an inkling of who they might be. The stylish way she dresses, the peculiar way she acts -- it fits a description that one of her... associates... gave her of his old companions. Persona-Users, just like him. Directly involved in...&lt;br /&gt;
&lt;br /&gt;
Despite herself, despite the situation? A bloody smile finds its way to Mitsuru&#039;s lips as she hears that recitation, feels the emboldening support that the woman provides her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&#039;&#039;May Victory, that merry virgin born of noble line,&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
she recites as she rises coolly, and -snaps- her rapier to the side with smooth flourish,&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&#039;&#039;attend us with her favor for all our days!&#039;&#039;&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Because of -course- she knows the appeals of ancient Grecian theatrical competitions.&lt;br /&gt;
&lt;br /&gt;
Which is exactly why she responds to that sword salute with one of her own in its aftermath, her expression steeled.&lt;br /&gt;
&lt;br /&gt;
She readies herself to face what may very well be her end, confident, at least, that the innocents who found themselves involved in this strange hell will at least make it out safe--&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;ORPHEUS!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Dark red eyes are wide in alarm as she watches the distinctive Persona of the elder Arisato twin rip past her -- only to be blown away, soaring once more past her field of vision as her deep red hair flaps wildly behind her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Why--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She turns -- only to see Minato, slumped against Fuuka&#039;s Persona, but still rising. Not to flee -- but to -fight-. She watches, bewildered, as those shaky fingers grip his Evoker once more.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;I won&#039;t,&#039;&#039; he says, and Mitsuru is left briefly at a loss as the young man defies her order. Her plea. Because...&lt;br /&gt;
&lt;br /&gt;
... he doesn&#039;t want to leave them.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Not for the first time, Mitsuru greets that rebuttal with silence. It&#039;s a silence that reigns as Minato moves to the fight, motivated by something beyond her ken in this moment.&lt;br /&gt;
&lt;br /&gt;
It&#039;s a silence that reigns even as Minako calls out to her. &#039;&#039;We can still do this! Just a little further, senpai!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
As the others rush off, defiant.&lt;br /&gt;
&lt;br /&gt;
As Shinjiro roars out the violence he intends, despite the circumstances, despite his own collapse in health (his own collapse in health--?) -- despite EVERYTHING that has happened to them.&lt;br /&gt;
&lt;br /&gt;
As Yukari rushes forward to provide an opening with that flurry of arrows and billowing winds, a death of a thousand cuts.&lt;br /&gt;
&lt;br /&gt;
No -- it&#039;s only as Akihiko calls out to her that Mitsuru blinks exactly once.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;I know you&#039;ve got more in you, Mitsuru-san! Press your advantage!&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Akihiko--?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
There&#039;s only one person here she still feels anywhere close to comfortable being on a first-name basis with. And it&#039;s only his voice that inspires hers in turn. Akihiko -- even Takeba -- they&#039;re all fighting. ... So why...&lt;br /&gt;
&lt;br /&gt;
Without a word, there is Reiya, suddenly at her side. He points out with crystal clarity what has happened: the people she personally elected as field commanders have rejected her orders. So what more is there to be said? She struggles for a visible moment that is as ever so hard to discern the nature of.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;...But I do believe we can win.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
... Before all that rigidity seizing her finally relents, and she shuts her eyes.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... hah. Haha...&amp;quot; she chuckles, a rare moment of genuine laughter, despite the situation. She shakes her head, equally rueful. &amp;quot;... I suppose they have. Who am I to argue?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Against Minato and Minako&#039;s decision? Or the fact that they can win? ...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Thank you, Aomori.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She wants to thank everyone.&lt;br /&gt;
&lt;br /&gt;
But for now, she settles for this, as Tyler warns her:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Don&#039;t worry. I have every intention of moving.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The unlatching of her Evoker. The grip of her sword.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Perhaps you were right,&amp;quot; she finally concedes to Julian, as she presses that barrel to her head. She looks sidelong his way.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... But I would have words with you, later.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But for now? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;SHADOWS!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The squeeze of the trigger.&lt;br /&gt;
&lt;br /&gt;
And, just like Tyler himself intends, there is suddenly a blizzard&#039;s frigid gust of ice, freezing the very ground beneath Mitsuru&#039;s feet to create a grand, sloping pedestal. Her eyes narrow, sharp as daggers.&lt;br /&gt;
&lt;br /&gt;
And without hesitation, she springs, sliding down the slope of her makeshift hill even as Penthesilea weaves chunks of ice to hurl at their foes. Weakening magic laces into the frost even as the sapphire aura of the Persona flares around Mitsuru.&lt;br /&gt;
&lt;br /&gt;
She strikes once with her rapier. Twice. One stroke, for each Shadow, aimed at crippling points that bloom with ice -- before each wound EXPLODES into windind spires of ice crystals, a jail of frost for each Shadow.&lt;br /&gt;
&lt;br /&gt;
She jumps. Once, twice, on the jagged ledges of her own creation, until she reaches the very peak, landing in a prim, leg-crossed pose.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;For the abhorrent crime of your existence--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Settled upon her frigid tower of frost, Mitsuru sweeps back her long red hair with one hand. The other?&lt;br /&gt;
&lt;br /&gt;
                         &amp;quot;The sentence is death.&amp;quot;                          &lt;br /&gt;
&lt;br /&gt;
Held aloft, middle finger pinched to thumb.&lt;br /&gt;
&lt;br /&gt;
                                  &amp;amp;#42;snap&amp;amp;#42;                                   &lt;br /&gt;
&lt;br /&gt;
And with a single fingersnap, those majestic columns of ice shatter with the Emperor and Empress entombed within as Mitsuru leaps from the peak in a whorl of whites and royal reds.&lt;br /&gt;
&lt;br /&gt;
They&#039;re right.&lt;br /&gt;
&lt;br /&gt;
She can do this. --No.&lt;br /&gt;
&lt;br /&gt;
-They- can do this.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Mitsuru Kirijo spends Limit on Psych! &lt;br /&gt;
 AS: Take! Mitsuru Kirijo takes 0 Almighty damage from Hitomi Mandai&#039;s Revolution.&lt;br /&gt;
 AS: Crt_Up added!&lt;br /&gt;
 AS: Persona! Mitsuru Kirijo has used the Almighty skill Rakunda on Crossroads Bar!&lt;br /&gt;
 AS: Tandem! Mitsuru Kirijo has used the Water skill Blizzard Edge on Crossroads Bar! 2 Hits!&lt;br /&gt;
 AS: Weapon! Mitsuru Kirijo has used the Pierce skill Full Pike Flurry on Crossroads Bar!&lt;br /&gt;
 AS: Mitsuru Kirijo: Gains 38 HP from Regen! Psych and Regen removed!&lt;br /&gt;
 AS: Mitsuru Kirijo&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yanagi Nagisa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Yay indeed! It looks like Yanagi and Pernelle have the rest of their Dark Hour planned out! Assuming it doesn&#039;t end on them first. But there will be another one tomorrow, and they can try to nuke motorcycles into functioning then! (They will not function, but it won&#039;t be for lack of trying. There are going to be a lot of angry, confused insurance claims in the near future.) Yanagi grins at Pernelle and gives him a decisive nod back. &amp;quot;Then it&#039;s decided! &amp;amp;lt;3&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    &#039;&#039;Ah... You too?&#039;&#039; Fuuka asks. Yanagi tilts her head with a low &#039;ufu~.&#039; Does she really need another answer? Fuuka&#039;s already understood so much already. Yanagi can let her concentrate now.&lt;br /&gt;
    &lt;br /&gt;
    But then there is this life-and-death conflict with Minato. To the sound of Pernelle&#039;s most enthusiastic cheers, Minato pushes himself up to his feet without active assistance. Yanagi withdraws her hand, unoffended. This just means she can resume eating her cookie.&lt;br /&gt;
    &lt;br /&gt;
    She &#039;&#039;can&#039;&#039;.&lt;br /&gt;
    &lt;br /&gt;
    But she doesn&#039;t.&lt;br /&gt;
    &lt;br /&gt;
    Because Minato summons another Persona--a different one from before--and Yanagi utters a little, &amp;quot;Oh!!&amp;quot; Something about him &#039;&#039;had&#039;&#039; felt different, in an oddly familiar way... And if somehow she had been mistaken, and she knows she isn&#039;t, he re-summons his earlier Persona. It might get blown away by a Garula, blowing him back again in the process, but Yanagi doesn&#039;t flinch away, even if the splash gusts tear at her long hair and skirt train.&lt;br /&gt;
    &lt;br /&gt;
    He isn&#039;t the only one, though Minako is too focused on the fight to pay any mind to what Yanagi and Pernelle say about her. Yanagi&#039;s heart skips a beat as she sees Minako &#039;&#039;also&#039;&#039; call up a different Persona from the one she&#039;d just been using, calling up not flames but spikes of &#039;&#039;ice&#039;&#039;. It would seem to be the complete opposite of what one would expect from a Jack-o-Lantern, but this Pyro Jack is clearly too cool for that. &amp;quot;&#039;&#039;My&#039;&#039;!&amp;quot; Yanagi breathes.&lt;br /&gt;
    &lt;br /&gt;
    Still, for all that she&#039;s treating this battle like a spectacle for entertainment (she sees you, Myunghon, particularly in that instant your eyes met across the battlefield), she fully understands that they don&#039;t have time for chit-chat. At the same time, she did ask that question of Minato earlier in earnest. It&#039;s an important question. And his answer...&lt;br /&gt;
    &lt;br /&gt;
    He tells her he won&#039;t run away. He doesn&#039;t want to while everyone is still fighting.&lt;br /&gt;
    &lt;br /&gt;
    She gasps, cupping her cheek with her free hand. It might seem theatrical, but it is wholly sincere, as anyone who looks into her eyes sparkling with profound delight can tell. &amp;quot;How wonderful...!&amp;quot; Her smile is broad and warm, coloring this dark and dead time like the burnished setting sun, for it&#039;s just as Pernelle says: a choice has been made with the whole of the heart&#039;s desire, and there are few things more resplendent. Both of the Arisatos are so marvelous! &amp;quot;I like you! &amp;amp;lt;3&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    Yet despite this declaration, she moves &#039;&#039;back&#039;&#039;, cane tup-tup-tupping the floor as her reinforced boots carry her legs each step of the way. She&#039;s out of breath by the end, but surely that&#039;s from all this excitement taking her breath away, just like how Shinjiro surely staggers only because of the hits he&#039;s taken during this fight. She leans in towards Pernelle, at whose side she has ended.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;We should let the others know about this. Perhaps without getting bogged down with these ones asking what we&#039;re doing here?&amp;quot; she murmurs sotto voce.&lt;br /&gt;
    &lt;br /&gt;
    And indeed, while the two of them stay to bear witness to the execution of the Empress and Emperor, in the inevitable chaos that follows the end of the battle, they&#039;ll make a quick and quiet retreat to slip back out into the dark of the hour. The fact that Yanagi&#039;s Persona will be able to shroud her and Pernelle&#039;s Resonance once they leave will only make it that much more effective. After all, part of being fabulous is not just making a grand entrance; it&#039;s also knowing when to make a mysterious disappearance.&lt;br /&gt;
    &lt;br /&gt;
    Also also they won&#039;t get to power up (?) any motorcycles if they let themselves get caught up with interrogations here.&lt;br /&gt;
    &lt;br /&gt;
    Also also also she still needs to finish her cookie.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Julian Marlowe has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Thank you Umie, for giving Julian one less thing to worry about on the list of &#039;things Vesper isn&#039;t supposed to know&#039;. Maintaining two identities is complicated enough without needing to remember different names for people both of them know.&lt;br /&gt;
&lt;br /&gt;
For the moment though, he&#039;s off - charging straight into trouble. Of course he knew this was going to happen. He made himself a pretty overt target in joining up with someone who was actively drawing the enemy&#039;s attention. Which begs the question... why would this perfect stranger prioritize using his Persona to protect &#039;&#039;Mitsuru&#039;&#039;, rather than himself?&lt;br /&gt;
&lt;br /&gt;
The icy reception doesn&#039;t seem to faze him. That&#039;s fine. He doesn&#039;t need a response. If anything, a response left unspoken in the heat of the moment is a good thing. That&#039;s all he wanted in the end - for her to think about it.&lt;br /&gt;
&lt;br /&gt;
The warning snaps his attention back to the Shadows. Thankfully, he does have Nike&#039;s blessing to aid in not getting fatally stabbed, dodging away from the Empress&#039;s weapon at the last second. But even just getting grazed by a giant Shadow&#039;s weapon takes its toll. His suit may seem impervious to damage, but that doesn&#039;t mean he is. After all he&#039;s already been through, he looks a bit unsteady on his feet. But he forces himself to stay standing, this time. He can&#039;t rest, can&#039;t back down, while the danger has not yet passed.&lt;br /&gt;
&lt;br /&gt;
In that respect, he understands Minato&#039;s resolve perfectly. He, too, could never get himself to leave while the lives of others are still in danger. He can&#039;t remove his focus from that either - he hears the color commentary of some who evidently can&#039;t be bothered to actively lend a hand, but that&#039;s a matter for another time. His gaze instead lingers for a moment on Minako. Sibling bonds... they can be a powerful thing indeed.&lt;br /&gt;
&lt;br /&gt;
...But who does Mitsuru have? His gaze returns to her, soon enough. Her position is destined to be one of responsibility. The way she was raised... he has a pretty good idea about what it must have been like. &#039;Orphaned by excess&#039;, he might describe it. ...He&#039;s not about to tell anyone why he understands that particular brand of loneliness so well, well enough to make him want to step in the way he did.&lt;br /&gt;
&lt;br /&gt;
Curiously, the boy from earlier follows suit. But acts more like a retainer than a friend. He has his thoughts about that too, and will also keep them to himself. His words do land with Mitsuru, that&#039;s what matters more right now. He finally breaks his own silence with a chuckle.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I did find it rather odd, seeing to give orders to the one you refer to as Leader.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sometimes, fewer words are better, in his estimation. He doesn&#039;t argue with Mitsuru&#039;s request, merely denotes his agreement by inclining his head. For today, they do still have a matter that needs attending. And given the weaknesses this time... he waves his hand out in front of him, then places it on his mask. &amp;quot;Raffles, you&#039;re up to bat!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And he means that literally. The Persona&#039;s had its tendrils wrapped around that giant cricket bat the entire time, but only now is it actually raised, in a slow and deliberate movement, focusing its power. Before, in a flash, it is swung down upon the opposing Shadows with massive force.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Julian Marlowe has used the Strike skill Skull Cracker on Crossroads Bar!&lt;br /&gt;
 AS: Julian Marlowe&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Pernelle has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;It is decided!&amp;quot; Pernelle echoes, like the sealing of a contract. They will not procure a functioning motorcycle out of this. In fact, they stand to make a lot of them cease to function. This, too, is art, if you think about it. Pernelle is combining technology with fire to make a secret new third thing.&lt;br /&gt;
&lt;br /&gt;
But when Minato&#039;s Persona is different then the one before, Pernelle looks abruptly to Yanagi, turning his head to the side with a knowing look. He turns his attention back ahead as the storm of battle billows through his feathers and the brim of his hat. He raises his head, for Pernelle is not so wasteful a creature to reject an opportunity for gravitas. It is interrupted with a double take at Minako, and he whips his head to look at Yanagi, glasses askew, before turning back to behold Pyro Jack as he rights his eyewear with a push of a pinion.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... What is this faebeast, to be as precious and perfect as my own self...?&amp;quot; he asks, instead of stating the less obvious wonder at play. (The less obvious?!)&lt;br /&gt;
&lt;br /&gt;
Minato rises again, and refuses to run. Pernelle taps his own chest with a wing. &amp;quot;This is the power of... &#039;&#039;belief&#039;&#039;.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Pernelle, you had absolutely nothing to do with that!&lt;br /&gt;
&lt;br /&gt;
He allows his own awe to take him as this dance of risk and resolve (and rebellion!) play upon its deadly stage, his tail rustling, and his body occasionally bobbing, though his head remains entirely stationary. But Pernelle snaps aware with the click of Yanagi&#039;s cane upon the ground. Lockstep again, he shuffles back with her, so that they are, indeed, side by side when all is ended. Her breathing is heavier, Pernelle he offers no visible reaction.&lt;br /&gt;
&lt;br /&gt;
He does, however, quite quickly to agree to abandoning their entertainment.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ooo, enigmatic. We abscond and leave them to dream of us until our next meeting. Let them wonder if we ever were!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And so, after their observation has been satisfied, Pernelle sweeps a deep bow, one wing under his chest, and the other fanned out, as his only farewell to those who may not even be watching.&lt;br /&gt;
&lt;br /&gt;
Under the cover of Yanagi&#039;s shroud, even a peacock&#039;s iridescent feathers are cloaked in obscurity. &lt;br /&gt;
&lt;br /&gt;
Would that any motorcycles he finds tonight would be so lucky.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Crossroads Bar has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Fuuka is able to support her allies, lending them the ferocity to turn the tide. Her invocation spreads far and wide, and Minato stands firm, before her. (Pernelle &#039;&#039;did,&#039;&#039; as it happens, have something to do with it; belief is at least &#039;&#039;neighbour&#039;&#039; to the message, here, and there is power in being the one to voice a difficult truth.) He will turn the attacks from Lucia and Ririka, as he always has -- but he&#039;s not here to hog the spotlight today. He&#039;s relying on his allies, too. Allies like --&lt;br /&gt;
&lt;br /&gt;
    Eikichi might be out of bullets, but he&#039;s not out of FIST. Perhaps, in his swing, he represents the pride of all Kasugayama, a school &#039;&#039;renowned&#039;&#039; for its visceral solution to problems. He knocks the Emperor Shadow down, even though it&#039;s &#039;&#039;many&#039;&#039; times his size, with only the fury of his blow. ... and then, when it&#039;s down, he hits it AGAIN! That&#039;s the brutality of Kasugayama for you!!&lt;br /&gt;
&lt;br /&gt;
    Myunghon -- the Rumourmonger, Merry -- will surely have several &#039;&#039;more&#039;&#039; rumours to spread, by the time they leave here. Kudlak snakes out &#039;&#039;beneath&#039;&#039; the Emperor Shadow, with that impossible coat, to knock the Shadow upwards before it can rise. They are Hope, and they know what it&#039;s like to be tossed around by the hands of fate; time to pay it forward. Castor&#039;s crash slams the Shadow back down -- and what about the Empress? We&#039;re getting to that! -- leaving it wide open for Koh to slip a knife in, right where its liver &#039;&#039;ought&#039;&#039; to be. If Shadows could bleed in any meaningful fashion, it would paint the whole room red.&lt;br /&gt;
&lt;br /&gt;
    The Empress, meanwhile, is having a &#039;&#039;terrible&#039;&#039; day. Shizuka&#039;s going all out on it, first pinned by stone and then curtained &#039;&#039;by&#039;&#039; it. (&amp;quot;Got it,&amp;quot; Minato calls, to her, with a sharp nod, and in his stoic fashion he is grateful.) And there&#039;s Castor, driven forward with all Shinjiro&#039;s bloody, self-destructive force, driving the Empress into that bed of spiked stone. She can&#039;t escape -- Suzume never let &#039;&#039;go.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    It takes Minato a minute to answer Yukari, breath shallowed and muscles trembling. He doesn&#039;t leave it to implication, anyway. &amp;quot;Because... you&#039;re my friends. Because of that... I was afraid, too.&amp;quot; Not quite for the same reason as Fuuka -- but the similiarities matter more than the differences. &amp;quot;... afraid of it mattering.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    And if there&#039;s something strange in what he says -- that he was scared of it mattering &#039;&#039;because&#039;&#039; they&#039;re his friends -- he doesn&#039;t explain that much. Even now, he&#039;s still a taciturn guy.&lt;br /&gt;
&lt;br /&gt;
    Yukari fires twin arrows, as the Emperor and Empress struggle to rise. One cracks the Empress&#039;s mask; the other embeds in the Emperor&#039;s throat. The explosion which follows rocks them both, sending them tumbling again.&lt;br /&gt;
&lt;br /&gt;
    Hitomi helps to turn the tide, too, with Tyche&#039;s frozen offer pouring out over the battlefield. In the end, she understands that there were always TWO keys to winning this battle -- both insight and &#039;&#039;cooperation.&#039;&#039; Every moment they took to strengthen each other led to this...&lt;br /&gt;
&lt;br /&gt;
    As Minako summons Pyro Jack, firing on herself with her Evoker. Minato steels himself, steps up, and fires in turn: &amp;quot;Jack Frost.&amp;quot; As Pyro Jack skewers the Emperor with ice, Jack Frost winds up his goofy little fist -- and -- POW! Right in the kisser!! (&amp;quot;HEE-HO!&amp;quot;) &amp;quot;... you were trying to understand where I was coming from,&amp;quot; Minato asks Minako, &amp;quot;right?&amp;quot; Maybe &#039;&#039;that&#039;s&#039;&#039; why Yanagi likes them. Jack Frost isn&#039;t the &#039;&#039;only&#039;&#039; one with a mean right hook, though -- &#039;&#039;Polydeuces&#039;&#039; has one, too, and Akihiko is experienced enough to know to take the opening provided by another boxer. (... is Jack Frost a boxer? He&#039;s got those little mitts...) In his own punch is all the fury of a boy determined to end the battle before his dear friend is hurt -- more than he already is. It&#039;s an assault capped off by Eriko&#039;s considerable might, bringing the responsibility of adults into the fray to support SEES with an explosion of holy power.&lt;br /&gt;
&lt;br /&gt;
    Meanwhile, the Empress &#039;&#039;still&#039;&#039; can&#039;t escape, even struggling up again. Its momentary upwards victory is turned against it as Suzume &#039;&#039;twists&#039;&#039; its arm, and, much like Eikichi, proves that David is &#039;&#039;much&#039;&#039; more effective against Goliath than one might first assume. She&#039;s a small girl -- but she still manages to SLAM the Empress down onto the ground, proving once and for all that they really &#039;&#039;should&#039;&#039; have let her wrestle with the boys.&lt;br /&gt;
&lt;br /&gt;
    Just as the Shadows struggle through &#039;&#039;that&#039;&#039; set of attacks, they&#039;re pinned -- and Reiya hardly needs to pin their shadows when they &#039;&#039;are&#039;&#039; Shadows. No, they are &#039;&#039;bodily&#039;&#039; trapped to the ground by those needles, represented by a dozen little lances in their cape and their cloak. As a technician on the stage, he knows very well how to make the stars look good -- just like Tyler, as Houdini takes the spotlight all for his own. A giant ball of ice forms in the chains, explodes out -- and drowns! The water &#039;&#039;clutches&#039;&#039; around them, for long moments, in visual representation of the trap Houdini&#039;s set. Just as that water bursts away, Tsurugi slices in alongside La Maupin, blades quick as the wind as they dice the shadows with what seems like a hundred cuts &#039;&#039;apiece.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Umie ties the Emperor down with her Kyoketsu-shoge, a weapon speaking to her depth of skill and mystery. (Or, perhaps, she just thought it was cool...?) Despite the pitch of the battle, she remains confident, power on her side -- though she&#039;s content to make sure &#039;&#039;other&#039;&#039; people can display their power, now. Today, that&#039;s Moriko, as she shows a little more of herself in her speech. Otohime was always an &#039;&#039;unseen&#039;&#039; blessing, and that makes it so much more meaningful when Moriko fires plainly on herself to blast the Empress in another ray of holy light. &amp;quot;You&#039;re determined,&amp;quot; Minato realises, as he looks to her -- and perhaps recognises something of himself in her, in the process.&lt;br /&gt;
&lt;br /&gt;
    Vector, meanwhile, makes sure to tie up the Empress at the same time -- batter UP! Batter &#039;&#039;down,&#039;&#039; that is, because Raffles &#039;&#039;slams&#039;&#039; that cricket bat down on the struggling Empress, cratering it down into the floor.&lt;br /&gt;
&lt;br /&gt;
    The final word is Mitsuru&#039;s, though she could not have spoken it without the strength of all her allies hence. She fires her Evoker, and as the ice forms over the Empress and the Emperor, she strides forth to strike at the weakest points. She is not as strong as Fuuka, no, but she can &#039;&#039;see&#039;&#039; them -- intuitively -- those places where she&#039;ll do the most damage, with her blade. She orders their execution --&lt;br /&gt;
&lt;br /&gt;
    Snaps her fingers --&lt;br /&gt;
&lt;br /&gt;
    And the Empress and the Emperor are CONSUMED as their tombs shatter into nothingness.&lt;br /&gt;
&lt;br /&gt;
    Junpei looks up, from where he was forced to take a seat, exhausted from the battle. &amp;quot;We did it,&amp;quot; he exclaims, laughing in disbelief, &amp;quot;we actually did it!&amp;quot; His laughter grows relieved, as the battle music fades around them.&lt;br /&gt;
&lt;br /&gt;
    And Minato looks up, at the ceiling, at the full moon he&#039;s so aware is out there now... though the Dark Hour will fade soon, now, and they&#039;ll be safe again.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Sorry,&amp;quot; he says. &amp;quot;I&#039;m late.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    He was practicing that line in his head the entire stolen motorcycle ride in.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 123 Strike damage from Eikichi Mishina&#039;s School of Hard Knocks. Critical Hit!&lt;br /&gt;
 Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 107 Earth damage from Shizuka Kuroki&#039;s Marble Snare. Weak!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 99 Earth damage from Shizuka Kuroki&#039;s Marble Snare. Weak!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 82 Earth damage from Shizuka Kuroki&#039;s Landslide. Weak!&lt;br /&gt;
 AS: Panic added!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 71 Earth damage from Shizuka Kuroki&#039;s Landslide. Weak!&lt;br /&gt;
 AS: Panic added!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 204 Strike damage from Shinjiro Aragaki&#039;s Heat Wave. Weak!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 82 Strike damage from Shinjiro Aragaki&#039;s Dual Smash. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 88 Strike damage from Shinjiro Aragaki&#039;s Dual Smash. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 51 Pierce damage from Yukari Takeba&#039;s Single Shot. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 53 Pierce damage from Yukari Takeba&#039;s Single Shot. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 66 Water damage from Minako Arisato&#039;s Bufu. Weak!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: Minako Arisato gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 123 Strike damage from Eikichi Mishina&#039;s School of Hard Knocks. Critical Hit!&lt;br /&gt;
 Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 120 Water damage from Minako Arisato&#039;s Bufula. Weak!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: Minako Arisato gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 87 Water damage from Minako Arisato&#039;s Bufu. Weak!&lt;br /&gt;
 AS: Bind added!&lt;br /&gt;
 AS: Minako Arisato gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 116 Strike damage from Suzume Fukura&#039;s Hurl Down. Critical Hit! Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 96 Strike damage from Akihiko Sanada&#039;s Sonic Punch. Weak!&lt;br /&gt;
 AS: Haze added! Bind removed! Explosion! 40 damage!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 140 Light damage from Eriko Kirishima&#039;s Hama. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 111 Water damage from Reiya Aomori&#039;s Punishment Seal - Suiton. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 121 Pierce damage from Reiya Aomori&#039;s Darkness Nail. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 64 Water damage from Tyler Gould&#039;s A Drowning Death. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 53 Water damage from Tyler Gould&#039;s A Drowning Death. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 64 Water damage from Tyler Gould&#039;s A Drowning Death. Critical Hit! Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 29 Wind damage from Remi Ryuuja&#039;s Ouragan. Critical Hit! Resist!&lt;br /&gt;
 AS: Remi Ryuuja gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 42 Wind damage from Remi Ryuuja&#039;s Ouragan. Critical Hit! Resist!&lt;br /&gt;
 AS: Remi Ryuuja gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 42 Wind damage from Remi Ryuuja&#039;s Ouragan. Critical Hit! Resist!&lt;br /&gt;
 AS: Remi Ryuuja gains 1 Limit from Momentum!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 56 Strike damage from Umie Akabane&#039;s Ring Bash. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 119 Light damage from Moriko Kumamoto&#039;s Hama. Weak!&lt;br /&gt;
 AS: Exhaust added!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 100 Water damage from Mitsuru Kirijo&#039;s Blizzard Edge. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 127 Water damage from Mitsuru Kirijo&#039;s Blizzard Edge. Critical Hit! Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 118 Pierce damage from Mitsuru Kirijo&#039;s Full Pike Flurry. Critical Hit! Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Best! Crossroads Bar takes 100 Strike damage from Julian Marlowe&#039;s Skull Cracker. Weak!&lt;br /&gt;
 AS: Panic added!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 34 Strike damage from Eikichi Mishina&#039;s Sucker Punch. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 31 Strike damage from Eikichi Mishina&#039;s Sucker Punch. Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 72 Dark damage from Myunghon Yeo&#039;s Dark Metamorphosis. Resist!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 32 Slash damage from Koh Katsuhiro&#039;s Slash Weapon D. Resist!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Neutral! Crossroads Bar takes 27 Slash damage from Koh Katsuhiro&#039;s Slash Weapon E. Resist!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Block Worst! Crossroads Bar takes 47 Strike damage from Eikichi Mishina&#039;s Sucker Punch. Critical Hit! Weak!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Almighty damage from Mitsuru Kirijo&#039;s Rakunda.&lt;br /&gt;
 AS: Def_Dn added!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
 AS: Take! Crossroads Bar takes 0 Dark damage from Myunghon Yeo&#039;s Shibaboo. Resist!&lt;br /&gt;
 AS: Exhaust added!&lt;br /&gt;
 AS: Crossroads Bar is unable to continue fighting!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;As Akihiko approaches Shinjiro, his face grows downcast. No... he can&#039;t burden him. That&#039;s why he quit! Why did he come here?! Everyone else could have saved her, couldn&#039;t have they? Shinjiro should have never come.. should have stayed in that alleyway to die, instead of feeling he can do anything anymore after his own innocent sin.&lt;br /&gt;
&lt;br /&gt;
Umie&#039;s there, too. Why? She should be helping the others, not protecting him...&lt;br /&gt;
&lt;br /&gt;
Shinjiro steadies on his feet finally as he rises back to full height. &amp;quot;I&#039;m fine, Aki.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A lie.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll live, Akabane.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Another lie.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t want to be tied up, what the hell...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Okay, that one&#039;s true.&lt;br /&gt;
&lt;br /&gt;
He picks up his Evoker, putting it into his jacket. It&#039;s certainly not his Evoker, Akihiko knows exactly where that is.&lt;br /&gt;
&lt;br /&gt;
Mitsuru&#039;s execution gets a glance. As powerful and intimidating as ever... that&#039;s what&#039;s in store for him, huh?&lt;br /&gt;
&lt;br /&gt;
Might be better than the fate he already has.&lt;br /&gt;
&lt;br /&gt;
As the Shadows go down, Shinjiro checks to make sure everyone&#039;s alive. And then...&lt;br /&gt;
&lt;br /&gt;
Shinjiro moves to leave. He might briefly collapse (though not unconscious) before he gets to the door if he doesn&#039;t have assistance... who knows who&#039;ll come to help him get out of here? Whoever it is, he may complain the whole way.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Remi Ryuuja has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The Emperor and Emperess Shadows are executed, and finally, there is a moment to catch her breath. But not for long.&lt;br /&gt;
&lt;br /&gt;
She glances sidelong to Myunghon. Their &#039;partnership&#039;, such as it is, is about to end for the night. They won&#039;t express it in words, but she would much rather be fighting like this, than they had to on the beach.&lt;br /&gt;
&lt;br /&gt;
But that&#039;s not really up to either of them to control, is it? Try as Myunghon might to be hope for their friends.&lt;br /&gt;
&lt;br /&gt;
She scans the battlefield, and though her face is covered perhaps the weight of her gaze might still be felt as it sweeps past them... It lingers, briefly, on Minako and Minato. Summoning more than one Persona... a talent she hasn&#039;t seen before. But it moves on, until it settles on Mitsuru. She&#039;d been listening, as that girl called the shots. As she and her subordinates used Evokers to summon their Personas.&lt;br /&gt;
&lt;br /&gt;
And she has a simple message, delivered in a perfect, if flat, French accent: &amp;quot;Alors vous êtes leur chef... Nous nous reverrons.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And with that La Maupin gestures with their sword--wind springs up beneath Tsurugi&#039;s feet to envelope her as she sheathes her sword. User and Persona &#039;&#039;move&#039;&#039; with the speed of that wind, out the door, into the night air.&lt;br /&gt;
&lt;br /&gt;
Inwardly, if Yumi is still monitoring her thoughts, she sends a message: &#039;&#039;The Shadows are defeated. I&#039;m falling back.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;... I&#039;ll see you soon.&#039;&#039;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Fuuka Yamagishi has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Umie calls out support to her, in a... teacherly tone. It&#039;s fine - Fuuka is a bookworm and an honor student, she responds well to Tutor Mode.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Thank you... I&#039;ll do my best.&amp;quot; She replies, with a firm nod. The encouragement helps - though it&#039;s not difficult to tell that her energy levels are starting to flag a little.&lt;br /&gt;
&lt;br /&gt;
For her, it&#039;s been a very long night.&lt;br /&gt;
&lt;br /&gt;
...And she hears those quiet words, shared between Reiya and Mitsuru. ...She won&#039;t share them, though.&lt;br /&gt;
&lt;br /&gt;
But they all fight hard, together - and together, the Empress and Emperor are defeated. There&#039;s a moment of silence, as they wait to see, but -&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...We did.&amp;quot; Fuuka exhales out, in response to Junpei&#039;s declaration. &amp;quot;They&#039;re gone... I don&#039;t detect any strong ones in the area, either.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Lucia fades away - and Fuuka looks out at everyone gathered.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Everyone... Thank you so much. I... I didn&#039;t know if anyone was going to be coming...&amp;quot; Fuuka expresses her heartfelt gratitude - and then, turns toward Natsuki.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Are you alright?&amp;quot; She asks - and when she gets a positive response, she smiles - bright and wide. &amp;quot;Good... I&#039;m glad.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Feeling relief, and finally feeling safe now that her long nightmare is over... Fuuka feels her body sag, the Evoker slipping from her fingers. She slumps slowly to the ground, slipping into a sleep that&#039;s been a long time coming.&lt;br /&gt;
&lt;br /&gt;
It might be a bit concerning - but it&#039;s not hard to tell that she&#039;s &#039;&#039;only&#039;&#039; sleeping.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&#039;You were trying to understand where I was coming from, right?&#039;&lt;br /&gt;
&lt;br /&gt;
Minako looks sideways at her brother -- and hesitates for just a moment, before she nods. &amp;quot;Yeah,&amp;quot; she says. &amp;quot;I... guess I didn&#039;t know the right way to ask. But... I&#039;m glad you came.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She smiles at him, and it&#039;s a real smile.&lt;br /&gt;
&lt;br /&gt;
She looks back at the two Shadows, as they&#039;re brought down -- by the strikes from SEES and the people outside SEES, who came tp help -- and that lets Minako exhale. She looks at Junpei and nods, beaming.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Good job, everyone!&amp;quot; she says. She claps her brother on the shoulder -- grinning at the line. And then glances, briefly, in the direction of where Pernelle and Yanagi are. Who...?&lt;br /&gt;
&lt;br /&gt;
But then she looks back at Fuuka -- and blinks, seeing her fall over like that. Minako hurries towards her. &amp;quot;Oh, shoot... we better get her back to the dorm!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako claims he&#039;s fine. Yukari isn&#039;t sure she believes her. Perhaps it&#039;s the contrast between the one who smiles on the surface and the consummate pessimist.&lt;br /&gt;
&lt;br /&gt;
She&#039;ll believe it once she&#039;s sure it&#039;s true and no sooner.&lt;br /&gt;
&lt;br /&gt;
And in this moment, Reiya is so close to Mitsuru. The proper subordinate, in all the ways Minato was insubordinate.&lt;br /&gt;
&lt;br /&gt;
She wishes - it could have been so simple. If he&#039;d continued to be the guy he was before, she might have been able to protect him.&lt;br /&gt;
&lt;br /&gt;
Because a person who does things because they&#039;re only being asked to can&#039;t choose &#039;&#039;not&#039;&#039; to do it. Not to risk their life. &#039;&#039;Not to die like this&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
And then he speaks to her... alive... &#039;&#039;alive&#039;&#039;! And Yukari looks at him like in complete incomprehension.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Since when did you start thinking of us like...?&amp;quot; She hasn&#039;t even finished the sentence when he answers why he didn&#039;t.&lt;br /&gt;
&lt;br /&gt;
&#039;afraid of it mattering.&#039;&lt;br /&gt;
&lt;br /&gt;
Hitomi smiles like a devil.&lt;br /&gt;
Suzume pushes herself harder for people she barely knows.&lt;br /&gt;
Tyler takes the stage for one final act.&lt;br /&gt;
Akihiko newly recovered - risks further injury.&lt;br /&gt;
Moriko claims they&#039;re stuck with her, new as she is.&lt;br /&gt;
And Fuuka newer still, puts it all on the line.&lt;br /&gt;
&lt;br /&gt;
She would deny all of them, that all of them mean a single thing to her. They&#039;re just... on the same team. They have a mission, a goal. And on most days, she would be able to say that thought was wholly correct.&lt;br /&gt;
&lt;br /&gt;
Today has put a chink in that armor.&lt;br /&gt;
&lt;br /&gt;
Because she&#039;s known she&#039;s been scared of &#039;&#039;anyone else&#039;&#039; mattering to her for years.&lt;br /&gt;
&lt;br /&gt;
I uhhh... I wanted to tell you something. I can kinda relate. To you, I mean.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Why did you have to put it like that?&amp;quot; She says, smaller as she understands she can relate to that too. For right now - she watches Mitsuru execute the Shadows, and thinks &#039;Good&#039;.&lt;br /&gt;
&lt;br /&gt;
There is relief as she sags a bit... &amp;quot;We&#039;re alive... we&#039;re all alive.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;Sorry, I&#039;m late.&#039;&lt;br /&gt;
&lt;br /&gt;
Yukari holds position for a few seconds, then looks up, rubbing a hand across her eyes for something no one saw.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;... Aha... where did that come from?&amp;quot; Maybe it&#039;s unexpected in that moment, but she laughs lightly, &amp;quot;Wow. Talk about trying too hard to sound cool.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But, she&#039;s smiling a little.&lt;br /&gt;
 &lt;br /&gt;
As she walks with a limp, exhausted, before Fuuka then begins to fall, &amp;quot;Yamagishi-san!?&amp;quot; Then, sighs, &amp;quot;... Totally forgot about that part, she must be more wiped than any of us. Let&#039;s... go back.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She thinks of Natsuki, trying to apologize... and tomorrow, almost certain to forget about it.&lt;br /&gt;
 &lt;br /&gt;
Something feels so &#039;&#039;wrong&#039;&#039; to her about that.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shizuka Kuroki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
      Shizuka pants, the ambient exertion of existing within the Dark Hour combining with the incredible ordeal of the night beginning to catch up with her as she weakly puts her Evoker back into her shoulder holster. &amp;quot;Whew! I dunno about you all, but I&#039;m gonna sleep well tonight!&amp;quot; She puts on a smile, a genuine smile, not a coping mechanism. &lt;br /&gt;
 &lt;br /&gt;
      As she begins to walk to the entrance, she stops by Minato, snickering at his attempt at a one-liner. &amp;quot;Nato-kun...&amp;quot; She pulls him into a brief hug. &amp;quot;Ya big goober. Don&#039;t worry me like that again.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
      Pulling away from Minato, she notices Shinjiro hobbling away. Part of her wants to reach out, but... Aragaki-san was always a bit... hard to approach, even in the best of times. She&#039;d let Sanada-san worry about that. &lt;br /&gt;
 &lt;br /&gt;
      &amp;quot;Yeah, we should definitely get her out of here. Poor girl hasn&#039;t had a moment&#039;s rest in days slash hours.&amp;quot; She turns to look at the stairway leading into Tartarus proper. &amp;quot;I just hope this place isn&#039;t as crowded going forward...&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Koh Katsuhiro has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Koh lets out a sigh of relief when the two foes crack and shatter under Mitsuru&#039;s strike, finally broken under the weight of the collective Persona users.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hah,&amp;quot; He breathes, &amp;quot;Cool.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minato&#039;s apology draws a tired grin to Koh&#039;s lips. There&#039;s a brief flash of concern at Fuuka&#039;s condition afterbut others are on that soon enough.&lt;br /&gt;
&lt;br /&gt;
Sleeping is mentioned, and dorms. Both of those sound pretty nice.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
In the end - all of them, capped by Mitsuru&#039;s icy displeasure - prevail. The twin Shadows, profound in their power, are destroyed. Hitomi sees them shatter, fall away, and... &lt;br /&gt;
&lt;br /&gt;
She lurches a little to the side. She laughs again, and maybe NOW it&#039;s not weird. Hitomi still puts a hand over her mouth, straightening up, looking around, suddenly paranoid, perhaps. But... Minato&#039;s taking the heat... Nobody noticed, she thinks. Or they would&#039;ve thought it was just nerves. &lt;br /&gt;
&lt;br /&gt;
That&#039;s it, Hitomi tells herself. It must have been like nervous laughter. I get giggly when I&#039;m scared. &lt;br /&gt;
&lt;br /&gt;
Her eyes close for three seconds. She exhales. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Arisatooo, where did you get a motorcycle?&amp;quot; she calls to Minato afterwards, before her eyes pass over others... the peacock, for one thing, and Beanie-san (shinji? Hitomi wonders) before passing over to Fuuka. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Aaa... we just figured it out... we were all the same,&amp;quot; Hitomi tells Fuuka, stepping towards her. &amp;quot;Once we got it, all of us were going to come rescue you. I uh, I had some drinks for you in case you were dried out, but... I think I lost the bag, haha. But, um... I know we weren&#039;t like, close, but...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Fuuka collapses. &lt;br /&gt;
&lt;br /&gt;
Hitomi looks at her pancaked fellowclassman. &lt;br /&gt;
&lt;br /&gt;
She exhales. Then she walks towards Fuuka. &amp;quot;Someone help me get her up... I guess we&#039;ll have to kind of carry her, huh.&amp;quot; Though, her eyes turn momentarily towards Minato &amp;quot;Motorcycle Haver&amp;quot; Arisato for a few moments. Then towards Suzume. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;It&#039;s not always like this,&amp;quot; Hitomi tells her. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Eriko Kirishima has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    It&#039;s hard to not notice the way Eriko brightens even more, despite the bloody battle, as Mitsuru responds to Eriko&#039;s version of Euripides&#039; entreaty by quoting back Menander&#039;s. How truly wonderful to meet someone who knows of them- and without Eriko&#039;s personal investment.&lt;br /&gt;
&lt;br /&gt;
    The shadows fall not long after, the barrage of teamwork and powers pinning them down for Mitsuru to lay down the final blow.&lt;br /&gt;
&lt;br /&gt;
    Still, Eriko knows when it&#039;s time to not get involved in someone else&#039;s hard earned moment. Instead, Eriko simply gives one more fencing salute to Mitsuru, and a smile, before turning to the exit. &amp;quot;Time to let them have their victory,&amp;quot; Eriko says cheerfully, to no one in particular. &amp;quot;And as tempted as I am to explore, I&#039;m rather fascinated to see what happens when the lights come back on.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Besides, for all of the secrecy of a mutual acquaintance, Eriko did know where to go to find him- and it rather follows suit she knows where to drop in on these ones as well.&lt;br /&gt;
&lt;br /&gt;
    For now, though, Eriko Kirishima will find a nice place to watch the tower until the Dark Hour ends, and then somewhere to stay the night. The trains back to Sumaru have &amp;amp;#42;definitely&amp;amp;#42; stopped running at this hour.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Moriko Kumamoto has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The dissipation of the shadow gets a relieved sound from Moriko who.. doesn&#039;t quite slump to the floor. She leans against her mop handle and runs her fingers through her hair. Then fiddles around for a moment, pulling a tie from.. somewhere and securing her hair back. &lt;br /&gt;
 &lt;br /&gt;
 &amp;quot;Where&#039;s not the issue. How&#039;s it running?&amp;quot; She sort of tags along to Hitomi&#039;s question about finding a motorcycle. &amp;quot;Mine died in this-&amp;quot; she sweeps her hand around. &amp;quot;Uh. This.&amp;quot; &lt;br /&gt;
 &lt;br /&gt;
 Still. Everyone made it out in one piece. More or less. She glances around. Sucks her breath in an... takes a seat. &amp;quot;Wake me up when we&#039;re getting out of this-&amp;quot; She gestures around again. At least she&#039;s not slurring yet. She looks really tired though. Has she really slept much in the past few days? (No.)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Umie Akabane has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;    &#039;I don&#039;t want to be tied up, what the hell...&#039;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;If you keep up with the attitude, I might,&amp;quot; Umie threatens Shinjiro, once the danger passes, even though she&#039;s stuffing her weapon away.&lt;br /&gt;
&lt;br /&gt;
    Umie takes a moment to glance towards Akihiko. &amp;quot;.... He&#039;s always been like this, hasn&#039;t he?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Fuuka expresses that she thought no one would come for her, and Umie slows, casting a small smile her way. &amp;quot;If you hadn&#039;t held onto some ray of hope, it might&#039;ve been a different story. But it looks like you got a good group of people with you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Seeing Fuuka slump to the ground, Umie makes a sympathetic sound with her throat.&lt;br /&gt;
&lt;br /&gt;
    She was exhausted like that, too, back then and it was just one night, for her. &lt;br /&gt;
    &lt;br /&gt;
    As Shinjiro moves to leave, if no one catches him when he collapses, Umie groans and jogs up to him. &amp;quot;Honestly! Wait until you get out of the dangerous shadow tower first!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;They did it.&lt;br /&gt;
&lt;br /&gt;
Suzume doesn&#039;t fall so much as collapse off of Empress, thrown in the melee and dropping and landing on one knee. She takes deep, shuddering breaths to steady herself, both physically and mentally.&lt;br /&gt;
&lt;br /&gt;
And then she stands up. Wobbly, but she does it under her own power. &amp;quot;We did it!&amp;quot; she echoes him, pumping her fist and then reaching across to give Junpei a fistbump. (She would not if he was standing. But he&#039;s not, and she barely is, so it&#039;s fair.)&lt;br /&gt;
&lt;br /&gt;
She plants her hands on her knees for a moment and just *breathes* before straightening the rest of the way, shoving her messy hair back in a vain attempt to keep it out of her eyes. She didn&#039;t see Pernelle and Yanagi before and she doesn&#039;t see them now, though she sees a lot of other people.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Later, Beanie-san,&amp;quot; she calls, before looking over toward SEES. She doesn&#039;t have quite the same reaction as Yukari, but... she wants to join the cheering, even with Fuuka exhausted. And she doesn&#039;t know if she can. Even after a battle - perhaps because of a battle - she&#039;s still her; the awkward one, the one that doesn&#039;t fit, the one who says stupid things, the one that likes to do things nobody else does. The others - most of them don&#039;t want to fight, they just feel they have to. But she...&lt;br /&gt;
&lt;br /&gt;
...she didn&#039;t mind it. It didn&#039;t feel wrong. It felt good to finally do *something* undeniably good. They&#039;d all survived the biggest Shadows she&#039;d ever seen, though admittedly she didn&#039;t have many to compare them to. They&#039;d found Fuuka, and rescued her, just like they&#039;d hoped. And it&#039;s something different, that *she* never, ever would have done...&lt;br /&gt;
&lt;br /&gt;
Suzume blows air out again, puffing her cheeks. She wants to approach, especially as Fuuka says she thought nobody would come for her. &amp;quot;Yeah... well, we did!&amp;quot; And yet she can&#039;t say more than that. What&#039;s wrong with her? She feels so good about what they&#039;ve done, but yet, still apart. (It&#039;ll pass. It passes by the time they get back to the dorm, when she&#039;s grinning again. But even so, it&#039;s there for now.)&lt;br /&gt;
&lt;br /&gt;
But for now, she goes to pick up her backpack instead. And pulls out...&lt;br /&gt;
&lt;br /&gt;
Okay. It *was*, at one point, a melonpan. Then it was a squashed melonpan. Now it&#039;s a bunch of chunks of crushed, torn bread in a bag. As she picks it up, crumbs trail out of one corner. &lt;br /&gt;
&lt;br /&gt;
So much for that, she thinks, and shoves it back in her backpack.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ririka Kawase has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Finally, through a great combined effort of everyone that &#039;&#039;wasn&#039;t&#039;&#039; her, the two Full Moon Shadows are defeated. Ririka lets out a shaky breath as the &#039;&#039;noise&#039;&#039; filling her head finally clears, leaving a weird sort of hollow sound, a not-quite ringing in its wake. She&#039;s panting, and shivering, at that, hugging herself as she gulps down air.&lt;br /&gt;
&lt;br /&gt;
She glances up to Tyler and Yukari, who&#039;d first stepped in to protect her and pull her to safety. She looks at Minato, who&#039;d defiantly stepped up to protect both her and Fuuka, not to mention Natsuki. She glances over to Fuuka, who had found the courage to use an Evoker, to protect her friend... and she gets the sense that Fuuka helped save them &#039;&#039;all&#039;&#039; that night, even if she couldn&#039;t track everything that well.&lt;br /&gt;
&lt;br /&gt;
And then she glances to Mitsuru, who she&#039;d defiantly told the night before to just give her an Evoker. When the time came... she looks down. She&#039;d tried, but... she hadn&#039;t expected it to be so &#039;&#039;overwhelming&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
And Minako calls out &#039;good job, everyone.&#039;&lt;br /&gt;
&lt;br /&gt;
It still feels like a failure, and the heat of shame fills her face.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;S-sorry...&amp;quot; she mutters, probably to nobody but herself. Melon pan is offered, though, and she suddenly feels &#039;&#039;so&#039;&#039; exhausted that she accepts it without comment and begins to scarf it down.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Crossroads Bar has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Yukari &#039;&#039;laughs,&#039;&#039; and Minato rubs at the back of his neck, looking a little embarrassed. &amp;quot;I&#039;ll work on it,&amp;quot; he promises her, and he &#039;&#039;might&#039;&#039; just mean his one-liners. (He doesn&#039;t, though.)&lt;br /&gt;
&lt;br /&gt;
    He gets hugged by Shizuka, though, and he&#039;s shocked enough to allow it. &amp;quot;Kuroki-senpai...&amp;quot; ... a moment later, he pats her on the shoulder, in silent reassurance. (Then he pulls away, because, you know. Personal Space!)&lt;br /&gt;
&lt;br /&gt;
    Junpei, meanwhile, absolutely fistbumps Suzume. &amp;quot;&#039;&#039;Boo&#039;&#039;yeah!!&amp;quot; He grins, still riding that high.&lt;br /&gt;
&lt;br /&gt;
    Minato sees Suzume&#039;s crushed melon pan, though. &amp;quot;... it helped,&amp;quot; he calls out, to her, as &#039;&#039;he&#039;&#039; makes the effort to reach over the aisle for once. And even though it&#039;s all crushed, now... &amp;quot;... it&#039;s still pretty good.&amp;quot; See? Ririka likes it!&lt;br /&gt;
&lt;br /&gt;
    Yumi replies, to Remi, through the connection she&#039;s kept open: &#039;&#039;Oh, I just finished convincing a Silky I needed nary a sud in my mouth nor my veins... huh? It&#039;s over?&#039;&#039; ... and evidently, she was waylaid in her attempts to go get help. She&#039;ll find Remi to help her back, anyway.&lt;br /&gt;
&lt;br /&gt;
    Natsuki clasps Fuuka&#039;s hand, tears still in her eyes. &amp;quot;I&#039;m okay,&amp;quot; she says, &amp;quot;I-I just... when I heard you were sorry... I&#039;m sorry, Fuuka. Even though I knew we were the same... I was such a jerk!&amp;quot; She won&#039;t remember any of this tomorrow, but... maybe, the &#039;&#039;impact&#039;&#039; of it all will stay with her. Because Fuuka falls into slumber, and Natsuki squeezes her hand a little tighter. &amp;quot;... Fuuka? Fuuka?!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;She&#039;s just tired,&amp;quot; Minato tells her; the genuine smile he shared with Minako has faded from his face by the time he reassures Natsuki, but that&#039;s okay, &#039;&#039;Minako&#039;&#039; saw it. &amp;quot;It takes a lot out of you.&amp;quot; He nods, to Minako, when she realises they ought to get her &#039;&#039;back.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    Hitomi asks where he got a motorcycle, though, and all the blood drains from Minato&#039;s face. He looks at Koh. He looks back at Hitomi. He looks at Mitsuru. He looks at Moriko. He looks back to Koh. And back to Hitomi --&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Pray for me.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That answers that.&lt;br /&gt;
&lt;br /&gt;
    (He&#039;s a big enough guy to take the blame, so that Koh can at least &#039;&#039;try&#039;&#039; for restful sleep. He&#039;s trying...)&lt;br /&gt;
&lt;br /&gt;
    Eriko flees, though, and Minato looks at the place where she was, and wonders, for a moment, what kind of adult ends up supporting them like that. (Tsurugi and Vesper are adults too, Minato! ... but, they&#039;re in disguise...)&lt;br /&gt;
&lt;br /&gt;
    Umie helps Shinjiro limp out, though... and Minato can&#039;t chase the poor man down when his team&#039;s like this. (They&#039;re still his team until Mitsuru executes him.)&lt;br /&gt;
&lt;br /&gt;
    He can see that Natsuki and Ririka are at their limits, though -- taking extra moments to look over all those signs that Ririka is so &#039;&#039;overwhelmed&#039;&#039; having seen all this. &amp;quot;It mattered,&amp;quot; he tells her, plainly.&lt;br /&gt;
&lt;br /&gt;
    With that, he leans down, to get an arm around Fuuka. With a little help from his friends, he&#039;ll get her back to the dorm, even &#039;&#039;sleeping.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    ...&lt;br /&gt;
&lt;br /&gt;
    He&#039;ll figure out how to get her into the girls&#039; side of the dorms without incurring further wrath once they get in the front door.&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1999</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1999"/>
		<updated>2025-07-21T23:03:40Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Persona */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;0&amp;quot; / 153 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time in places her parents didn&#039;t approve of or escaping to her room. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I like him. He&#039;s a little weird, but he doesn&#039;t mind me being me.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Pretty intense. He likes to be mysterious, but he&#039;s cool to hang out with.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;It&#039;s weird, that you don&#039;t remember... But at least you&#039;re safe.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-19:_Scary_Stories_to_Tell_in_the_Gym&amp;diff=1982</id>
		<title>2025-07-19: Scary Stories to Tell in the Gym</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-19:_Scary_Stories_to_Tell_in_the_Gym&amp;diff=1982"/>
		<updated>2025-07-20T15:47:08Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 25 07 19 - Scary Stories to Tell in the Gym&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Minako Arisato]], [[Hitomi Mandai]], [[Suzume Fukura]], [[Yukari Takeba]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Gekkoukan High School, Tartarus&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 19, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 15, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;The other of SEES&#039;s teams infiltrates Gekkoukan High School to search for Fuuka Yamagishi. Is there enough of them to count as an invasion?&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 1: Midnight Madness - Challenge Level 2 ===========================-&lt;br /&gt;
| Approach Options: Proficiency or Charm                                       |&lt;br /&gt;
| Conditions: Annoying - Charm Down L2 and Ineptitude - Proficiency Down L2    |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
For your own reasons, you&#039;ve decided to sneak into Gekkoukan /before/ the Dark  &lt;br /&gt;
Hour strikes, tonight. Whether you&#039;re searching for Fuuka Yamagishi, or just    &lt;br /&gt;
trying to uncover the secrets of the mysterious tower which the school          &lt;br /&gt;
transforms into every night -- you need to be in Gekkoukan before the Dark Hour &lt;br /&gt;
begins. Your first problem, then, is /entering./                                &lt;br /&gt;
                                                                                &lt;br /&gt;
Breaking and entering is one route in -- but what kind of high schooler can bust&lt;br /&gt;
open a lock? If you thought ahead, you might have just unlocked a door before   &lt;br /&gt;
the day ended, making it /look/ like you&#039;re a master lockpick. Another method   &lt;br /&gt;
lies in the sercurity guards lazily plodding around the school -- if you can    &lt;br /&gt;
/convince/ one of them that you left something super-mega-important at school,  &lt;br /&gt;
they might unlock the way for you, /if/ they don&#039;t just throw you out. You&#039;ll   &lt;br /&gt;
need to lose the guards if you sneak in that way, though! And then, of course,  &lt;br /&gt;
there are even stranger methods of entry -- like finding a supply closet and    &lt;br /&gt;
just hiding there until everyone&#039;s gone. Whatever method you use, just make sure&lt;br /&gt;
you&#039;re in position by the time midnight ends...                                 &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The mission to enter Gekkoukan High -- and then Tartarus -- has began.&lt;br /&gt;
&lt;br /&gt;
SEES split into two teams for this. They had a few too many to &#039;&#039;easily&#039;&#039; sneak in as a large cluster. Thus, they&#039;ve arrived at the school at night. They&#039;ve managed to go around the back -- and slipped over the wall into the courtyard, and towards the side entrance to the main school building.&lt;br /&gt;
&lt;br /&gt;
Minako looks back at the others and nods seriously. &amp;quot;I talked to Junpei-kun. He had an idea, but I have...&amp;quot; She points at the security guard, who is starting to nod off. &amp;quot;...a plan! We just need to sweet talk him and we can sneak right by. So... who wants to say they forgot their homework?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minako beams, cheerfully, at the others.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Kindling Warmth toward Midnight Madness! Patra and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
There is a threshold where it goes from &#039;infiltration&#039; to &#039;invasion,&#039; and if they had eight or nine people together, it might be getting nearer to the latter. &lt;br /&gt;
&lt;br /&gt;
Hitomi purses her lips for a moment, as she looks at the guard. She tilts her head back. She doesn&#039;t answer Minako after long moments, and then her eyes turn back to her. She answers her, quietly. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If he doesn&#039;t go for it... try to stall and I can go for the keys. Do you think we all ought to come together? We could say it&#039;s a club thing... that&#039;s a good reason for a few of us to be together.&amp;quot; Hitomi is notably not volunteering for Operation: Lie to an Adult. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume...&lt;br /&gt;
&lt;br /&gt;
...is back in her uniform, as Minako suggested. Complete with SEES armband, though she&#039;s taken it off and shoved it in her pocket until they&#039;re actually in Tartarus, just because if someone sees her with it she doesn&#039;t want to explain why she&#039;s got it.&lt;br /&gt;
&lt;br /&gt;
She also has her backpack, which contains:&lt;br /&gt;
&lt;br /&gt;
- one pair of tonfa, fresh-ish from Mementos&lt;br /&gt;
- a collection of Ace-style bandages, plus a few actual bandages and antiseptic, even though Suzume does not know first aid&lt;br /&gt;
- painkillers (one half-empty bottle of Tylenol and one emulgel for sore muscles)&lt;br /&gt;
- a liter bottle of Gatorade (orange)&lt;br /&gt;
- two granola bars (one with chocolate chips)&lt;br /&gt;
- one BauerBar (guaranteed to keep you going for 24 hours!)&lt;br /&gt;
- a slightly squashed melonpan&lt;br /&gt;
- a few other small odds and ends that Suzume either threw in or forgot to take out of the bag&lt;br /&gt;
&lt;br /&gt;
Needless to say it&#039;s looking a little full.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Nobody will believe if I say I&#039;m looking for my homework,&amp;quot; Suzume says, flatly. &amp;quot;I&#039;ve got a better idea. I set it up earlier. C&#039;mon.&amp;quot; She doesn&#039;t go towards the door.&lt;br /&gt;
&lt;br /&gt;
She goes toward a window, some distance off, and starts to fiddle around with it. She jammed a tensor bandage clip in the latch earlier today, so it&#039;s more a question of if she can pop it open from the outside using a hook (the hook is made out of a paper clip).&lt;br /&gt;
&lt;br /&gt;
It works on HER window; she&#039;s snuck in at home that way before. How hard can it be? It&#039;s not like the windows aren&#039;t big enough here to climb in...&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Youthful Fun With Card Games toward Midnight Madness! Diligence and Efficient!&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Sports Talk toward Midnight Madness! Diligence and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Things are awkward lately, but Yukari is here for &#039;&#039;the mission&#039;&#039;.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;&#039;He had an idea&#039;? I&#039;m almost afraid to ask...&amp;quot; She grouses, before Minako indicates &#039;&#039;a plan&#039;&#039;. &amp;quot;Oh yeah, what&#039;s the plan?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
And the plan is! &amp;quot;Huh... well, alright. It is kinda late even for that but... pretty sure I can pull it off...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Suzume says &#039;Let&#039;s go&#039; and Yukari says &amp;quot;Hey wait a second! Hold up!&amp;quot; She hisses quietly, before passing over her Quiver, Bow, and Evoker to the others, &amp;quot;I&#039;ll handle the distraction part.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
...before strolling up to the security guard, &amp;quot;Hey there. Sorry to bother you-&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Carding her fingers through the side of her brown hair, as if she were a little shy, showing off her nails - and the stud earrings she&#039;s wearing.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;...And I know it&#039;s late and all but... I left behind the draft for my big Japanese Lit term paper while cleaning up after Archery Club today. Now... I know that&#039;s no excuse but...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She flashes a smile, taking on the begging tone of someone &#039;&#039;desperate&#039;&#039; for a favor, &amp;quot;... could you please make a little exception to the rules, just this once? I promise, it&#039;ll be the only time.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari&#039;s pretty sure that even without begging &#039;&#039;too much&#039;&#039; she can distract them long enough for Suzume to get to the window.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Mall Trawl toward Midnight Madness! Empathy and Friendliness!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Saying it&#039;s a club thing is a good idea,&amp;quot; Minako says to Suzume. She nods her head once, and then she glances sideways at Suzume. She blinks a little -- it looks like she packed quite a bit -- and her own school uniform isn&#039;t so well outfitted.&lt;br /&gt;
&lt;br /&gt;
But, it&#039;s best to be prepared. Then, she blinks. &amp;quot;Wait, Fukura-chan, what--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She blinks. Suzume &#039;&#039;prepared&#039;&#039; to break into the school. And Yukari--&lt;br /&gt;
&lt;br /&gt;
Minako whirls her head, looks at her, and blinks. They have two plans going at once. She wonders if this makes her the worst leader or the &#039;&#039;best&#039;&#039; leader. She settles on &#039;best,&#039; for now.&lt;br /&gt;
&lt;br /&gt;
The security guard looks at Yukari, then blinks. &amp;quot;Well...&amp;quot; He sighs. &amp;quot;Okay. But hurry, okay? No one is supposed to be here after midnight, and w&#039;re leaving at five &#039;til.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He opens the door for her -- and turns his back on Suzume&#039;s window, as he talks to Yukari. It opens. Minako&#039;s eyes widen -- she nods at Suzume and Hitomi. &amp;quot;Go, go, go!&amp;quot; she hisses.&lt;br /&gt;
&lt;br /&gt;
Fortunately, the window they enter from leads into the hall that the door leads inside; Yukari enters just as Minako lands, having taken up the rear. She says, after that, if still whispering: &amp;quot;Good job, everyone. So far, so good!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has drawn a new Challenge!&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 2: Full Moon Rising - Challenge Level 3 ===========================-&lt;br /&gt;
| Approach Options: Proficiency or Academics                                   |&lt;br /&gt;
| Conditions: Annoying - Charm Down L2, Clumsy - Proficiency Down L1,          |&lt;br /&gt;
| Ineptitude - Proficiency Down L2, and Stupor - Academics Down L1             |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
The hour hits twelve, and the hour hidden behind twelve begins. A full moon     &lt;br /&gt;
rises above Tartarus... and you don&#039;t pass through the entrance hall of         &lt;br /&gt;
Tartarus, tonight. As the Dark Hour dawns, you will find yourself thrown into   &lt;br /&gt;
one of the upper levels of a Block you haven&#039;t seen before, far above anywhere  &lt;br /&gt;
you&#039;ve previously travelled. Even if you made a habit of exploring Thebel,      &lt;br /&gt;
before this -- the environment here is entirely different. Arqa Block is almost &lt;br /&gt;
/organic,/ with its glowing spines slung across the walls and the strange,      &lt;br /&gt;
frightening masks laid into the walls. The floor appears like sand, bloodstains &lt;br /&gt;
splattered over it, and tentacles lift to reveal your path forward. Everything  &lt;br /&gt;
here is bathed in sick magenta and purple... aside from the green glow of the   &lt;br /&gt;
stairs, and the occasional green window facing out.                             &lt;br /&gt;
                                                                                &lt;br /&gt;
More to the point: you&#039;ve been separated from anyone you came in here with.     &lt;br /&gt;
Though finding your allies is extremely pressing, you&#039;ll find, as you fight your&lt;br /&gt;
way through your first floor of this strange new area of Tartarus, that no one  &lt;br /&gt;
you came here with is nearby. You&#039;ll need to be fast and quiet to sneak past all&lt;br /&gt;
these Shadows, or use your brain to think of some way to get an advantage --    &lt;br /&gt;
because right now, you&#039;re alone.                                                &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt; &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Honestly, getting through the window is the most awkward part for Suzume, with her overloaded backpack. She dusts herself off on the inside - and closes the window, once everybody who is going to use it is through.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Told you it would work,&amp;quot; Suzume says, smugly. &amp;quot;I planned ahead.&amp;quot; She shoulders the backpack, as if to prove it. &amp;quot;I thought I mentioned it though.&amp;quot; She did not. &amp;quot;What was Iori&#039;s idea, anyway?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s dark inside. One of the things Suzume didn&#039;t bring was a flashlight and she&#039;s not going to start turning on all the lights. She can feel her heart pumping - she&#039;s excited, or tense, or both. &amp;quot;Let&#039;s get closer to the gym,&amp;quot; she says, looking over at Minako for confirmation. &amp;quot;That&#039;s where she went in, right...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Getting toward the gym isn&#039;t... too bad, aside from the darkness. Suzume eventually relents and pulls out her phone just to get &amp;amp;#42;any&amp;amp;#42; light from the screen so she doesn&#039;t walk into a wall. Even if she is tense the whole way there.&lt;br /&gt;
&lt;br /&gt;
She shoves the phone back in her pocket once it shows 11:59. &amp;quot;Just a minute,&amp;quot; she says. Which means she pulls her tonfa out, getting her backpack back on her back, and - &lt;br /&gt;
&lt;br /&gt;
space shifts - &lt;br /&gt;
&lt;br /&gt;
Suzume is now in Tartarus. So is everyone else, but, critically, she is not in Tartarus with them. And this is her first time ever seeing Tartarus up this high; she&#039;s been shown the lobby but she hadn&#039;t gone in any further, certainly not to anything organic. It reminds her, and not in a good way, of the twisty layout of the tracks in Mementos, with the bloody splatters...&lt;br /&gt;
&lt;br /&gt;
Suzume stomps on her left foot with her right heel. It makes her wince, but it also snaps her back. &amp;quot;Okay. Okay. Just gotta find someone else...&amp;quot; But how? Maybe she can at least treat it like a maze, so she doesn&#039;t get lost, following the left-hand rule... At least then she can get back. She pulls out one of the granola bars and sets it down so she can mark her original spot.&lt;br /&gt;
&lt;br /&gt;
(If she never comes back to pick it up, who knows where that granola bar is going to end up? Maybe a Shadow will eat it.)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Random Knowledge toward Full Moon Rising! Patra and Smarts!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari feigns being effusively grateful, &amp;quot;Oh thank you! Thank you so much!&amp;quot; She even makes a bow, &amp;quot;I promise, I&#039;ll be out of your hair as soon as possible.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
And then walks right in, &amp;quot;I locked up today so I have the keys - I&#039;ll be right back.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
You see~ It&#039;s not &#039;&#039;two&#039;&#039; plans Minako. It&#039;s &#039;&#039;one plan&#039;&#039;. And you came up with it! Yukari distracts and... well, all of you do the rest.&lt;br /&gt;
 &lt;br /&gt;
When she links up, she takes back her stuff, &amp;quot;There, it all worked out finnnneee, just like I said.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She&#039;s trying not to reveal she&#039;s more than a little anxious, being at the school at night, after all of Junpei&#039;s ghost stories but...&lt;br /&gt;
 &lt;br /&gt;
... maybe someone can tell.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Well he made it sound like on accident that he was gonna blow up a door but... pretttyyyy sure he just put his foot in his mouth.&amp;quot; She indicates towards Suzume...&lt;br /&gt;
 &lt;br /&gt;
After they make it where they&#039;re supposed to go, Yukari says, &amp;quot;Okay everyone stay close together because-&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
The hour strikes Twelve, the world shifts and...&lt;br /&gt;
 &lt;br /&gt;
... Yukari wakes up on the ground, inside Tartarus, groaning. Before her eyes flare open, looking around, and, &amp;quot;EEEK!&amp;quot; Coming face to face with a giant Mask.&lt;br /&gt;
 &lt;br /&gt;
Backing up quickly, her breath quickens as she looks one way, then another... &amp;quot;Oh- no! It actually happened!&amp;quot; Heart pounding, she pulls herself upright, and tries to orient.&lt;br /&gt;
 &lt;br /&gt;
She&#039;s at least &#039;&#039;a little familiar&#039;&#039; with the imagery, but that doesn&#039;t make it any easier, especially alone.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Okay calm down. Don&#039;t panic. You knew this could happen... just... avoid the Shadows, and hope we didn&#039;t get too separated.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari&#039;s heart pounds, as she moves &#039;&#039;carefully&#039;&#039; in a manner that almost borders on paranoia. After all, she&#039;s in the middle of a horror movie, alone.&lt;br /&gt;
 &lt;br /&gt;
And then when the coast is clear, every so often... she delicately launches an arrow down a passageway where she&#039;s not going, listening to the clatter in the distance.&lt;br /&gt;
 &lt;br /&gt;
Then waits. And waits... and waits some more behind a corner, trying her best not to panic, before moving when she sees the shadows respond to the distraction...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Come on... someone be nearby. Please...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She keeps trying to ward off the thought that the tarp Hitomi brought might be for her too.&lt;br /&gt;
&amp;quot;... Please. I don&#039;t wanna die, I don&#039;t wanna die... I don&#039;t wanna...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Suspicion toward Full Moon Rising! Focus and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi has a tote bag of her own, though most of it is occupied with a tarp and a folded linen bedsheet from the linen closet at the dorms. Hopefully, that won&#039;t be necessary. And Yukari opts to take the risk and bring the security guard&#039;s attention to somewhere else! &lt;br /&gt;
&lt;br /&gt;
gogogogogogo and THROUGH! &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I suppose that was the easy part,&amp;quot; Hitomi mutters, producing her phone from one pocket to check the time. &amp;quot;We don&#039;t have long.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And soon enough... Tick. &lt;br /&gt;
&lt;br /&gt;
Shift. &lt;br /&gt;
&lt;br /&gt;
Turn. &lt;br /&gt;
&lt;br /&gt;
And... she&#039;s alone. &amp;quot;... Takeba? Fukura? Arisato?&amp;quot; she says, repeating it once after looking around. Her pulse is quickening. Spines and masks. The floor is sand, splattered with blood. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fuck,&amp;quot; says Hitomi. ~curse words~. &lt;br /&gt;
&lt;br /&gt;
She folds her arms, tugging the tote back close to her body. &amp;quot;Alright,&amp;quot; she mutters to herself. &amp;quot;Tartarus sucks but it has a logic. It&#039;s laid out. There are paths and there are places to go. They have to be somewhere and if I&#039;m alive in an hour we&#039;ll just end up elsewhere and everything will be fine. Yamagishi isn&#039;t going to rot much if we have to come back tomorrow. Okay.&amp;quot; She takes a deep breath, forces it out. And then -- &lt;br /&gt;
&lt;br /&gt;
She goes. &lt;br /&gt;
&lt;br /&gt;
Hitomi follows a simple strategy. She gets a wall on her left side and she keeps it there, even when other chambers and passages suggest she should not. After two minutes, she puts a hand in the hip pouch where her dice are. They are a comfort to toy with. The click-clack. It&#039;s controlled. &lt;br /&gt;
&lt;br /&gt;
She hums tunelessly to herself, so she doesn&#039;t have to hear herself think.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward Full Moon Rising! Smarts and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako looks at Yukari. There is just a hint of tension in her expression -- but then she makes the effort to smile at her. The smile comes easy. &amp;quot;Good work, Takeba-chan,&amp;quot; she says.&lt;br /&gt;
&lt;br /&gt;
Then she glances sideways at Suzume.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah,&amp;quot; Minako says. &amp;quot;The gym is where she went in. So if we get there, it &#039;&#039;should&#039;&#039; get us close...&amp;quot; She hopes. She doesn&#039;t actually know that; anuthing could happen.&lt;br /&gt;
&lt;br /&gt;
She follows after Suzume, checking her naginata -- it&#039;s over her back, with a cloth wrap around the blade like it might be a lacrosse stick or a hockey stick -- and then she pauses. She hears Suzume say &#039;just a minute.&#039;&lt;br /&gt;
&lt;br /&gt;
And then the Dark Hour sets in.&lt;br /&gt;
&lt;br /&gt;
She sucks a sharp breath in, as she finds herself on unfamiliar footing. Thebel Block&#039;s organic material is unlike Arqa&#039;s smoother floors and walls. It is still labyrinthine, and Minako starts to look around. Her jaw sets.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Damn it,&amp;quot; she says. &amp;quot;Damn it, damn it--&amp;quot; And she stops whispering and vents her frustration, loudly: &amp;quot;DAMN IT!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It echoes. Then, she sees something shift ahead -- a Shadow, sliding out of the shadows. She already lost them. What Yukari warned her about is happening. She turns, dashing away -- and she glances side to side.&lt;br /&gt;
&lt;br /&gt;
Find the others. And the best way to find them is to give them something to see and hear, even if it&#039;s dangerous for her. Minako whirls around, facing the Shadow that comes towards her. She draws her Evoker, barrel against the side of her head. She squeezes the trigger.&lt;br /&gt;
&lt;br /&gt;
Blue light and glass explode out the side of her head, lighting up Thebel&#039;s twisting tunnels a little -- and then a &#039;&#039;lot&#039;&#039;, as her voice cries out:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;LINOS!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And blue-white nuclear flame explodes across the Shadow, sending brilliant streamers of light every which way, like a flare for the others to see.&lt;br /&gt;
&lt;br /&gt;
She hopes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Proficiency toward Full Moon Rising! Base!&lt;br /&gt;
 MONAD: Hitomi Mandai has drawn a new Challenge!&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume is more freaked out than she wants to admit. In this one moment she might have some sympathy for Yukari...&lt;br /&gt;
&lt;br /&gt;
...but she isn&#039;t with her, so we&#039;ll never know!&lt;br /&gt;
&lt;br /&gt;
Two of them have the idea to follow the left wall. This is great except it means that Hitomi and Suzume are unlikely to find each other quickly, as they both trace movement in the same direction; it&#039;s like one&#039;s following the other. So they&#039;re not the two that run into each other first.&lt;br /&gt;
&lt;br /&gt;
Suzume rounds a corner - and almost gets hit by an arrow.&lt;br /&gt;
&lt;br /&gt;
It wasn&#039;t that close, really. She wasn&#039;t in much danger (well, not from that anyway); it&#039;s just that it hit the wall just as she started to step around that corner, and it draws a startled yelp from Suzume that sounds suspiciously like a cut-off scream as she ducks back around the corner. &amp;quot;It&#039;s me, it&#039;s me!&amp;quot; she calls, before sticking her head around the corner again as if expecting Yukari to shoot it.&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I didn&#039;t think I&#039;d be happy to find you in here,&amp;quot; Suzume admits. &amp;quot;I thought if we were all near the gym we&#039;d at least show up in the same... room, or hallway, or whatever! Let&#039;s never come up this way again.&amp;quot; She looks around, finally trotting over toward Yukari. &amp;quot;...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She feels vaguely like she should thank Yukari - that or admit that she really didn&#039;t know what she was getting into, that Yukari was right - but she doesn&#039;t. She can&#039;t bring herself to go &amp;amp;#42;that&amp;amp;#42; far. She can take care of herself, she thinks, even if she really didn&#039;t like being alone up here in Tartarus. Fortunately, there is a distraction: &amp;quot;Hey, was that an explosion?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It was. Hitomi can see it, the nuclear blast from Minako; Suzume and Yukari can only hear it at a distance. By the time the three of them arrive, the reason for Minako&#039;s delay is obvious: she, unfortunately, had to fight a Shadow, and while it wasn&#039;t a &amp;amp;#42;powerful&amp;amp;#42; Shadow, she ended up fighting it alone (and, eventually, with Hitomi, if she hustled).&lt;br /&gt;
&lt;br /&gt;
By this point, Suzume is approaching what must be her normal adrenaline-fueled energy levels: higher than the usually slouchy, sullen teen has been in the dorms. &amp;quot;About time,&amp;quot; she says, clonking her tonfa together. &amp;quot;Can we just... explore as a group now?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That&#039;s Suzume-speak for &#039;I am glad I found all of you alive and healthy&#039;, by the way.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 3: Where Am I? - Challenge Level 2 ================================-&lt;br /&gt;
| Approach Options: Guts or Understanding                                      |&lt;br /&gt;
| Conditions: Clumsy - Proficiency Down L1, Hard - Understanding Down L1,      |&lt;br /&gt;
| Scary - Guts Down L1, and Stupor - Academics Down L1                         |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
&amp;quot;Where am I? Why am I here?&amp;quot;                                                    &lt;br /&gt;
                                                                                &lt;br /&gt;
A voice may echo through your head, faintly, as you make your way alone through &lt;br /&gt;
Tartarus -- it will be much easier to hear for those with strong Resonance like &lt;br /&gt;
Navigators, but even extremely /capable/ Navigators will realise they no right  &lt;br /&gt;
of reply to the voice they&#039;re hearing.                                          &lt;br /&gt;
                                                                                &lt;br /&gt;
Whether by following that voice, or just by climbing Tartarus, you&#039;ll be able to&lt;br /&gt;
find... /part/ of your party. Another loner or two converges on your location,  &lt;br /&gt;
each of you trying to find each other, and it&#039;s surely a huge relief. But what  &lt;br /&gt;
about the others? Your best clue might be heading towards the sound of those    &lt;br /&gt;
faint whispers -- maybe your friends are hearing it, too. At least now, you&#039;re  &lt;br /&gt;
better able to face down the Shadows which want to block your path. Merciless   &lt;br /&gt;
Mayas and Muttering Tiaras stand in your path as you move forward -- one a      &lt;br /&gt;
formless puddle of a Shadow wearing a mask and grasping with its arms, and the  &lt;br /&gt;
other floating in the air, its head twisted into the shape of tiara as shadowy  &lt;br /&gt;
fabric flutters beneath it.                                                     &lt;br /&gt;
                                                                                &lt;br /&gt;
(Note: It is suggested that you split your party into groups of 2 and 3, or     &lt;br /&gt;
equivalent, to answer this Challenge.)                                          &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
 &amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
THOOM! &amp;quot;That&#039;s probably one of them,&amp;quot; Hitomi muses. &amp;amp;#42;HUSTLE&amp;amp;#42; &lt;br /&gt;
&lt;br /&gt;
Soon enough, she&#039;s found Minako -- &amp;quot;Hey! I&#039;m so sorry, wow. Uh, here, we have like seven drinks and I don&#039;t think Yamagishi&#039;s going to need all of them.&amp;quot; Score one slightly lukewarm Pocari Sweat!&lt;br /&gt;
&lt;br /&gt;
Soon enough, everyone else is together, and Hitomi gives everyone a smile. &amp;quot;Yeah,&amp;quot; she says, &amp;quot;I think we should, even if I suppose that&#039;s not very space and time efficient, like, comparatively, haha, I&#039;m just nervous, ignore me...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
FORWARD! &lt;br /&gt;
&lt;br /&gt;
The group is able to travel with no interruption other than one rather weak Shadow who is easily dispatched without too much effort. The only real problem is... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do you see anything from Yamagishi? Like, at all?&amp;quot; Hitomi just says abruptly after approximately five right turns through the cryptic hallways that seem to go nowhere. Being in a group is better, but they already, quite likely, don&#039;t have any idea how to get BACK to the others... trusting perhaps in Mitsuru-sempai to find their lost asses if they&#039;re in trouble. Hitomi turns around... &lt;br /&gt;
&lt;br /&gt;
It happened, very likely, during the moment when everyone was NOT looking in a direction where they could see everyone else. A cluster of four girls who are deliberately staying close together meant that it took a while to happen. But when Hitomi looks back towards where Suzume and Yukari had been, she sees instead... &lt;br /&gt;
&lt;br /&gt;
A wall. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;When the FUCK did this get here?&amp;quot; Hitomi says, raising her voice. She raises a fist and smacks it against the ribbed wall, and gets nothing for her trouble but a surprising rebound and a sudden step back. &amp;quot;... s-sorry, this is just... ugh. I guess we just only have so much luck to go around, huh?&amp;quot; she says, looking towards Minako. &lt;br /&gt;
&lt;br /&gt;
There&#039;s several silent seconds. Hitomi, inwardly, is considering how to propose something. (Her feelings? No -- but she is considering, quite seriously, if she and Minako should link hands. On the other hand, would that mean that when they got separated one of them would...) &lt;br /&gt;
&lt;br /&gt;
                    where am I? &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s head turns slightly. &amp;quot;You hear that?&amp;quot; she says, whispers herself almost. She&#039;s sweating now, with worry. Wiping off her forehead with her forearm, she sucks in a deep breath. &lt;br /&gt;
&lt;br /&gt;
And then... she holds out a hand to Minako. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If we run into Shadows,&amp;quot; she says, &amp;quot;or if I start falling... let go. Okay? But...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
            why am I here? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... I think we&#039;re falling behind. Do you think you can run?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And if Minako takes that outstretched hand (of friendship, friends), Hitomi &amp;amp;#42;will&amp;amp;#42; start running towards the incredibly loose, basically-hemispherical direction the sound seems to be coming from. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Raise -- All In toward Where Am I?! Bravery and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari does turn quickly, with her bow at the ready and arrow nocked but-&lt;br /&gt;
 &lt;br /&gt;
Doesn&#039;t fire.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... I&#039;m just happy to find anyone else still alive.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She admits to Suzume in that moment of solidarity perhaps, lowering her bow and letting the tension go on the string.&lt;br /&gt;
 &lt;br /&gt;
Yukari, &#039;&#039;doesn&#039;t&#039;&#039; in fact go &#039;I told you so&#039; or anything. They&#039;re on a mission right now. They have a goal. &amp;quot;Okay good.&amp;quot; Just... need a moment, &amp;quot;Whew... heart&#039;s beating a little fast.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She&#039;s ordinarily too proud to admit she&#039;s scared, but right now she&#039;s jut relieved that she&#039;s alive and they&#039;re alive too. Which is when the explosion happens. &amp;quot;Yeah. Come on! That&#039;s gotta be them. Though... careful. We won&#039;t do them any favors if we accidentally lead more Shadows to them.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
It&#039;s not even calling Suzume out, the warning is more for herself too.&lt;br /&gt;
 &lt;br /&gt;
When they come upon Hitomi and Minako... &amp;quot;Oh thank goodness-! You&#039;re all okay! Ahaha... wow. What a start. This operation already feels like a mess... but it can only go up from here right?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari may spend some extra time using Io to heal wounds... but... &amp;quot;No sign of her yet. Unless... you saw something?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She turns to Suzume, and when she turns back, &amp;quot;What!? Where&#039;d they go!? That&#039;s NEVER happened before!&amp;quot; She freaks out some, before calms down, &amp;quot;Then again, there&#039;s nothing normal about this operation.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
                        where am I?&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... What was that!?&amp;quot; Yukari says in an instantly renewed panic. &amp;quot;You hear that too right?&amp;quot; She says to Suzume, &amp;quot;It sounded like it was in my head...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
                   why am I here?&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Again!&amp;quot; She squeaks, high pitched, &amp;quot;Oh no. No... no no... why now!?&amp;quot; She breathes rapidly for a moment, sweat starting to drip off of her chin, &amp;quot;Okay... Okay - um... we&#039;re just gonna stay close, and link up to the others. Just... keep that Evoker ready.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s no such thing as ghosts&lt;br /&gt;
There&#039;s no such thing as ghosts&lt;br /&gt;
There&#039;s no such thing as ghosts&lt;br /&gt;
 &lt;br /&gt;
Things you can&#039;t see are always scarier for her. Just like that voice.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Guts toward Where Am I?! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako is breathing heavily -- and there&#039;s a gash in the side of her uniform, where the Shadow got her. It lies at her feet -- a puddle of inky darkness. She wipes at her brow, and then she looks at Suzume. She takes a second to collect herself.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Good idea,&amp;quot; she says. &amp;quot;I&#039;m really glad to see all of you. That was scarier than I want to admit.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Even if she did just admit it.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m glad to see you too,&amp;quot; she says to Yukari. &amp;quot;We&#039;re... well, we&#039;re all here. That&#039;s the important thing. Stick close, everyone!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks at Hitomi -- and she quickly shakes her head. &amp;quot;Don&#039;t worry about it. I haven&#039;t seen anything from her, but--but she has to be here. Somewhere.&amp;quot; She hopes quietly, as she says that aloud.&lt;br /&gt;
&lt;br /&gt;
Minako walks along, staying near the front with Hitomi. With her naginata, it makes her a natural fit for the front line. When Hitomi turns, though, Minako&#039;s eyes widen a bit. &amp;quot;This place is confusing,&amp;quot; she says. &amp;quot;It&#039;s okay to be frustrated.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She exhales. &amp;quot;We--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She hears a voice. She looks at Hitomi, then she nods. She hears it. Silently, she takes Hitomi&#039;s hand.&lt;br /&gt;
&lt;br /&gt;
She hears the voice again.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m with you,&amp;quot; she says. &amp;quot;And I can run. Maybe--maybe that voice is her. Maybe she&#039;s ahead...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The memory of that night on a bridge comes back to her. Of climbing free of a car, bloodied; of asking why she survived, and why someone else had to--&lt;br /&gt;
&lt;br /&gt;
She stops that thought. If they can just get to Fuuka, then it will all be worth it. Minako starts to run with Hitomi, holding on tighter to her hand.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Just hold on, Yamagishi-san.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Rushing In toward Where Am I?! Bravery and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume, like Yukari, has a bit too much pride to admit when she&#039;s wrong, or that she might be showing a vulnerability. Especially in &amp;amp;#42;front&amp;amp;#42; of Yukari, who told Suzume she didn&#039;t know what she&#039;s getting into.&lt;br /&gt;
&lt;br /&gt;
Suzume needs to show her she&#039;s worth having here. Which means looking at her best.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah...&amp;quot; Her heart is a little fast, too. In her case Suzume doesn&#039;t mind the adrenaline but she &amp;amp;#42;does&amp;amp;#42; mind some of the rest of it. At least they&#039;re all together now...&lt;br /&gt;
&lt;br /&gt;
Like Minako, with her tonfa Suzume makes sense to keep near the front. So she does, taking the opposide side as Minako. Suzume may not have Tartarus experience but she&#039;s watched movies, played games; she knows how important it is to keep a formation with the melee people up front. Except - &lt;br /&gt;
&lt;br /&gt;
A wall.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...it doesn&#039;t normally shift, but - &amp;quot; This place &amp;amp;#42;is&amp;amp;#42; creepy. Suzume gets goosebumps. Her impromptu mapping (well, keeping to the left-hand rule) doesn&#039;t work if the walls move! They might never find their way back. &lt;br /&gt;
&lt;br /&gt;
&#039;where am I?&#039;&lt;br /&gt;
&lt;br /&gt;
Yukari might have panicked out loud, but Suzume straightened bolt upright. She absolutely heard it too. &amp;quot;It came from...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&#039;why am I here?&#039;&lt;br /&gt;
&lt;br /&gt;
Suzume can&#039;t tell which way it came from. It sounded like it came from everywhere or nowhere. Echoes? Or... She picks up on Yukari&#039;s tension, and while normally she might roll her eyes, she can&#039;t really blame her for it in &amp;amp;#42;here&amp;amp;#42;. &amp;quot;...okay,&amp;quot; she says, taking in a deep breath and letting it out slowly, through her nose.&lt;br /&gt;
&lt;br /&gt;
It&#039;s just like a haunted house, Suzume tells herself. A haunted house that can kill you, but... She can do this. She can do this. She can do this.&lt;br /&gt;
&lt;br /&gt;
She&#039;s not sure she can do this. &lt;br /&gt;
&lt;br /&gt;
Suzume grips the handle of her right tonfa tighter, her knuckles whitening. She fought in Mementos, when she couldn&#039;t even fight back. Now she can. She just has to remember that. She&#039;s not helpless. She&#039;s never going to let herself be helpless; she&#039;s not the one that needs to be saved.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Okay,&amp;quot; she repeats, as she begins to walk. She hasn&#039;t drawn her Evoker, but... it&#039;s ready, too.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Dare toward Where Am I?! Specialty!&lt;br /&gt;
 MONAD: Yukari Takeba has drawn a new Challenge!&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 4: Please Answer Me - Challenge Level 3 ===========================-&lt;br /&gt;
| Approach Options: Academics or Proficiency                                   |&lt;br /&gt;
| Conditions: Boss - Add 1 Fatigue on failure., Box - Add 1 Item/Money/Gear.,  |&lt;br /&gt;
| Clumsy - Proficiency Down L1, Hard - Understanding Down L1, Scary - Guts     |&lt;br /&gt;
| Down L1, and Stupor - Academics Down L1                                      |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
&amp;quot;Please, answer me...&amp;quot;                                                          &lt;br /&gt;
                                                                                &lt;br /&gt;
There&#039;s that voice again -- growing a little louder, a little easier to hear    &lt;br /&gt;
even if you&#039;re not the most Resonant Persona-user out there. Here, on the third &lt;br /&gt;
floor of this mysterious purple-tinged Arqa Block, you&#039;ll come across something &lt;br /&gt;
that will surely help you -- a glittering rare treasure chest lying in your     &lt;br /&gt;
path. There&#039;s just one problem...                                               &lt;br /&gt;
                                                                                &lt;br /&gt;
... the Shadow patrolling in front of it is wreathed in strange red flames. It&#039;s&lt;br /&gt;
clearly a more formidable enemy than the ones you&#039;ve been facing, and you still &lt;br /&gt;
haven&#039;t found all your friends! Facing it in your current state would be        &lt;br /&gt;
incredibly risky, but whatever you might claim from that chest might be key to  &lt;br /&gt;
your survival. You&#039;ll need to be quick enough to dart in while its back is      &lt;br /&gt;
turned -- or clever enough to think up a distraction. Getting caught out in a   &lt;br /&gt;
fight would /definitely/ suck.                                                  &lt;br /&gt;
                                                                                &lt;br /&gt;
How will each group solve this problem, split up as they are?                   &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
 &amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
For Minako and Hitomi, it&#039;s a run. They can move fast. What does Hitomi see, behind her eyes, behind her mind? What&#039;s on her face, which is in a contortion of determination, with a strange hint of some kind of glimmer in her eyes? &lt;br /&gt;
&lt;br /&gt;
She remembers a thrill, a joy, and a horrible disappointment. Blood, terror, and revelation. Something pouring a thick defiling liquid on something gorgeous, something pure, something in her heart. Scrape it away. Will it shine? Is it ruined?&lt;br /&gt;
&lt;br /&gt;
She keeps going. &lt;br /&gt;
&lt;br /&gt;
Hitomi doesn&#039;t answer Minako. &lt;br /&gt;
&lt;br /&gt;
For Yukari and Suzume, it may be difficult. Tenser. More fearful. Instead of running ahead, they take it with caution. Routine... a ritual of preparedness. Rituals can be a guard, a fence, a prescription. They have a bad reputation, but they&#039;re there for a reason. &lt;br /&gt;
&lt;br /&gt;
But the good news is that... they got lucky. No Shadows stand in their way, at least not in a way that can&#039;t be avoided with a little tacking of the route of the run or an adjustment in the path of their journey. No deep obstacles. No cthonic and maddening puzzles. &lt;br /&gt;
&lt;br /&gt;
No corpses! Not even the near occasion of corpses. Unless you want to read those masks in the wall as being &amp;amp;#42;death&amp;amp;#42; masks, of course, but don&#039;t get too morbid about it. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Both groups move.&lt;br /&gt;
 &lt;br /&gt;
The hallways have shifted, creepily, glowing veins across woven tentacles, and wet ground that occasionally pools red at their footsteps...&lt;br /&gt;
 &lt;br /&gt;
Like what they&#039;re stepping on is alive.&lt;br /&gt;
 &lt;br /&gt;
That isn&#039;t to say there&#039;s nothing of help! There&#039;s a chest, glinting... but...!&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Stop.&amp;quot; Yukari whispers softly to Suzume, ever so softly. Because the Shadow... maybe Suzume blinks, and she&#039;ll feel it now.&lt;br /&gt;
 &lt;br /&gt;
The red aura of resonance. That feeling in the pit of your gut that screams &#039;danger&#039; &#039;danger&#039; danger&#039;.&lt;br /&gt;
 &lt;br /&gt;
The Shadow - the predator. And they, the prey. It&#039;s strange mask blue pooling out of black ichor, more amorphous than the strange misshapen Shadows in Mementos.&lt;br /&gt;
 &lt;br /&gt;
-=-=-&lt;br /&gt;
 &lt;br /&gt;
Hitomi and Minako find an even better haul. A white chest, with bars, and two red dots where Minako might place Twilight Fragments from prior operations to open it.&lt;br /&gt;
 &lt;br /&gt;
One problem. In the corner of the room with the chest, and they&#039;ll see a Snake, woven greedily around a heart. Eyes glinting...&lt;br /&gt;
 &lt;br /&gt;
She&#039;ll remember this from their exploration. Lustful Snakes.&lt;br /&gt;
 &lt;br /&gt;
If you engage them, they will charm someone over and over and over.&lt;br /&gt;
 &lt;br /&gt;
Which... they could fathom taking it on if they had someone or multiple someones who could deal with that.&lt;br /&gt;
 &lt;br /&gt;
But what now?&lt;br /&gt;
 &lt;br /&gt;
-=-=-&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;That&#039;s definitely one of those big ones...&amp;quot; Yukari whispers to Suzume... &amp;quot;And... if you look beyond? I think I see our way up.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
                   Please, answer me&lt;br /&gt;
 &lt;br /&gt;
She stifles another sound, clapping her hand over her mouth, shaking, she takes a breath. Breathing, she takes a moment, &amp;quot;We can&#039;t fight that... not right now. So here&#039;s what we&#039;ll do. I&#039;m gonna do something that&#039;s gonna seem a little... weird.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
As she pulls out this strange looking old style Talisman from one of her pockets, &amp;quot;You get the chest, and then run alright? It&#039;ll be fine! Just... just run fast alright?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari steps out into the open, and then, &amp;quot;Hey you! Ugly!&amp;quot; The Steel Gigas turns towards her, and roars, tromping towards her as it forms a Colossal creature with metallic plating around its limbs.&lt;br /&gt;
 &lt;br /&gt;
Which is when she then throws a Talisman!&lt;br /&gt;
 &lt;br /&gt;
And a thunderbolt zaps down, which if it hits will momentarily stagger it to a knee... for all of, you know - a few seconds!&lt;br /&gt;
 &lt;br /&gt;
Then she keeps running.&lt;br /&gt;
 &lt;br /&gt;
Where&#039;s Arisato-chan when you need her?&lt;br /&gt;
I always prefer it when she uses those...!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Mean Girl toward Please Answer Me! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako keeps running. But she slows to a stop -- her feet skidding over the uneven surface of Thebel Block -- and she lifts a hand. Her eyes dart from the white chest, to the Lustful Snakes. Her lips tense, into a frown.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The chest has something good,&amp;quot; she says. &amp;quot;Almost certainly. But those things--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She jabs a finger at the snakes. &amp;quot;...They might charm us. It&#039;d be a disaster with just us,&amp;quot; she says. &amp;quot;It--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;Please, answer me.&#039;&lt;br /&gt;
&lt;br /&gt;
Her breath catches, and she turns her head. She looks at Hitomi, then she nods. &amp;quot;We should slip past. With the two of us, I don&#039;t like our odds. And we need to get to Yamagishi.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Academics toward Please Answer Me! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Oh, hey,&amp;quot; Hitomi says as she sees the treasure. &amp;quot;Should we try to pick it up?&amp;quot; It&#039;s quiet, but it&#039;s... nice. They can&#039;t run forever. It&#039;s a distraction from their possibly imminent -- nope, there&#039;s the Snake. &lt;br /&gt;
&lt;br /&gt;
She grunts at the sight of it. &lt;br /&gt;
&lt;br /&gt;
Something voices in the distance. Her cheeks puff out. Hitomi looks at the Snakes. Her hand slides back into her dice pouch. Click clack, clack click. &lt;br /&gt;
&lt;br /&gt;
She has that weird look in her face again, staring at the snake... but then she takes a deep, deep, DEEP breath... and blows it out rather explosively, sagging as she does. &amp;quot;Yeah,&amp;quot; she says, &amp;quot;you&#039;re right.&amp;quot; Straightening up, she looks at the chest for a few steps, but -- finally -- turns away. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... But if we do come back this way, after we find Fukura and Takeba...&amp;quot; Hitomi adds. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward Please Answer Me! Smarts and Patra!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The squishy hallways are &amp;amp;#42;definitely&amp;amp;#42; reminding Suzume of Mementos, and not in a good way. The strange growths along the side of the tracks, or under the pillars in the areas meant for walking...&lt;br /&gt;
&lt;br /&gt;
Suzume stops when she&#039;s asked to, without even arguing about it. Because - she &amp;amp;#42;can&amp;amp;#42; feel the resonance. She hadn&#039;t ever felt it before she met Shinjiro, and since then she&#039;s felt it a couple times, but this is different. Her Persona is that of a great hunter - and it knows when something is hunting &amp;amp;#42;her&amp;amp;#42;.&lt;br /&gt;
&lt;br /&gt;
She rotates her tonfa back, resting it along her arm, more of a defensive positioning than an offensive one. &amp;quot;I might be able to sneak past,&amp;quot; she hisses, keeping her voice low. But she doesn&#039;t know how to get Yukari across if she can&#039;t sneak herself. &lt;br /&gt;
&lt;br /&gt;
&#039;Please, answer me&#039;&lt;br /&gt;
&lt;br /&gt;
Suzume flinches again. Then: &amp;quot;Wait,&amp;quot; she says, holding up one finger. &amp;quot;Is that - I think we&#039;re going the right way after all!&amp;quot; She seems more energetic. And why?&lt;br /&gt;
&lt;br /&gt;
Well, Suzume is in Fuuka&#039;s class. She (and Hitomi) have heard her before, if only rarely - she&#039;s not friends with Fuuka and they don&#039;t talk but she&#039;s heard her answer questions before. And the placeless voice is faintly familiar...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So let&#039;s go,&amp;quot; she agrees, but looks Yukari over again. Something weird? She almost argues about taking orders - Yukari can&#039;t tell her what to do - but she is the senpai here, and so Suzume gives a grudging nod. It &amp;amp;#42;is&amp;amp;#42; weird, though. &amp;quot;Wait, you want to stop for the treasure - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
More than that. She wants to &amp;amp;#42;fight it&amp;amp;#42; for the treasure, or at least knock it down.&lt;br /&gt;
&lt;br /&gt;
Suzume is off like a shot as soon as Yukari gets the Gigas&#039; attention. For someone who&#039;s as small as she is, Suzume is &amp;amp;#42;fast&amp;amp;#42; in a sprint. It looks practiced... &lt;br /&gt;
&lt;br /&gt;
...but Suzume is actually a little out of practice. She did track more, before, but she hasn&#039;t on a running team since middle school. She feels a twinge and ignores it, pushing through as she nearly slams into the chest, popping it open with the butt end of her tonfa. &lt;br /&gt;
&lt;br /&gt;
She just shoves whatever&#039;s inside on top of her bag - she&#039;ll look at it later, though that poor squashed melonpan is now getting extra squashed - and runs the rest of the way, slowing down only slightly to scramble toward the stairs without tripping on them.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You run faster than I thought,&amp;quot; she calls to Yukari. &amp;quot;Figured - you&#039;d stick to kyudo. No running there!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Sports Talk toward Please Answer Me! Diligence and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
It&#039;s a good call! It&#039;s the absolutely correct call unless there&#039;s something that allows for instant Fuuka Recovery inside! But leaving the treasure behind... it absolutely hurts.&lt;br /&gt;
 &lt;br /&gt;
And Oh...&lt;br /&gt;
 &lt;br /&gt;
... as they try to slip by the Lustful Snake comes at them anyway!&lt;br /&gt;
 &lt;br /&gt;
30 Marin Karins later!&lt;br /&gt;
ALL ON HITOMI!&lt;br /&gt;
EVERY SINGLE ONE!&lt;br /&gt;
 &lt;br /&gt;
Minako FINALLY brings it down WITHOUT hurting her teammate who keeps rolling SNAKE EYES damnit, because OF COURSE SHE DOES!&lt;br /&gt;
 &lt;br /&gt;
It may be a little exhausting, thankfully the chest has...&lt;br /&gt;
 &lt;br /&gt;
You received 1x Chewing Soul&lt;br /&gt;
 &lt;br /&gt;
She&#039;s gonna need that, probably.&lt;br /&gt;
 &lt;br /&gt;
Yep. The way she sees it... it&#039;s on the way.&lt;br /&gt;
 &lt;br /&gt;
Indeed, she is still running, and before long Suzume and her hear the Gigas up and tromping after them on footsteps that shake even the strange organic ground.&lt;br /&gt;
 &lt;br /&gt;
But eventually the footsteps slow - and then they don&#039;t hear them anymore.&lt;br /&gt;
 &lt;br /&gt;
As she leans against the wall, taking a breather, &amp;quot;Uh well... that &#039;&#039;was&#039;&#039; the case... until I joined SEES.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She looks at Suzume, and shrugs her shoulders, &amp;quot;I guess a few months of exploring this place? You learn to run pretty fast...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... also there was that whole runaway monorail thing too.&amp;quot; She looks away at that, &amp;quot;I think I got like a whole week&#039;s worth of training that night alone, thanks to Stupei running around everywhere trying to prove himself.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She straightens up, and then looks at her, long and hard, &amp;quot;But hey, good work. You got it.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Inside the chest was...&lt;br /&gt;
 &lt;br /&gt;
You received 1x Dis-Charm&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;That&#039;s definitely gonna come in handy if we run into one of those horrible snakes again.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has drawn a new Challenge!&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 5: Is Someone There? - Challenge Level 2 ==========================-&lt;br /&gt;
| Approach Options: Academics or Understanding                                 |&lt;br /&gt;
| Conditions: Bless - +1 to Group Roll (Per Character), Clumsy - Proficiency   |&lt;br /&gt;
| Down L1, Hard - Understanding Down L1, Stupor - Academics Down L1, and       |&lt;br /&gt;
| Stupor - Academics Down L1                                                   |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
This time, when you climb another floor, both of your groups are able to reunite&lt;br /&gt;
with each other. Thank goodness! With everyone reunited, you&#039;ll have a much     &lt;br /&gt;
easier time fighting even the more difficult enemies in Arqa Block. It&#039;s still a&lt;br /&gt;
challenge, but now, at least, you don&#039;t have to worry about whether your friends&lt;br /&gt;
are hurt out here.                                                              &lt;br /&gt;
                                                                                &lt;br /&gt;
You&#039;ll get a moment to breathe, thanks to your combined strength. An arched     &lt;br /&gt;
window shows the vista outside of Tartarus -- and the Full Moon which hangs in  &lt;br /&gt;
the sky. Perhaps the cycles of the moon mean something, to you... or perhaps    &lt;br /&gt;
it&#039;s just some eerie imagery, as far as you&#039;re concerned. But not only is this a&lt;br /&gt;
moment to collect your thoughts -- it&#039;s a moment for you all to compare notes on&lt;br /&gt;
that voice you&#039;ve been hearing. Pressingly, you hear her /again,/ as indistinct &lt;br /&gt;
as ever: &amp;quot;Is someone there?&amp;quot;                                                    &lt;br /&gt;
                                                                                &lt;br /&gt;
Whoever it is, she sounds like she needs help. Before you do anything else, you &lt;br /&gt;
have to keep climbing until you find her.                                       &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Mandai-chan!&amp;quot;&lt;br /&gt;
&amp;quot;Mandai-chan!&amp;quot;&lt;br /&gt;
&amp;quot;MANDAI-CHAN!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It takes awhile before the Snake is gone. It dissolves into shadowstuff at her feet -- and Minako leans against her naginata, breathing hard. But the white chest, at least, has a Chewing Soul.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Dibs,&amp;quot; she tells Hitomi. &amp;quot;Are you okay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
In short order, they get moving. And as they come up the stairs, they find &#039;&#039;another&#039;&#039; set of stairs leading down -- and these lead to a platform. The second set is being ascended by Suzume and Yukari.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ah!&amp;quot; Minako exclaims. &amp;quot;There you two are! This place is scary. Let&#039;s try to stay together.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She turns -- and she walks along. Minako leads the way again, and as she does, she hears the voice again: &#039;Is someone there?&#039; Her brow furrows, before she looks back at everyone. &amp;quot;We have to keep moving. Maybe... maybe we&#039;re not too late.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She needs to not be too late.&lt;br /&gt;
&lt;br /&gt;
Minako steps into the next room. She pauses, though, as she gets a good look at the arched window. Outside, they can see Tatsumi Port Island -- all shaded in green -- and the huge, looming full moon. Minako looks at it...&lt;br /&gt;
&lt;br /&gt;
...and her eyes narrow. &amp;quot;Mm, Takeba-chan,&amp;quot; she says. &amp;quot;The... night with the monorail. Wasn&#039;t there also a full moon in Dark Hour?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She feels herself growing cold inside, then. She needs to hurry. If Yamagishi is dead, then--&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t let herself think that. Instead, Minako smiles.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with A Smile for Every Situation toward Is Someone There?! Specialty!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
AFTER THE BATTLE WITH THE SNAKES&lt;br /&gt;
&lt;br /&gt;
Hitomi is on her knees, face red in her face. She&#039;s slid her fingers up so her glasses are on the outside. &amp;quot;... No hard feelings, right?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
DURING THE BATTLE&lt;br /&gt;
&lt;br /&gt;
Hitomi, surrounded by questionable pink hearts, says, &amp;quot;Fade me!&amp;quot; and threw the dice! Think fast!&lt;br /&gt;
&lt;br /&gt;
BUT HERE AND NOW: &lt;br /&gt;
&lt;br /&gt;
&amp;quot;y-yeah -- I think so. Just... ugh. I&#039;m sorry,&amp;quot; she concludes, getting up and brushing her greaves off. And then, forwards. And then, upwar-- no, downwards. &amp;quot;Ugh,&amp;quot; Hitomi comments, but she usually says that if it seems like they&#039;re going backwards for reasons other than &#039;we&#039;re done here.&#039; &lt;br /&gt;
&lt;br /&gt;
And then: &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fukuraaaaa Takebaaaaaaa,&amp;quot; Hitomi draws out, deliberately playing up the slightly annoying habit she actually has. &amp;quot;I&#039;m so glad to see both of you. Oof. Did you --&amp;quot; But probably neither of them found Yamagishi already. Instead... The window. &lt;br /&gt;
&lt;br /&gt;
Hitomi looks out, at the Moon. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... It&#039;s like a vampire castle, or something, when you see it like this,&amp;quot; she concludes, before -- frowning, and looking towards Yukari. Then back to Minako. &amp;quot;... If that&#039;s really her, and she&#039;s TALKING,&amp;quot; Hitomi concludes, looking upside. &amp;quot;Ugh, I&#039;m going to fall over --&amp;quot; But she hits a good trot, heading after the way Minako went! &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Once they&#039;re out of sight, Suzume takes a moment to crouch down and swing her backpack to the floor so she can look into it. A Dis-Charm... &amp;quot;Guess I&#039;ll hold onto it,&amp;quot; she says, having not seen the snakes at all yet. &amp;quot;Since I&#039;ve got the bag. Where&#039;d you get the talisman?&amp;quot; She wants one.&lt;br /&gt;
&lt;br /&gt;
She straightens a moment later, most of the way anyway; she is back to slouching a little bit. &amp;quot;Next time we come to Tartarus,&amp;quot; she says, &amp;quot;I need to find something else to wear. I don&#039;t care if Arisato-chan,&amp;quot; so she means Minako and not Minato, &amp;quot;thinks it&#039;s a good idea. I&#039;m wearing my gym clothes. Or something.&amp;quot; She drops back for a moment, tugging about halfway up her too-big shirt to make it sit right again with a faint wince. &amp;quot;You&#039;re lucky. Mandai-chan said that you guys got... customized uniforms, or something. I don&#039;t have one yet.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She&#039;s just got her Evoker on a belt holster, and the red armband, and that&#039;s the only differences.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;There you are!&amp;quot; Suzume says, almost in sync with Minako, as she releases her shirt and reshoulders the backpack. &amp;quot;Where did you guys go? All we found was a wall...&amp;quot; She really is relieved to see them again.&lt;br /&gt;
&lt;br /&gt;
Maybe they&#039;re not too late...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t think we are,&amp;quot; Suzume says, suddenly. &amp;quot;The voice... I think it might be her. I&#039;ve heard her a few times in class. I don&#039;t know how we can HEAR her, but unless Tartarus is haunted...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sorry, Yukari. She doesn&#039;t know. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...then we might be hearing her. Maybe the air vents? Does Tartarus &amp;amp;#42;have&amp;amp;#42; vents...? It has air... If we find any I&#039;m &amp;amp;#42;not&amp;amp;#42; crawling in them. You can&#039;t actually do that anyway, that&#039;s just a movies thing.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume looks out the window when Minako draws her attention to it. She knew it was bright, but... full moon? &amp;quot;Hey, it&#039;s not a full moon today. It&#039;s like half.&amp;quot; Yesterday was half, actually; today it starts waning. But that&#039;s only the full moon outside of the Dark Hour, of course...&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Random Knowledge toward Is Someone There?! Patra and Smarts!&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Academics toward Is Someone There?! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Oh. You find them in chests around here? I don&#039;t really know how it works just - they do. You can just kinda tell after a while what one does versus another.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She explains as best she can the mechanics of Tartarus loot to Suzume, but it&#039;s still kind of a learn as they go situation.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Well - it&#039;s not a bad idea, coming in gym clothes. Our first operations I was just in my uniform. It&#039;s fine if - you gotta watch it sometimes with the guys.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari says sincerely, &amp;quot;If you&#039;ve gotta climb, make them do it first. For me though... this is just what I&#039;m comfortable moving around in.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Thankfully, before long, they link up-! &amp;quot;What happened!? I just turned around and the two of you were gone!&amp;quot; Evoker comes out, Healing spells happen.&lt;br /&gt;
 &lt;br /&gt;
Then Minako notes the Moon, &amp;quot;Huh? Well... now that I think about it... yeah. It was really big and bright that night...&amp;quot; You can see the moment her thoughts grind to a halt, &amp;quot;... too. You don&#039;t think?!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Fear grips her, as they hear the voice, they run, &amp;quot;Wait - hold it!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari says to the group, trying to call for them to slow down, &amp;quot;Remember, those girls heard voices too before they were found passed out in front of the school! If the Full Moon really is connected- then even if you think it&#039;s Yamagishi-san... be careful. It could be a trick from the Shadows.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She warns, &amp;quot;I want her to be okay as much as the rest of you, promise - but if we fall into a trap then there&#039;s no chance of saving her.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Suspicion toward Is Someone There?! Focus and Patra!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 6: Who&#039;s There? - Challenge Level 2 ===============================-&lt;br /&gt;
| Approach Options: Charm or Understanding                                     |&lt;br /&gt;
| Conditions: Revelation - The best result.                                    |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
Climbing another set of Arqa stairs, you realise something special about this   &lt;br /&gt;
floor -- there&#039;s another of those Treasure Chests, in a path off to the side.   &lt;br /&gt;
You manage to snag it on your way through, earning yourselves a nice chunk of   &lt;br /&gt;
extra yen for your trouble.                                                     &lt;br /&gt;
                                                                                &lt;br /&gt;
Before you can run into too much extra trouble, though, you hear a voice...     &lt;br /&gt;
which sounds much more /embodied/ than it did before. &amp;quot;Who&#039;s there? Are you...  &lt;br /&gt;
human?&amp;quot;                                                                         &lt;br /&gt;
                                                                                &lt;br /&gt;
That voice calls you to all the /other/ people who ascended Tartarus today, as  &lt;br /&gt;
each group converges on the siren&#039;s song they&#039;ve been following. A girl steps   &lt;br /&gt;
out from behind a strange rocklike formation -- it&#039;s Fuuka Yamagishi, scared and&lt;br /&gt;
unsure. You might not know the people you&#039;ve just run into, but you&#039;re /all/    &lt;br /&gt;
trapped in Tartarus, right now, and there&#039;s strength in numbers. Together, you  &lt;br /&gt;
find a teleporter to take Fuuka back to the entrance.                           &lt;br /&gt;
                                                                                &lt;br /&gt;
Whether you came in here to save her or not -- you can surely call this mission &lt;br /&gt;
a success.                                                                      &lt;br /&gt;
                                                                                &lt;br /&gt;
(This Monad leads directly into Battle Royale! See the scenepost for more       &lt;br /&gt;
details.)                                                                       &lt;br /&gt;
                                                                                &lt;br /&gt;
Final Loot: 2 Pieces of Gear!                                                   &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;It... we should be careful,&amp;quot; Minako says. &amp;quot;I don&#039;t know what it means, but I don&#039;t know if I believe in coincidences in here.&amp;quot; She swallows, and she looks ready to start rushing ahead. But when Yukari speaks...&lt;br /&gt;
&lt;br /&gt;
She slows down. She looks at Yukari -- then she nods. &amp;quot;Yeah. Yeah, you&#039;re right,&amp;quot; she says. &amp;quot;It could be a trick. Everyone, be careful!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
They forge ahead, climbing up the stairs. They do find another treasure chest -- &#039;&#039;and&#039;&#039; some more money, too -- and they hear a voice. A voice that sounds closer.&lt;br /&gt;
&lt;br /&gt;
Minako gasps, as she sees Fuuka step out -- and the other people who are coming up, too. Her eyes widen. &amp;quot;That&#039;s her...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume looks Yukari over.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Maybe if you didn&#039;t wear your skirt that short you&#039;d have less of a problem,&amp;quot; Suzume replies, because sometimes (okay, regularly) her mouth gets ahead of her brain. She did not think before she spoke. Again.&lt;br /&gt;
&lt;br /&gt;
Then she realizes what she&#039;s said and, because she&#039;s Suzume, attempts to simply push through it despite realizing she&#039;s just fucked up and put her foot in her mouth: &amp;quot;I mean, I&#039;d want to wear shorts under it or something. ...but guys don&#039;t give me much of a problem. Not twice anyway.&amp;quot; She doesn&#039;t ball a fist because she&#039;s already holding the tonfa, but, well. It&#039;s implied. Gossip says she&#039;s dating Jiro, but the way she&#039;s acting...&lt;br /&gt;
&lt;br /&gt;
(Also, does she even know how to dress? Her uniform is rumpled and not fit very well, the backpack is slung casually over one shoulder, her hair is more than a little messy and wild... though that might just be being in Tartarus.)&lt;br /&gt;
&lt;br /&gt;
But fortunately Tartarus does not depend on Suzume&#039;s fashion sense. Ahead they go, though the tone is once again awkward between Yukari and Suzume, from Suzume&#039;s perspective. She doesn&#039;t try to start anything else but she also doesn&#039;t seem inclined to apologize.&lt;br /&gt;
&lt;br /&gt;
It could be a trick, but - &lt;br /&gt;
&lt;br /&gt;
It isn&#039;t.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yamagishi!&amp;quot; she calls. &amp;quot;It&#039;s Fukura, from class!&amp;quot; That&#039;s all she&#039;s going to be able to say for now, though. It&#039;s not like they&#039;re alone here anymore...&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Yeah and if I had fifty yen for every time Ekoda-sensei said that and now - &#039;&#039;you too&#039;&#039;. I&#039;d have as much money as the Kirijo group.&amp;quot; She says, tersely to Suzume&#039;s comment on her skirt...&lt;br /&gt;
 &lt;br /&gt;
After that, she&#039;s not exactly inclined to say her fashion has always been for &#039;&#039;her&#039;&#039;... not the boys.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You can think you want about it on your own time. We&#039;re on an operation right now.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s something a &#039;&#039;little&#039;&#039; stormy about that, but also scared and trying to focus. Despite being belligerent, she really &#039;&#039;doesn&#039;t&#039;&#039; want to argue in these circumstances.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;It sounds like you&#039;re dressing that way because you&#039;re afraid of what everyone else will think.&amp;quot; Yukari says after a while, &amp;quot;That&#039;s... kinda sad, actually.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She doesn&#039;t mean it as &#039;&#039;pathetic&#039;&#039; certainly - just, sad.&lt;br /&gt;
 &lt;br /&gt;
... but it&#039;s very easy to take it the other way.&lt;br /&gt;
 &lt;br /&gt;
Fortunately, the misunderstandings end (FOR NOW) when they link up and...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t believe it...&amp;quot; Yukari says, not in a tone of skepticism, but being utterly caught flat-footed by Fuuka Yamagishi just being alive and well after so long in Tartarus.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... she&#039;s alive!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Maybe she still means everything she said about this operation. On how dangerous it was. How she doesn&#039;t believe certain people should come - about all the stupid risks that come with it, the unknowns...&lt;br /&gt;
 &lt;br /&gt;
... but maybe it was worth it despite all that.&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-19:_Scary_Stories_to_Tell_in_the_Gym&amp;diff=1981</id>
		<title>2025-07-19: Scary Stories to Tell in the Gym</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-19:_Scary_Stories_to_Tell_in_the_Gym&amp;diff=1981"/>
		<updated>2025-07-20T15:44:21Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Log: 25 07 19 - Scary Stories to Tell in the Gym&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Minako Arisato, Hitomi Mandai, Suzume Fukura, Yukari Takeba *&amp;#039;&amp;#039;&amp;#039;Where: Gekkoukan High School, Tartarus&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; July 19, 2025 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; June 15, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;The other of SEES&amp;#039;s teams infiltrates Gekkoukan High School to search for Fuuka Yamagishi. Is there enough of them to count as an invasion?&amp;#039;&amp;#039;  ----  &amp;lt;poem&amp;gt; (|================== Monad - Mission: Sneak Into...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 25 07 19 - Scary Stories to Tell in the Gym&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Minako Arisato]], [[Hitomi Mandai]], [[Suzume Fukura]], [[Yukari Takeba]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Gekkoukan High School, Tartarus&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 19, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 15, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;The other of SEES&#039;s teams infiltrates Gekkoukan High School to search for Fuuka Yamagishi. Is there enough of them to count as an invasion?&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 1: Midnight Madness - Challenge Level 2 ===========================-&lt;br /&gt;
| Approach Options: Proficiency or Charm                                       |&lt;br /&gt;
| Conditions: Annoying - Charm Down L2 and Ineptitude - Proficiency Down L2    |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
For your own reasons, you&#039;ve decided to sneak into Gekkoukan /before/ the Dark  &lt;br /&gt;
Hour strikes, tonight. Whether you&#039;re searching for Fuuka Yamagishi, or just    &lt;br /&gt;
trying to uncover the secrets of the mysterious tower which the school          &lt;br /&gt;
transforms into every night -- you need to be in Gekkoukan before the Dark Hour &lt;br /&gt;
begins. Your first problem, then, is /entering./                                &lt;br /&gt;
                                                                                &lt;br /&gt;
Breaking and entering is one route in -- but what kind of high schooler can bust&lt;br /&gt;
open a lock? If you thought ahead, you might have just unlocked a door before   &lt;br /&gt;
the day ended, making it /look/ like you&#039;re a master lockpick. Another method   &lt;br /&gt;
lies in the sercurity guards lazily plodding around the school -- if you can    &lt;br /&gt;
/convince/ one of them that you left something super-mega-important at school,  &lt;br /&gt;
they might unlock the way for you, /if/ they don&#039;t just throw you out. You&#039;ll   &lt;br /&gt;
need to lose the guards if you sneak in that way, though! And then, of course,  &lt;br /&gt;
there are even stranger methods of entry -- like finding a supply closet and    &lt;br /&gt;
just hiding there until everyone&#039;s gone. Whatever method you use, just make sure&lt;br /&gt;
you&#039;re in position by the time midnight ends...                                 &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The mission to enter Gekkoukan High -- and then Tartarus -- has began.&lt;br /&gt;
&lt;br /&gt;
SEES split into two teams for this. They had a few too many to &#039;&#039;easily&#039;&#039; sneak in as a large cluster. Thus, they&#039;ve arrived at the school at night. They&#039;ve managed to go around the back -- and slipped over the wall into the courtyard, and towards the side entrance to the main school building.&lt;br /&gt;
&lt;br /&gt;
Minako looks back at the others and nods seriously. &amp;quot;I talked to Junpei-kun. He had an idea, but I have...&amp;quot; She points at the security guard, who is starting to nod off. &amp;quot;...a plan! We just need to sweet talk him and we can sneak right by. So... who wants to say they forgot their homework?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minako beams, cheerfully, at the others.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Kindling Warmth toward Midnight Madness! Patra and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
There is a threshold where it goes from &#039;infiltration&#039; to &#039;invasion,&#039; and if they had eight or nine people together, it might be getting nearer to the latter. &lt;br /&gt;
&lt;br /&gt;
Hitomi purses her lips for a moment, as she looks at the guard. She tilts her head back. She doesn&#039;t answer Minako after long moments, and then her eyes turn back to her. She answers her, quietly. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If he doesn&#039;t go for it... try to stall and I can go for the keys. Do you think we all ought to come together? We could say it&#039;s a club thing... that&#039;s a good reason for a few of us to be together.&amp;quot; Hitomi is notably not volunteering for Operation: Lie to an Adult. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume...&lt;br /&gt;
&lt;br /&gt;
...is back in her uniform, as Minako suggested. Complete with SEES armband, though she&#039;s taken it off and shoved it in her pocket until they&#039;re actually in Tartarus, just because if someone sees her with it she doesn&#039;t want to explain why she&#039;s got it.&lt;br /&gt;
&lt;br /&gt;
She also has her backpack, which contains:&lt;br /&gt;
&lt;br /&gt;
- one pair of tonfa, fresh-ish from Mementos&lt;br /&gt;
- a collection of Ace-style bandages, plus a few actual bandages and antiseptic, even though Suzume does not know first aid&lt;br /&gt;
- painkillers (one half-empty bottle of Tylenol and one emulgel for sore muscles)&lt;br /&gt;
- a liter bottle of Gatorade (orange)&lt;br /&gt;
- two granola bars (one with chocolate chips)&lt;br /&gt;
- one BauerBar (guaranteed to keep you going for 24 hours!)&lt;br /&gt;
- a slightly squashed melonpan&lt;br /&gt;
- a few other small odds and ends that Suzume either threw in or forgot to take out of the bag&lt;br /&gt;
&lt;br /&gt;
Needless to say it&#039;s looking a little full.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Nobody will believe if I say I&#039;m looking for my homework,&amp;quot; Suzume says, flatly. &amp;quot;I&#039;ve got a better idea. I set it up earlier. C&#039;mon.&amp;quot; She doesn&#039;t go towards the door.&lt;br /&gt;
&lt;br /&gt;
She goes toward a window, some distance off, and starts to fiddle around with it. She jammed a tensor bandage clip in the latch earlier today, so it&#039;s more a question of if she can pop it open from the outside using a hook (the hook is made out of a paper clip).&lt;br /&gt;
&lt;br /&gt;
It works on HER window; she&#039;s snuck in at home that way before. How hard can it be? It&#039;s not like the windows aren&#039;t big enough here to climb in...&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Youthful Fun With Card Games toward Midnight Madness! Diligence and Efficient!&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Sports Talk toward Midnight Madness! Diligence and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Things are awkward lately, but Yukari is here for &#039;&#039;the mission&#039;&#039;.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;&#039;He had an idea&#039;? I&#039;m almost afraid to ask...&amp;quot; She grouses, before Minako indicates &#039;&#039;a plan&#039;&#039;. &amp;quot;Oh yeah, what&#039;s the plan?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
And the plan is! &amp;quot;Huh... well, alright. It is kinda late even for that but... pretty sure I can pull it off...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Suzume says &#039;Let&#039;s go&#039; and Yukari says &amp;quot;Hey wait a second! Hold up!&amp;quot; She hisses quietly, before passing over her Quiver, Bow, and Evoker to the others, &amp;quot;I&#039;ll handle the distraction part.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
...before strolling up to the security guard, &amp;quot;Hey there. Sorry to bother you-&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Carding her fingers through the side of her brown hair, as if she were a little shy, showing off her nails - and the stud earrings she&#039;s wearing.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;...And I know it&#039;s late and all but... I left behind the draft for my big Japanese Lit term paper while cleaning up after Archery Club today. Now... I know that&#039;s no excuse but...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She flashes a smile, taking on the begging tone of someone &#039;&#039;desperate&#039;&#039; for a favor, &amp;quot;... could you please make a little exception to the rules, just this once? I promise, it&#039;ll be the only time.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari&#039;s pretty sure that even without begging &#039;&#039;too much&#039;&#039; she can distract them long enough for Suzume to get to the window.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Mall Trawl toward Midnight Madness! Empathy and Friendliness!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Saying it&#039;s a club thing is a good idea,&amp;quot; Minako says to Suzume. She nods her head once, and then she glances sideways at Suzume. She blinks a little -- it looks like she packed quite a bit -- and her own school uniform isn&#039;t so well outfitted.&lt;br /&gt;
&lt;br /&gt;
But, it&#039;s best to be prepared. Then, she blinks. &amp;quot;Wait, Fukura-chan, what--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She blinks. Suzume &#039;&#039;prepared&#039;&#039; to break into the school. And Yukari--&lt;br /&gt;
&lt;br /&gt;
Minako whirls her head, looks at her, and blinks. They have two plans going at once. She wonders if this makes her the worst leader or the &#039;&#039;best&#039;&#039; leader. She settles on &#039;best,&#039; for now.&lt;br /&gt;
&lt;br /&gt;
The security guard looks at Yukari, then blinks. &amp;quot;Well...&amp;quot; He sighs. &amp;quot;Okay. But hurry, okay? No one is supposed to be here after midnight, and w&#039;re leaving at five &#039;til.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He opens the door for her -- and turns his back on Suzume&#039;s window, as he talks to Yukari. It opens. Minako&#039;s eyes widen -- she nods at Suzume and Hitomi. &amp;quot;Go, go, go!&amp;quot; she hisses.&lt;br /&gt;
&lt;br /&gt;
Fortunately, the window they enter from leads into the hall that the door leads inside; Yukari enters just as Minako lands, having taken up the rear. She says, after that, if still whispering: &amp;quot;Good job, everyone. So far, so good!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has drawn a new Challenge!&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 2: Full Moon Rising - Challenge Level 3 ===========================-&lt;br /&gt;
| Approach Options: Proficiency or Academics                                   |&lt;br /&gt;
| Conditions: Annoying - Charm Down L2, Clumsy - Proficiency Down L1,          |&lt;br /&gt;
| Ineptitude - Proficiency Down L2, and Stupor - Academics Down L1             |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
The hour hits twelve, and the hour hidden behind twelve begins. A full moon     &lt;br /&gt;
rises above Tartarus... and you don&#039;t pass through the entrance hall of         &lt;br /&gt;
Tartarus, tonight. As the Dark Hour dawns, you will find yourself thrown into   &lt;br /&gt;
one of the upper levels of a Block you haven&#039;t seen before, far above anywhere  &lt;br /&gt;
you&#039;ve previously travelled. Even if you made a habit of exploring Thebel,      &lt;br /&gt;
before this -- the environment here is entirely different. Arqa Block is almost &lt;br /&gt;
/organic,/ with its glowing spines slung across the walls and the strange,      &lt;br /&gt;
frightening masks laid into the walls. The floor appears like sand, bloodstains &lt;br /&gt;
splattered over it, and tentacles lift to reveal your path forward. Everything  &lt;br /&gt;
here is bathed in sick magenta and purple... aside from the green glow of the   &lt;br /&gt;
stairs, and the occasional green window facing out.                             &lt;br /&gt;
                                                                                &lt;br /&gt;
More to the point: you&#039;ve been separated from anyone you came in here with.     &lt;br /&gt;
Though finding your allies is extremely pressing, you&#039;ll find, as you fight your&lt;br /&gt;
way through your first floor of this strange new area of Tartarus, that no one  &lt;br /&gt;
you came here with is nearby. You&#039;ll need to be fast and quiet to sneak past all&lt;br /&gt;
these Shadows, or use your brain to think of some way to get an advantage --    &lt;br /&gt;
because right now, you&#039;re alone.                                                &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt; &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Honestly, getting through the window is the most awkward part for Suzume, with her overloaded backpack. She dusts herself off on the inside - and closes the window, once everybody who is going to use it is through.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Told you it would work,&amp;quot; Suzume says, smugly. &amp;quot;I planned ahead.&amp;quot; She shoulders the backpack, as if to prove it. &amp;quot;I thought I mentioned it though.&amp;quot; She did not. &amp;quot;What was Iori&#039;s idea, anyway?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s dark inside. One of the things Suzume didn&#039;t bring was a flashlight and she&#039;s not going to start turning on all the lights. She can feel her heart pumping - she&#039;s excited, or tense, or both. &amp;quot;Let&#039;s get closer to the gym,&amp;quot; she says, looking over at Minako for confirmation. &amp;quot;That&#039;s where she went in, right...?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Getting toward the gym isn&#039;t... too bad, aside from the darkness. Suzume eventually relents and pulls out her phone just to get &amp;amp;#42;any&amp;amp;#42; light from the screen so she doesn&#039;t walk into a wall. Even if she is tense the whole way there.&lt;br /&gt;
&lt;br /&gt;
She shoves the phone back in her pocket once it shows 11:59. &amp;quot;Just a minute,&amp;quot; she says. Which means she pulls her tonfa out, getting her backpack back on her back, and - &lt;br /&gt;
&lt;br /&gt;
space shifts - &lt;br /&gt;
&lt;br /&gt;
Suzume is now in Tartarus. So is everyone else, but, critically, she is not in Tartarus with them. And this is her first time ever seeing Tartarus up this high; she&#039;s been shown the lobby but she hadn&#039;t gone in any further, certainly not to anything organic. It reminds her, and not in a good way, of the twisty layout of the tracks in Mementos, with the bloody splatters...&lt;br /&gt;
&lt;br /&gt;
Suzume stomps on her left foot with her right heel. It makes her wince, but it also snaps her back. &amp;quot;Okay. Okay. Just gotta find someone else...&amp;quot; But how? Maybe she can at least treat it like a maze, so she doesn&#039;t get lost, following the left-hand rule... At least then she can get back. She pulls out one of the granola bars and sets it down so she can mark her original spot.&lt;br /&gt;
&lt;br /&gt;
(If she never comes back to pick it up, who knows where that granola bar is going to end up? Maybe a Shadow will eat it.)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Random Knowledge toward Full Moon Rising! Patra and Smarts!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari feigns being effusively grateful, &amp;quot;Oh thank you! Thank you so much!&amp;quot; She even makes a bow, &amp;quot;I promise, I&#039;ll be out of your hair as soon as possible.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
And then walks right in, &amp;quot;I locked up today so I have the keys - I&#039;ll be right back.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
You see~ It&#039;s not &#039;&#039;two&#039;&#039; plans Minako. It&#039;s &#039;&#039;one plan&#039;&#039;. And you came up with it! Yukari distracts and... well, all of you do the rest.&lt;br /&gt;
 &lt;br /&gt;
When she links up, she takes back her stuff, &amp;quot;There, it all worked out finnnneee, just like I said.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She&#039;s trying not to reveal she&#039;s more than a little anxious, being at the school at night, after all of Junpei&#039;s ghost stories but...&lt;br /&gt;
 &lt;br /&gt;
... maybe someone can tell.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Well he made it sound like on accident that he was gonna blow up a door but... pretttyyyy sure he just put his foot in his mouth.&amp;quot; She indicates towards Suzume...&lt;br /&gt;
 &lt;br /&gt;
After they make it where they&#039;re supposed to go, Yukari says, &amp;quot;Okay everyone stay close together because-&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
The hour strikes Twelve, the world shifts and...&lt;br /&gt;
 &lt;br /&gt;
... Yukari wakes up on the ground, inside Tartarus, groaning. Before her eyes flare open, looking around, and, &amp;quot;EEEK!&amp;quot; Coming face to face with a giant Mask.&lt;br /&gt;
 &lt;br /&gt;
Backing up quickly, her breath quickens as she looks one way, then another... &amp;quot;Oh- no! It actually happened!&amp;quot; Heart pounding, she pulls herself upright, and tries to orient.&lt;br /&gt;
 &lt;br /&gt;
She&#039;s at least &#039;&#039;a little familiar&#039;&#039; with the imagery, but that doesn&#039;t make it any easier, especially alone.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Okay calm down. Don&#039;t panic. You knew this could happen... just... avoid the Shadows, and hope we didn&#039;t get too separated.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari&#039;s heart pounds, as she moves &#039;&#039;carefully&#039;&#039; in a manner that almost borders on paranoia. After all, she&#039;s in the middle of a horror movie, alone.&lt;br /&gt;
 &lt;br /&gt;
And then when the coast is clear, every so often... she delicately launches an arrow down a passageway where she&#039;s not going, listening to the clatter in the distance.&lt;br /&gt;
 &lt;br /&gt;
Then waits. And waits... and waits some more behind a corner, trying her best not to panic, before moving when she sees the shadows respond to the distraction...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Come on... someone be nearby. Please...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She keeps trying to ward off the thought that the tarp Hitomi brought might be for her too.&lt;br /&gt;
&amp;quot;... Please. I don&#039;t wanna die, I don&#039;t wanna die... I don&#039;t wanna...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Suspicion toward Full Moon Rising! Focus and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi has a tote bag of her own, though most of it is occupied with a tarp and a folded linen bedsheet from the linen closet at the dorms. Hopefully, that won&#039;t be necessary. And Yukari opts to take the risk and bring the security guard&#039;s attention to somewhere else! &lt;br /&gt;
&lt;br /&gt;
gogogogogogo and THROUGH! &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I suppose that was the easy part,&amp;quot; Hitomi mutters, producing her phone from one pocket to check the time. &amp;quot;We don&#039;t have long.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And soon enough... Tick. &lt;br /&gt;
&lt;br /&gt;
Shift. &lt;br /&gt;
&lt;br /&gt;
Turn. &lt;br /&gt;
&lt;br /&gt;
And... she&#039;s alone. &amp;quot;... Takeba? Fukura? Arisato?&amp;quot; she says, repeating it once after looking around. Her pulse is quickening. Spines and masks. The floor is sand, splattered with blood. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fuck,&amp;quot; says Hitomi. ~curse words~. &lt;br /&gt;
&lt;br /&gt;
She folds her arms, tugging the tote back close to her body. &amp;quot;Alright,&amp;quot; she mutters to herself. &amp;quot;Tartarus sucks but it has a logic. It&#039;s laid out. There are paths and there are places to go. They have to be somewhere and if I&#039;m alive in an hour we&#039;ll just end up elsewhere and everything will be fine. Yamagishi isn&#039;t going to rot much if we have to come back tomorrow. Okay.&amp;quot; She takes a deep breath, forces it out. And then -- &lt;br /&gt;
&lt;br /&gt;
She goes. &lt;br /&gt;
&lt;br /&gt;
Hitomi follows a simple strategy. She gets a wall on her left side and she keeps it there, even when other chambers and passages suggest she should not. After two minutes, she puts a hand in the hip pouch where her dice are. They are a comfort to toy with. The click-clack. It&#039;s controlled. &lt;br /&gt;
&lt;br /&gt;
She hums tunelessly to herself, so she doesn&#039;t have to hear herself think.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward Full Moon Rising! Smarts and Patra!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako looks at Yukari. There is just a hint of tension in her expression -- but then she makes the effort to smile at her. The smile comes easy. &amp;quot;Good work, Takeba-chan,&amp;quot; she says.&lt;br /&gt;
&lt;br /&gt;
Then she glances sideways at Suzume.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah,&amp;quot; Minako says. &amp;quot;The gym is where she went in. So if we get there, it &#039;&#039;should&#039;&#039; get us close...&amp;quot; She hopes. She doesn&#039;t actually know that; anuthing could happen.&lt;br /&gt;
&lt;br /&gt;
She follows after Suzume, checking her naginata -- it&#039;s over her back, with a cloth wrap around the blade like it might be a lacrosse stick or a hockey stick -- and then she pauses. She hears Suzume say &#039;just a minute.&#039;&lt;br /&gt;
&lt;br /&gt;
And then the Dark Hour sets in.&lt;br /&gt;
&lt;br /&gt;
She sucks a sharp breath in, as she finds herself on unfamiliar footing. Thebel Block&#039;s organic material is unlike Arqa&#039;s smoother floors and walls. It is still labyrinthine, and Minako starts to look around. Her jaw sets.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Damn it,&amp;quot; she says. &amp;quot;Damn it, damn it--&amp;quot; And she stops whispering and vents her frustration, loudly: &amp;quot;DAMN IT!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It echoes. Then, she sees something shift ahead -- a Shadow, sliding out of the shadows. She already lost them. What Yukari warned her about is happening. She turns, dashing away -- and she glances side to side.&lt;br /&gt;
&lt;br /&gt;
Find the others. And the best way to find them is to give them something to see and hear, even if it&#039;s dangerous for her. Minako whirls around, facing the Shadow that comes towards her. She draws her Evoker, barrel against the side of her head. She squeezes the trigger.&lt;br /&gt;
&lt;br /&gt;
Blue light and glass explode out the side of her head, lighting up Thebel&#039;s twisting tunnels a little -- and then a &#039;&#039;lot&#039;&#039;, as her voice cries out:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;LINOS!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And blue-white nuclear flame explodes across the Shadow, sending brilliant streamers of light every which way, like a flare for the others to see.&lt;br /&gt;
&lt;br /&gt;
She hopes.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Proficiency toward Full Moon Rising! Base!&lt;br /&gt;
 MONAD: Hitomi Mandai has drawn a new Challenge!&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume is more freaked out than she wants to admit. In this one moment she might have some sympathy for Yukari...&lt;br /&gt;
&lt;br /&gt;
...but she isn&#039;t with her, so we&#039;ll never know!&lt;br /&gt;
&lt;br /&gt;
Two of them have the idea to follow the left wall. This is great except it means that Hitomi and Suzume are unlikely to find each other quickly, as they both trace movement in the same direction; it&#039;s like one&#039;s following the other. So they&#039;re not the two that run into each other first.&lt;br /&gt;
&lt;br /&gt;
Suzume rounds a corner - and almost gets hit by an arrow.&lt;br /&gt;
&lt;br /&gt;
It wasn&#039;t that close, really. She wasn&#039;t in much danger (well, not from that anyway); it&#039;s just that it hit the wall just as she started to step around that corner, and it draws a startled yelp from Suzume that sounds suspiciously like a cut-off scream as she ducks back around the corner. &amp;quot;It&#039;s me, it&#039;s me!&amp;quot; she calls, before sticking her head around the corner again as if expecting Yukari to shoot it.&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I didn&#039;t think I&#039;d be happy to find you in here,&amp;quot; Suzume admits. &amp;quot;I thought if we were all near the gym we&#039;d at least show up in the same... room, or hallway, or whatever! Let&#039;s never come up this way again.&amp;quot; She looks around, finally trotting over toward Yukari. &amp;quot;...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She feels vaguely like she should thank Yukari - that or admit that she really didn&#039;t know what she was getting into, that Yukari was right - but she doesn&#039;t. She can&#039;t bring herself to go &amp;amp;#42;that&amp;amp;#42; far. She can take care of herself, she thinks, even if she really didn&#039;t like being alone up here in Tartarus. Fortunately, there is a distraction: &amp;quot;Hey, was that an explosion?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It was. Hitomi can see it, the nuclear blast from Minako; Suzume and Yukari can only hear it at a distance. By the time the three of them arrive, the reason for Minako&#039;s delay is obvious: she, unfortunately, had to fight a Shadow, and while it wasn&#039;t a &amp;amp;#42;powerful&amp;amp;#42; Shadow, she ended up fighting it alone (and, eventually, with Hitomi, if she hustled).&lt;br /&gt;
&lt;br /&gt;
By this point, Suzume is approaching what must be her normal adrenaline-fueled energy levels: higher than the usually slouchy, sullen teen has been in the dorms. &amp;quot;About time,&amp;quot; she says, clonking her tonfa together. &amp;quot;Can we just... explore as a group now?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That&#039;s Suzume-speak for &#039;I am glad I found all of you alive and healthy&#039;, by the way.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 3: Where Am I? - Challenge Level 2 ================================-&lt;br /&gt;
| Approach Options: Guts or Understanding                                      |&lt;br /&gt;
| Conditions: Clumsy - Proficiency Down L1, Hard - Understanding Down L1,      |&lt;br /&gt;
| Scary - Guts Down L1, and Stupor - Academics Down L1                         |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
&amp;quot;Where am I? Why am I here?&amp;quot;                                                    &lt;br /&gt;
                                                                                &lt;br /&gt;
A voice may echo through your head, faintly, as you make your way alone through &lt;br /&gt;
Tartarus -- it will be much easier to hear for those with strong Resonance like &lt;br /&gt;
Navigators, but even extremely /capable/ Navigators will realise they no right  &lt;br /&gt;
of reply to the voice they&#039;re hearing.                                          &lt;br /&gt;
                                                                                &lt;br /&gt;
Whether by following that voice, or just by climbing Tartarus, you&#039;ll be able to&lt;br /&gt;
find... /part/ of your party. Another loner or two converges on your location,  &lt;br /&gt;
each of you trying to find each other, and it&#039;s surely a huge relief. But what  &lt;br /&gt;
about the others? Your best clue might be heading towards the sound of those    &lt;br /&gt;
faint whispers -- maybe your friends are hearing it, too. At least now, you&#039;re  &lt;br /&gt;
better able to face down the Shadows which want to block your path. Merciless   &lt;br /&gt;
Mayas and Muttering Tiaras stand in your path as you move forward -- one a      &lt;br /&gt;
formless puddle of a Shadow wearing a mask and grasping with its arms, and the  &lt;br /&gt;
other floating in the air, its head twisted into the shape of tiara as shadowy  &lt;br /&gt;
fabric flutters beneath it.                                                     &lt;br /&gt;
                                                                                &lt;br /&gt;
(Note: It is suggested that you split your party into groups of 2 and 3, or     &lt;br /&gt;
equivalent, to answer this Challenge.)                                          &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
 &amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
THOOM! &amp;quot;That&#039;s probably one of them,&amp;quot; Hitomi muses. &amp;amp;#42;HUSTLE&amp;amp;#42; &lt;br /&gt;
&lt;br /&gt;
Soon enough, she&#039;s found Minako -- &amp;quot;Hey! I&#039;m so sorry, wow. Uh, here, we have like seven drinks and I don&#039;t think Yamagishi&#039;s going to need all of them.&amp;quot; Score one slightly lukewarm Pocari Sweat!&lt;br /&gt;
&lt;br /&gt;
Soon enough, everyone else is together, and Hitomi gives everyone a smile. &amp;quot;Yeah,&amp;quot; she says, &amp;quot;I think we should, even if I suppose that&#039;s not very space and time efficient, like, comparatively, haha, I&#039;m just nervous, ignore me...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
FORWARD! &lt;br /&gt;
&lt;br /&gt;
The group is able to travel with no interruption other than one rather weak Shadow who is easily dispatched without too much effort. The only real problem is... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do you see anything from Yamagishi? Like, at all?&amp;quot; Hitomi just says abruptly after approximately five right turns through the cryptic hallways that seem to go nowhere. Being in a group is better, but they already, quite likely, don&#039;t have any idea how to get BACK to the others... trusting perhaps in Mitsuru-sempai to find their lost asses if they&#039;re in trouble. Hitomi turns around... &lt;br /&gt;
&lt;br /&gt;
It happened, very likely, during the moment when everyone was NOT looking in a direction where they could see everyone else. A cluster of four girls who are deliberately staying close together meant that it took a while to happen. But when Hitomi looks back towards where Suzume and Yukari had been, she sees instead... &lt;br /&gt;
&lt;br /&gt;
A wall. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;When the FUCK did this get here?&amp;quot; Hitomi says, raising her voice. She raises a fist and smacks it against the ribbed wall, and gets nothing for her trouble but a surprising rebound and a sudden step back. &amp;quot;... s-sorry, this is just... ugh. I guess we just only have so much luck to go around, huh?&amp;quot; she says, looking towards Minako. &lt;br /&gt;
&lt;br /&gt;
There&#039;s several silent seconds. Hitomi, inwardly, is considering how to propose something. (Her feelings? No -- but she is considering, quite seriously, if she and Minako should link hands. On the other hand, would that mean that when they got separated one of them would...) &lt;br /&gt;
&lt;br /&gt;
                    where am I? &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s head turns slightly. &amp;quot;You hear that?&amp;quot; she says, whispers herself almost. She&#039;s sweating now, with worry. Wiping off her forehead with her forearm, she sucks in a deep breath. &lt;br /&gt;
&lt;br /&gt;
And then... she holds out a hand to Minako. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;If we run into Shadows,&amp;quot; she says, &amp;quot;or if I start falling... let go. Okay? But...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
            why am I here? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... I think we&#039;re falling behind. Do you think you can run?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And if Minako takes that outstretched hand (of friendship, friends), Hitomi &amp;amp;#42;will&amp;amp;#42; start running towards the incredibly loose, basically-hemispherical direction the sound seems to be coming from. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Raise -- All In toward Where Am I?! Bravery and Focus!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari does turn quickly, with her bow at the ready and arrow nocked but-&lt;br /&gt;
 &lt;br /&gt;
Doesn&#039;t fire.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... I&#039;m just happy to find anyone else still alive.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She admits to Suzume in that moment of solidarity perhaps, lowering her bow and letting the tension go on the string.&lt;br /&gt;
 &lt;br /&gt;
Yukari, &#039;&#039;doesn&#039;t&#039;&#039; in fact go &#039;I told you so&#039; or anything. They&#039;re on a mission right now. They have a goal. &amp;quot;Okay good.&amp;quot; Just... need a moment, &amp;quot;Whew... heart&#039;s beating a little fast.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She&#039;s ordinarily too proud to admit she&#039;s scared, but right now she&#039;s jut relieved that she&#039;s alive and they&#039;re alive too. Which is when the explosion happens. &amp;quot;Yeah. Come on! That&#039;s gotta be them. Though... careful. We won&#039;t do them any favors if we accidentally lead more Shadows to them.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
It&#039;s not even calling Suzume out, the warning is more for herself too.&lt;br /&gt;
 &lt;br /&gt;
When they come upon Hitomi and Minako... &amp;quot;Oh thank goodness-! You&#039;re all okay! Ahaha... wow. What a start. This operation already feels like a mess... but it can only go up from here right?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari may spend some extra time using Io to heal wounds... but... &amp;quot;No sign of her yet. Unless... you saw something?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She turns to Suzume, and when she turns back, &amp;quot;What!? Where&#039;d they go!? That&#039;s NEVER happened before!&amp;quot; She freaks out some, before calms down, &amp;quot;Then again, there&#039;s nothing normal about this operation.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
                        where am I?&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... What was that!?&amp;quot; Yukari says in an instantly renewed panic. &amp;quot;You hear that too right?&amp;quot; She says to Suzume, &amp;quot;It sounded like it was in my head...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
                   why am I here?&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Again!&amp;quot; She squeaks, high pitched, &amp;quot;Oh no. No... no no... why now!?&amp;quot; She breathes rapidly for a moment, sweat starting to drip off of her chin, &amp;quot;Okay... Okay - um... we&#039;re just gonna stay close, and link up to the others. Just... keep that Evoker ready.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s no such thing as ghosts&lt;br /&gt;
There&#039;s no such thing as ghosts&lt;br /&gt;
There&#039;s no such thing as ghosts&lt;br /&gt;
 &lt;br /&gt;
Things you can&#039;t see are always scarier for her. Just like that voice.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Guts toward Where Am I?! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako is breathing heavily -- and there&#039;s a gash in the side of her uniform, where the Shadow got her. It lies at her feet -- a puddle of inky darkness. She wipes at her brow, and then she looks at Suzume. She takes a second to collect herself.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Good idea,&amp;quot; she says. &amp;quot;I&#039;m really glad to see all of you. That was scarier than I want to admit.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Even if she did just admit it.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m glad to see you too,&amp;quot; she says to Yukari. &amp;quot;We&#039;re... well, we&#039;re all here. That&#039;s the important thing. Stick close, everyone!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks at Hitomi -- and she quickly shakes her head. &amp;quot;Don&#039;t worry about it. I haven&#039;t seen anything from her, but--but she has to be here. Somewhere.&amp;quot; She hopes quietly, as she says that aloud.&lt;br /&gt;
&lt;br /&gt;
Minako walks along, staying near the front with Hitomi. With her naginata, it makes her a natural fit for the front line. When Hitomi turns, though, Minako&#039;s eyes widen a bit. &amp;quot;This place is confusing,&amp;quot; she says. &amp;quot;It&#039;s okay to be frustrated.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She exhales. &amp;quot;We--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She hears a voice. She looks at Hitomi, then she nods. She hears it. Silently, she takes Hitomi&#039;s hand.&lt;br /&gt;
&lt;br /&gt;
She hears the voice again.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m with you,&amp;quot; she says. &amp;quot;And I can run. Maybe--maybe that voice is her. Maybe she&#039;s ahead...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The memory of that night on a bridge comes back to her. Of climbing free of a car, bloodied; of asking why she survived, and why someone else had to--&lt;br /&gt;
&lt;br /&gt;
She stops that thought. If they can just get to Fuuka, then it will all be worth it. Minako starts to run with Hitomi, holding on tighter to her hand.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Just hold on, Yamagishi-san.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Rushing In toward Where Am I?! Bravery and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume, like Yukari, has a bit too much pride to admit when she&#039;s wrong, or that she might be showing a vulnerability. Especially in &amp;amp;#42;front&amp;amp;#42; of Yukari, who told Suzume she didn&#039;t know what she&#039;s getting into.&lt;br /&gt;
&lt;br /&gt;
Suzume needs to show her she&#039;s worth having here. Which means looking at her best.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah...&amp;quot; Her heart is a little fast, too. In her case Suzume doesn&#039;t mind the adrenaline but she &amp;amp;#42;does&amp;amp;#42; mind some of the rest of it. At least they&#039;re all together now...&lt;br /&gt;
&lt;br /&gt;
Like Minako, with her tonfa Suzume makes sense to keep near the front. So she does, taking the opposide side as Minako. Suzume may not have Tartarus experience but she&#039;s watched movies, played games; she knows how important it is to keep a formation with the melee people up front. Except - &lt;br /&gt;
&lt;br /&gt;
A wall.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...it doesn&#039;t normally shift, but - &amp;quot; This place &amp;amp;#42;is&amp;amp;#42; creepy. Suzume gets goosebumps. Her impromptu mapping (well, keeping to the left-hand rule) doesn&#039;t work if the walls move! They might never find their way back. &lt;br /&gt;
&lt;br /&gt;
&#039;where am I?&#039;&lt;br /&gt;
&lt;br /&gt;
Yukari might have panicked out loud, but Suzume straightened bolt upright. She absolutely heard it too. &amp;quot;It came from...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&#039;why am I here?&#039;&lt;br /&gt;
&lt;br /&gt;
Suzume can&#039;t tell which way it came from. It sounded like it came from everywhere or nowhere. Echoes? Or... She picks up on Yukari&#039;s tension, and while normally she might roll her eyes, she can&#039;t really blame her for it in &amp;amp;#42;here&amp;amp;#42;. &amp;quot;...okay,&amp;quot; she says, taking in a deep breath and letting it out slowly, through her nose.&lt;br /&gt;
&lt;br /&gt;
It&#039;s just like a haunted house, Suzume tells herself. A haunted house that can kill you, but... She can do this. She can do this. She can do this.&lt;br /&gt;
&lt;br /&gt;
She&#039;s not sure she can do this. &lt;br /&gt;
&lt;br /&gt;
Suzume grips the handle of her right tonfa tighter, her knuckles whitening. She fought in Mementos, when she couldn&#039;t even fight back. Now she can. She just has to remember that. She&#039;s not helpless. She&#039;s never going to let herself be helpless; she&#039;s not the one that needs to be saved.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Okay,&amp;quot; she repeats, as she begins to walk. She hasn&#039;t drawn her Evoker, but... it&#039;s ready, too.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Dare toward Where Am I?! Specialty!&lt;br /&gt;
 MONAD: Yukari Takeba has drawn a new Challenge!&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 4: Please Answer Me - Challenge Level 3 ===========================-&lt;br /&gt;
| Approach Options: Academics or Proficiency                                   |&lt;br /&gt;
| Conditions: Boss - Add 1 Fatigue on failure., Box - Add 1 Item/Money/Gear.,  |&lt;br /&gt;
| Clumsy - Proficiency Down L1, Hard - Understanding Down L1, Scary - Guts     |&lt;br /&gt;
| Down L1, and Stupor - Academics Down L1                                      |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
&amp;quot;Please, answer me...&amp;quot;                                                          &lt;br /&gt;
                                                                                &lt;br /&gt;
There&#039;s that voice again -- growing a little louder, a little easier to hear    &lt;br /&gt;
even if you&#039;re not the most Resonant Persona-user out there. Here, on the third &lt;br /&gt;
floor of this mysterious purple-tinged Arqa Block, you&#039;ll come across something &lt;br /&gt;
that will surely help you -- a glittering rare treasure chest lying in your     &lt;br /&gt;
path. There&#039;s just one problem...                                               &lt;br /&gt;
                                                                                &lt;br /&gt;
... the Shadow patrolling in front of it is wreathed in strange red flames. It&#039;s&lt;br /&gt;
clearly a more formidable enemy than the ones you&#039;ve been facing, and you still &lt;br /&gt;
haven&#039;t found all your friends! Facing it in your current state would be        &lt;br /&gt;
incredibly risky, but whatever you might claim from that chest might be key to  &lt;br /&gt;
your survival. You&#039;ll need to be quick enough to dart in while its back is      &lt;br /&gt;
turned -- or clever enough to think up a distraction. Getting caught out in a   &lt;br /&gt;
fight would /definitely/ suck.                                                  &lt;br /&gt;
                                                                                &lt;br /&gt;
How will each group solve this problem, split up as they are?                   &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
 &amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
For Minako and Hitomi, it&#039;s a run. They can move fast. What does Hitomi see, behind her eyes, behind her mind? What&#039;s on her face, which is in a contortion of determination, with a strange hint of some kind of glimmer in her eyes? &lt;br /&gt;
&lt;br /&gt;
She remembers a thrill, a joy, and a horrible disappointment. Blood, terror, and revelation. Something pouring a thick defiling liquid on something gorgeous, something pure, something in her heart. Scrape it away. Will it shine? Is it ruined?&lt;br /&gt;
&lt;br /&gt;
She keeps going. &lt;br /&gt;
&lt;br /&gt;
Hitomi doesn&#039;t answer Minako. &lt;br /&gt;
&lt;br /&gt;
For Yukari and Suzume, it may be difficult. Tenser. More fearful. Instead of running ahead, they take it with caution. Routine... a ritual of preparedness. Rituals can be a guard, a fence, a prescription. They have a bad reputation, but they&#039;re there for a reason. &lt;br /&gt;
&lt;br /&gt;
But the good news is that... they got lucky. No Shadows stand in their way, at least not in a way that can&#039;t be avoided with a little tacking of the route of the run or an adjustment in the path of their journey. No deep obstacles. No cthonic and maddening puzzles. &lt;br /&gt;
&lt;br /&gt;
No corpses! Not even the near occasion of corpses. Unless you want to read those masks in the wall as being &amp;amp;#42;death&amp;amp;#42; masks, of course, but don&#039;t get too morbid about it. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Both groups move.&lt;br /&gt;
 &lt;br /&gt;
The hallways have shifted, creepily, glowing veins across woven tentacles, and wet ground that occasionally pools red at their footsteps...&lt;br /&gt;
 &lt;br /&gt;
Like what they&#039;re stepping on is alive.&lt;br /&gt;
 &lt;br /&gt;
That isn&#039;t to say there&#039;s nothing of help! There&#039;s a chest, glinting... but...!&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Stop.&amp;quot; Yukari whispers softly to Suzume, ever so softly. Because the Shadow... maybe Suzume blinks, and she&#039;ll feel it now.&lt;br /&gt;
 &lt;br /&gt;
The red aura of resonance. That feeling in the pit of your gut that screams &#039;danger&#039; &#039;danger&#039; danger&#039;.&lt;br /&gt;
 &lt;br /&gt;
The Shadow - the predator. And they, the prey. It&#039;s strange mask blue pooling out of black ichor, more amorphous than the strange misshapen Shadows in Mementos.&lt;br /&gt;
 &lt;br /&gt;
-=-=-&lt;br /&gt;
 &lt;br /&gt;
Hitomi and Minako find an even better haul. A white chest, with bars, and two red dots where Minako might place Twilight Fragments from prior operations to open it.&lt;br /&gt;
 &lt;br /&gt;
One problem. In the corner of the room with the chest, and they&#039;ll see a Snake, woven greedily around a heart. Eyes glinting...&lt;br /&gt;
 &lt;br /&gt;
She&#039;ll remember this from their exploration. Lustful Snakes.&lt;br /&gt;
 &lt;br /&gt;
If you engage them, they will charm someone over and over and over.&lt;br /&gt;
 &lt;br /&gt;
Which... they could fathom taking it on if they had someone or multiple someones who could deal with that.&lt;br /&gt;
 &lt;br /&gt;
But what now?&lt;br /&gt;
 &lt;br /&gt;
-=-=-&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;That&#039;s definitely one of those big ones...&amp;quot; Yukari whispers to Suzume... &amp;quot;And... if you look beyond? I think I see our way up.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
                   Please, answer me&lt;br /&gt;
 &lt;br /&gt;
She stifles another sound, clapping her hand over her mouth, shaking, she takes a breath. Breathing, she takes a moment, &amp;quot;We can&#039;t fight that... not right now. So here&#039;s what we&#039;ll do. I&#039;m gonna do something that&#039;s gonna seem a little... weird.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
As she pulls out this strange looking old style Talisman from one of her pockets, &amp;quot;You get the chest, and then run alright? It&#039;ll be fine! Just... just run fast alright?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari steps out into the open, and then, &amp;quot;Hey you! Ugly!&amp;quot; The Steel Gigas turns towards her, and roars, tromping towards her as it forms a Colossal creature with metallic plating around its limbs.&lt;br /&gt;
 &lt;br /&gt;
Which is when she then throws a Talisman!&lt;br /&gt;
 &lt;br /&gt;
And a thunderbolt zaps down, which if it hits will momentarily stagger it to a knee... for all of, you know - a few seconds!&lt;br /&gt;
 &lt;br /&gt;
Then she keeps running.&lt;br /&gt;
 &lt;br /&gt;
Where&#039;s Arisato-chan when you need her?&lt;br /&gt;
I always prefer it when she uses those...!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Mean Girl toward Please Answer Me! Specialty!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako keeps running. But she slows to a stop -- her feet skidding over the uneven surface of Thebel Block -- and she lifts a hand. Her eyes dart from the white chest, to the Lustful Snakes. Her lips tense, into a frown.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;The chest has something good,&amp;quot; she says. &amp;quot;Almost certainly. But those things--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She jabs a finger at the snakes. &amp;quot;...They might charm us. It&#039;d be a disaster with just us,&amp;quot; she says. &amp;quot;It--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;Please, answer me.&#039;&lt;br /&gt;
&lt;br /&gt;
Her breath catches, and she turns her head. She looks at Hitomi, then she nods. &amp;quot;We should slip past. With the two of us, I don&#039;t like our odds. And we need to get to Yamagishi.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with Academics toward Please Answer Me! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Oh, hey,&amp;quot; Hitomi says as she sees the treasure. &amp;quot;Should we try to pick it up?&amp;quot; It&#039;s quiet, but it&#039;s... nice. They can&#039;t run forever. It&#039;s a distraction from their possibly imminent -- nope, there&#039;s the Snake. &lt;br /&gt;
&lt;br /&gt;
She grunts at the sight of it. &lt;br /&gt;
&lt;br /&gt;
Something voices in the distance. Her cheeks puff out. Hitomi looks at the Snakes. Her hand slides back into her dice pouch. Click clack, clack click. &lt;br /&gt;
&lt;br /&gt;
She has that weird look in her face again, staring at the snake... but then she takes a deep, deep, DEEP breath... and blows it out rather explosively, sagging as she does. &amp;quot;Yeah,&amp;quot; she says, &amp;quot;you&#039;re right.&amp;quot; Straightening up, she looks at the chest for a few steps, but -- finally -- turns away. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... But if we do come back this way, after we find Fukura and Takeba...&amp;quot; Hitomi adds. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with It&#039;s Time For Some Game Theory toward Please Answer Me! Smarts and Patra!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The squishy hallways are &amp;amp;#42;definitely&amp;amp;#42; reminding Suzume of Mementos, and not in a good way. The strange growths along the side of the tracks, or under the pillars in the areas meant for walking...&lt;br /&gt;
&lt;br /&gt;
Suzume stops when she&#039;s asked to, without even arguing about it. Because - she &amp;amp;#42;can&amp;amp;#42; feel the resonance. She hadn&#039;t ever felt it before she met Shinjiro, and since then she&#039;s felt it a couple times, but this is different. Her Persona is that of a great hunter - and it knows when something is hunting &amp;amp;#42;her&amp;amp;#42;.&lt;br /&gt;
&lt;br /&gt;
She rotates her tonfa back, resting it along her arm, more of a defensive positioning than an offensive one. &amp;quot;I might be able to sneak past,&amp;quot; she hisses, keeping her voice low. But she doesn&#039;t know how to get Yukari across if she can&#039;t sneak herself. &lt;br /&gt;
&lt;br /&gt;
&#039;Please, answer me&#039;&lt;br /&gt;
&lt;br /&gt;
Suzume flinches again. Then: &amp;quot;Wait,&amp;quot; she says, holding up one finger. &amp;quot;Is that - I think we&#039;re going the right way after all!&amp;quot; She seems more energetic. And why?&lt;br /&gt;
&lt;br /&gt;
Well, Suzume is in Fuuka&#039;s class. She (and Hitomi) have heard her before, if only rarely - she&#039;s not friends with Fuuka and they don&#039;t talk but she&#039;s heard her answer questions before. And the placeless voice is faintly familiar...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So let&#039;s go,&amp;quot; she agrees, but looks Yukari over again. Something weird? She almost argues about taking orders - Yukari can&#039;t tell her what to do - but she is the senpai here, and so Suzume gives a grudging nod. It &amp;amp;#42;is&amp;amp;#42; weird, though. &amp;quot;Wait, you want to stop for the treasure - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
More than that. She wants to &amp;amp;#42;fight it&amp;amp;#42; for the treasure, or at least knock it down.&lt;br /&gt;
&lt;br /&gt;
Suzume is off like a shot as soon as Yukari gets the Gigas&#039; attention. For someone who&#039;s as small as she is, Suzume is &amp;amp;#42;fast&amp;amp;#42; in a sprint. It looks practiced... &lt;br /&gt;
&lt;br /&gt;
...but Suzume is actually a little out of practice. She did track more, before, but she hasn&#039;t on a running team since middle school. She feels a twinge and ignores it, pushing through as she nearly slams into the chest, popping it open with the butt end of her tonfa. &lt;br /&gt;
&lt;br /&gt;
She just shoves whatever&#039;s inside on top of her bag - she&#039;ll look at it later, though that poor squashed melonpan is now getting extra squashed - and runs the rest of the way, slowing down only slightly to scramble toward the stairs without tripping on them.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You run faster than I thought,&amp;quot; she calls to Yukari. &amp;quot;Figured - you&#039;d stick to kyudo. No running there!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Sports Talk toward Please Answer Me! Diligence and Focus!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
It&#039;s a good call! It&#039;s the absolutely correct call unless there&#039;s something that allows for instant Fuuka Recovery inside! But leaving the treasure behind... it absolutely hurts.&lt;br /&gt;
 &lt;br /&gt;
And Oh...&lt;br /&gt;
 &lt;br /&gt;
... as they try to slip by the Lustful Snake comes at them anyway!&lt;br /&gt;
 &lt;br /&gt;
30 Marin Karins later!&lt;br /&gt;
ALL ON HITOMI!&lt;br /&gt;
EVERY SINGLE ONE!&lt;br /&gt;
 &lt;br /&gt;
Minako FINALLY brings it down WITHOUT hurting her teammate who keeps rolling SNAKE EYES damnit, because OF COURSE SHE DOES!&lt;br /&gt;
 &lt;br /&gt;
It may be a little exhausting, thankfully the chest has...&lt;br /&gt;
 &lt;br /&gt;
You received 1x Chewing Soul&lt;br /&gt;
 &lt;br /&gt;
She&#039;s gonna need that, probably.&lt;br /&gt;
 &lt;br /&gt;
Yep. The way she sees it... it&#039;s on the way.&lt;br /&gt;
 &lt;br /&gt;
Indeed, she is still running, and before long Suzume and her hear the Gigas up and tromping after them on footsteps that shake even the strange organic ground.&lt;br /&gt;
 &lt;br /&gt;
But eventually the footsteps slow - and then they don&#039;t hear them anymore.&lt;br /&gt;
 &lt;br /&gt;
As she leans against the wall, taking a breather, &amp;quot;Uh well... that &#039;&#039;was&#039;&#039; the case... until I joined SEES.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She looks at Suzume, and shrugs her shoulders, &amp;quot;I guess a few months of exploring this place? You learn to run pretty fast...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... also there was that whole runaway monorail thing too.&amp;quot; She looks away at that, &amp;quot;I think I got like a whole week&#039;s worth of training that night alone, thanks to Stupei running around everywhere trying to prove himself.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She straightens up, and then looks at her, long and hard, &amp;quot;But hey, good work. You got it.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Inside the chest was...&lt;br /&gt;
 &lt;br /&gt;
You received 1x Dis-Charm&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;That&#039;s definitely gonna come in handy if we run into one of those horrible snakes again.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has drawn a new Challenge!&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 5: Is Someone There? - Challenge Level 2 ==========================-&lt;br /&gt;
| Approach Options: Academics or Understanding                                 |&lt;br /&gt;
| Conditions: Bless - +1 to Group Roll (Per Character), Clumsy - Proficiency   |&lt;br /&gt;
| Down L1, Hard - Understanding Down L1, Stupor - Academics Down L1, and       |&lt;br /&gt;
| Stupor - Academics Down L1                                                   |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
This time, when you climb another floor, both of your groups are able to reunite&lt;br /&gt;
with each other. Thank goodness! With everyone reunited, you&#039;ll have a much     &lt;br /&gt;
easier time fighting even the more difficult enemies in Arqa Block. It&#039;s still a&lt;br /&gt;
challenge, but now, at least, you don&#039;t have to worry about whether your friends&lt;br /&gt;
are hurt out here.                                                              &lt;br /&gt;
                                                                                &lt;br /&gt;
You&#039;ll get a moment to breathe, thanks to your combined strength. An arched     &lt;br /&gt;
window shows the vista outside of Tartarus -- and the Full Moon which hangs in  &lt;br /&gt;
the sky. Perhaps the cycles of the moon mean something, to you... or perhaps    &lt;br /&gt;
it&#039;s just some eerie imagery, as far as you&#039;re concerned. But not only is this a&lt;br /&gt;
moment to collect your thoughts -- it&#039;s a moment for you all to compare notes on&lt;br /&gt;
that voice you&#039;ve been hearing. Pressingly, you hear her /again,/ as indistinct &lt;br /&gt;
as ever: &amp;quot;Is someone there?&amp;quot;                                                    &lt;br /&gt;
                                                                                &lt;br /&gt;
Whoever it is, she sounds like she needs help. Before you do anything else, you &lt;br /&gt;
have to keep climbing until you find her.                                       &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Mandai-chan!&amp;quot;&lt;br /&gt;
&amp;quot;Mandai-chan!&amp;quot;&lt;br /&gt;
&amp;quot;MANDAI-CHAN!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It takes awhile before the Snake is gone. It dissolves into shadowstuff at her feet -- and Minako leans against her naginata, breathing hard. But the white chest, at least, has a Chewing Soul.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Dibs,&amp;quot; she tells Hitomi. &amp;quot;Are you okay?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
In short order, they get moving. And as they come up the stairs, they find &#039;&#039;another&#039;&#039; set of stairs leading down -- and these lead to a platform. The second set is being ascended by Suzume and Yukari.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ah!&amp;quot; Minako exclaims. &amp;quot;There you two are! This place is scary. Let&#039;s try to stay together.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She turns -- and she walks along. Minako leads the way again, and as she does, she hears the voice again: &#039;Is someone there?&#039; Her brow furrows, before she looks back at everyone. &amp;quot;We have to keep moving. Maybe... maybe we&#039;re not too late.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She needs to not be too late.&lt;br /&gt;
&lt;br /&gt;
Minako steps into the next room. She pauses, though, as she gets a good look at the arched window. Outside, they can see Tatsumi Port Island -- all shaded in green -- and the huge, looming full moon. Minako looks at it...&lt;br /&gt;
&lt;br /&gt;
...and her eyes narrow. &amp;quot;Mm, Takeba-chan,&amp;quot; she says. &amp;quot;The... night with the monorail. Wasn&#039;t there also a full moon in Dark Hour?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She feels herself growing cold inside, then. She needs to hurry. If Yamagishi is dead, then--&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t let herself think that. Instead, Minako smiles.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Minako Arisato has acted with A Smile for Every Situation toward Is Someone There?! Specialty!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
AFTER THE BATTLE WITH THE SNAKES&lt;br /&gt;
&lt;br /&gt;
Hitomi is on her knees, face red in her face. She&#039;s slid her fingers up so her glasses are on the outside. &amp;quot;... No hard feelings, right?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
DURING THE BATTLE&lt;br /&gt;
&lt;br /&gt;
Hitomi, surrounded by questionable pink hearts, says, &amp;quot;Fade me!&amp;quot; and threw the dice! Think fast!&lt;br /&gt;
&lt;br /&gt;
BUT HERE AND NOW: &lt;br /&gt;
&lt;br /&gt;
&amp;quot;y-yeah -- I think so. Just... ugh. I&#039;m sorry,&amp;quot; she concludes, getting up and brushing her greaves off. And then, forwards. And then, upwar-- no, downwards. &amp;quot;Ugh,&amp;quot; Hitomi comments, but she usually says that if it seems like they&#039;re going backwards for reasons other than &#039;we&#039;re done here.&#039; &lt;br /&gt;
&lt;br /&gt;
And then: &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fukuraaaaa Takebaaaaaaa,&amp;quot; Hitomi draws out, deliberately playing up the slightly annoying habit she actually has. &amp;quot;I&#039;m so glad to see both of you. Oof. Did you --&amp;quot; But probably neither of them found Yamagishi already. Instead... The window. &lt;br /&gt;
&lt;br /&gt;
Hitomi looks out, at the Moon. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... It&#039;s like a vampire castle, or something, when you see it like this,&amp;quot; she concludes, before -- frowning, and looking towards Yukari. Then back to Minako. &amp;quot;... If that&#039;s really her, and she&#039;s TALKING,&amp;quot; Hitomi concludes, looking upside. &amp;quot;Ugh, I&#039;m going to fall over --&amp;quot; But she hits a good trot, heading after the way Minako went! &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Once they&#039;re out of sight, Suzume takes a moment to crouch down and swing her backpack to the floor so she can look into it. A Dis-Charm... &amp;quot;Guess I&#039;ll hold onto it,&amp;quot; she says, having not seen the snakes at all yet. &amp;quot;Since I&#039;ve got the bag. Where&#039;d you get the talisman?&amp;quot; She wants one.&lt;br /&gt;
&lt;br /&gt;
She straightens a moment later, most of the way anyway; she is back to slouching a little bit. &amp;quot;Next time we come to Tartarus,&amp;quot; she says, &amp;quot;I need to find something else to wear. I don&#039;t care if Arisato-chan,&amp;quot; so she means Minako and not Minato, &amp;quot;thinks it&#039;s a good idea. I&#039;m wearing my gym clothes. Or something.&amp;quot; She drops back for a moment, tugging about halfway up her too-big shirt to make it sit right again with a faint wince. &amp;quot;You&#039;re lucky. Mandai-chan said that you guys got... customized uniforms, or something. I don&#039;t have one yet.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She&#039;s just got her Evoker on a belt holster, and the red armband, and that&#039;s the only differences.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;There you are!&amp;quot; Suzume says, almost in sync with Minako, as she releases her shirt and reshoulders the backpack. &amp;quot;Where did you guys go? All we found was a wall...&amp;quot; She really is relieved to see them again.&lt;br /&gt;
&lt;br /&gt;
Maybe they&#039;re not too late...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t think we are,&amp;quot; Suzume says, suddenly. &amp;quot;The voice... I think it might be her. I&#039;ve heard her a few times in class. I don&#039;t know how we can HEAR her, but unless Tartarus is haunted...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sorry, Yukari. She doesn&#039;t know. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;...then we might be hearing her. Maybe the air vents? Does Tartarus &amp;amp;#42;have&amp;amp;#42; vents...? It has air... If we find any I&#039;m &amp;amp;#42;not&amp;amp;#42; crawling in them. You can&#039;t actually do that anyway, that&#039;s just a movies thing.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume looks out the window when Minako draws her attention to it. She knew it was bright, but... full moon? &amp;quot;Hey, it&#039;s not a full moon today. It&#039;s like half.&amp;quot; Yesterday was half, actually; today it starts waning. But that&#039;s only the full moon outside of the Dark Hour, of course...&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 MONAD: Suzume Fukura has acted with Random Knowledge toward Is Someone There?! Patra and Smarts!&lt;br /&gt;
 MONAD: Hitomi Mandai has acted with Academics toward Is Someone There?! Base!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Oh. You find them in chests around here? I don&#039;t really know how it works just - they do. You can just kinda tell after a while what one does versus another.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She explains as best she can the mechanics of Tartarus loot to Suzume, but it&#039;s still kind of a learn as they go situation.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Well - it&#039;s not a bad idea, coming in gym clothes. Our first operations I was just in my uniform. It&#039;s fine if - you gotta watch it sometimes with the guys.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari says sincerely, &amp;quot;If you&#039;ve gotta climb, make them do it first. For me though... this is just what I&#039;m comfortable moving around in.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Thankfully, before long, they link up-! &amp;quot;What happened!? I just turned around and the two of you were gone!&amp;quot; Evoker comes out, Healing spells happen.&lt;br /&gt;
 &lt;br /&gt;
Then Minako notes the Moon, &amp;quot;Huh? Well... now that I think about it... yeah. It was really big and bright that night...&amp;quot; You can see the moment her thoughts grind to a halt, &amp;quot;... too. You don&#039;t think?!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Fear grips her, as they hear the voice, they run, &amp;quot;Wait - hold it!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari says to the group, trying to call for them to slow down, &amp;quot;Remember, those girls heard voices too before they were found passed out in front of the school! If the Full Moon really is connected- then even if you think it&#039;s Yamagishi-san... be careful. It could be a trick from the Shadows.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She warns, &amp;quot;I want her to be okay as much as the rest of you, promise - but if we fall into a trap then there&#039;s no chance of saving her.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 MONAD: Yukari Takeba has acted with Suspicion toward Is Someone There?! Focus and Patra!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
(|================== Monad - Mission: Sneak Into Gekkoukan! ==================|)&lt;br /&gt;
-==== Round 6: Who&#039;s There? - Challenge Level 2 ===============================-&lt;br /&gt;
| Approach Options: Charm or Understanding                                     |&lt;br /&gt;
| Conditions: Revelation - The best result.                                    |&lt;br /&gt;
-==== Challenge ===============================================================-                                                                                &lt;br /&gt;
                                                                                &lt;br /&gt;
Climbing another set of Arqa stairs, you realise something special about this   &lt;br /&gt;
floor -- there&#039;s another of those Treasure Chests, in a path off to the side.   &lt;br /&gt;
You manage to snag it on your way through, earning yourselves a nice chunk of   &lt;br /&gt;
extra yen for your trouble.                                                     &lt;br /&gt;
                                                                                &lt;br /&gt;
Before you can run into too much extra trouble, though, you hear a voice...     &lt;br /&gt;
which sounds much more /embodied/ than it did before. &amp;quot;Who&#039;s there? Are you...  &lt;br /&gt;
human?&amp;quot;                                                                         &lt;br /&gt;
                                                                                &lt;br /&gt;
That voice calls you to all the /other/ people who ascended Tartarus today, as  &lt;br /&gt;
each group converges on the siren&#039;s song they&#039;ve been following. A girl steps   &lt;br /&gt;
out from behind a strange rocklike formation -- it&#039;s Fuuka Yamagishi, scared and&lt;br /&gt;
unsure. You might not know the people you&#039;ve just run into, but you&#039;re /all/    &lt;br /&gt;
trapped in Tartarus, right now, and there&#039;s strength in numbers. Together, you  &lt;br /&gt;
find a teleporter to take Fuuka back to the entrance.                           &lt;br /&gt;
                                                                                &lt;br /&gt;
Whether you came in here to save her or not -- you can surely call this mission &lt;br /&gt;
a success.                                                                      &lt;br /&gt;
                                                                                &lt;br /&gt;
(This Monad leads directly into Battle Royale! See the scenepost for more       &lt;br /&gt;
details.)                                                                       &lt;br /&gt;
                                                                                &lt;br /&gt;
Final Loot: 2 Pieces of Gear!                                                   &lt;br /&gt;
(|============================================================= Monad 1.0 ====|)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;It... we should be careful,&amp;quot; Minako says. &amp;quot;I don&#039;t know what it means, but I don&#039;t know if I believe in coincidences in here.&amp;quot; She swallows, and she looks ready to start rushing ahead. But when Yukari speaks...&lt;br /&gt;
&lt;br /&gt;
She slows down. She looks at Yukari -- then she nods. &amp;quot;Yeah. Yeah, you&#039;re right,&amp;quot; she says. &amp;quot;It could be a trick. Everyone, be careful!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
They forge ahead, climbing up the stairs. They do find another treasure chest -- &#039;&#039;and&#039;&#039; some more money, too -- and they hear a voice. A voice that sounds closer.&lt;br /&gt;
&lt;br /&gt;
Minako gasps, as she sees Fuuka step out -- and the other people who are coming up, too. Her eyes widen. &amp;quot;That&#039;s her...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume looks Yukari over.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Maybe if you didn&#039;t wear your skirt that short you&#039;d have less of a problem,&amp;quot; Suzume replies, because sometimes (okay, regularly) her mouth gets ahead of her brain. She did not think before she spoke. Again.&lt;br /&gt;
&lt;br /&gt;
Then she realizes what she&#039;s said and, because she&#039;s Suzume, attempts to simply push through it despite realizing she&#039;s just fucked up and put her foot in her mouth: &amp;quot;I mean, I&#039;d want to wear shorts under it or something. ...but guys don&#039;t give me much of a problem. Not twice anyway.&amp;quot; She doesn&#039;t ball a fist because she&#039;s already holding the tonfa, but, well. It&#039;s implied. Gossip says she&#039;s dating Jiro, but the way she&#039;s acting...&lt;br /&gt;
&lt;br /&gt;
(Also, does she even know how to dress? Her uniform is rumpled and not fit very well, the backpack is slung casually over one shoulder, her hair is more than a little messy... though that might just be being in Tartarus.)&lt;br /&gt;
&lt;br /&gt;
But fortunately Tartarus does not depend on Suzume&#039;s fashion sense. Ahead they go, though the tone is once again awkward between Yukari and Suzume, from Suzume&#039;s perspective. She doesn&#039;t try to start anything else but she also doesn&#039;t seem inclined to apologize.&lt;br /&gt;
&lt;br /&gt;
It could be a trick, but - &lt;br /&gt;
&lt;br /&gt;
It isn&#039;t.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yamagishi!&amp;quot; she calls. &amp;quot;It&#039;s Fukura, from class!&amp;quot; That&#039;s all she&#039;s going to be able to say for now, though. It&#039;s not like they&#039;re alone here anymore...&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Yeah and if I had fifty yen for every time Ekoda-sensei said that and now - &#039;&#039;you too&#039;&#039;. I&#039;d have as much money as the Kirijo group.&amp;quot; She says, tersely to Suzume&#039;s comment on her skirt...&lt;br /&gt;
 &lt;br /&gt;
After that, she&#039;s not exactly inclined to say her fashion has always been for &#039;&#039;her&#039;&#039;... not the boys.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You can think you want about it on your own time. We&#039;re on an operation right now.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s something a &#039;&#039;little&#039;&#039; stormy about that, but also scared and trying to focus. Despite being belligerent, she really &#039;&#039;doesn&#039;t&#039;&#039; want to argue in these circumstances.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;It sounds like you&#039;re dressing that way because you&#039;re afraid of what everyone else will think.&amp;quot; Yukari says after a while, &amp;quot;That&#039;s... kinda sad, actually.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She doesn&#039;t mean it as &#039;&#039;pathetic&#039;&#039; certainly - just, sad.&lt;br /&gt;
 &lt;br /&gt;
... but it&#039;s very easy to take it the other way.&lt;br /&gt;
 &lt;br /&gt;
Fortunately, the misunderstandings end (FOR NOW) when they link up and...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t believe it...&amp;quot; Yukari says, not in a tone of skepticism, but being utterly caught flat-footed by Fuuka Yamagishi just being alive and well after so long in Tartarus.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... she&#039;s alive!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Maybe she still means everything she said about this operation. On how dangerous it was. How she doesn&#039;t believe certain people should come - about all the stupid risks that come with it, the unknowns...&lt;br /&gt;
 &lt;br /&gt;
... but maybe it was worth it despite all that.&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1959</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1959"/>
		<updated>2025-07-18T03:41:55Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* SEES */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;0&amp;quot; / 153 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I like him. He&#039;s a little weird, but he doesn&#039;t mind me being me.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Pretty intense. He likes to be mysterious, but he&#039;s cool to hang out with.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;It&#039;s weird, that you don&#039;t remember... But at least you&#039;re safe.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1958</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1958"/>
		<updated>2025-07-18T03:40:34Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* SEES */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;0&amp;quot; / 153 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I like him. He&#039;s a little weird, but he doesn&#039;t mind me being me.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Pretty intense. You wouldn&#039;t think he&#039;s cool to hang out with.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;It&#039;s weird, that you don&#039;t remember... But at least you&#039;re safe.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1918</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1918"/>
		<updated>2025-07-16T14:57:39Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;0&amp;quot; / 153 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Kinda quiet, but intense.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;It&#039;s weird, that you don&#039;t remember... But at least you&#039;re safe.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1917</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1917"/>
		<updated>2025-07-16T04:23:10Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Not SEES */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Kinda quiet, but intense.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;It&#039;s weird, that you don&#039;t remember... But at least you&#039;re safe.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1916</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1916"/>
		<updated>2025-07-16T04:21:00Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
==SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★★☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Glad to have someone I know on the team. I can trust her. But maybe ease up on the tea.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Reiya Aomori]]&lt;br /&gt;
|9. Hermit&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Kinda quiet, but intense.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Moriko Kumamoto]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s the only girl I know my age who likes bikes. Wish I could try one.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Koh Katsuhiro]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Well, at least the guys have someone new on their side too.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Not SEES==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He looks like a menace but he was straight with me. One of the first SEES, huh...&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hyousuke Suzuki]]&lt;br /&gt;
|7. Chariot&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Probably should have gotten him to pay for the drink, actually.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Myunghon Yeo]]&lt;br /&gt;
|15. Devil&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Turns out you might know more than you let on. Next time I&#039;m back at the Cardboard Dragon, I&#039;ll ask. And buy a pack.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-14:_Back_Alley_Blues&amp;diff=1909</id>
		<title>2025-07-14: Back Alley Blues</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-14:_Back_Alley_Blues&amp;diff=1909"/>
		<updated>2025-07-15T22:43:22Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 25 07 14 - Back Alley Blues&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Shinjiro Aragaki]], [[Suzume Fukura]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Port Island Station -- Back Alleys&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 14, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 10, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Suzume locates &#039;Beanie-san&#039; after her previous meeting to see if she can get some answers. Mostly she gets more questions.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The darker side of Tatsumi Port Island is known. Side alleyways are full of troublemakers and criminals, the type of people that the city doesn&#039;t really abide hanging out in public. Sometimes fights happen. Sometimes drug deals. Very rarely, a death.&lt;br /&gt;
&lt;br /&gt;
But none of those are happening right now.&lt;br /&gt;
&lt;br /&gt;
Shinjiro Aragaki sits on a metal crate in his &#039;usual spot&#039; in an alleyway near the station, underneath a partial staircase to a large shuttered door. He has a canned coffee half-full sitting next to him, as he skims his phone, reading something.&lt;br /&gt;
&lt;br /&gt;
Finding him isn&#039;t difficult, because while most lowlifes don&#039;t want to snitch, apparently someone beat the crap out of the last person who wouldn&#039;t snitch on Aragaki, so there&#039;s a small &#039;okay we should just let him handle his own shit&#039; demeanor going on. Therefore, asking where one can find the teen named Aragaki just gets glares, mutterances, and a point to the right alleyway.&lt;br /&gt;
&lt;br /&gt;
He doesn&#039;t seem very alert. This would be a lie.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;This isn&#039;t the first time Suzume has been down to the rough side of Tatsumi Port Island. She doesn&#039;t come often. She&#039;s certainly not a regular. But the rumours that she&#039;s a bit more of a delinquent than occasionally ducking out of class are apparently not entirely wrong.&lt;br /&gt;
&lt;br /&gt;
(It&#039;s not as bad as it sounds. The last time she went down here was on a dare. But it does mean it&#039;s not her first trip.)&lt;br /&gt;
&lt;br /&gt;
Suzume doesn&#039;t come much though. Suzume is a high school student - more, she&#039;s a short, female high school student. There are plenty of reasons for her to not, even if she is brave (or has enough bravado) to never admit out loud that the danger is any sort of concern.&lt;br /&gt;
&lt;br /&gt;
But once in a while there&#039;s a reason to do so.&lt;br /&gt;
&lt;br /&gt;
The first sign Shinjiro would get that she&#039;s there, if he wasn&#039;t actually paying much attention, was the, &amp;quot;Hello, Beanie-san,&amp;quot; she introduced herself with.&lt;br /&gt;
&lt;br /&gt;
But since he is, it&#039;s not hard to spot her ahead of time. No way would Suzume wear her school uniform down here, though; today she has a pair of jeans and a dull green camo-coloured T-shirt that&#039;s a bit too big for her; it passes her hips and it&#039;s awfully baggy. It&#039;s definitely her, though. Same hair, purple, nape-length, and a little fluffy or shaggy. Same face, expression slightly challenging.&lt;br /&gt;
&lt;br /&gt;
There &amp;amp;#42;might&amp;amp;#42; have been tension in her stance, but she&#039;s deliberately trying to not show it anymore, with an I-am-cool-and-relaxed slouch as she leans on the wall nearby (and immediately regrets it a little because it&#039;s not THAT clean a wall, though it&#039;s not obviously filthy either).&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro glances up as he first sees her. Most people, he wouldn&#039;t care, but this is clearly either someone stepping into territory they&#039;re not familiar with, or more likely, coming to see him.&lt;br /&gt;
&lt;br /&gt;
He grimaces as he puts away his phone, leaving the Dark Side of Sumaru tab open within.&lt;br /&gt;
&lt;br /&gt;
The grimace deepens when she greets him with that nickname.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What do you want?&amp;quot; he asks without hesitation. His eyes cross to her leaning against the wall, mildly amused, before moving to make sure no one is nearby to overhear. Luckily, no one is, and he&#039;d know if someone&#039;s hiding in his preferred spot.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This isn&#039;t a place for students,&amp;quot; he adds. But isn&#039;t he...?&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume&#039;s eyes are not sharp enough to recognize a site she&#039;s never seen before in the split second she saw it before Shinjiro turned it away from her and put it away. The Dark Side of Sumaru remains as mysterious as the dark side of the moon, to her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I saw three students on my way down,&amp;quot; Suzume says in response to that, neglecting to say that she saw all three of them right at the closest alleys to Port Island Station and the reason they were there is because they had illicit cigarettes, not because of anything more than that.&lt;br /&gt;
&lt;br /&gt;
What does she want? &amp;quot;Well, I had a couple questions I thought you might answer.&amp;quot; Suzume has to look &amp;amp;#42;way&amp;amp;#42; up at Shinjiro. She hates it; she feels like she&#039;s going to get a crick in her neck if she keeps it up. &amp;quot;So let&#039;s start with an easy one.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Why&#039;d you tell me not to stay out too late? Nobody gives a warning like &amp;amp;#42;that&amp;amp;#42; except in the movies.&amp;quot; There&#039;s not just shadows in the darkness... Somehow she can&#039;t see Shinjiro running around and giving many warnings like that.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Yeah, and I&#039;d tell them the same thing,&amp;quot; is what he says about the students. He does not make it easier to look directly at him.&lt;br /&gt;
&lt;br /&gt;
Suzume gets straight to business, asking why he told her not to stay up too late. Shinjiro sits up straight, considering what to say. &amp;quot;You&#039;re in SEES, right? Had to say it somehow.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He&#039;s cutting straight to the fact of the matter. It&#039;s not impossible to have heard &amp;amp;#42;of&amp;amp;#42; SEES, the secret club in Gekkoukan no one knows the truth about. But this doesn&#039;t sound like he doesn&#039;t know what it is.&lt;br /&gt;
&lt;br /&gt;
No, on the contrary, he &amp;amp;#42;definitely&amp;amp;#42; knows what it is..&lt;br /&gt;
&lt;br /&gt;
&amp;quot;If so, then you know exactly what I&#039;m talking about. But SEES doesn&#039;t know the whole picture. The world&#039;s wider than Tatsumi Port Island. Tokyo&#039;s got some bullshit, Sumaru&#039;s a special kind of hellhole... you aren&#039;t going to just be fighting monsters if you choose to get involved.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Bingo, Suzume thinks to herself, self-satisfied.&lt;br /&gt;
&lt;br /&gt;
That&#039;s not &amp;amp;#42;much&amp;amp;#42; information. But it&#039;s clear Aragaki knows &amp;amp;#42;something&amp;amp;#42; - more than she did as recently as a week ago (god, has it only been that long)? She straightens up slightly. &amp;quot;You know SEES?&amp;quot; And then a pause: &amp;quot;That what you meant by &#039;the attitude&#039;?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s watched movies. That is her only connection with &#039;secret agent shit&#039;, which this is the closest thing to, as far as she can tell. Maybe she can get more out of him, she thinks. Knowing something they don&#039;t might stop people from saying she doesn&#039;t really know what she&#039;s getting into...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Let&#039;s say I&#039;m in SEES,&amp;quot; she says, glancing around as if to see if anyone was in earshot. She keeps her voice down, too. &amp;quot;So I&#039;m listening. You&#039;ve got something to warn me about. Tell me something I don&#039;t know and I&#039;ll tell you something you might not.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Because you&#039;ve sat through the Dark Hour too, haven&#039;t you.&amp;quot; Not much of a secret, but Suzume is also thinking of something else... &amp;quot;That &amp;amp;#42;feeling&amp;amp;#42; when we met. That&#039;s related, isn&#039;t it.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro sighs, as she mentions the &#039;attitude&#039;. &amp;quot;Yeah. SEES has been around for years,&amp;quot; he explains, without explaining WHY he knows that. &amp;quot;Has more members than it used to, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Though, he realizes she&#039;s intending to seem &#039;cooler&#039; than she likely is, but... he doesn&#039;t interrupt. If she trips herself up, that&#039;s better than calling her out. &amp;quot;You want something you don&#039;t know? Alright.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He stretches out to grab his coffee, taking a drink. &amp;quot;In Sumaru, if enough people believe a rumor, it comes true. There&#039;s &#039;rumormongers&#039; you can share rumors with, who&#039;ll make them popular. Kasugayama High School? Gets haunted by demons at night. Seven Sisters? If you have one of their emblems, you&#039;re immune to the Joker Killer. These seem like bullshit, but they&#039;re real right now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A beat.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Go see Rumormonger Merry at the Cardboard Dragon. They&#039;re in the know and seem pretty reliable,&amp;quot; he says, indirectly confirming he does, in fact, experience the Dark Hour.&lt;br /&gt;
&lt;br /&gt;
Though, about the feeling... &amp;quot;SEES calls it Detection. Other Persona Users call it Resonance. It&#039;s a vibes sense, almost. I don&#039;t know all the details.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;&amp;amp;#42;Years&amp;amp;#42;? I knew things had been happening for a while,&amp;quot; because she was told that much, &amp;quot;but I didn&#039;t know SEES was in it that long.&amp;quot; Almost nobody in the dorms except Kirijo and maybe Sanada (she never asked) have been there for more than this year...&lt;br /&gt;
&lt;br /&gt;
That, apparently, was something Suzume didn&#039;t know. Let alone the rest of it. She looks doubtful at first as Shinjiro spills some beans, but she doesn&#039;t interrupt and she doesn&#039;t object, until - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Cardboard Dragon...&amp;quot; What are the odds? &amp;quot;I&#039;ve been. My friend and me,&amp;quot; she means Hitomi but she can&#039;t remember if Aragaki has ever heard her name, &amp;quot;went to buy some cards.&amp;quot; She does not mean skill cards. &amp;quot;She bought some, I didn&#039;t. But I know who you&#039;re talking about. I didn&#039;t know they were anything special, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But the rumours...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t know if I believe you about all of it. But I believe you in general, because... OK, I promised,&amp;quot; Suzume admits. &amp;quot;Rumours aren&#039;t just in Sumaru. Do you know about the Mementos dare? You go look in a mirror in a station and you say it five times. Most people can&#039;t do it, apparently, so nobody knows what happens if you do it.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A beat. &amp;quot;I did it. You go to some - some fucked-up subway dimension,&amp;quot; Suzume fumbles for words. &amp;quot;It&#039;s all maze-y and the train tracks don&#039;t make any &amp;amp;#42;sense&amp;amp;#42;. And there&#039;s monsters in it. But,&amp;quot; and she decides to push it given he just mentioned Detection, so she lowers her voice again: &amp;quot;You don&#039;t actually need to have a Persona to go there. Except you can&#039;t find your way out, then.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Let&#039;s see what he says about &amp;amp;#42;that&amp;amp;#42;, she thinks to herself. If he wants to warn people about things, now he&#039;s got a whole new thing.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;...how&#039;s the new set?&amp;quot; Shinjiro asks. Did he... used to play card games? (He clearly doesn&#039;t now. He doesn&#039;t have anywhere to put them.)&lt;br /&gt;
&lt;br /&gt;
As Suzume indicates she doesn&#039;t know if she believes it all, he shrugs, though as she brings up Mementos...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ve been there. Be careful. I almost got shot in the face the other night by a giant grim reaper,&amp;quot; he says with actual hints of worry.&lt;br /&gt;
&lt;br /&gt;
But he chews on the information a little. &amp;quot;Civilians, huh? That&#039;s not the case with the Dark Hour... wonder why it&#039;s different. Dark Side of Sumaru says it&#039;s connected to some Metaverse, but no one knows what the fuck that means.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A beat. &amp;quot;It&#039;s the big supernatural site. Cut through the bullshit fake postings and you&#039;ll find the real stuff.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then, suddenly, he&#039;s looking clearly at Suzume with determined eyes. &amp;quot;Why did you join SEES?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Being asked about the new set was about the thing Suzume expected the &amp;amp;#42;least&amp;amp;#42;. She doesn&#039;t quite double-take. But she comes close. &amp;quot;It&#039;s OK. Mandai bought some. I didn&#039;t have the cash on me. This was a couple weeks ago though.&amp;quot; She hasn&#039;t been back to the Cardboard Dragon since - it&#039;s quite a ways off, after all!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I didn&#039;t see a grim reaper,&amp;quot; she says, a little worried despite herself. There&#039;s MORE in there? She had enough trouble running away from Pixies... &amp;quot;I don&#039;t know about a Metaverse either,&amp;quot; Suzume admits. &amp;quot;You mind sharing that site? I don&#039;t have much to give you for it, unless you&#039;ve got some more questions.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And then, of course, Shinjiro asks one of those questions.&lt;br /&gt;
&lt;br /&gt;
Suzume shoves her hands in her pockets so she doesn&#039;t fiddle with them. A moment later: &amp;quot;Remember how I said I went into Mementos? I didn&#039;t know anything then. It was me and my friend, Jiro-san - Yamamoto Jiro.&amp;quot; She doesn&#039;t know Shinjiro&#039;s name to spot the similarities. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A different one of my friends dared me to do it, so Jiro was there to prove I&#039;d done it. Except when I finished we both went. SEES found us in there,&amp;quot; she admits. &amp;quot;Jiro&#039;d twisted his ankle, we couldn&#039;t run, and we couldn&#039;t find the way out. So there was a fight. I - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume can&#039;t talk about the Evoker. What if Shinjiro doesn&#039;t know about those? &amp;quot;...I found out I had a Persona. Jiro doesn&#039;t. He doesn&#039;t even remember it all clear now. But I do. So I went back with them, and here I am.&amp;quot; That&#039;s half an answer, at least.&lt;br /&gt;
&lt;br /&gt;
A pause, and then another question, right back: &amp;quot;How come you know about SEES?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Damn, was hoping it was at least similar to Raven Caw.&amp;quot; Oh, he used to play &amp;amp;#42;years ago&amp;amp;#42;, that&#039;s the 2005 set. &amp;quot;I don&#039;t have anywhere to store cards, so. They&#039;d get stolen if I tried.&amp;quot; Wait...&lt;br /&gt;
&lt;br /&gt;
Is he homeless?&lt;br /&gt;
&lt;br /&gt;
But, Shinjiro reads between the lines. She doesn&#039;t explain her motive... but why mention a friend who almost died if you weren&#039;t doing this to help people? &amp;quot;...you&#039;ve got a good motive. But don&#039;t get yourself killed. This is a deathtrap of a world we&#039;re in... and he&#039;s lucky he&#039;s alive. It&#039;s just not possible to save everyone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Though, she asks a question. This might make the hint he&#039;s homeless even more befuddling, as he says-&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...because me, Aki, and Kirijo founded it, way back when.&amp;quot; Why is he telling her this?&lt;br /&gt;
&lt;br /&gt;
Maybe she reminds him of himself, when he was younger. Maybe that&#039;s dangerous.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume hasn&#039;t been playing that long. It takes her a moment to place the set. &amp;quot;Huh,&amp;quot; she says to herself. But she doesn&#039;t say more than that. As for Jiro...&lt;br /&gt;
&lt;br /&gt;
Suzume had refused to abandon Jiro, back then. She probably &amp;amp;#42;could&amp;amp;#42; have gotten away without him, after he twisted his ankle - just left him for the Pixies - but she&#039;d gotten him into it, and she was going to get him out of it. She&#039;s stubborn, even before she picked up an Evoker and made it work. She&#039;d brought him up because she owed SEES for getting both of them out of it, but...&lt;br /&gt;
&lt;br /&gt;
That didn&#039;t mean she hadn&#039;t been trying on her own, even if it was doomed to failure.&lt;br /&gt;
&lt;br /&gt;
Shinjiro&#039;s comment makes her bristle. &amp;quot;Doesn&#039;t mean I should sit on my ass and do nothing,&amp;quot; Suzume snaps, before letting out a long breath that makes her cheeks puff out. She can&#039;t bring herself to apologize for snapping, though. &amp;quot;Not like I&#039;m doing much else.&amp;quot; And that wasn&#039;t really meant for him.&lt;br /&gt;
&lt;br /&gt;
What is: &amp;quot;YOU founded it?&amp;quot; Suzume pushes off the wall she&#039;d been leaning and looks - really looks - at Shinjiro. He does look like a third-year, so he&#039;d be about the right age, but he&#039;s clearly not in school. She&#039;s not even sure he has anywhere to live, based on what else he&#039;s said - or maybe he&#039;s couch-surfing, or staying with someone else. Either way, it&#039;s not &amp;amp;#42;his&amp;amp;#42; home. He doesn&#039;t look that healthy (it&#039;s the clothes; Suzume reads dressing up that way in summer as having caught a chill, like burrowing in the blankets) but he&#039;s clearly in decent shape so he&#039;s probably not too sick for school or anything.&lt;br /&gt;
&lt;br /&gt;
She considers all this and more for several long moments. &amp;quot;Huh,&amp;quot; she half-says, half-grunts, after that long, uncomfortably penetrating look. &amp;quot;So I guess that&#039;s why you didn&#039;t want me to tell Kirijo-san I&#039;d met you. Or a truant officer. Still want me to not tattle?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Critically, she does not ask why he&#039;s not, now. Not yet. She wants to know, but there are things she doesn&#039;t want to talk about and she figures it&#039;s mutual.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume doesn&#039;t know Raven Caw? Huh, he thought it was one of the better ones.&lt;br /&gt;
&lt;br /&gt;
Weirdly, her bristle doesn&#039;t get him to bristle. He understands it. &amp;quot;You&#039;re right. But you don&#039;t have to keep going, either. You&#039;re entering into a world of pain. Up to you if you can tolerate it.&amp;quot; It seems to be meant... encouragingly? Like he&#039;s encouraging her to figure that out.&lt;br /&gt;
&lt;br /&gt;
Her deep stare as he reveals is also expected, though that clearly makes him uncomfortable. He considers how to respond, settling on, &amp;quot;We were a trio of terrors. Aki always led from the front, but Kirijo was the real leader.&amp;quot; He sighs when she asks about tattling, and settles on... &amp;quot;Honestly, I don&#039;t care what you tell Kirijo. She can&#039;t get me to come back anyway. ...truant officer, on the other hand...&amp;quot; That would be a Problem.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Give me something to call you,&amp;quot; he finally settles on. He&#039;s not necessarily asking for her name, just an Address so he isn&#039;t in a disadvantage of being Beanie-san forever without being able to identify her.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Mmm.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume, of all people, understands what it is to have people have expectations about you because of who you are, or who you&#039;re related to, or who you hang out with. So she does not immediately make plans to tell Kirijo, though she &amp;amp;#42;does&amp;amp;#42; want to at least pass on some of the information. Rumours in Sumaru...&lt;br /&gt;
&lt;br /&gt;
(And she&#039;s definitely not going to tell a truant officer. One, that&#039;s Shinjiro&#039;s decision, and two, he&#039;d be able to pick her up too. While she&#039;s not exactly anywhere near as absent as he is, she does occasionally skip class and she doesn&#039;t want to have to talk to her parents about it.)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;re not the only person to tell me that,&amp;quot; is what she settles on. &amp;quot;But you&#039;re the only one that&#039;s not trying to get me to ditch while they do it.&amp;quot; She doesn&#039;t want to go back home, though. And there&#039;s the rest of it...&lt;br /&gt;
&lt;br /&gt;
Her name? &amp;quot;Fukura,&amp;quot; Suzume says. &amp;quot;Suzume Fukura.&amp;quot; Her name is not exactly a secret; she knows Hitomi used most of it anyway, and even if Shinjiro wasn&#039;t really listening she doesn&#039;t know if he&#039;s already got it. But she doesn&#039;t like being known by just her surname; even if they only address her by Fukura, she at least wants to be &amp;amp;#42;known&amp;amp;#42;.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro waits for her to continue, nodding as she does. &amp;quot;It&#039;s not my business. Everyone has their own reasons for what they do.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But as she gives her name, the surname is familiar, but he doesn&#039;t place it. Been too long to jog his memory on that alone of whatever he&#039;s thinking of. Instead... &amp;quot;Shinjiro Aragaki. Don&#039;t get killed out there.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That&#039;s his version of &#039;stay safe&#039;.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro. Suzume will remember that.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t intend to,&amp;quot; Suzume says. She even manages a grin - slightly crooked, it lights up her face compared to her normal slightly sullen expression. &amp;quot;Thanks for the tips.&amp;quot; She might have to go back to the Cardboard Dragon...&lt;br /&gt;
&lt;br /&gt;
She pushes herself away from the wall again, using her shoulders. &amp;quot;Gonna head back,&amp;quot; she says. How does she put this... &amp;quot;If you ever need more info off me, I guess you know where I live now.&amp;quot; Is she going to invite him to the dorms? No. But this is close, in some ways. &lt;br /&gt;
&lt;br /&gt;
Truthfully, though, she does want to get back before it gets too late. This &amp;amp;#42;isn&#039;t&amp;amp;#42; the good part of town, and even though Suzume would disagree strenuously with the judgement, she doesn&#039;t exactly look imposing.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-14:_Back_Alley_Blues&amp;diff=1908</id>
		<title>2025-07-14: Back Alley Blues</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-14:_Back_Alley_Blues&amp;diff=1908"/>
		<updated>2025-07-15T22:43:09Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Log: 25 07 14 - Back Alley Blues&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Shinjiro Aragaki, Suzume Fukura *&amp;#039;&amp;#039;&amp;#039;Where: Port Island Station -- Back Alleys&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; July 14, 2025 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; June 10, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Suzume locates &amp;#039;Beanie-san&amp;#039; after her previous meeting to see if she can get some answers. Mostly she gets more questions.&amp;#039;&amp;#039;  ----    &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed. &amp;lt;poem&amp;gt;The darker side of Tatsumi Port Island is known. Side alleyways are fu...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 25 07 14 - Back Alley Blues&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Shinjiro Aragaki]], [[Suzume Fukura]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Port Island Station -- Back Alleys&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 14, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 10, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Suzume locates &#039;Beanie-san&#039; after her previous meeting to see if she can get some answers. Mostly she gets more questions.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;The darker side of Tatsumi Port Island is known. Side alleyways are full of troublemakers and criminals, the type of people that the city doesn&#039;t really abide hanging out in public. Sometimes fights happen. Sometimes drug deals. Very rarely, a death.&lt;br /&gt;
&lt;br /&gt;
But none of those are happening right now.&lt;br /&gt;
&lt;br /&gt;
Shinjiro Aragaki sits on a metal crate in his &#039;usual spot&#039; in an alleyway near the station, underneath a partial staircase to a large shuttered door. He has a canned coffee half-full sitting next to him, as he skims his phone, reading something.&lt;br /&gt;
&lt;br /&gt;
Finding him isn&#039;t difficult, because while most lowlifes don&#039;t want to snitch, apparently someone beat the crap out of the last person who wouldn&#039;t snitch on Aragaki, so there&#039;s a small &#039;okay we should just let him handle his own shit&#039; demeanor going on. Therefore, asking where one can find the teen named Aragaki just gets glares, mutterances, and a point to the right alleyway.&lt;br /&gt;
&lt;br /&gt;
He doesn&#039;t seem very alert. This would be a lie.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;This isn&#039;t the first time Suzume has been down to the rough side of Tatsumi Port Island. She doesn&#039;t come often. She&#039;s certainly not a regular. But the rumours that she&#039;s a bit more of a delinquent than occasionally ducking out of class are apparently not entirely wrong.&lt;br /&gt;
&lt;br /&gt;
(It&#039;s not as bad as it sounds. The last time she went down here was on a dare. But it does mean it&#039;s not her first trip.)&lt;br /&gt;
&lt;br /&gt;
Suzume doesn&#039;t come much though. Suzume is a high school student - more, she&#039;s a short, female high school student. There are plenty of reasons for her to not, even if she is brave (or has enough bravado) to never admit out loud that the danger is any sort of concern.&lt;br /&gt;
&lt;br /&gt;
But once in a while there&#039;s a reason to do so.&lt;br /&gt;
&lt;br /&gt;
The first sign Shinjiro would get that she&#039;s there, if he wasn&#039;t actually paying much attention, was the, &amp;quot;Hello, Beanie-san,&amp;quot; she introduced herself with.&lt;br /&gt;
&lt;br /&gt;
But since he is, it&#039;s not hard to spot her ahead of time. No way would Suzume wear her school uniform down here, though; today she has a pair of jeans and a dull green camo-coloured T-shirt that&#039;s a bit too big for her; it passes her hips and it&#039;s awfully baggy. It&#039;s definitely her, though. Same hair, purple, nape-length, and a little fluffy or shaggy. Same face, expression slightly challenging.&lt;br /&gt;
&lt;br /&gt;
There &amp;amp;#42;might&amp;amp;#42; have been tension in her stance, but she&#039;s deliberately trying to not show it anymore, with an I-am-cool-and-relaxed slouch as she leans on the wall nearby (and immediately regrets it a little because it&#039;s not THAT clean a wall, though it&#039;s not obviously filthy either).&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro glances up as he first sees her. Most people, he wouldn&#039;t care, but this is clearly either someone stepping into territory they&#039;re not familiar with, or more likely, coming to see him.&lt;br /&gt;
&lt;br /&gt;
He grimaces as he puts away his phone, leaving the Dark Side of Sumaru tab open within.&lt;br /&gt;
&lt;br /&gt;
The grimace deepens when she greets him with that nickname.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What do you want?&amp;quot; he asks without hesitation. His eyes cross to her leaning against the wall, mildly amused, before moving to make sure no one is nearby to overhear. Luckily, no one is, and he&#039;d know if someone&#039;s hiding in his preferred spot.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;This isn&#039;t a place for students,&amp;quot; he adds. But isn&#039;t he...?&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume&#039;s eyes are not sharp enough to recognize a site she&#039;s never seen before in the split second she saw it before Shinjiro turned it away from her and put it away. The Dark Side of Sumaru remains as mysterious as the dark side of the moon, to her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I saw three students on my way down,&amp;quot; Suzume says in response to that, neglecting to say that she saw all three of them right at the closest alleys to Port Island Station and the reason they were there is because they had illicit cigarettes, not because of anything more than that.&lt;br /&gt;
&lt;br /&gt;
What does she want? &amp;quot;Well, I had a couple questions I thought you might answer.&amp;quot; Suzume has to look &amp;amp;#42;way&amp;amp;#42; up at Shinjiro. She hates it; she feels like she&#039;s going to get a crick in her neck if she keeps it up. &amp;quot;So let&#039;s start with an easy one.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Why&#039;d you tell me not to stay out too late? Nobody gives a warning like &amp;amp;#42;that&amp;amp;#42; except in the movies.&amp;quot; There&#039;s not just shadows in the darkness... Somehow she can&#039;t see Shinjiro running around and giving many warnings like that.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Yeah, and I&#039;d tell them the same thing,&amp;quot; is what he says about the students. He does not make it easier to look directly at him.&lt;br /&gt;
&lt;br /&gt;
Suzume gets straight to business, asking why he told her not to stay up too late. Shinjiro sits up straight, considering what to say. &amp;quot;You&#039;re in SEES, right? Had to say it somehow.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He&#039;s cutting straight to the fact of the matter. It&#039;s not impossible to have heard &amp;amp;#42;of&amp;amp;#42; SEES, the secret club in Gekkoukan no one knows the truth about. But this doesn&#039;t sound like he doesn&#039;t know what it is.&lt;br /&gt;
&lt;br /&gt;
No, on the contrary, he &amp;amp;#42;definitely&amp;amp;#42; knows what it is..&lt;br /&gt;
&lt;br /&gt;
&amp;quot;If so, then you know exactly what I&#039;m talking about. But SEES doesn&#039;t know the whole picture. The world&#039;s wider than Tatsumi Port Island. Tokyo&#039;s got some bullshit, Sumaru&#039;s a special kind of hellhole... you aren&#039;t going to just be fighting monsters if you choose to get involved.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Bingo, Suzume thinks to herself, self-satisfied.&lt;br /&gt;
&lt;br /&gt;
That&#039;s not &amp;amp;#42;much&amp;amp;#42; information. But it&#039;s clear Aragaki knows &amp;amp;#42;something&amp;amp;#42; - more than she did as recently as a week ago (god, has it only been that long)? She straightens up slightly. &amp;quot;You know SEES?&amp;quot; And then a pause: &amp;quot;That what you meant by &#039;the attitude&#039;?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s watched movies. That is her only connection with &#039;secret agent shit&#039;, which this is the closest thing to, as far as she can tell. Maybe she can get more out of him, she thinks. Knowing something they don&#039;t might stop people from saying she doesn&#039;t really know what she&#039;s getting into...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Let&#039;s say I&#039;m in SEES,&amp;quot; she says, glancing around as if to see if anyone was in earshot. She keeps her voice down, too. &amp;quot;So I&#039;m listening. You&#039;ve got something to warn me about. Tell me something I don&#039;t know and I&#039;ll tell you something you might not.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Because you&#039;ve sat through the Dark Hour too, haven&#039;t you.&amp;quot; Not much of a secret, but Suzume is also thinking of something else... &amp;quot;That &amp;amp;#42;feeling&amp;amp;#42; when we met. That&#039;s related, isn&#039;t it.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro sighs, as she mentions the &#039;attitude&#039;. &amp;quot;Yeah. SEES has been around for years,&amp;quot; he explains, without explaining WHY he knows that. &amp;quot;Has more members than it used to, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Though, he realizes she&#039;s intending to seem &#039;cooler&#039; than she likely is, but... he doesn&#039;t interrupt. If she trips herself up, that&#039;s better than calling her out. &amp;quot;You want something you don&#039;t know? Alright.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He stretches out to grab his coffee, taking a drink. &amp;quot;In Sumaru, if enough people believe a rumor, it comes true. There&#039;s &#039;rumormongers&#039; you can share rumors with, who&#039;ll make them popular. Kasugayama High School? Gets haunted by demons at night. Seven Sisters? If you have one of their emblems, you&#039;re immune to the Joker Killer. These seem like bullshit, but they&#039;re real right now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A beat.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Go see Rumormonger Merry at the Cardboard Dragon. They&#039;re in the know and seem pretty reliable,&amp;quot; he says, indirectly confirming he does, in fact, experience the Dark Hour.&lt;br /&gt;
&lt;br /&gt;
Though, about the feeling... &amp;quot;SEES calls it Detection. Other Persona Users call it Resonance. It&#039;s a vibes sense, almost. I don&#039;t know all the details.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;&amp;amp;#42;Years&amp;amp;#42;? I knew things had been happening for a while,&amp;quot; because she was told that much, &amp;quot;but I didn&#039;t know SEES was in it that long.&amp;quot; Almost nobody in the dorms except Kirijo and maybe Sanada (she never asked) have been there for more than this year...&lt;br /&gt;
&lt;br /&gt;
That, apparently, was something Suzume didn&#039;t know. Let alone the rest of it. She looks doubtful at first as Shinjiro spills some beans, but she doesn&#039;t interrupt and she doesn&#039;t object, until - &lt;br /&gt;
&lt;br /&gt;
&amp;quot;The Cardboard Dragon...&amp;quot; What are the odds? &amp;quot;I&#039;ve been. My friend and me,&amp;quot; she means Hitomi but she can&#039;t remember if Aragaki has ever heard her name, &amp;quot;went to buy some cards.&amp;quot; She does not mean skill cards. &amp;quot;She bought some, I didn&#039;t. But I know who you&#039;re talking about. I didn&#039;t know they were anything special, though.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But the rumours...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t know if I believe you about all of it. But I believe you in general, because... OK, I promised,&amp;quot; Suzume admits. &amp;quot;Rumours aren&#039;t just in Sumaru. Do you know about the Mementos dare? You go look in a mirror in a station and you say it five times. Most people can&#039;t do it, apparently, so nobody knows what happens if you do it.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A beat. &amp;quot;I did it. You go to some - some fucked-up subway dimension,&amp;quot; Suzume fumbles for words. &amp;quot;It&#039;s all maze-y and the train tracks don&#039;t make any &amp;amp;#42;sense&amp;amp;#42;. And there&#039;s monsters in it. But,&amp;quot; and she decides to push it given he just mentioned Detection, so she lowers her voice again: &amp;quot;You don&#039;t actually need to have a Persona to go there. Except you can&#039;t find your way out, then.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Let&#039;s see what he says about &amp;amp;#42;that&amp;amp;#42;, she thinks to herself. If he wants to warn people about things, now he&#039;s got a whole new thing.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;...how&#039;s the new set?&amp;quot; Shinjiro asks. Did he... used to play card games? (He clearly doesn&#039;t now. He doesn&#039;t have anywhere to put them.)&lt;br /&gt;
&lt;br /&gt;
As Suzume indicates she doesn&#039;t know if she believes it all, he shrugs, though as she brings up Mementos...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ve been there. Be careful. I almost got shot in the face the other night by a giant grim reaper,&amp;quot; he says with actual hints of worry.&lt;br /&gt;
&lt;br /&gt;
But he chews on the information a little. &amp;quot;Civilians, huh? That&#039;s not the case with the Dark Hour... wonder why it&#039;s different. Dark Side of Sumaru says it&#039;s connected to some Metaverse, but no one knows what the fuck that means.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
A beat. &amp;quot;It&#039;s the big supernatural site. Cut through the bullshit fake postings and you&#039;ll find the real stuff.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then, suddenly, he&#039;s looking clearly at Suzume with determined eyes. &amp;quot;Why did you join SEES?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Being asked about the new set was about the thing Suzume expected the &amp;amp;#42;least&amp;amp;#42;. She doesn&#039;t quite double-take. But she comes close. &amp;quot;It&#039;s OK. Mandai bought some. I didn&#039;t have the cash on me. This was a couple weeks ago though.&amp;quot; She hasn&#039;t been back to the Cardboard Dragon since - it&#039;s quite a ways off, after all!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I didn&#039;t see a grim reaper,&amp;quot; she says, a little worried despite herself. There&#039;s MORE in there? She had enough trouble running away from Pixies... &amp;quot;I don&#039;t know about a Metaverse either,&amp;quot; Suzume admits. &amp;quot;You mind sharing that site? I don&#039;t have much to give you for it, unless you&#039;ve got some more questions.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
And then, of course, Shinjiro asks one of those questions.&lt;br /&gt;
&lt;br /&gt;
Suzume shoves her hands in her pockets so she doesn&#039;t fiddle with them. A moment later: &amp;quot;Remember how I said I went into Mementos? I didn&#039;t know anything then. It was me and my friend, Jiro-san - Yamamoto Jiro.&amp;quot; She doesn&#039;t know Shinjiro&#039;s name to spot the similarities. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;A different one of my friends dared me to do it, so Jiro was there to prove I&#039;d done it. Except when I finished we both went. SEES found us in there,&amp;quot; she admits. &amp;quot;Jiro&#039;d twisted his ankle, we couldn&#039;t run, and we couldn&#039;t find the way out. So there was a fight. I - &amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume can&#039;t talk about the Evoker. What if Shinjiro doesn&#039;t know about those? &amp;quot;...I found out I had a Persona. Jiro doesn&#039;t. He doesn&#039;t even remember it all clear now. But I do. So I went back with them, and here I am.&amp;quot; That&#039;s half an answer, at least.&lt;br /&gt;
&lt;br /&gt;
A pause, and then another question, right back: &amp;quot;How come you know about SEES?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Damn, was hoping it was at least similar to Raven Caw.&amp;quot; Oh, he used to play &amp;amp;#42;years ago&amp;amp;#42;, that&#039;s the 2005 set. &amp;quot;I don&#039;t have anywhere to store cards, so. They&#039;d get stolen if I tried.&amp;quot; Wait...&lt;br /&gt;
&lt;br /&gt;
Is he homeless?&lt;br /&gt;
&lt;br /&gt;
But, Shinjiro reads between the lines. She doesn&#039;t explain her motive... but why mention a friend who almost died if you weren&#039;t doing this to help people? &amp;quot;...you&#039;ve got a good motive. But don&#039;t get yourself killed. This is a deathtrap of a world we&#039;re in... and he&#039;s lucky he&#039;s alive. It&#039;s just not possible to save everyone.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Though, she asks a question. This might make the hint he&#039;s homeless even more befuddling, as he says-&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...because me, Aki, and Kirijo founded it, way back when.&amp;quot; Why is he telling her this?&lt;br /&gt;
&lt;br /&gt;
Maybe she reminds him of himself, when he was younger. Maybe that&#039;s dangerous.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume hasn&#039;t been playing that long. It takes her a moment to place the set. &amp;quot;Huh,&amp;quot; she says to herself. But she doesn&#039;t say more than that. As for Jiro...&lt;br /&gt;
&lt;br /&gt;
Suzume had refused to abandon Jiro, back then. She probably &amp;amp;#42;could&amp;amp;#42; have gotten away without him, after he twisted his ankle - just left him for the Pixies - but she&#039;d gotten him into it, and she was going to get him out of it. She&#039;s stubborn, even before she picked up an Evoker and made it work. She&#039;d brought him up because she owed SEES for getting both of them out of it, but...&lt;br /&gt;
&lt;br /&gt;
That didn&#039;t mean she hadn&#039;t been trying on her own, even if it was doomed to failure.&lt;br /&gt;
&lt;br /&gt;
Shinjiro&#039;s comment makes her bristle. &amp;quot;Doesn&#039;t mean I should sit on my ass and do nothing,&amp;quot; Suzume snaps, before letting out a long breath that makes her cheeks puff out. She can&#039;t bring herself to apologize for snapping, though. &amp;quot;Not like I&#039;m doing much else.&amp;quot; And that wasn&#039;t really meant for him.&lt;br /&gt;
&lt;br /&gt;
What is: &amp;quot;YOU founded it?&amp;quot; Suzume pushes off the wall she&#039;d been leaning and looks - really looks - at Shinjiro. He does look like a third-year, so he&#039;d be about the right age, but he&#039;s clearly not in school. She&#039;s not even sure he has anywhere to live, based on what else he&#039;s said - or maybe he&#039;s couch-surfing, or staying with someone else. Either way, it&#039;s not &amp;amp;#42;his&amp;amp;#42; home. He doesn&#039;t look that healthy (it&#039;s the clothes; Suzume reads dressing up that way in summer as having caught a chill, like burrowing in the blankets) but he&#039;s clearly in decent shape so he&#039;s probably not too sick for school or anything.&lt;br /&gt;
&lt;br /&gt;
She considers all this and more for several long moments. &amp;quot;Huh,&amp;quot; she half-says, half-grunts, after that long, uncomfortably penetrating look. &amp;quot;So I guess that&#039;s why you didn&#039;t want me to tell Kirijo-san I&#039;d met you. Or a truant officer. Still want me to not tattle?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Critically, she does not ask why he&#039;s not, now. Not yet. She wants to know, but there are things she doesn&#039;t want to talk about and she figures it&#039;s mutual.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume doesn&#039;t know Raven Caw? Huh, he thought it was one of the better ones.&lt;br /&gt;
&lt;br /&gt;
Weirdly, her bristle doesn&#039;t get him to bristle. He understands it. &amp;quot;You&#039;re right. But you don&#039;t have to keep going, either. You&#039;re entering into a world of pain. Up to you if you can tolerate it.&amp;quot; It seems to be meant... encouragingly? Like he&#039;s encouraging her to figure that out.&lt;br /&gt;
&lt;br /&gt;
Her deep stare as he reveals is also expected, though that clearly makes him uncomfortable. He considers how to respond, settling on, &amp;quot;We were a trio of terrors. Aki always led from the front, but Kirijo was the real leader.&amp;quot; He sighs when she asks about tattling, and settles on... &amp;quot;Honestly, I don&#039;t care what you tell Kirijo. She can&#039;t get me to come back anyway. ...truant officer, on the other hand...&amp;quot; That would be a Problem.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Give me something to call you,&amp;quot; he finally settles on. He&#039;s not necessarily asking for her name, just an Address so he isn&#039;t in a disadvantage of being Beanie-san forever without being able to identify her.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Mmm.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume, of all people, understands what it is to have people have expectations about you because of who you are, or who you&#039;re related to, or who you hang out with. So she does not immediately make plans to tell Kirijo, though she &amp;amp;#42;does&amp;amp;#42; want to at least pass on some of the information. Rumours in Sumaru...&lt;br /&gt;
&lt;br /&gt;
(And she&#039;s definitely not going to tell a truant officer. One, that&#039;s Shinjiro&#039;s decision, and two, he&#039;d be able to pick her up too. While she&#039;s not exactly anywhere near as absent as he is, she does occasionally skip class and she doesn&#039;t want to have to talk to her parents about it.)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;re not the only person to tell me that,&amp;quot; is what she settles on. &amp;quot;But you&#039;re the only one that&#039;s not trying to get me to ditch while they do it.&amp;quot; She doesn&#039;t want to go back home, though. And there&#039;s the rest of it...&lt;br /&gt;
&lt;br /&gt;
Her name? &amp;quot;Fukura,&amp;quot; Suzume says. &amp;quot;Suzume Fukura.&amp;quot; Her name is not exactly a secret; she knows Hitomi used most of it anyway, and even if Shinjiro wasn&#039;t really listening she doesn&#039;t know if he&#039;s already got it. But she doesn&#039;t like being known by just her surname; even if they only address her by Fukura, she at least wants to be &amp;amp;#42;known&amp;amp;#42;.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro waits for her to continue, nodding as she does. &amp;quot;It&#039;s not my business. Everyone has their own reasons for what they do.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But as she gives her name, the surname is familiar, but he doesn&#039;t place it. Been too long to jog his memory on that alone of whatever he&#039;s thinking of. Instead... &amp;quot;Shinjiro Aragaki. Don&#039;t get killed out there.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That&#039;s his version of &#039;stay safe&#039;.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Shinjiro. Suzume will remember that.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t intend to,&amp;quot; Suzume says. She even manages a grin - slightly crooked, it lights up her face compared to her normal slightly sullen expression. &amp;quot;Thanks for the tips.&amp;quot; She might have to go back to the Cardboard Dragon...&lt;br /&gt;
&lt;br /&gt;
She pushes herself away from the wall again, using her shoulders. &amp;quot;Gonna head back,&amp;quot; she says. How does she put this... &amp;quot;If you ever need more info off me, I guess you know where I live now.&amp;quot; Is she going to invite him to the dorms? No. But this is close, in some ways. &lt;br /&gt;
&lt;br /&gt;
Truthfully, though, she does want to get back before it gets too late. This &amp;amp;#42;isn&#039;t&amp;amp;#42; the good part of town, and even though Suzume would disagree strenuously with the judgement, she doesn&#039;t exactly look tough.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-12:_The_Claw_of_Destiny&amp;diff=1907</id>
		<title>2025-07-12: The Claw of Destiny</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-12:_The_Claw_of_Destiny&amp;diff=1907"/>
		<updated>2025-07-15T22:41:44Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Log: 25 07 12 - The Claw of Destiny&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Shinjiro Aragaki, Suzume Fukura, Hitomi Mandai, Hyousuke Suzuki *&amp;#039;&amp;#039;&amp;#039;Where: Paulownia Mall&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; July 12, 2025 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; June 8, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;Several students walk into a Yakuza substory featuring Shinjiro.&amp;#039;&amp;#039;  ----    &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed. &amp;lt;poem&amp;gt;It&amp;#039;s a warm summer day on Tatsumi Port Island. Paulownia Mall is packed this Friday afternoon, including G...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 25 07 12 - The Claw of Destiny&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Shinjiro Aragaki]], [[Suzume Fukura]], [[Hitomi Mandai]], [[Hyousuke Suzuki]]&lt;br /&gt;
*&#039;&#039;&#039;Where: Paulownia Mall&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 12, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 8, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Several students walk into a Yakuza substory featuring Shinjiro.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;It&#039;s a warm summer day on Tatsumi Port Island. Paulownia Mall is packed this Friday afternoon, including Game Parade, the arcade that is hip among TEENAGERS. After one gets their Chagall Coffee, they can hang out at the Game Parade and have some real fun and maybe get better at things...&lt;br /&gt;
&lt;br /&gt;
As people enter the arcade, a little girl watching through the window at the claw machine for Some Reason, it&#039;s packed with different machines, from a dating sim to a horror game to a shooter to a quiz game. There&#039;s not many uncrowded spots with free machines - the closest would be near the claw machine...&lt;br /&gt;
&lt;br /&gt;
Where an older teenager in a thick red coat and a beanie (yes, in this heat) is trying to win a Jack Frost doll. He looks third year age... which is weird because he&#039;s not in his uniform. He seems &amp;amp;#42;extremely&amp;amp;#42; determined, as if this was a life or death battle. The claw grasps the doll, moves forward...&lt;br /&gt;
&lt;br /&gt;
Drop into the pile. It&#039;s a miss.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fuck,&amp;quot; Shinjiro mutters under his breath. He&#039;ll probably need to take a break momentarily to avoid frustration.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Class today sucked.&lt;br /&gt;
&lt;br /&gt;
Class sucks a lot of days but Suzume had a particularly unpleasant day of it, both because it involved math quizzes (math being one of her weakest subjects even when she &amp;amp;#42;is&amp;amp;#42; applying herself, which she wasn&#039;t) and because once again it was too god damned hot. She&#039;d been hoping for some rain to cool it down, but was disappointed.&lt;br /&gt;
&lt;br /&gt;
But she&#039;d decided to head down to the arcade after it, so at least some things were looking up. Actually, she just wanted to go to Paulownia Mall in general, because she&#039;d heard some Things about the police station from the rest of SEES.&lt;br /&gt;
&lt;br /&gt;
So Suzume is a little late showing up at the arcade because she&#039;d been over there instead. It&#039;s obvious she didn&#039;t go home (read: the dorms, because she is now both able and willing to avoid &#039;home&#039;) after class, because she is still in her Gekkoukan uniform. The slightly ill-fitting blouse is less than perfectly crisp, the ribbon is tied sloppily so that it spreads out a bit too far, and she still has the skirts on. Without leggings, even. (She really wanted shorts.)&lt;br /&gt;
&lt;br /&gt;
She also still has her backpack with her, slung lazily over one shoulder. It too is lumpy. Suzume has been surprisingly careful about not turning too fast and bumping anyone with it for a change.&lt;br /&gt;
&lt;br /&gt;
While she&#039;d planned to meet someone here, she has instead become distracted watching a weirdo lose at the crane game while she finishes a granola bar away from the actual game machines (food isn&#039;t supposed to be brought in but they only yell at her if she touches things with sticky fingers). Her fingers itch. She wants to tell him how to win at it, or do it herself.&lt;br /&gt;
&lt;br /&gt;
(Why does she assume she can get it?)&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
And who did Suzume come to meet? &lt;br /&gt;
&lt;br /&gt;
Hitomi Mandai, who had been in one of those high-falutin machines that connect you to other game centers for an EXTREME RACE EXPERIENCE, walks over, nearer to the entrance. She has a game center card still in her hand, but the other hand is holding a cold oolong tea freshly acquired from a vending machine. Hitomi looks faintly sweaty, but that happens a lot to her: pale skin, hot weather, a generally corpulent cast. She is definitely someone who likes autumn better. &lt;br /&gt;
&lt;br /&gt;
But she stopped when a man just said the FUCK word. &lt;br /&gt;
&lt;br /&gt;
Hitomi looks at Shinjiro with something like judgment. She raises the beverage to her lips. &lt;br /&gt;
&lt;br /&gt;
slurp&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...&amp;quot; Her expression is a mix of voyeuristic and intimidated, but it eases up when someone approaches. Hitomi turns her head and says, &amp;quot;Fukuraaaaa,&amp;quot; as she often does, drawling out the syllable. (Hitomi&#039;s actual outfit is the Gekkoukan summer uniform, if with the neck-ruffle-ribbon untied and the top button unbuttoned.) &lt;br /&gt;
&lt;br /&gt;
&amp;quot;That guy&#039;s got a bad attitude, Fukuraa, what do you think we ought to do...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Yes! She has gained courage, because now she socially outnumbered the strange and heavily-clad man! He can&#039;t be poor at both of them at once!&lt;br /&gt;
&lt;br /&gt;
can he? check this later &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hyousuke Suzuki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Under normal circumstances, Hyousuke was not one to drink coffee. He had no great disdain for the drink, but every time he had it, he couldn&#039;t shake the feeling that he could have been drinking tea instead. But the iced frappe he held as he pottered aimlessly about the place was different. It was, in no uncertain terms, loaded with sugar. Chocolate, syrup, ice, a small mountain of whipped cream, and an unhealthy dose of sprinkles left the drink looking more like a desert than any kind of conventional beverage. To someone that loved sweets as much as Hyousuke, it was an acceptable substitute for tea. For the time being, anyway.&lt;br /&gt;
&lt;br /&gt;
The drink was not the only reason he&#039;d brought himself to the establishment, however. That had merely been something he&#039;d grabbed on the way to his main destination - the arcade. He stood at the entrance briefly, casting his eyes over the myriad of machines and attractions, looking for the first thing to catch his eye, and thereby his wallet. It wasn&#039;t a flashing light or digitised noise that caught his attention, however. It was someone uttering a curse that he was fairly certain was not supposed to be uttered in polite company. His eyes darted towards the source, and like an animal observing something unfamiliar, he blinked before staring quizzically.&lt;br /&gt;
&lt;br /&gt;
A moment or two of observation was all that he needed to grow even more invested in the display. Seeing people frustrated with games was nothing new to him, but to the point that the stranger was? That much, he&#039;d not seen often. Before his better judgement could kick in, Hyousuke stumbled forward, iced drink in hand, and came to a slow stop behind the object of his interest.&lt;br /&gt;
&amp;quot;You good?&amp;quot; He asked, tilting his head a little, evoking a startlingly accurate imitation of a confused golden retriever - one only reinforced when his blonde locks tumbled to the side with the motion.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume has been Noticed. Shinjiro doesn&#039;t seem ready to reply, because he&#039;s too busy fishing for more change. It&#039;s when Hitomi comes up, speaking bad about him in earshot, that he turns his head.&lt;br /&gt;
&lt;br /&gt;
His face is a perpetual scowl, but also youthful. He stares intimidatingly for a long moment, before deciding to finally speak.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You don&#039;t think it&#039;s a bad attitude to chatter about someone from behind their back? Your buddy&#039;s been in here watching me. Why?&amp;quot; Shinjiro says to Hitomi, before a pause, addressing both of them. &amp;quot;You think it&#039;s funny that I&#039;m failing?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Oh no... Suzume and Hitomi have been pulled into a SUBSTORY.&lt;br /&gt;
&lt;br /&gt;
Hyousuke, meanwhile, blunders into it. &amp;quot;I&#039;m fine. I just can&#039;t get the damn Hee-Ho Guy out of the machine. I&#039;m on a time crunch,&amp;quot; Shinjiro tells him. Blonde, huh? Either a foreigner or a punk, probably. Shinjiro doesn&#039;t care, but it&#039;s good to know if he&#039;s gonna start shit.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Oh crap there&#039;s Hitomi&lt;br /&gt;
&lt;br /&gt;
Suzume had actually intended to meet her but she wanted to finish her granola bar first, for the very simple reason that she does not have a second bar to offer her. Even Suzume can be polite.&lt;br /&gt;
&lt;br /&gt;
So she stuffs the rest of the granola bar in her mouth in one go. This was definitely the right move and she isn&#039;t embarrassed at all. (That was a lie.)&lt;br /&gt;
&lt;br /&gt;
This means that when Shinjiro addresses her, her cheeks are puffed out and she vaguely resembles a chipmunk. Suzume starts to say something, sputters on dry granola (even the chocolate chips in there don&#039;t save her) and fails to recover.&lt;br /&gt;
&lt;br /&gt;
Staggering the step over to Hitomi, Suzume grabs the oolong right out of her hands (rude!) and takes a shot from it. The little bit of liquid is enough for her to swallow successfully, though she still coughs a couple times afterwards, clearing her throat.&lt;br /&gt;
&lt;br /&gt;
Then she gives the tea back, without even saying thank you! So much for being polite. &amp;quot;Sorry,&amp;quot; she croaks, before looking up at Shinjiro. Somehow she thinks she has lost most of her coolness factor. She tries anyway, drawing herself up to her full height - not a lot, she&#039;s the shortest person in this conversation by almost three quarters of a foot.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;There&#039;s a trick to it,&amp;quot; she says. &amp;quot;Time limit, huh? What, there a big rush on Hee Ho today?&amp;quot; Seriously, why does a guy like this need a doll...? The swearing, on the other hand, she is neutral to.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Another guy, this one with blond hair?! is approaching Delinquent #1. Hitomi watches, with some mild unease. And then... Delinquint #1... addresses them. &lt;br /&gt;
&lt;br /&gt;
Behind her glasses, which mist slightly from body heat and ambient humidity (though the arcade ACs are striving), her eyes widen. Suzume grabs the drink! And before Hitomi can answers Shinjiro, she is suddenly given back the tea. &lt;br /&gt;
&lt;br /&gt;
Faced with several problems, Hitomi lets Suzume surge ahead. She looks at her drink then, and raises it up to glance at the inside of it... and seems to satisfy something like her squeamishness, because she takes another drink from it, in that careful, &#039;pour a bit in your mouth&#039; kind of way that comes from drinks meant to be shared. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... you were swearing really loud in an arcade,&amp;quot; Hitomi says, then, standing approximately behind Suzume. (The height differential here is about eight inches, and as such, Hitomi is entirely visible over Suzume&#039;s head. &amp;quot;It&#039;s not like it&#039;s... your fault? I read online these things are kind of soft-rigged.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A beat passes. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;At least in America,&amp;quot; Hitomi allows, as if remembering the rest of the article. This makes her lips purse. She looks at Hyousuke, in case he knows anything about this.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hyousuke Suzuki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hyousuke found himself distracted from the rather heavily-dressed stranger by the sight of someone snatching a drink out of what he assumed was their friend&#039;s hand. He blinked, unsure of what to make of the spectacle, but decided not to comment on it or said friend&#039;s reaction. Perhaps some things were better left unquestioned. However, before he could make a comment about the doll or the machine instead, someone turned the conversation back to him, and he turned his eyes back to the machine itself. He fell silent, putting his free hand to his chin as he looked quizzically to the thing, before finally deigning to speak.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...No idea.&amp;quot; He said, after having unintentionally allowed a little dramatic tension to build. It took him only a fraction of a second to realise that this was perhaps a rather unsatisfactory answer, so he continued, not looking at any of them as he spoke. Instead, he seemed to focus more on the prizes that lay within, and which one he&#039;d prefer to take home. &amp;quot;Wouldn&#039;t surprise me if the thing was rigged though. Most of the toys you see in these things are pretty cheap, so if you&#039;ve got a bunch of people spending money and not getting anywhere with it, you got a lot of cash coming in.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He took another long sip from the drink, and silently wondered if the drink was really worth the money he&#039;d paid for it. He was fairly certain that most of it was cream, and the rest was a watered-down mocha. He made a mental note to hit up the vending machine for a can of the tea that one of the others were holding next time, then turned to the person that had been actually attempting to win the game in the first place.&lt;br /&gt;
&amp;quot;Guy I knew that played these said you gotta push it to the hole, since the grabbing thing doesn&#039;t work right.&amp;quot; He punctuated his advice with a nonchalant shrug. &amp;quot;I dunno. I&#039;ve never played these things. I usually go for the shooters.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume becomes a granola chipmunk, and Shinjro stares for a second, before scanning back over to Hitomi. Hitomi says he was swearing really loud... &amp;quot;Tch. Sorry, didn&#039;t mean to be a nuisance.&amp;quot; He grumbles.&lt;br /&gt;
&lt;br /&gt;
Suzume and Hyousuke, though, have tips. &amp;quot;Is that the trick you were offering?&amp;quot; he asks Suzume as Hyousuke mentions &#039;pushing it&#039;. &amp;quot;Damn thing&#039;s rigged, huh?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But, he was also asked why he&#039;s trying to do this... he gestures his head to the little girl staring from outside at his claw machine. &amp;quot;I promised that kid I&#039;d get it for her. She said it was very important, so I have to get it for her.&amp;quot; He looks to them with a look like &#039;you know how it is&#039;.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume is used to people standing right behind her. She has mixed feelings about her height (as she does with many other things) but she knows it&#039;s just a practical thing. So she doesn&#039;t try to turn to keep Hitomi in her field of vision while she does it.&lt;br /&gt;
&lt;br /&gt;
Suzume is kind of scowly right now, as much out of embarrassment as anything else - just laugh, she&#039;ll deal with it! But nobody does, and so she relaxes, at least a little bit. Shinjiro explains his goal here, and Suzume...&lt;br /&gt;
&lt;br /&gt;
Huh, she thinks. That was not her guess.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah,&amp;quot; she says, relenting a little bit. &amp;quot;Like he says. Two-pronged claws don&#039;t grab as well as three-prong ones. Things tend to start sliding out. It drops a little, and then the prize slides out of your grip. If you&#039;re gonna put two coins in, use the first to try to move something near the edge, and then maybe you can use another prize to push it out. It works better as a rake than a grabber, sometimes.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume likes to win. And with a crane game, she doesn&#039;t feel too bad about sharing her strategies. It&#039;s not like you can play the game &amp;amp;#42;against&amp;amp;#42; someone. It&#039;s just against the arcade.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi looks at Hyousuke as he speaks. She doesn&#039;t answer him. Instead she takes another sip off her bottle. She looks towards the claw machine again. &lt;br /&gt;
&lt;br /&gt;
The weird dude (Shinjiro) speaks again. He apologized? And he&#039;s... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... you&#039;re doing it for that girl?&amp;quot; Hitomi says, turning her head to look. &lt;br /&gt;
&lt;br /&gt;
After this her head tilts forwards. The light from the claw machine, bright in the relative dimness of arcade ambient lighting, hides the look in her eyes from visibility by anyone else. She doesn&#039;t talk for long moments. &lt;br /&gt;
&lt;br /&gt;
She inhales and exhales rather quickly several times. Her lips close. She dry-swallows, takes another breath, and raises her head. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... I bet you I can do it in six tries,&amp;quot; she says, looking at Shinjiro. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hyousuke Suzuki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;So, the prize wasn&#039;t for him. It was for the little girl that had, until that point, gone unnoticed by Hyousuke. He spared her only a brief moment of attention before looking back to Shinjiro, and the whole situation suddenly made a lot more sense. While he didn&#039;t approve of using such strong language around such a small child, Hyousuke held his tongue, having decided that there were far more important matters to attend to - chief amongst them making sure that the promise was fulfilled. He wasn&#039;t entirely certain what he could do beyond providing moral support, but by that point, he&#039;d become invested, so decided to stick around.&lt;br /&gt;
&lt;br /&gt;
He nodded along to Suzume&#039;s explanation. A far better one than his own, he had to admit, especially given how he&#039;d somehow managed to forget the word &#039;claw&#039; for the duration of his response. Nothing was added, however. He was certainly no expert on the things, and from the looks of it, there wasn&#039;t much else he could realistically add. Not until Hitomi made a bet with him, that was. He raised a brow, casting a glance over to Shinjiro, wondering if the frustration he&#039;d seen earlier would carry over into that little dare as well.&lt;br /&gt;
&lt;br /&gt;
Again, Hyousuke acted against his better judgement, even after taking a moment to sip his coffee and think about what constituted a sensible response.&lt;br /&gt;
&amp;quot;Six.&amp;quot; He repeated, looking down at the prize intensely, before dragging his eyes back up to look Shinjiro in his own. &amp;quot;You just gonna stand there and take that? I bet you could do it in five.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume gives Shinjiro the full tip, and he nods. &amp;quot;That makes sense. I can pull that off----&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then Hitomi, who glances, bets she could do it in six tries. Assuming she wants to give it a shot, &amp;quot;Yeah, I am. Sorry, this is my promise. I gotta pull it off.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
But Hyousuke MAKES IT WORSE by betting he can do it in five. Wait, was this a bet thing? Oh no.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Five, huh. I can do that. I have just enough coins for that, too.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
So it begins. Shinjiro puts in the first coin, attempting to grab a different animal nearby, but he can&#039;t quite clutch it. After a grumble, he goes on for attempt 2, and gets it a little further.&lt;br /&gt;
&lt;br /&gt;
Attempt 3 is unspeakable. We don&#039;t talk about it.&lt;br /&gt;
&lt;br /&gt;
Attempt 4, though... he gets one all the way next to the Jack Frost, trying to push it towards the edge. He succeeds.&lt;br /&gt;
&lt;br /&gt;
Before he goes for his FINAL TRY before becoming a loser, though, Shinjiro takes a breath, turning to the others. &amp;quot;You Gekkoukan students?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hitomi makes a bet, which Hyousuke intensifies by betting Shinjiro can do it in less. Suzume immediately wants to match it, and in fact starts to do just that, but Shinjiro is still taking the machine. &amp;quot;Huh,&amp;quot; she is her eventual response. &amp;quot;This isn&#039;t usually my game. But I could do that well.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume wants to watch, but she doesn&#039;t get too close to Shinjiro. Wouldn&#039;t want to jostle his arm. ...to say nothing of anything else. Who dresses like that in summer? He&#039;s kind of weird.&lt;br /&gt;
&lt;br /&gt;
So she steps to one side so she can watch from a different angle, slouching a little; her backpack, still being carried only by one shoulder strap, slips slightly and tugs to one side. It works well enough, though.&lt;br /&gt;
&lt;br /&gt;
In fact, it works really well. &amp;quot;It would be easier to do if the controls were on this side,&amp;quot; Suzume says. Not that that helps him, but: &amp;quot;Pretty good view of the drop chute from here, is all.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;You Gekkoukan students?&#039;&lt;br /&gt;
&lt;br /&gt;
Suzume reaches up and flicks the ribbon she has over her uniform shirt. &amp;quot;Nah,&amp;quot; she says, &amp;quot;I just wear this crap for fun. I should be asking you two, you&#039;re the ones without uniforms.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
When Hyousuke says five, an enormous leering smile cracks open on Hitomi&#039;s face for a moment, though it disappears moments later, her face twitching a little as she pulls herself together. &amp;quot;Five,&amp;quot; she states, before glancing towards Suzume. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I won&#039;t... ask you to fade me,&amp;quot; she says as she pushes her glasses up her nose. &amp;quot;But you&#039;ve got to hype me when I win, Fukuraaa, can you do that...?&amp;quot; And after this Hitomi approaches the claw machine. Still well away. Shinjiro&#039;s got one more shot at this. &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s looking at the Hee-Ho intently. Maybe she&#039;s going to use psychokinesis. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;She&#039;s right,&amp;quot; Hitomi says, not looking up from her intent focus on the machine. &amp;quot;I&#039;m actually thirty-six and divorced, you know...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
(that is a lie, she&#039;s like a 27 year old OL at worst) &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hyousuke Suzuki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hyousuke was not well-versed in the art of the crane game. He&#039;d said as much, and felt no need to prove it to the others gathered there. However, even he knew that what he saw was not a terribly encouraging display. Not until the penultimate push, anyway. If one strained their ears, they might have been able to hear the gears begin to whir in his head as he dedicated all of his remaining brainpower to figuring out if retrieving the toy was possible with the one remaining push he had left in their informal bet, though his train of thought was interrupted before it had a chance to go anywhere.&lt;br /&gt;
&lt;br /&gt;
He almost choked at the mere thought that he could have been a Gekkoukan student - quite audibly, in fact. One of the last few remaining dregs of his drink caught in his throat, and it took a fairly spirited cough or two to dislodge it from his windpipe, and leave him in a condition to answer.&lt;br /&gt;
&amp;quot;Gekkoukan?&amp;quot; He asked, brow furrowing a little at the mere suggestion. &amp;quot;Yeah, I teach there.&amp;quot; He wasn&#039;t a particularly good actor, but he would have kicked himself for not playing along with the others.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What about you?&amp;quot; He asked, fixing Shinjiro with a quizzical glance. &amp;quot;You a student?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Don&#039;t mess with me,&amp;quot; is Shinjiro&#039;s reply to the three&#039;s &#039;no I&#039;m not a student&#039;. He&#039;s asked if he is...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Technically,&amp;quot; is all he says. TRUANCY ALERT, you may get DELINQUENCY COOTIES. In other words, he&#039;s definitely a third year.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Don&#039;t tell Kirijo you saw me here,&amp;quot; he says in a way that actually sounds Familiar instead of &#039;oh she&#039;s that famous student council president&#039;, even if he&#039;s joking.&lt;br /&gt;
&lt;br /&gt;
The final push. He goes to move the Jack Frost over, and it&#039;s about to fall in, when...&lt;br /&gt;
&lt;br /&gt;
It teeters.&lt;br /&gt;
&lt;br /&gt;
It falls back into the pile.&lt;br /&gt;
&lt;br /&gt;
Round 5: FAILURE&lt;br /&gt;
&lt;br /&gt;
It is now Hitomi&#039;s turn, as Shinjiro moves away from the machine, grimacing.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Let&#039;s see how far you can push it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;I figured you had functioning eyes and I didn&#039;t have to actually answer,&amp;quot; Suzume shoots back. She doesn&#039;t like the uniform very much, but she didn&#039;t have a whole lot of time to change if she wanted to get to the police station before meeting Hitomi at the arcade. Which she did. &amp;quot;Unlike Teach over there.&amp;quot; Sorry, Hyousuke, that&#039;s you now. Even though Suzume knows perfectly well he&#039;s not a Gekkoukan teacher, because: &amp;quot;I don&#039;t think you&#039;re supposed to fraternize with the students.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The delinquency doesn&#039;t bother Suzume either. If anything, she&#039;s impressed, though whether it&#039;s that he does it or some other reason is hard to tell. &amp;quot;Bad luck for you, she&#039;s in my dorm,&amp;quot; Suzume says, which doesn&#039;t mean much to anyone except someone who is familiar with SEES. But: &amp;quot;Don&#039;t worry. I don&#039;t tattle. Even if I&#039;m pretty sure I could just call you Beanie-san and she&#039;d figure it out.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Nobody wears a beanie like that just once.&lt;br /&gt;
&lt;br /&gt;
Shinjiro... fails. &amp;quot;Well, Mandai, looks like it&#039;s up to you, for that little girl.&amp;quot; She suddenly grins, slightly crooked: &amp;quot;And if &amp;amp;#42;you&amp;amp;#42; fail, I&#039;ll show both of you up.&amp;quot; She is privately hoping that that happens, because... well. That would be some impressive showing off.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi&#039;s answer to Shinjiro is wordless... She heard him, but she makes, at most, a &#039;hnn&#039; in the back of her throat. She watches the game as Round Five plays out. She does smirk a little when Hyousuke becomes a faculty member. She adjusts her glasses. &lt;br /&gt;
&lt;br /&gt;
Her hands lace together for a moment, around the tea bottle. Mentally, she reviews the facts of the case. &lt;br /&gt;
&lt;br /&gt;
&amp;amp;#42; Known: This is a two-claw machine, not a three claw. Suzume&#039;s right, that they&#039;re more unfair. &lt;br /&gt;
&amp;amp;#42; Possibility: A push? or...&lt;br /&gt;
&lt;br /&gt;
&amp;amp;#42; Known: At least one of those punk guys is looking at me doing this... aaaaaaaaaaaa&lt;br /&gt;
&amp;amp;#42; Possibility: He &amp;amp;#42;would&amp;amp;#42; have faded me if I - no, stop&lt;br /&gt;
&lt;br /&gt;
&amp;amp;#42; Known: He doesn&#039;t want us to tell Kirijo. &lt;br /&gt;
&amp;amp;#42; Unknown: Does he mean Mitsuru-sempai or the company or one of Mitsuru&#039;s relatives or what&lt;br /&gt;
&amp;amp;#42; Possibility: this man is a beanie of mystery &lt;br /&gt;
&lt;br /&gt;
&amp;amp;#42; Known: I have to do this in five tries... or less.&lt;br /&gt;
&amp;amp;#42; Known: I could do this all day if I had to... I&#039;d probably eventually win... &lt;br /&gt;
&amp;amp;#42; Known: I would definitely spend all my arcade money and be eating out of the fridge at the dorm for the next week. &lt;br /&gt;
&amp;amp;#42; Possibility: But...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I think...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi steps forwards, quickly. She plugs in her coins. And for try #1... &lt;br /&gt;
&lt;br /&gt;
... the claw lifts... and... &lt;br /&gt;
&lt;br /&gt;
... she&#039;s going for the digital watch in the corner??? &lt;br /&gt;
&lt;br /&gt;
Hitomi lines it up perfectly, craning her head and even leaning to the side to get another angle, and then hits the button. &lt;br /&gt;
&lt;br /&gt;
The claw comes down... and it actually gets a good grip on the little plastic loop around the prize! Except it lifts up aaaaand nope it doesn&#039;t even have a grip at all, apparently. Except that for some reason this makes Hitomi crack an enormous grin, the kind of thing that lets people see what your back molars are made of. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;So that&#039;s how it is...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
ATTEMPT #2: This one happens pretty quick. Hitomi aims for the Hee-Ho - the two-claw design makes it hard to just snatch and go, but she does at least get enough hold of it to get it &amp;amp;#42;near&amp;amp;#42; the opening of promise, of treasure, of bliss. &lt;br /&gt;
&lt;br /&gt;
ATTEMPT #3: This involves another one of those around-the-corner levering up sighting intervals, or maybe she just wants to build tension... and it almost seems like it works, except that the Hee-ho is grasped, as it turns out, at just the wrong angle -- because it ends up bumping against the cowling around the exit drop, and indeed, it flops downwards -- laying (sloppily) about half and half on the side of the drop. &lt;br /&gt;
&lt;br /&gt;
Really, at that point, you&#039;d probably kick the machine. Hitomi does not kick the machine. She seems to be breathing heavily. &lt;br /&gt;
&lt;br /&gt;
ATTEMPT #4: The claw goes down... and grips onto the butt of the Jack Frost (there&#039;s no good way to say it), the loincloth-skirt-thing that every fashionable Hee-Ho&#039;s rephee-senting this season getting caught on the side. But the grip breaks and the doll flops on the same exact place it was at. &lt;br /&gt;
&lt;br /&gt;
The same exact place? No, it moved... &lt;br /&gt;
&lt;br /&gt;
... ten percent to the side... &lt;br /&gt;
&lt;br /&gt;
... which means, with some drama as the doll begins to slide along the plastic lip, gravity exerts its merciless toll and...&lt;br /&gt;
&lt;br /&gt;
                tump&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Just as I thooought,&amp;quot; Hitomi says, straightening up and clapping her hands together with a beatific expression. &amp;quot;Every third try it does a little -- pop -- Teach, you saw it, right? Just...&amp;quot; She mimes with one hand, going &#039;drrrrrrr&#039; with her mouth as she lowers her hand down, index finger and thumb curled in claw mimickry, and then-- &#039;pwoip!&#039; as her finger and thumb part JUST a tiny bit. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Araaa, I think that might be illegal... Fukuraa, should we get into blackmail...?&amp;quot; Hitomi says, as she folds her hands behind her back. This is perhaps the most pleased-with-herself and &amp;amp;#42;happy&amp;amp;#42; Suzume has seen her in... ... ever? &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hyousuke Suzuki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hyousuke shot Shinjiro a glance. It was a knowing one, tinged with just a little bit of harshness - something to silently tell him that he knew exactly what kind of a person he was. He could hide behind all the technicalities he wanted, but Hyousuke knew one of his own kind when he saw them. The look on his face changed quickly when he heard his new nickname, however. Teach was perhaps not the worst thing he&#039;d been called, but it was by far the most accurate. To his mind, the only thing he could confidently teach was how to be a bad example.&lt;br /&gt;
&lt;br /&gt;
Not at the crane game, though. Shinjiro exemplified that with his fifth and final try, and how it ended in abject failure. Close as it was, &#039;close&#039; didn&#039;t pry free any prizes from the machine&#039;s cold and unfeeling grasp. The claw was an unforgiving mistress, and close enough wasn&#039;t good enough.&lt;br /&gt;
&amp;quot;Better luck next time.&amp;quot; He said, shrugging casually at what&#039;d happened. Was it perhaps not the best response to give to someone that had likely been trying for quite a while? Definitely. Did he stand a chance of resisting the urge to say it nevertheless? Definitely not. &amp;quot;I&#039;ll get you something out the vending machine. Consider it a consolation prize.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
With that, his attention turned back to the crane, and the various motions it made. He wasn&#039;t sure about any of the specifics of what was going on - it had taken all of his brain power simply to process the idea that a claw was for shoving things around, rather than grabbing things, contrary to the primary purpose of actual cranes. However, he could tell (with a reasonable degree of certainty) that Hitomi was quite skilled at her manipulation of that robotic arm. Enthralled by the display, he stared like a chimp through an enclosure&#039;s glass wall, his focus only breaking when the doll finally tumbled free of its prison.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yes!&amp;quot; He said quietly, instinctively giving a fist-pump, as if he&#039;d done anything other than provide moral support and light teasing. &amp;quot;You totally got it to swoosh just right. I thought it was gonna swish the wrong way, but I guess you knew how to...&amp;quot; He gestured vaguely, his hands waving about in a vague imitation of what was probably a crane (if one squinted a little and viewed him from a distance). &amp;quot;Dunno about blackmail though. You think we could get some more dolls out of this if we did?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;As Suzume mentions she shares a dorm with Mitsuru, Shinjiro pauses, appraising her. Those are not just the eyes of someone who knows her - they are the eyes of someone who thinks that is Very Interesting.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;ve got the right attitude for it,&amp;quot; he mutters before moving to watch Hitomi. What the &amp;amp;#42;fuck&amp;amp;#42; does that mean?&lt;br /&gt;
&lt;br /&gt;
As Hitomi gets the first three not quite, Shinjiro smirks. But...&lt;br /&gt;
&lt;br /&gt;
She gets it in four.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Well, damn. Good job,&amp;quot; he admits. He glances outside, the kid luckily still there even after that many attempts. &amp;quot;We can get this to her. I bet we&#039;ll be thrilled.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He&#039;ll accept the consolation prize.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You also in her dorm?&amp;quot; He asks Hitomi, appraisingly. &amp;quot;Or you just a school pal?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And then-&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Blackmail, tch. That&#039;ll damn your permanent record.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume looks right back up at Shinjiro when he appraises her. Her gaze is almost challenging; she actually raises up from her accustomed slightly round-shouldered slouch or slump, catching her backpack as it threatens to slide with her elbow and holding the shoulder strap with one hand, her arm making a V.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What&#039;s that supposed to mean?&amp;quot; And that &amp;amp;#42;was&amp;amp;#42; challenging. She has sharp ears, apparently, or at least sharp enough to be annoying. &amp;quot;I just moved in to get out of my damn house. She had nothing to do with it.&amp;quot; That part&#039;s a lie, sort of - in that Mitsuru was not with the first group from the dorms she met. She does not answer as to whether Hitomi is in the dorm, too; that&#039;s her business, and she&#039;s not inclined to be generous to Shinjiro until he answers that question.&lt;br /&gt;
&lt;br /&gt;
Suzume absolutely does not understand Hitomi&#039;s strategy at first. Hers is pretty different; less exploratory, more direct in some ways. Still clever (at least she thinks so); Suzume tends to use the lift as much as the drop, letting it dislodge or reorient items she wants to pick up.&lt;br /&gt;
&lt;br /&gt;
You always need more than one attempt for these things.&lt;br /&gt;
&lt;br /&gt;
But:&lt;br /&gt;
&lt;br /&gt;
&amp;quot;&amp;amp;#42;Nice&amp;amp;#42;.&amp;quot; And Suzume means it; it really is an impressive grab. Hitomi&#039;s good cheer is enough to partially break some of her funk. &amp;quot;I&#039;m not really into blackmailing the arcade. It&#039;s probably just waiting for some maintenance, they never fix these enough. They probably wouldn&#039;t give you any more dolls, but you could win some yourself. If I wanted to blackmail someone I&#039;d go for Beanie-san,&amp;quot; she adds, with another look at Shinjiro. &amp;quot;But I think I&#039;ll pass on that too.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
For now.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&lt;br /&gt;
Hitomi flutters her eyelashes at Hyousuke. &amp;quot;Oh, thank you~! I just saw how it did that jerk, so I knew that if I brought it down at the right angle, it would grip and then rise up - so you&#039;d have tension - and then it&#039;d break, and it was juuust on the edge and --&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She falters a little, just a little, at what Shinjiro says, and Suzume too, about committing additional felonies. She rests two fingers on her chin as her lips pooch into a slight pout. &amp;quot;Mm... I bet we could get a doll each if we &#039;tell them&#039; about the &#039;problem...&#039;&amp;quot; But Shinjiro&#039;s going to take the doll, and Hitomi steps back a bit, so he can do so. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;You can have it,&amp;quot; she tells Shinjiro, frankly. Hitomi pushes her glasses back up the bridge of her nose. &amp;quot;It&#039;s cute, but... well, it&#039;d be weird if I came in. She&#039;d think you were less cool. This way, there&#039;s mystery! You can say whatever you - want -&amp;quot; He&#039;s asking about the dorms. &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s lips thin for a moment. &amp;quot;...&amp;quot; The bonhomie and good vibes that were practically pouring off of Hitomi fade quickly, though they take a while to completely go away. She glances at Hyousuke again. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hyousuke Suzuki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;She was looking at him. Why was she looking at him? First she&#039;d fluttered her lashes at him like she&#039;d had something in her eye she couldn&#039;t just wipe, then she looked at him like he was supposed to say something. But what? Was it about the dorms? He didn&#039;t even go to the same school as her. He went to Kasugayama - he&#039;d never even seen any of these people before today. He blinked, his eyes silently asking her for clarification, then darting between her and the rest of the group, before he forced out a response so as not to leave a tense silence hanging in the air for too long.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Now that I think about it, blackmailing&#039;s probably not worth the effort.&amp;quot; He said, crouching down a little to get a better look at the doll. &amp;quot;They probably wouldn&#039;t let us back in here if we tried, and I don&#039;t want to get banned from any more places.&amp;quot; He hoped that a joke would defuse the situation - or, at least, what he hoped they&#039;d perceive as a joke. His behaviour before his transfer had not exactly endeared him to a great many business owners, though he didn&#039;t see a reason to let them know about that. &amp;quot;I&#039;m not worried about my permanent record, I just don&#039;t want to get kicked out. I think the AC&#039;s busted in some of the other arcades around here.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Then, abruptly, he stood upright again, and locked onto the nearest vending machine. Whether it had tea in it or not hardly mattered - it was there, it had cold drinks, and it was also a rather convenient way of distracting from what even he could sense was tension brewing.&lt;br /&gt;
&amp;quot;I&#039;m gonna get a drink. What do you want as your consolation prize...&amp;quot; He trailed off upon realising that he had not actually caught Shinjiro&#039;s name amidst all the chaos. Had he said it, only for Hyousuke to not be listening? Hyousuke had no idea. He wasn&#039;t even sure if he&#039;d introduced himself at any point. &amp;quot;...Beanie.&amp;quot; He said eventually. He wasn&#039;t going to be the only one in the group with a nickname, even if it came at the expense of someone else.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Learn to take a damn compliment,&amp;quot; Shinjiro replies to Suzume. His attitude flares, but so does... something else, accidentally, if you&#039;re Awakened. An aura, a feeling, a signal. It&#039;s not super clear &amp;amp;#42;what it is&amp;amp;#42; unless you&#039;re experienced enough to know what it is.&lt;br /&gt;
&lt;br /&gt;
That means, for Hitomi, she&#039;ll know it&#039;s what SEES calls Detection. This is a Persona User. For Suzume, though, it might just seem like an odd experience and Vibes, if she hasn&#039;t been clued in.&lt;br /&gt;
&lt;br /&gt;
Which makes Beanie-san even more mysterious... except to Hyousuke, who will be entirely clueless anything at all happened, being unawakened.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Can&#039;t answer a question? It&#039;s fine. I don&#039;t care enough,&amp;quot; he says to Hitomi, taking the plush. As he prepares to get his CONSOLATION PRIZE AND LEAVE...&lt;br /&gt;
&lt;br /&gt;
He glances to Suzume. &amp;quot;Don&#039;t stay out too late,&amp;quot; he says abruptly. She may &amp;amp;#42;not&amp;amp;#42; be awakened. But if she&#039;s staying at that dorm...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;There&#039;s not just shadows in the darkness.&amp;quot; Okay, that&#039;s just kinda edgy. He&#039;s gonna smack himself later for trying to give a POLITE WARNING around NORMIES and sounding like a creep doing so. But... the world is wider than Kirijo thinks it is, for sure.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Aragaki,&amp;quot; he tells Hyousuke. &amp;quot;Beanie&#039;s fine, I don&#039;t give a shit.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume has exactly one supernatural trip to her name (the one where she almost got herself killed by going into Mementos before she knew she had a Persona - indeed, before she knew what a Persona &amp;amp;#42;was&amp;amp;#42;). She has, so far, less than a week of Dark Hours to her name. Her first one was Sunday, and it is now Friday.&lt;br /&gt;
&lt;br /&gt;
Needless to say that while she may have been &amp;amp;#42;told&amp;amp;#42; some of this, she has such a limited amount of experience that compared to Shinjiro she may as well have none at all. &lt;br /&gt;
&lt;br /&gt;
There&#039;s a vibe of something from Shinjiro, but a moment later there&#039;s a similar one from Suzume - and despite her lack of experience it doesn&#039;t feel hesitant or uncertain. Rather the opposite. It&#039;s truly &amp;amp;#42;there&amp;amp;#42; even if she couldn&#039;t say what she&#039;s doing, and indeed isn&#039;t aware she&#039;s done anything at all.&lt;br /&gt;
&lt;br /&gt;
She simultaneously feels rattled and intrigued. She just &amp;amp;#42;stares&amp;amp;#42; at Shinjiro&#039;s back as he steps aside. &amp;quot;The last person who told me something like that,&amp;quot; Suzume says after a long moment, &amp;quot;was calling me an idiot.&amp;quot; Hothead, idiot, impulsive... Admitting this is as close as Suzume is going to get to an apology, which itself says a lot.&lt;br /&gt;
&lt;br /&gt;
Suzume says nothing for a few moments as Shinjiro leaves. She doesn&#039;t stop him. She doesn&#039;t even call back to him, even though that last line... he knows, she thinks. She&#039;s going to have to find him again. Without &#039;Teach&#039;. Maybe without Hitomi, because he&#039;s upset her with questions, and Suzume hates that, too. Aragaki... she commits it to memory.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Drink sounds good,&amp;quot; Suzume says, agreeing with Hyousuke, &amp;quot;but I&#039;m gonna get my own. Mandai, you want to get some coffee before we go back?&amp;quot; Chagall IS right there, after all. &amp;quot;I need to get some stuff from the pharmacy, too.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Why did Hitomi flutter her eyelashes at Hyousuke? It&#039;s a mystery. If this happens again, maybe he can get in the Mystery Machine. But of course, why you make eyes at someone from Kasugayama who&#039;s in the area to play the sick shooting games... is a secret. Though in time. &amp;quot;Yeah,&amp;quot; she answers, mildly to what he says about the blackmail. &amp;quot;Uh... another oolong, if you&#039;re buying...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But her attention&#039;s on Shinjiro. &lt;br /&gt;
&lt;br /&gt;
There&#039;s something that happens. Hitomi can&#039;t say what it is. Something that makes her teeth set on edge. Hitomi is quiet, to the feeling of Detection, but there was a tremor there for a moment. She purses her lips. &lt;br /&gt;
&lt;br /&gt;
And then he&#039;s leaving. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Fwah,&amp;quot; Hitomi says once he&#039;s gone. Her arms fold rather defensively, as she walks over towards Suzume. &amp;quot;... I guess this kind of killed the move. I&#039;m good for it, though...&amp;quot; (Strangely, she drinks that oolong shit all day and coffee periodically and still looks kind of sleepy in class. Maybe it&#039;s &amp;quot;ADHD.&amp;quot; Maybe it&#039;s something else wearing her out.) &lt;br /&gt;
&lt;br /&gt;
But Hitomi also looks obscurely frustrated. Maybe she did want the doll? It is a mystery. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hyousuke Suzuki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Hyousuke was confused. He was confused a lot, as anyone that had picked up on his lack of academic ability might have guessed, but this time it was for a different reason entirely. Looking around at the group, he felt as though there was an inside joke he&#039;d not been let in on, or a crucial piece of information he&#039;d missed at some point in the conversation. It was difficult for him to put into thoughts, let alone words, and it was hardly as if he had a reason to try. He would just have to keep his confusion to himself, and make an exit before he got dragged into any trouble.&lt;br /&gt;
&lt;br /&gt;
Then there was the matter of the drinks. He&#039;d only intended to buy for himself and for Aragaki, and that was only as a consolation prize. But he could hardly back out after the offer had been taken up. He was blunt, but he wasn&#039;t rude. Mostly. He thought. Or, rather, hoped. Whatever the status of his social aptitude (or lack thereof), that was three drinks he owed the group, assuming that one of them was still there when he got back from the vending machine. He tried to provide some self-reassurance by noting that the drinks didn&#039;t cost that much, and they&#039;d already spent their fair share on making a small child happy, but it was of little comfort.&lt;br /&gt;
&lt;br /&gt;
Before he toddled off to collect something cold to chug, however, there was the matter of introductions. Turning abruptly on his heel, he faced Aragaki, and spoke.&lt;br /&gt;
&amp;quot;Suzuki.&amp;quot; He said, lazily pointing at himself with a single finger. &amp;quot;I&#039;m not actually a teacher. I go to Kasugayama.&amp;quot; With that, he turned away once more, and ambled off towards the vending machine&#039;s glow.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Shinjiro Aragaki has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;OUTSIDE, AFTER SHINJIRO HAS LEFT:&lt;br /&gt;
&lt;br /&gt;
Shinjiro Aragaki returns to the child. &amp;quot;Here&#039;s your toy.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh, thanks, mister...&amp;quot; the girl replies, taking the Jack Frost and immediately turning it over, as if... looking for the fine print.&lt;br /&gt;
&lt;br /&gt;
Shinjiro squints, before tilting his head. &amp;quot;Something wrong?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah! This isn&#039;t an original... my brother told me those had a defect that made them worth a lot to collectors...&amp;quot; the kid says, hoping something that rare would still be in the machine. She turns to Shinjiro, shoving the toy back into his hands. &amp;quot;Well, thanks anyways, mister... you can keep it, I guess...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The kid runs off when she spots an adult that is likely her parent, causing Shinjiro to remain baffled. Mission... accomplished?&lt;br /&gt;
&lt;br /&gt;
SUB-STORY - THE CLAW OF DESTINY&lt;br /&gt;
COMPLETE&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1861</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1861"/>
		<updated>2025-07-13T05:58:36Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I won&#039;t tattle, Beanie-san. But I&#039;m going to talk with you later - alone. I want some answers.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick in my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1860</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1860"/>
		<updated>2025-07-13T05:58:05Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I won&#039;t tattle, Beanie-san. But I&#039;m going to talk with you later - alone. I want some answers.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name, it&#039;s an MP3 player... I think.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1859</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1859"/>
		<updated>2025-07-13T05:57:02Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I won&#039;t tattle, Beanie-san. But I&#039;m going to talk with you later - alone. I want some answers.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1844</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1844"/>
		<updated>2025-07-13T04:26:29Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shinjiro Aragaki]]&lt;br /&gt;
|5. Hierophant&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I won&#039;t tattle, Beanie-san. But we&#039;ll speak again. I want some answers.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1832</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1832"/>
		<updated>2025-07-12T22:25:04Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Ririka Kawase]]&lt;br /&gt;
|12. Hanged Man&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;She&#039;s okay. Braver than she looks. Even if I feel like I&#039;ll get a crick my neck if I look so far up.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Shizuka Kuroki]]&lt;br /&gt;
|18. Moon&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Don&#039;t call me &#039;Zume-chan&#039;. That&#039;s not even a name.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Akari_Hoshi&amp;diff=1829</id>
		<title>Akari Hoshi</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Akari_Hoshi&amp;diff=1829"/>
		<updated>2025-07-12T17:19:41Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Placeholder page, but at least it has a face pic.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#D6D5BF; border: 2px #B13A20 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#000000&amp;quot;&amp;gt;&#039;&#039;&#039;Akari Hoshi&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:akari_1.png|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#D6D5BF; border: 2px #B13A20 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#000000&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Akari Hoshi (星あかり)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Moon&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 13 (July 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Grey&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Grey&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| Tall&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Rengedai Ward&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Seven Sisters Middle School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year (Middle School)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#D6D5BF; border: 2px #B13A20 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#000000&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 2: Innocent Sin&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;I&#039;m Ixquic, the reincarnated warrior maiden! Demons that threaten human lives... I, Ixquic, shall whoop your asses!&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
Akari Hoshi is a girl with big dreams. She&#039;s always believed there&#039;s more to this world than what most people see, but until recently lacked the ability to do anything about it beyond hang out and try to catch sight of a rumoured demon. But recently, she proclaimed to her parents that she was going to grow up and be a hero and an artist... only to have her dreams crushed. Her parents told her there were no such thing as heroes and she&#039;d never make money at art; Madarame had shown that fine art was nothing but a scam. She should put aside her childish hobbies and spend more time on academics; she&#039;d struggle in society if she didn&#039;t behave and couldn&#039;t fit in, and she needed to grow up and focus on her future. But it awoke a resolve in Akari instead: if there were no heroes in this world, if there was nothing but the crushing mundanity of tutors and classes, she&#039;d break free, find the supernatural, and *make* herself a hero. By any means necessary.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
(Coming soon!)&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
(Coming soon!)&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
Akari&#039;s Persona is Don Quixote.&lt;br /&gt;
&lt;br /&gt;
A female figure wearing lightweight armour that looks like a cross between partial plate mail and power armour, with a bodysuit beneath. She rides a motorcycle - or rather is attached to, centaur-like, her leg armour and boots blending into the vehicle&#039;s frame - with ROCINANTE emblazoned on the side, and carries a sword. A lance with a pennant is mounted like a bike flag, with the word &#039;Shinjitsu&#039; (truth or reality) on one side and &#039;Gensou&#039; (illusion or fantasy) on the other.&lt;br /&gt;
&lt;br /&gt;
The main character of &#039;The Ingenious Gentleman Don Quixote of La Mancha&#039;, a founding work of modern Western literature written by Miguel de Cervantes in 1605. Alonso Quijano is a noble who has read so many chivalric romances and tales of knighthood that they have replaced reality for him. He reinvents himself as Don Quixote, a knight-errant with the self-declared goal to revive chivalry. He does not see the world as it is, but as he wishes it was.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
(Coming soon!)&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#D6D5BF; border: 2px #B13A20 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#000000&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#D6D5BF; border: 2px #B13A20 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#000000&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#D6D5BF; border: 2px #B13A20 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#000000&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#D6D5BF; border: 2px #B13A20 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#000000&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
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[[Category:Characters]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=File:Akari_1.png&amp;diff=1828</id>
		<title>File:Akari 1.png</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=File:Akari_1.png&amp;diff=1828"/>
		<updated>2025-07-12T17:14:26Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Akari Hoshi, without Ixquic&amp;#039;s mask (Persona 2 Innocent Sin portrait)&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Summary ==&lt;br /&gt;
Akari Hoshi, without Ixquic&#039;s mask (Persona 2 Innocent Sin portrait)&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-05:_Reaching_Out,_Falling_Away&amp;diff=1767</id>
		<title>2025-07-05: Reaching Out, Falling Away</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-05:_Reaching_Out,_Falling_Away&amp;diff=1767"/>
		<updated>2025-07-08T23:58:25Z</updated>

		<summary type="html">&lt;p&gt;Almacia: removed stray &amp;lt;RP&amp;gt; messages&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 2025-07-05: Reaching Out, Falling Away&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Yukari Takeba]], [[Minako Arisato]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; Iwatodai Dorm&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 05, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 05, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;After the briefing, Minako goes to check on Yukari. They talk and start to bond, but that proves to be the problem for both of them.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The common room is quiet again. Everyone is prepping for the upcoming operation. Yukari&#039;s seated upon the couch, a quiver at her side. She&#039;s in the middle of the ritual of prepping her bow. It&#039;s not the same one she uses for school.&lt;br /&gt;
 &lt;br /&gt;
Certainly, if she held it in town, an officer might wonder if she were breaking the law. It takes, somewhat longer to string this more sleek, modern looking metal recurve.&lt;br /&gt;
 &lt;br /&gt;
It&#039;s not her preference, she learned Kyudo archery, but it doesn&#039;t matter. The draw strength was more powerful... and she could hold nothing back against Shadows.&lt;br /&gt;
 &lt;br /&gt;
It&#039;s much like being in SEES, isn&#039;t it? She doesn&#039;t enjoy it...&lt;br /&gt;
 &lt;br /&gt;
... but she&#039;s also always the first, or one of the first ones ready nearly every operation. Her pink cardigan is on again, with the S.E.E.S. armband encircling her right bicep... it&#039;s still pretty hot even this time of night... but she has it on.&lt;br /&gt;
 &lt;br /&gt;
It gets cold during the Dark Hour, and she wants to be prepared.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;It&#039;s nothing new...&amp;quot; She murmurs to herself, as she strings the bow. She wasn&#039;t in SEES to make friends, even if she was relieved there were more girls staying here now.&lt;br /&gt;
 &lt;br /&gt;
That they all hate her... or at least &#039;&#039;should&#039;&#039; hate her? She&#039;s used to that idea... she has been for years, as the daughter everyone blames for what happened years ago.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako comes into the common room, with her naginata over her back -- there&#039;s a little strap that lets her hold it across her back when she doesn&#039;t carry it. She pauses, a moment, as she looks at the bow in Yukari&#039;s hands. She doesn&#039;t know archery that well. This one still strikes her as more modern.&lt;br /&gt;
&lt;br /&gt;
She looks up from the bow to the pink cardigan, and then Yukari herself. For Minako&#039;s part, she has her winter uniform coat on. Her S.E.E.S. armband is, likewise, on her bicep.&lt;br /&gt;
&lt;br /&gt;
&#039;Nothing new,&#039; Minako says.&lt;br /&gt;
&lt;br /&gt;
She approaches, then she smiles. Always smiling, even when she feels frustrated. She feels frustrated right now.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hey, Takeba-chan,&amp;quot; she says. &amp;quot;Looks like you&#039;re about ready?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
As Minako approaches, Yukari pulls the bow taut, and finishes adjusting the cams on the end. With a look of satisfaction, she slowly nods.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Yeah... I&#039;m ready.&amp;quot; As she takes a breath, &amp;quot;It won&#039;t be much longer now.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
...&lt;br /&gt;
 &lt;br /&gt;
She looks up, and straight at Minako&#039;s smile, and that takes her aback, the contradiction - that image - to her mood.&lt;br /&gt;
 &lt;br /&gt;
To the mood Minako has.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Come on...&amp;quot; Those two words are said in essence like &#039;Good Grief&#039;, like it&#039;s shocking to her, &amp;quot;...how can you be smiling like that... after everything that just happened?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She&#039;s looking straight at her face, and indeed, actually looks shocked. Ordinarily, she wouldn&#039;t press, but right now, after all that, &amp;quot;I really don&#039;t get it... or you. I kinda tore into your brother... and those other two too, if I&#039;m being honest, is this you trying to be professional as our co-leader, or what?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s a prolonged sigh, &amp;quot;You really don&#039;t have to you know, to prove... you&#039;ll still work with me or something. You can just... be mad.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
That&#039;d be &#039;&#039;way easier&#039;&#039; for her.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Should be soon,&amp;quot; Minako agrees as she approaches.&lt;br /&gt;
&lt;br /&gt;
Minako&#039;s smile falters a little, for just a moment, when Yukari looks at her -- and says all of that. She hesitates for a second, before she walks closer. She looks down at the sofa. &amp;quot;Is it all right if I sit down?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She does hesitate for a moment before she responds. &amp;quot;I&#039;m a little mad at you. And I&#039;m a little mad at him,&amp;quot; she says. &amp;quot;But... what he said, it wasn&#039;t great. And... I get why you might be frustrated. A little, at least.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She sighs, her crimson eyes glancing to the side. &amp;quot;...Besides, when I&#039;m mad, I don&#039;t like to keep it bottled up. It doesn&#039;t do me any good, especially before a mission that&#039;s dangerous.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Sure.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She allows, at least glad that Minako&#039;s smile faltered some. If it had remained... unflappable even then, she&#039;s not sure &#039;&#039;what&#039;&#039; she would do. How she would take it.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Good.&amp;quot; She interjects, softly to the idea that Minako is a little mad... but... Minako continues, and she lets her have her say, as she sets her bow down with the quiver.&lt;br /&gt;
 &lt;br /&gt;
And places her hands upon her lap. She looks upon Minako as she indicates she doesn&#039;t like keeping it bottled up... part of her might argue she kinda is, right now??? A little??&lt;br /&gt;
 &lt;br /&gt;
But - at least... she&#039;s trying to justify it. Weighing something with her gaze, uncertain how to take... all of this.&lt;br /&gt;
 &lt;br /&gt;
And then...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;It wasn&#039;t what he said, not really.&amp;quot; She admits, as her posture turns in more upon itself. &amp;quot;I&#039;m... scared. If he keeps fighting like this, only because someone asked him to... without any regard for himself.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s a subtle pinch of her fingers against her skirts, as she looks down and away, not able to meet her gaze.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;He&#039;s going to get himself killed.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
And Yukari &#039;&#039;doesn&#039;t&#039;&#039; want him to die - especially not because... not because... she was too weak. Because she needed him to save her.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;And the others, they&#039;re as bad as Junpei-kun... the day he got here, smiling like a fool - like he thought he was going to be some superhero. Both of them think &#039;You saved me, so now I&#039;ll return the favor&#039; &#039;I can do this too&#039; or &#039;I have to help&#039; or &#039;I can&#039;t let anything happen.&#039;&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
A beat.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;But this operation... for their first time in Tartarus... to save a girl we don&#039;t even know is alive. They have no idea how risky it&#039;ll be. The way this is going down... both of them could be dead before they even had any real idea what they&#039;re committing to.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
A beat.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;I hate it... but it&#039;s not like I can do anything about it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako takes a seat next to Yukari. She glances sideways -- and there&#039;s a blink when Yukari says it&#039;s &#039;&#039;good&#039;&#039; that she&#039;s still mad. A blink, and then a small laugh. &amp;quot;Good? I&#039;m a little surprised.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t belabor the point, though. It&#039;s tempting -- just have a few jokes, just forget what&#039;s happening. But she wants to try to help Yukari.&lt;br /&gt;
&lt;br /&gt;
So she listens.&lt;br /&gt;
&lt;br /&gt;
Her smile doesn&#039;t stay on her face, as the other girl explains. Minako&#039;s lips part, her expression becoming more worried. The lip gloss that Yukari got her glints on them.&lt;br /&gt;
&lt;br /&gt;
&#039;He&#039;s going to get himself killed.&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I&#039;m worried about him, too,&amp;quot; Minako says. Her voice is quiet. &amp;quot;I--I&#039;m not... not sure why he is here, either. And I...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;He&#039;s going to get himself killed.&#039;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I don&#039;t think you were wrong to stop him,&amp;quot; she says. &amp;quot;I don&#039;t think he&#039;d want to hear me say that, though. I don&#039;t... really know why he&#039;s here, either. I still need to talk to him.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minako glances, once, to the side. She starts to say more. To say that she just got him back; that it must be so terribly selfish of her, to be glad that Yukari stopped him. But those words won&#039;t come.&lt;br /&gt;
&lt;br /&gt;
So she smiles, instead. &amp;quot;...Yeah,&amp;quot; she says. &amp;quot;They&#039;re doing something very risky. But...&amp;quot; She looks up at the ceiling. Minako looks thoughtful, for a second.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I don&#039;t know what to think, exactly. This is the sort of thing I&#039;d have never believed until April. I don&#039;t have some &#039;right&#039; way to handle it,&amp;quot; she says. &amp;quot;But I think... if they to help, if they want to go in there...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks back at Yukari. &amp;quot;...I can&#039;t stop them. I&#039;m...&amp;quot; She hesitates. &amp;quot;I&#039;m scared too. They&#039;ve shown they can be reckless, already. So the best thing I can do is to be there for them. To pick them back up, if they fall down, and try to keep the worst from happening.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
A little surprised?&lt;br /&gt;
 &lt;br /&gt;
Yukari almost says something but... no, she shouldn&#039;t explain there. &amp;quot;Forget it. It&#039;s nothing.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
It&#039;d freak her out if Minako wasn&#039;t at least a little mad about chewing out her brother... because well...&lt;br /&gt;
 &lt;br /&gt;
... but the conversation shifts, and Minako indicates she doesn&#039;t know either, Yukari herself looking up, startled, &amp;quot;Even you don&#039;t know?&amp;quot; Even in the aftermath, she&#039;s just - astounded. But then that look starts to fade.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Well... I guess, that&#039;s not too surprising. It&#039;s not like every family is close.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She just, thought the two of them &#039;&#039;were&#039;&#039; closer than that. &amp;quot;I guess he is a little hard to get along with, even for you.&amp;quot; MOST people would say he&#039;s too &#039;&#039;easy&#039;&#039; to get along with.&lt;br /&gt;
 &lt;br /&gt;
Not her.&lt;br /&gt;
 &lt;br /&gt;
It&#039;s at least good to know Minako can be &#039;&#039;scared&#039;&#039;. There were times when she wasn&#039;t &#039;&#039;sure&#039;&#039;... she&#039;s too calm sometimes. And as she thinks about the statement.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;It&#039;s not like I think... there&#039;s a right way to handle finding this out, what you do next.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She herself doesn&#039;t know the right way to live... she thinks she&#039;s so apart from other people. &amp;quot;But, I do think that people should give it more thought when they&#039;re... making a decision like this. A decision to fight, and risk their lives...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s a shake of her head. &amp;quot;Is a reason like... feeling like you owe your life, because it was saved good enough? Not everyone becomes a police officer or a fire fighter if they save their lives as kids... but because it&#039;s us fighting monsters... and because they want to feel special... suddenly they&#039;re all in for trading their lives away. They... shouldn&#039;t treat it like some kid&#039;s show.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;If they fall down on this operation... there might not be time to someone to get them back up again. Is it... really worth that?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Everyone should have a purpose for being here, that&#039;s what she thinks.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;I guess... I don&#039;t think it is, but - it&#039;s not up to either of us.&amp;quot; She says, softer, trailing off into self-recriminations.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;We&#039;re close,&amp;quot; Minako says. She almost snaps it -- there&#039;s a cool, angry look in her eyes when she does. It fades after a moment, before she looks down. &amp;quot;...we had to live apart since we were twelve, when our aunt and uncle separated.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Her voice is quieter. She sounds more embarrassed, for briefly losingher cool. &amp;quot;So there&#039;s... stuff I--I mean, I talk to him, it&#039;s just...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She sighs. She feels embarrassed then, as she looks down. &amp;quot;...I&#039;m trying to make up for the years they stole from--&amp;quot; Her cheeks heat up. &amp;quot;...the lost time.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She said too much. She pulls in on herself, a little; she pulls her legs onto the couch.&lt;br /&gt;
&lt;br /&gt;
Then she looks sideways at Yukari. She considers what she says, for a second, about them feeling like they owe their life. Minako hesitates for a second. She thinks back to a bridge, when she was a child. To crawling out of a car; to feeling throbbing pain in her leg; to the feeling of slick blood on her hands and knees; to seeing her brother, standing aone.&lt;br /&gt;
&lt;br /&gt;
She smiles.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I don&#039;t think they feel like they owe their life,&amp;quot; Minako says. &amp;quot;I think... they&#039;re looking at how they survived, when people they&#039;ll never know about surely didn&#039;t.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Her fingers curl about the hem of her skirt. &amp;quot;I think it&#039;s easy to want...&amp;quot; She thinks again of watching her brother standing alone, in the midde of that bridge, and never knowing exactly what happened to him.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...to want to be there, the way someone was for you,&amp;quot; Minako finishes, quietly. &amp;quot;Or even... the way someone wasn&#039;t. And to put a brave face on it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari is perhaps a little surprised when Minako asserts that they&#039;re close, enough to almost snap it, but her expression becomes contemplative afterwards, &amp;quot;Right...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She doesn&#039;t drawl it enough to be overtly rude, but it doesn&#039;t necessarily sound like she&#039;s... fully agreeing with Minako either.&lt;br /&gt;
 &lt;br /&gt;
But her expression does soften as she hears her talk about it in sympathy, but it&#039;s not long before... jealousy creeps in.&lt;br /&gt;
 &lt;br /&gt;
It&#039;s an ugly side of her, and a side she knows well exists.&lt;br /&gt;
 &lt;br /&gt;
For a while, she bathes in that ugly emotion, but something does stand out to her, &amp;quot;... I... who&#039;s &#039;They&#039;? Your relatives?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari did after all, read their file, she admitted it to both of them. But she never got the impression that years were &#039;&#039;stolen&#039;&#039; from them - or they resented their family for it.&lt;br /&gt;
 &lt;br /&gt;
She&#039;s not sure what Minako means here.&lt;br /&gt;
 &lt;br /&gt;
It makes sense to resent being away from each other but...&lt;br /&gt;
 &lt;br /&gt;
Yukari can&#039;t know the exact circumstances of what happened that day, and what Minako says...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;I guess... that makes sense...&amp;quot; And indeed, she can understand that question, that same question she asked about her Father.&lt;br /&gt;
 &lt;br /&gt;
Not why Yukari lived.&lt;br /&gt;
 &lt;br /&gt;
But why he died. Why everyone could so easily &#039;&#039;move on&#039;&#039;.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... but...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Is that what she&#039;s doing? Because no one was there for her? She&#039;s putting on a brave face? ... No.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;...I don&#039;t think I can relate to that.&amp;quot; She admits quietly and closes her eyes. She told Minako earlier that she could relate to her - but now, she&#039;s not so sure.&lt;br /&gt;
 &lt;br /&gt;
Not in this regard, and not in the way she smiles.&lt;br /&gt;
 &lt;br /&gt;
She doesn&#039;t want to be there for anyone. That&#039;s not the way she lives...&lt;br /&gt;
 &lt;br /&gt;
... she just doesn&#039;t want anyone to die.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Sorry... guess I&#039;m being kind of a downer.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako feels -- for just a moment -- embarrassed. Shame, even, wells up in her. She shouldn&#039;t have snapped angrily like that. Her left hand&#039;s fingers curl, tightly, around the bicep of her right arm. Like if she squeezes herself tightly enough, it will wake her up.&lt;br /&gt;
&lt;br /&gt;
She sounds a little distant, when Yukari asks a question. &amp;quot;Yeah,&amp;quot; she finds herself saying. &amp;quot;It&#039;s... not really their fault. Our surviving grandmother, she was too old to care for us both. So she took me, and an uncle took Minato-kun, and...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She trails off. &amp;quot;...it&#039;s... just the way it is, I guess.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She falls quiet, though, and looks sideways at Yukari. She watches her close her eyes, and that makes her hesitate for a moment. The way she speaks -- the way she sounds...&lt;br /&gt;
&lt;br /&gt;
The way she sounds unhappy.&lt;br /&gt;
&lt;br /&gt;
Minako hesitates for a second, when she sees that. But only a second; she is a creature of impulse, and she finds an impulse stronger than the others. So, carefully, she reaches out with a hand. Instead of squeezing her own arm, until it&#039;s painful, she puts a hand on Yukari&#039;s forearm.&lt;br /&gt;
&lt;br /&gt;
And she gives it a gentle, friendly squeeze. &amp;quot;Don&#039;t talk about yourself that way,&amp;quot; she says. &amp;quot;Even if you&#039;re feeling down... I&#039;d rather hear the real you, than have you hide what you&#039;re feeling. And even if we&#039;re both feeling sad...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She leans closer, peering her head around to look at Yukari. &amp;quot;...We&#039;ll always be able laugh later, eh, Takeba-&#039;&#039;han&#039;&#039;?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari looks at her reaction, but startled as she was - she doesn&#039;t blame her for it. She was after all... commenting on something deeply personal. Something that was none of her business.&lt;br /&gt;
 &lt;br /&gt;
She&#039;d get mad too.&lt;br /&gt;
 &lt;br /&gt;
It took a lot to get anger out of her... didn&#039;t it? Maybe she really does bottle things up... Yukari thinks.&lt;br /&gt;
 &lt;br /&gt;
As she talks about her family, Yukari thinks on it for a moment. It&#039;s... different from her.&lt;br /&gt;
 &lt;br /&gt;
Her Mom went from being someone she loved - to being like a stranger to her. But even if her Mom deserves that resentment...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Hmmm... well even if it&#039;s not their fault... I don&#039;t think it&#039;s wrong to resent them or anything.&amp;quot; Yukari implies gently, &amp;quot;At that age... you need somewhere for that feeling to go, or it would just drive you crazy.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
... that doesn&#039;t mean she can&#039;t understand how it would feel. &amp;quot;If I had someone I cared that much about and was separated from them... I don&#039;t know what I&#039;d do.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She still doesn&#039;t... death is the ultimate separation, but at least she had a target to resent.&lt;br /&gt;
 &lt;br /&gt;
Then, as she hits those emotional doldrums - waiting - waiting for the Dark Hour to come. &amp;quot;Eh?&amp;quot; She straightens somewhat as Minako puts a hand on hers.&lt;br /&gt;
 &lt;br /&gt;
Looking at her like she&#039;s not sure what to &#039;&#039;do&#039;&#039; with someone touching her like that, then gradually, she relaxes.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;The real me? Seriously?&amp;quot; There&#039;s a sigh, but then at least - something like a smile, &amp;quot;I don&#039;t think you really want that, but - I guess it&#039;s kinda funny that you think you-&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Minako leans in though and-&lt;br /&gt;
 &lt;br /&gt;
&#039;Yukari-han&#039;&lt;br /&gt;
 &lt;br /&gt;
Yukari&#039;s mouth is still a little open, looking at her in complete incredulity, and then... she starts laughing, &amp;quot;What &#039;&#039;was that&#039;&#039;?&amp;quot; She keeps laughing for a bit, before putting her hand on her mouth, and manages to smother it.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Come onnnn, we&#039;re right before an operation. Get serious, Arisato-chan.&amp;quot; She complains, perhaps she doth complain too much, &amp;quot;I thought you were worried if someone else could hear it! Someone could hear you right here! Someone could hear &#039;&#039;me&#039;&#039;! What&#039;ll they even think I&#039;m laughing about right now-! Geezzzzz.&amp;quot; She puts her face behind a hand, &amp;quot;But... I guess...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She takes another moment to compose herself, &amp;quot;... thanks.&amp;quot; She says, managing a smile again, even if it thins out, &amp;quot;You really didn&#039;t have to, especially because... I get the feeling, you needed something like this more than me...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Cheering someone up?&lt;br /&gt;
 &lt;br /&gt;
... Oh... No...&lt;br /&gt;
 &lt;br /&gt;
She means... being cheered up.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Yeah,&amp;quot; Minako says. &amp;quot;Yeah, that&#039;s... that&#039;s true. I needed some place. And being angry at... a twist of fate, I guess. That&#039;s a lot harder.&amp;quot; She sighs a little bit, before she looks at Yukari. Separated from someone she cares so much about.&lt;br /&gt;
&lt;br /&gt;
She smiles a little, then. &amp;quot;I hope you don&#039;t have to,&amp;quot; she says, sincerely.&lt;br /&gt;
&lt;br /&gt;
Even if a little part of her whispers: that&#039;s how it always goes. Everyone loses someone they care about.&lt;br /&gt;
&lt;br /&gt;
But it&#039;s easy to not think about that, when her hand is on Yukari&#039;s wrist. She smiles, and then there is a little relief to see Yukari smile back. And then her smile breaks into a grin when Yukari starts laughing.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m totally serious, Takeba-han,&amp;quot; Minako says, with a giggle of her own. She pulls her hand away to cover her mouth as she laughs, too.&lt;br /&gt;
&lt;br /&gt;
It takes her a second to stop. But, when she does, she is still smiling. &amp;quot;I didn&#039;t &#039;&#039;have&#039;&#039; to, but I wanted to,&amp;quot; she says. &amp;quot;And...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Oh.&lt;br /&gt;
&lt;br /&gt;
Yukari catches what she was doing. Minako blinks -- the smile fades, for a second -- before she closes her eyes and then reaches up, brushing some of her red hair to one side.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...it&#039;d be completely shameless to pretend otherwise,&amp;quot; she says. &amp;quot;So... thank you, too, Takeba-chan.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;A twist of fate... huh?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari at least can relate to that. Even if she&#039;s learning there&#039;s things she can&#039;t relate to about Minako, she can go back to square one.&lt;br /&gt;
 &lt;br /&gt;
They&#039;re both angry over - what they lost - their circumstances after. Separation. It makes talking with Minako decisively more and less complex in that moment.&lt;br /&gt;
 &lt;br /&gt;
If they&#039;re the same then... but... it&#039;s not exactly true either...&lt;br /&gt;
 &lt;br /&gt;
Whereas what Minako says, &amp;quot;Thanks. I guess... well- it&#039;s not something I think we need to worry about really. I don&#039;t have - time for that kind of thing with what we do... you know?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
It&#039;s a lie - well, mostly a lie. It&#039;s an excuse papering over the fact that she just tells herself &#039;I&#039;ll never let anyone get close - so that I won&#039;t ever have to be separated from them.&#039;&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Pff-snrk!&amp;quot; She almost loses it again at the next &#039;Han&#039;, &amp;quot;Hey come on... quit it.&amp;quot; She complains a little. &amp;quot;If Kawase-san or Fukura-san sees us carrying along like this they&#039;re gonna blow their stack again &#039;&#039;right&#039;&#039; before the operation starts.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
And then...&lt;br /&gt;
 &lt;br /&gt;
... she admits it and... she closes her eyes for a time, takes a deep breath and...&lt;br /&gt;
 &lt;br /&gt;
... then opens her eyes again, &amp;quot;Don&#039;t thank me...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She tells her softly, &amp;quot;Really... you shouldn&#039;t. Think about it. I made everything harder for you. I hurt your brother&#039;s feelings... you&#039;re gonna lead a bunch of people into this that aren&#039;t going to be their best selves, because I started a huge argument right before the mission.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Then there&#039;s a small shake of her head, &amp;quot;And you&#039;re down here cheering me up ... when you deserve someone who can do that for you.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
The opportunity for her is right there... for her... but...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... maybe Junpei-kun&#039;s available.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
... she&#039;s too scared at what it means, if she reciprocates here. She can&#039;t let herself do that.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako&#039;s crimson eyes blink. She catches the lie -- the notion that Yukari doesn&#039;t have time to get to know people -- and she doesn&#039;t press, right away. She files that away, for now, because she doesn&#039;t know it for a lie, exactly. She just doesn&#039;t think it&#039;s true.&lt;br /&gt;
&lt;br /&gt;
And besides, she giggles again when Yukari does. Minako laughs. &amp;quot;Sorry, sorry,&amp;quot; she says. &amp;quot;You have a point.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She falls quiet, though. She sees Yukari close her eyes and take that deep breath. She doesn&#039;t know her well enough to know what to expect. But she makes eye contact when Yukari opens her eyes.&lt;br /&gt;
&lt;br /&gt;
Her smile falters, then it&#039;s gone. Her eyes look to the side. She is quiet for a moment. There&#039;s a moment of hesitation -- a moment where she feels hurt. She feels angry. She feels sad.&lt;br /&gt;
&lt;br /&gt;
She feels betrayed.&lt;br /&gt;
&lt;br /&gt;
So she looks Yukari right in the eye, and there&#039;s a tension around her crimson eyes. She looks like she might be about to cry. But, instead, that warm smile comes across her face.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;It&#039;s okay, Takeba-chan.&amp;quot; She stands up, then she looks down at her. &amp;quot;I don&#039;t mind being here for you. And besides...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Just a hint of hurt enters her voice, despite her best efforts. But she keeps smiling.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I&#039;ve gotten good at cheering myself up.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
The sorrow, the betrayal. Yukari can see it. And indeed, she wishes she couldn&#039;t... but that&#039;s the thing about Yukari Takeba.&lt;br /&gt;
 &lt;br /&gt;
Once she sees something, she can&#039;t look away. She&#039;ll just have to deal with the knowledge that she did this.&lt;br /&gt;
 &lt;br /&gt;
She hurt her.&lt;br /&gt;
 &lt;br /&gt;
This is why she doesn&#039;t get close or open up to people, because... she can&#039;t be that person for them, she can&#039;t meet their expectations. Seeing the way Minako smiles... after seeing the way she looks like she wants to cry.&lt;br /&gt;
 &lt;br /&gt;
It makes her want to cry too, but... instead. She slowly picks up her quiver, and her bow, somehow keeping her face composed. She&#039;s not sure how, &amp;quot;Don&#039;t give me that.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
... and stands up, and glances her way...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;...because...no it&#039;s not.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She really hurt her feelings, but she accepts it. &amp;quot;And honestly...&amp;quot; There&#039;s a shift in her voice, and in that moment at least, it sounds sympathetic, &amp;quot;...it sounds like you actually really suck at it.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She thinks about something she said to Junpei once about Minato.&lt;br /&gt;
 &lt;br /&gt;
&#039;Living like that? It must be very lonely.&#039;&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Maybe you two are even more alike than I thought...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She walks away then, she has to, because if she follows that thought to it&#039;s logical conclusion.&lt;br /&gt;
 &lt;br /&gt;
She&#039;ll end up crushing her feelings even more.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako watches Yukari, until she says she stands up with her face composed. Is she even upset? Is she hurting? Minako feels like her heart is in a vice. Like--&lt;br /&gt;
&lt;br /&gt;
She swallows, hard, and looks to the side. She makes herself look away. Then she flinches at the remark.&lt;br /&gt;
&lt;br /&gt;
Maybe she does suck at it.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I&#039;ll see you at the mission,&amp;quot; she says, and she tries to keep it calm. There&#039;s still a waver to her voice when she speaks, though. Yukari walks one way -- and she walks another.&lt;br /&gt;
&lt;br /&gt;
As Yukari leaves the room, Minako leans her head against the doorframe. Her eyes squeeze shut.&lt;br /&gt;
&lt;br /&gt;
But she doesn&#039;t let herself cry.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1732</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1732"/>
		<updated>2025-07-07T20:03:23Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Arcana added.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align: left;&amp;quot; |Arcana:&lt;br /&gt;
| Chariot&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-03:_The_Taste_of_Freedom&amp;diff=1696</id>
		<title>2025-07-03: The Taste of Freedom</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-03:_The_Taste_of_Freedom&amp;diff=1696"/>
		<updated>2025-07-07T03:54:22Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: 2025-07-03: The Taste of Freedom&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039;: [[Haru Okumura]], [[Morgana]], Hisayoshi Sugimura&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039;Shibuya Station&lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 3, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 4, 2025&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;Haru stumbles upon the Dark Hour after trying to help a mysterious, lovable cat. To that cat&#039;s surprise, she emerges from her coffin at the call of a Shadow that wears the face of her fiance - only to successfully muster the power of Persona against him.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hisayoshi Sugimura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Can you &#039;&#039;believe&#039;&#039; this traffic?&amp;quot; Hisayoshi Sugimura complains.&lt;br /&gt;
&lt;br /&gt;
It isn&#039;t the first time he has complained today, nor the first time he has complained about traffic. He isn&#039;t even expecting Haru Okumura to respond, really. No, her fiancee is complaining because he can -- because it establishes his control over a situation, in that subtle way.&lt;br /&gt;
&lt;br /&gt;
If he doesn&#039;t like it, neither should she.&lt;br /&gt;
&lt;br /&gt;
They are being chauffered in a car, hired by his father. A nice, four door sedan. It is presently stuck in traffic at Shinjuku crossing. The driver, dutifully, is quiet. A middle-aged man, with a black suit on. His sunglasses are off, now; it&#039;s creeping close to midnight.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You know, Haru-chan, maybe...&amp;quot; And she knows what &#039;&#039;sort&#039;&#039; of thing he is about to suggest, to be certain.&lt;br /&gt;
&lt;br /&gt;
But, as it happens, something crosses her field of vision, by the station. A flash of black.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Given the late hour, a flash of black might have been all there was to it. But it pauses, limping a step before looking around Shibuya Station, having just emerged from the underground entrance.&lt;br /&gt;
    &lt;br /&gt;
    It&#039;s a cat. A sweet, adorable thing--mostly black, with a white muzzle, paw pads, tail tip. There looks to be an injury on one of its back legs--a little patch of red. The poor thing is bleeding... It looks exhausted too, based on the way it&#039;s carrying itself. Once it confirms there&#039;s no one nearby--clearly it&#039;s not counting traffic--it circles halfway around and slumps next to the underground entrance, where it starts licking its wounds.&lt;br /&gt;
    &lt;br /&gt;
    It&#039;s got a yellow collar on, so it&#039;s not a stray, either. Could this be someone&#039;s lost pet cat?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Haru Okumura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Yes, the traffic is quite bad at this hour...&amp;quot; Haru replies, absent-mindedly. No, it isn&#039;t because she actually cares about the traffic. These inconveniences are simply a part of life, and there is a privilege in being escorted by car instead of having to take public transport like almost everyone else. She doesn&#039;t dare point that out to her fiance, because she knows it&#039;s the last thing he wants to hear from her. So it is that the traffic is worth complaining about, then.&lt;br /&gt;
&lt;br /&gt;
Silence returns to the car after that, as Haru simply refuses to initiate anything beyond small talk with the man she is to marry. It&#039;s him, who breaks it, as he&#039;s about to make a suggestion. &amp;quot;...It is getting to be quite late, and tomorrow is a school day.&amp;quot; Haru reminds him, not giving him &#039;no&#039; for an answer, but remaining non-committal on what he&#039;s implying. But before the conservation can turn into a (likely one-sided) argument, Haru notices that black flash.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh-- did you see that? It looks like a small cat...&amp;quot; Haru glances out the window, seeing more clearly a dark-furred cat in the middle of the station. &amp;quot;He&#039;s hurt, the poor thing... shouldn&#039;t we look for his owner or at least take him in for the night?&amp;quot; It&#039;s a temporary escape, perhaps, from her current situation. But Haru also isn&#039;t the type of person who would want to leave a poor, injured cat to die in the cold night.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hisayoshi Sugimura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Sugimura frowns a little at the mention of it being a school day tomorrow. But then, before he can argue, there is mention of a cat. He hadn&#039;t even seen the cat, of course. He turns his head to look out the window. &amp;quot;A cat? There&#039;s a ton of cats around here.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He sounds dismissive. Bored, almost. He &#039;&#039;is&#039;&#039; the type of person who would leave a poor, injured cat to die in the cold night.&lt;br /&gt;
&lt;br /&gt;
But there are three people in the car. The driver -- who has stayed silent, as expected by Sugimura -- chooses &#039;&#039;that&#039;&#039; moment to hit the brakes. Right in front of the station, right where that cat went inside.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ugh,&amp;quot; Sugimura groans, as he looks out the windshield. &amp;quot;We didn&#039;t make the light. We&#039;re gonna be here for another ten minutes!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The light turns green; traffic crawls; the light turns red; the escort vehicle does not make it past. It&#039;s a wonder why traffic is this bad this late at night. Is there some kind of event going on in the city?&lt;br /&gt;
    &lt;br /&gt;
    ...Well, that&#039;s not this cat&#039;s concern. Being June, the night isn&#039;t &amp;amp;#42;that&amp;amp;#42; cold, but this is the rainy season, and the skies are overcast; it might well rain later, and that&#039;s a miserable time to be lost and hurt. There&#039;s plenty of places to find refuge in this area, but an injured cat could be an easy target for some of the nastier types that might willfully stay out this late. The trains have already stopped for the night, but that doesn&#039;t stop some folks...&lt;br /&gt;
    &lt;br /&gt;
    The cat looks up abruptly, right towards where Haru is. It gets up to its feet, and for some reason looks up at the sky. Maybe a drop of rain fell already? It starts to limp away. If Haru&#039;s going to catch it to take it in, especially with no carrier or anything like that, she&#039;ll need to move now.&lt;br /&gt;
    &lt;br /&gt;
    The clock ticks closer and closer to midnight...&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Haru Okumura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Sugimura doesn&#039;t care. Of course doesn&#039;t. &amp;quot;Yes, but this one-- it&#039;s-&amp;quot; How can he be so heartless, she wants to ask. In the condition the cat&#039;s in, it could easily be hit by a car and succumb to its injuries. At the same time, the traffic&#039;s tight enough that if they slow down, they might not make it past the next light...&lt;br /&gt;
&lt;br /&gt;
The timing is as such that they don&#039;t make it anyways. When Haru sees the red light, she sees her chance - especially as Sugimura complains they&#039;ll be here for ten more minutes. It&#039;s more than enough time. &amp;quot;I&#039;m going to check on the cat... I&#039;ll be right back!&amp;quot; Haru calls back, swinging the passenger door open and climbing out - abruptly making a break for the station.&lt;br /&gt;
&lt;br /&gt;
Haru&#039;s pace slows as she gets closer to Morgana, quickly checking behind her shoulder to see if Hisayoshi decided to follow her. Once close enough, she gets on a knee and reaches her arm out... he may not be a stray, but she doesn&#039;t know if he&#039;ll be good with strangers, especially if his owner is nowhere to be found. &amp;quot;Hey, kitty.. you&#039;re hurt, aren&#039;t you? Don&#039;t you have someone looking for you?&amp;quot; She speaks gently, only for the cat to walk away - as if it somehow has somewhere it &#039;&#039;needs&#039;&#039; to be.&lt;br /&gt;
&lt;br /&gt;
It must be looking for its owner, she thinks. She follows Morgana closer and closer, until the view of the station&#039;s clock catches her eye - which Haru pays attention to, because she&#039;ll need to be back in the car within those ten minutes. Tick, tick, tick...&lt;br /&gt;
&lt;br /&gt;
The clock strikes midnight.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hisayoshi Sugimura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Eh? Haru-chan--wait, what are you doing?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Haru swings out of the passenger door. And Sugimura is many things, but he is not particularly agile or coordinated. He is fumbling with his seatbelt while Haru is already out of the car, and rushing towards Morgana. He isn&#039;t doing a very good job of following her.&lt;br /&gt;
&lt;br /&gt;
The station&#039;s clock strikes midnight. And everything changes.&lt;br /&gt;
&lt;br /&gt;
It&#039;s a pale, sickly green light that spreads over the station&#039;s exterior. And at first, it&#039;s as if Haru has fallen asleep. No, something deeper than sleep. But then there is a voice -- and it calls to her.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;He&#039;&#039; calls to her. It&#039;s Sugimura&#039;s voice, but it&#039;s distorted. Strange.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Haru-chan... Haru-chan!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And sensation comes back for Haru. It&#039;s dark because she is inside something. It has a velvet-like, plush lining -- and one movement, and there is a &#039;&#039;CREAK&#039;&#039;. The door opens--&lt;br /&gt;
&lt;br /&gt;
And she spills out of a coffin. There are other coffins around. Two in the car that she was in; ones dotting the ground here and there. And from the station, there is a light, slightly red glow.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    The cat looks up sharply when Haru suddenly gets out of a nearby car and hurries over to him. His body tenses as cats are wont to do when startled, but he doesn&#039;t run away. Up close, its eyes are startlingly blue in a way a cat&#039;s eyes arguably should never be. But he doesn&#039;t flee, and when Haru slows and kneels, it--meows a bunch. Way more than you would expect a cat to do! It&#039;s too bad that cats can&#039;t talk for real, because it sure would be nice to understand what it&#039;s saying, huh?&lt;br /&gt;
    &lt;br /&gt;
    The cat&#039;s gaze shoots to Sugimura behind her, chasing after her. Tick, tick, tick--&lt;br /&gt;
    &lt;br /&gt;
    Reality changes.&lt;br /&gt;
    &lt;br /&gt;
    Morgana heaves a sigh, wobbling up on his back feet. One of them is injured--the result of a tangle with a Shadow on his way out of Mementos--and he was too worn out to heal it directly. &amp;quot;That&#039;s why I told you you should get back in your car...&amp;quot; he grumbles at the young woman who&#039;s now a coffin. &amp;quot;Oh, well. It&#039;s not like you can come to any harm anyway--&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    There is a subtle shift in the air. The coffin begins to creak open. Morgana&#039;s already comically large eyes bug open as he flails. &amp;quot;Woah!!&amp;quot; And then... he scampers around a corner, legs zooming cartoonishly (even with the injury) until he&#039;s looped around and can cautiously watch what&#039;s going on with this girl.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;She just emerged during the Dark Hour... What on earth is she?&amp;quot; he murmurs sotto voce to himself.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Haru Okumura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You really are a chatty little kitty, aren&#039;t you?&amp;quot; Haru giggles, though she&#039;s sure he has a lot to complain about, considering his leg is injured. &amp;quot;Don&#039;t worry, everything will be just...&amp;quot; She trails off, as the hand of the clock strikes midnight, and everything suddenly changes. Everything goes dark -- and not just because it&#039;s midnight. It&#039;s the absence of sensation, entirely, until a voice calls.&lt;br /&gt;
&lt;br /&gt;
That voice seems to immediately throw her out of her slumber. But where is she? Did someone attack her while she was... what was she even doing again? How long has it been since they were in the car? Other than that, it&#039;s dark, and she feels confined. Oh god, did someone &#039;&#039;kidnap&#039;&#039; her? That panic begins to set in, and just as quickly... it fades, because...&lt;br /&gt;
&lt;br /&gt;
It&#039;s that voice that seems to draw her out further. At first it sounds subtly muffled, as if hearing someone wake you up from a deep sleep - but the first thing Haru registers that the voice must belong to her finace. He must have come looking for her. That&#039;s all it takes for the coffin to enter, and for her to take a careful step out to see a sickly green sky... and that red light.&lt;br /&gt;
&lt;br /&gt;
Seeing that cat reminds her of what she came here for, but somehow, it doesn&#039;t quite register that he&#039;s changed with the night, too. And the cat&#039;s almost-human like vocalized yelp isn&#039;t even the strangest part of this situation. In any case, he&#039;s gone... and for some reason, it&#039;s the off-red light that&#039;s the most important thing to follow right now.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Sugimura-san? Sugimura-san, where are you? What is happening...?&amp;quot; She follows his voice, single-mindedly - somehow knowing even in this strange situation, if she doesn&#039;t listen to him, it will mean nothing but more trouble for her.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hisayoshi Sugimura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Haru-chan! You better get over here!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The voice seems almost disembodied, at first. If Haru knew the rules of the Dark Hour, she might get a warning sign. Sugimura&#039;s voice does &#039;&#039;not&#039;&#039; come from the car, where his coffin is. Instead, it comes from inside the station.&lt;br /&gt;
&lt;br /&gt;
It comes from within that red glow, from the escalators leading downward.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Haru-chan!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The voice is distorted. But it&#039;s coming from the elevator. When Haru goes down it, though, the station is all &#039;&#039;wrong&#039;&#039;. The walls and platform are dirtied; the shadows extend out &#039;&#039;much&#039;&#039; too far. There are ridged, metallic like growths that look like something organic here and there. And the tunnel ahead is far too dark.&lt;br /&gt;
&lt;br /&gt;
But two golden eyes peer out of the darkness, straight towards Haru.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    For all that Morgana&#039;s injured, overextended after a long period of scouting Mementos (how else can he guide The Phantoms if he isn&#039;t a couple of steps ahead?), there&#039;s no question in his mind that this girl--this sweet girl whom he&#039;s known all of thirty seconds, who walked up to him with a smile and reassurances--is in danger after all. That voice that&#039;s calling her down into Mementos can&#039;t be anything other than a Shadow. And if she&#039;s in danger, he can&#039;t just leave her be!&lt;br /&gt;
    &lt;br /&gt;
    But he &#039;&#039;does&#039;&#039; grimace about it. &amp;quot;Damn it! Of all the rotten timing...!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    If he&#039;s going to rush to a maiden&#039;s aid, he really wants to look cooler about it!!&lt;br /&gt;
    &lt;br /&gt;
    So as Haru descends, Morgana follows, slipping from shadow to shadow, skulking behind corners to keep hidden. It&#039;s not very gallant, but he won&#039;t be able to rescue this girl if he gets knocked out. It&#039;s also important to gather intelligence here. Why would this Shadow call this girl out of her coffin to come into Mementos? It&#039;s a phenomenon he&#039;s never seen before. If this might happen again... he needs to have an idea of what&#039;s going on. Rushing in here will spell disaster for all of them.&lt;br /&gt;
    &lt;br /&gt;
    If that girl&#039;s smart, she&#039;ll turn around and run for it, and then Morgana can pounce if that Shadow goes after her. But he&#039;s not sure if she &#039;&#039;can&#039;&#039; be smart right now. What if she&#039;s been hypnotized? ...He watches very closely to make sure.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Haru Okumura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;It seems strange, that Sugimura was able to get ahead of her already into the station. At the same time, she has no idea how much time she&#039;s lost after being trapped inside that strange coffin-like contraption. She passes by a few other of those coffins, here and there... but at this hour, there aren&#039;t many. Are there people trapped in them? Still, as much as she dislikes him, her fiance&#039;s voice is the only reason she knows she isn&#039;t alone here.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m sorry! It&#039;s so late, I must have just gotten... disoriented,&amp;quot; She answers, following slowly down those escalators. Is this really what it&#039;s like down in Shibuya Station? Or perhaps she&#039;s hallucinating? It&#039;s all so strange...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;We... really shouldn&#039;t be down here,&amp;quot; Haru says, as she finally catches up to Hisayoshi. &amp;quot;Let&#039;s head back to the car, shall we?&amp;quot; Every part of her that&#039;s still conscious is desperately telling her that this is wrong - that she needs to get away. Unfortunately, it&#039;s those who retain this consciousness during the Dark Hour that Shadows so easily prey on. To Haru, this Shadow is still her fiance - and that means leaving him will have consequences.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hisayoshi Sugimura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Sorry, sorry... always saying you&#039;re sorry, Haru-chan.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
His voice is still lightly distorted. Maybe it&#039;s this place -- maybe it&#039;s his nature. And when he steps out of the darkness, it is Sugimura. The same brown hair; the same suit that he was wearing. He reaches up, adjusting his tie.&lt;br /&gt;
&lt;br /&gt;
But there is one thing different. His eyes are a pale, almost golden yellow. She wouldn&#039;t know what a Shadow is, but he looks at her. &amp;quot;But you&#039;re never doing what you should.&amp;quot; He smiles, but it&#039;s cold. &amp;quot;You&#039;re always saying you&#039;re sorry, and you&#039;re always ducking me -- always running off, doing your own damn thing. You&#039;re not sorry.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
He looks at her with that eerie&amp;quot;It&#039;s bullshit, Haru-chan.&amp;quot; He smiles, and it&#039;s hungry -- and not in the more metaphorical way that Hisayoshi Sugimura is hungry. There is no metaphor in that hunger. There is something inhuman to that smile.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You&#039;re &#039;&#039;mine&#039;&#039;, and I&#039;m never letting you leave.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Morgana frowns as he watches Haru. She doesn&#039;t seem &#039;&#039;hypnotized&#039;&#039;, but she doesn&#039;t seem fully cognizant of what&#039;s going on either. Enough to tell that something is wrong, but foggy enough that she&#039;s still trying to treat what&#039;s going on as more or less normal. Looking closer at that Shadow as it emerges from the darkness, it looks like it matched that man who was with her--not that Morgana got a &#039;&#039;great&#039;&#039; look with him in the car, but the girl is talking to him like she knows him. If that&#039;s his Shadow, that&#039;d explain why he&#039;s calling out to her.&lt;br /&gt;
    &lt;br /&gt;
    Except if he&#039;s got a Shadow in Mementos, that likely says some nasty things about him. And sure enough, he claps back at her, telling her she shouldn&#039;t be sorry, she should be obedient. &#039;&#039;Telling&#039;&#039; her that he&#039;s taking possession of her.&lt;br /&gt;
    &lt;br /&gt;
    Is his because that girl ran out of the car to try to tend to him? Not like Morgana planned on letting this girl come to harm, but if this is his fault, then he &#039;&#039;really&#039;&#039; can&#039;t sit back and do nothing. Gritting his teeth, Morgana steels his nerve. He&#039;s got a few items left--no healing items, either for his health or his spirit--but...&lt;br /&gt;
    &lt;br /&gt;
    FWHOOSH. A small ball, flung from behind a corner, hits the floor between Haru and Shadow Sugimura, throwing up a literal smokescreen. &amp;quot;That&#039;s no way to talk to a lady!&amp;quot; Morgana calls, puffing himself up so he can project confidence and gallantry. &amp;quot;Young lady! That&#039;s not the &#039;Sugimura&#039; you know! Turn around and run away!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    Hopefully before that smokescreen clears!!&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Haru Okumura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Sugimura rebukes Haru, just as he always does - he rags on her for saying she&#039;s too much, while making her feel like she should be ashamed anyways. This is always how it is. Haru has to resist the urge to say she&#039;s sorry &#039;&#039;again&#039;&#039;, looking up to the Shadow version of her fiance with genuine fear in her eyes. He&#039;s always been dismissive of her feelings, and quick to accuse her of disloyalty - but this is even further beyond how he usually is. &amp;quot;I... no, that&#039;s not what I meant at all... I was just trying to help!&amp;quot; Haru pleads. &amp;quot;Please, let&#039;s just--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Haru falls silent. He&#039;s so calm. Why is he so calm? Usually, when she upsets him in some manner, he&#039;s frothing with anger. And that smile, the way he claims her like that... it&#039;s all so disturbing, even for him. &amp;quot;Sugimura-san...&amp;quot; Haru starts, looking into those golden eyes. Fortunately, Morgana comes in at the perfect time. Haru&#039;s eyes widen as the smokescreen fills her vision - enough that she can make a break away from Sugimura. &amp;quot;I-it&#039;s not him? What do you mean?&amp;quot; Haru asks her gallant savior, while using the opportunity to make a break for the escalator stairs. &amp;quot;And just who are you?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
By the time the smokescreen clears, Haru is up the escalator, facing down the (false?) golden-eyed Sugimura from above. A vague silhouette emerges from above her, a simple outline of a Will of Rebellion. Somehow, Haru can feel there&#039;s &#039;someone&#039; powerful protecting her heart from that monster wearing Sugimura&#039;s face. And on her own face - a mask. She instinctively rips it off, but noticeably to Morgana, there&#039;s no blood surrounding it this time, even if it has all the trappings of a Persona. All the same, a sudden burst of psychokinetic energy blasts down the escalator stairs, pushing back the Shadow, and maybe even catching him off-guard - but not defeating him.&lt;br /&gt;
&lt;br /&gt;
She can see her benefactor more clearly now - he almost looks like the same cat from before, just with subtly different proportions, more like a cartoon mascot than a real animal. Everything&#039;s strange enough that Haru takes it in stride and focuses on what really matters. And indeed, he does strike the gallant image, for a cat. &amp;quot;Thank you very much... you saved me,&amp;quot; There&#039;s a long sigh. &amp;quot;But I have so many questions... everything happened all at once. I came to check on the cat - no, you... and then he &#039;&#039;called&#039;&#039; for me.&amp;quot; Haru explains, still feeling disoriented - but now adapting better to the situation. &amp;quot;But I don&#039;t understand.. why did he look like my fiance? And how could I... manage to fight back against him?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hisayoshi Sugimura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Haru-chan! Don&#039;t you--&amp;quot; The Shadow takes a step forward, angrily, but then stops in his tracks. When Shadow Sugimura sees the way that she grips her mask -- the silhouette that takes form behind her, the &#039;&#039;hint&#039;&#039; of something more, he pauses. And he feels a stab of fear.&lt;br /&gt;
&lt;br /&gt;
It shows in his face. It &#039;&#039;stays&#039;&#039; there as the wave of psychokinetic force slams into him. He cries out, falling back down the elevator and into the darkness. His gold eyes stare up at her, angry and betrayed.&lt;br /&gt;
&lt;br /&gt;
But they, too, vanish into the darkness. The last thing that can be heard is his voice, crying out.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Haru-chan...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Sugimura&#039;s Shadow is gone, at least for the moment -- leaving Haru and Morgana a chance to flee and to talk.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Morgana&#039;s fully prepared to get in between Haru and the Shadow of her fiancé, injured as he is, so she can get away to...&lt;br /&gt;
    &lt;br /&gt;
    ...hm. You can&#039;t really call it &#039;safety,&#039; can you? An unawakened person, awake during the Dark Hour.&lt;br /&gt;
    &lt;br /&gt;
    Well, so she can get away, at least.&lt;br /&gt;
    &lt;br /&gt;
    But when the smokescreen clears, Haru hasn&#039;t quite run all the way away. Instead--is it knowing that this isn&#039;t really her fiancé? Is it the dawning understanding that this isn&#039;t normal? Whatever the reason, she&#039;s clad in a costume, transformed in the way one with the Will of Rebellion would be. &amp;quot;Woah!!&amp;quot; Morgana utters when he sees her rip off her mask--but bloodlessly.&lt;br /&gt;
    &lt;br /&gt;
    That doesn&#039;t seem right, but there&#039;s no arguing with results when she unleashes a Psi spell to shove Shadow Sugimura away. At least long enough for them to emerge from Mementos, that creepy man&#039;s voice echoing at their backs.&lt;br /&gt;
    &lt;br /&gt;
    Morgana hops up onto the stone railing next to the station entrance, peering back down the stairs. &amp;quot;Whew. That was a close one,&amp;quot; he said. He looks back at Haru, respect in his huge blue eyes. &amp;quot;I didn&#039;t expect you to have a Persona! Though...&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    He pauses, not sure how to finish that thought. He shakes his head and decides to leave it unfinished. She&#039;s got plenty of questions. &amp;quot;So you could tell it was me, huh... I couldn&#039;t tell how much you could understand of what was going on.&amp;quot; He frowns. &amp;quot;That guy down there--he&#039;s something called a Shadow. He isn&#039;t that Sugimura guy, but he &#039;&#039;is&#039;&#039; a part of him. The power that you just awoke to is called &#039;Persona.&#039; It&#039;s complicated, but in a nutshell, it&#039;s another you that protects you from the injustices of the world. If you awoke to something like that while confronting him... Then combined with what he was saying to you, I&#039;m guessing you two have a nasty relationship.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    It doesn&#039;t exactly take Sherlock Holmes to figure something like that out, but Morgana at least makes it &#039;&#039;sound&#039;&#039; impressive.&lt;br /&gt;
    &lt;br /&gt;
    &amp;quot;You&#039;re welcome, by the way,&amp;quot; he adds, mouth curling up into a kitty smile. &amp;quot;Obviously a gentleman like me couldn&#039;t let an innocent girl wander into danger like that.&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Haru Okumura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Haru noticed that Sugimura - no, the Shadow almost looked scared. Of her? She saw the way she sent him flying back as if gravity was only a suggestion. How did she...? Haru looks down to her hands, only to see that they are gloved now. In fact, her entire attire has changed. She&#039;s no longer wearing her regular dress, but rather a full-on musketeer-looking outfit, like some kind of ridiculous superhero - it&#039;s actually a little charming...&lt;br /&gt;
&lt;br /&gt;
Haru hears the false Sugimura&#039;s voice wailing out for her, and she reminds herself once again that it must be an illusion of some sort, preparing herself for Morgana&#039;s explanation. &amp;quot;A Persona... so that&#039;s what protected me, isn&#039;t it?&amp;quot; Haru tilts her head. &amp;quot;That must mean there are others, right?&amp;quot; And if that follows, maybe Morgana belongs to a group of them... &amp;quot;To be honest, I couldn&#039;t understand much at first.&amp;quot; She answers, with a shake of her head. &amp;quot;I could tell something wasn&#039;t right, but Sugimura-san was calling for me.&amp;quot; Haru frowns. &amp;quot;It&#039;s not like I could just ignore him.&amp;quot; From what she understands of Morgana&#039;s explanation, that Shadow - the &#039;other side&#039; of him, took advantage of the power dynamic of their relationship to draw her in.&lt;br /&gt;
&lt;br /&gt;
But she was able to fight back against him with her own &#039;other self&#039;... a Persona? &amp;quot;It&#039;s not pleasant,&amp;quot; Haru explains, about the relationship between her and Sugimura. &amp;quot;But Sugimura-san is the man I am to marry. It was never my decision, and there is nothing I can do to change that fact.&amp;quot; At first, her resigned tone of voice sounds very unlike the Will of Rebellion she summoned against that very Shadow - but something shifts. &amp;quot;But being able to fight back against him, being able to show him how I really feel... and even seeing that look in his face...?&amp;quot; There&#039;s an &#039;&#039;almost&#039;&#039; sadistic smile, but also one of just catharsis more than anything. &amp;quot;It was thrilling.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I came to save you, and it turns out you ended up saving me!&amp;quot; Haru replies, reaching over to scratch one of Morgana&#039;s ears. &amp;quot;But my... how&#039;s your injury? Were you hurt fighting one of those Shadows?&amp;quot; Haru asks, with some concern. &amp;quot;And um... how come you can talk?&amp;quot; The most important question of all, which everyone must ask eventually. Either way, she has no idea where things go from here... but she can&#039;t deny how wielding that power of Persona felt, even if it was just for a fleeting moment.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;That&#039;s right,&amp;quot; Morgana says of Haru&#039;s Persona. Does that mean there are others, though? &amp;quot;Hmmmm, well, maybe one or two,&amp;quot; he says in a teasing way that implies there&#039;s many, many more.&lt;br /&gt;
    &lt;br /&gt;
    His light demeanor sobers as Haru goes on to explain the nature of her relationship with Sugimura. She does seem meek at first... but when she smiles as she talks about fighting back, he smiles back in return. &amp;quot;Good for you! It&#039;s obvious he doesn&#039;t deserve someone as kind and beautiful as you,&amp;quot; he replies firmly. (Ah, but not more beautiful than Lady Ann! To even think otherwise would be rude to his one true love! But he couldn&#039;t &#039;&#039;not&#039;&#039; acknowledge Haru&#039;s beauty either; that would be equally rude! ...Probably!)&lt;br /&gt;
    &lt;br /&gt;
    He grimaces as he folds his paws though. &amp;quot;To think you have to marry a creep like that... Are you really sure you can&#039;t do anything about it? Maybe not by yourself, but if I can help you...&amp;quot; His mouth forms a :3 again. &amp;quot;You might not&#039;ve gotten a chance to help me, but I know your heart was in it, and I want to respond to that.&amp;quot; His eyes narrow. He doesn&#039;t outright offer the help of The Phantoms just yet--but if her fiancé has a Shadow in Mementos, there&#039;s likely something they can do for her.&lt;br /&gt;
    &lt;br /&gt;
    For now, though, he startles as she scratches his ear. &amp;quot;Hey, I didn&#039;t say you could--! ...Oh, that feels nice...&amp;quot; He purrs, eyes closing blissfully, for a moment... until Haru asks about his injury. &amp;quot;H-huh?! Oh! This!&amp;quot; He waves a dismissive paw. &amp;quot;This is nothing! I just got a little careless down there--&amp;quot; he waves a paw towards the stairs, &amp;quot;--but a good night&#039;s sleep and it&#039;ll be as good as new.&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    That isn&#039;t even a front. Once he&#039;s regained enough of his mental reserves, he can literally just heal himself.&lt;br /&gt;
    &lt;br /&gt;
    He considers her with a thoughtful look when she asks how he can talk. She doesn&#039;t freak out about him being a monster cat or anything like that, so that&#039;s another point in her favor. &amp;quot;Hmmm... That &#039;&#039;must&#039;&#039; be surprising, considering how I look in the real world, huh?&amp;quot; He heaves a sigh. &amp;quot;That&#039;s also complicated, but basically, I&#039;m a human who was cursed into the form of a cat. I&#039;m &#039;&#039;not&#039;&#039; a cat, though!&amp;quot; he rallies, turning fierce. &amp;quot;I just look like one! And I&#039;m trying to find a way to turn myself back!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    But for now... &amp;quot;Ah, but I&#039;ve gone too long without introducing myself, haven&#039;t I? I&#039;m Morgana. And you&#039;re Haru, right?&amp;quot; He turns serious. &amp;quot;You can probably guess, but all of this is a secret world. Down there--&amp;quot; He points again to the subway stairs. &amp;quot;--is the entrance to a realm called Mementos, and all around us--&amp;quot; He waves a paw expansively at the sickly green night air. &amp;quot;--is a hidden time of day called the Dark Hour. There are those who know about it, but... I&#039;d say at least 99.99% of people don&#039;t.&amp;quot; He points at a nearby coffin--the coffin of Sugimura, in fact. &amp;quot;During the Dark Hour, that&#039;s what people turn into. You were in one of those too, until that Shadow of your fiancé&#039;s called you out of it. That sure gave me a surprise!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    He looks back at her. &amp;quot;When the Dark Hour ends, you&#039;ll go back to a normal person, and so will that rotten fiancé of yours. Don&#039;t be shocked about it, though. They don&#039;t notice, and they don&#039;t get harmed. It&#039;s only a problem when people wake up and leave their coffins like you did... but now that you have a Persona, you can protect yourself!&amp;quot;&lt;br /&gt;
    &lt;br /&gt;
    It&#039;s more than Haru asked for, but it&#039;s pretty important information, all considered. Hopefully she isn&#039;t getting overwhelmed by it all.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Haru Okumura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;One or two, hmm?&amp;quot; Haru smiles, catching Morgana&#039;s drift. She supposes this is a whole new side of the world she couldn&#039;t ever see... until now, at least.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh, you&#039;re too kind!&amp;quot; Haru accepts Morgana&#039;s compliment, feeling that unlike what she&#039;s used to, it actually came from the heart for once - even if it &#039;&#039;is&#039;&#039; coming from a strange anthropomorphic cat. &amp;quot;You would be surprised, though... most people can&#039;t seem to get enough of telling me how lucky I am to be with him.&amp;quot; She sighs just slightly, but quickly perks up when Morgana offers to help her.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You mean by... fighting his Shadow?&amp;quot; Haru tries to wrap her head around the offer. &amp;quot;If it&#039;s a part of him, that must mean it would have some effect on him in the real world, wouldn&#039;t it?&amp;quot; She doesn&#039;t want to &#039;&#039;kill&#039;&#039; Sugimura or seriously harm him, even if there was some catharsis to using her Persona on his shadow self. But if they could kill the &#039;part&#039; of him that hurts her... &amp;quot;Maybe we &#039;&#039;can&#039;&#039; do something about it if we just work together... at least I&#039;d like to think so.&amp;quot; She smiles. She wonders about her father, though... if he was able to see this, there&#039;s no way he wouldn&#039;t call off the marriage, right?&lt;br /&gt;
&lt;br /&gt;
Haru giggles as Morgana falls victim to the ever-powerful ear scritch technique. As for his injury... well, she looks skeptical. He seems like a prideful little cat, after all. But then again, even she feels like she&#039;s capable of a lot more physically right now...&lt;br /&gt;
&lt;br /&gt;
And while she could freak out about the monster cat, she&#039;s seen a lot worse tonight. The fact that the &#039;monster cat&#039; was the only part of this not actively out to get her counts for something. &amp;quot;Oh my, a curse? That&#039;s terrible!&amp;quot; Haru gasps, maybe being the first person to actually &#039;&#039;believe&#039;&#039; his story, or at least take it in good faith. &amp;quot;If you&#039;re going to help me... I&#039;d like to help you find a way to become yourself again, too.&amp;quot; She offers - and she gets a name too!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Either way, it&#039;s nice to meet you, Morgana-chan. And yes... I&#039;m Haru. I almost feel like I should come up with some kind of alter ego with this outfit, though~&amp;quot; At least, she feels a lot cooler than just &#039;Haru&#039; right now. She listens to Morgana&#039;s explnation about Mementos, and the Dark Hour. A lot of it &#039;&#039;does&#039;&#039; fly past her head, and it&#039;s a lot to take in - though it&#039;s going to be key to surviving as a Persona user. She almost wonders if this is some kind of dream, and she&#039;ll wake up any moment now.&lt;br /&gt;
&lt;br /&gt;
...Of course, it never comes, but the Dark Hour &#039;&#039;is&#039;&#039; going to end soon. &amp;quot;... It&#039;s just so hard to believe this was happening all this time and I had no idea.&amp;quot; She looks over to the coffin, with Sugimura inside. &amp;quot;My Persona- I think her name is Milady. And if she is going to be by my side... I want to be able to do &#039;&#039;something&#039;&#039;.&amp;quot; Protecting herself is one thing, but if Sugimura has a Shadow, she can&#039;t imagine how many more people must have one, too. &amp;quot;But for now... I suppose I really must be getting home if the Dark Hour is nearly over.&amp;quot; She&#039;d rather it not be a &#039;&#039;surprise&#039;&#039; when Sugimura&#039;s own coffin disappears. &amp;quot;Thank you so much Morgana-chan... we&#039;ll meet again, right?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Morgana has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
	&amp;quot;&#039;&#039;Lucky&#039;&#039;? Are they blind? I could go nine lives without that kind of luck!&amp;quot; Morgana declares, offended on Haru&#039;s behalf. He pauses (pawses). &amp;quot;Er... Not that I have... more than one, normal, human life... Y-you get what I mean!!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
	Fortunately for both of them, Haru believes him on that count. It isn&#039;t a lie! Even if Morgana... can&#039;t actually remember his one, normal, human life! That&#039;s probably just the trauma of having been forcibly transformed into a cat! But Haru is so generous of spirit that she believes him without making fun of him... Truly she&#039;s worthy of a Persona, unlike some blond monkeys he could name! ...Even if the &#039;&#039;way&#039;&#039; she Awoke to it is awfully strange... He doesn&#039;t quite remember how &#039;&#039;he&#039;&#039; Awoke, but Ren, Ryuji, Ann, and Yusuke--all of them &#039;&#039;poured&#039;&#039; blood from their faces when they pulled their masks off. Why was just Haru bloodless? ...Maybe because she&#039;s just that pure? Hmm...&lt;br /&gt;
	&lt;br /&gt;
	Well, whatever the reason, he smiles at her. &amp;quot;That&#039;s very kind of you, Haru! Then we&#039;ve got a deal--you help me with my curse, and I&#039;ll help you learn more about these other worlds.&amp;quot; And never mind that he was telling her all about them already. That&#039;s just the basics, to help her survive. To help her &#039;&#039;thrive&#039;&#039;... That&#039;ll take a lot more!&lt;br /&gt;
	&lt;br /&gt;
	&amp;quot;It&#039;s nice meeting you too, Haru. But speaking of alter egos and these other worlds--you &#039;&#039;should&#039;&#039; think one up. Even I&#039;ve got one! I go by Morgana in the real world, but in spaces like these, call me Mona instead.&amp;quot; He pauses. &amp;quot;As for fighting people&#039;s Shadows... you&#039;re right. Killing a person&#039;s Shadow will do massive harm to them in the real world, so always be careful of that. Of course, there&#039;s also Mindless Shadows that run around, and you can take those out no problem... But let&#039;s go over that in detail another time. You shouldn&#039;t be fighting so soon after you Awoke anyway--you must be exhausted.&amp;quot;&lt;br /&gt;
	&lt;br /&gt;
	And if she isn&#039;t... that&#039;s another strange point compared to the others. For now, he nods, arms folded as he kitty-smiles. &amp;quot;Of course! We&#039;ve got a deal, after all!&amp;quot; They&#039;ll need to exchange ways of contacting each other, or at least where they can go to find each other--Morgana will be admittedly more cagey about that--but once they do that, it&#039;s smooth sailing.&lt;br /&gt;
	&lt;br /&gt;
	Probably.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1653</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1653"/>
		<updated>2025-07-05T16:48:48Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1611</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1611"/>
		<updated>2025-07-03T07:18:30Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Persona */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzune&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more traditionally ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1608</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1608"/>
		<updated>2025-07-03T04:14:07Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzune&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1603</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1603"/>
		<updated>2025-07-03T03:58:57Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Persona */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzune&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl or because she is weak. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Wheel of Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1597</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1597"/>
		<updated>2025-07-03T02:46:55Z</updated>

		<summary type="html">&lt;p&gt;Almacia: /* Relationships */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzune&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle this. She can&#039;t call me helpless.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Wheel of Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1596</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1596"/>
		<updated>2025-07-03T02:46:02Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzune&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I owe him, but I don&#039;t know what to think about him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;I&#039;ll show her I can handle what I&#039;m getting into.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Wheel of Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1575</id>
		<title>Suzume Fukura</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=Suzume_Fukura&amp;diff=1575"/>
		<updated>2025-07-02T22:40:23Z</updated>

		<summary type="html">&lt;p&gt;Almacia: &amp;#039;Coming soon&amp;#039; meant &amp;#039;now&amp;#039;.&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;{| class=&amp;quot;toccolours&amp;quot; style=&amp;quot;width: 15%; float: right; margin-left:2em; margin-right:0em; margin-bottom:2em; text-align: left; font-size: %110&amp;quot; cellspacing=&amp;quot;2&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;Suzume Fukura&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! colspan=&amp;quot;2&amp;quot; align=&amp;quot;center&amp;quot; | [[File:|300px]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;IC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Full Name:&lt;br /&gt;
| Suzume Fukura (福良すずめ)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Gender:&lt;br /&gt;
| Female&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Age (Birthdate):&lt;br /&gt;
| 16 (March 17)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Hair Colour:&lt;br /&gt;
| Purple&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Eye Colour:&lt;br /&gt;
| Dark&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Height:&lt;br /&gt;
| 5&#039;1&amp;quot; / 154 cm&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Residence:&lt;br /&gt;
| Iwatodai Dorms&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Workplace:&lt;br /&gt;
| Gekkoukan High School&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Job:&lt;br /&gt;
| Second Year&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Role: &lt;br /&gt;
| Focus&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font-size: 110%;&amp;quot; align=&amp;quot;center&amp;quot; colspan=&amp;quot;2&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt;&#039;&#039;&#039;OOC Information&#039;&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Source:&lt;br /&gt;
| Persona 3 (OC)&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Groups:&lt;br /&gt;
| [[SEES]]&lt;br /&gt;
|-&lt;br /&gt;
! style=&amp;quot;text-align:left&amp;quot; | Player:&lt;br /&gt;
| [[User:Almacia]]&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;&amp;quot;Bet you can&#039;t keep up.&amp;quot;&#039;&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
An underachieving student at Gekkoukan High School. Suzume Fukura lived in the shadow of her slightly elder sister Kiyomi, who was much more successful and popular than she was, an honour student at Gekkoukan... until her sudden and tragic death. Adrift with no particular goals for her future, Suzume only knows that she does not want to be the perfect daughter her parents seem to want her to be these days; she clashes with them over everything from her lack of academic success to her interest in &#039;unfeminine&#039;, &#039;inappropriate&#039; hobbies like video games and high-impact sports, along with a rotating list of other hobbies she never seems to stick with for long. Suzume&#039;s resentment at being treated as Kiyomi&#039;s replacement have led her to act out, falling toward delinquency. It doesn&#039;t help that Suzume has no idea what she wants to do with her life, either; she only knows what she doesn&#039;t want, and sometimes feels she has no future at all. As a result she tends to live in the moment, where she relishes challenges that she can succeed or fail at under her own power, without having to worry about long-term consequences. But what she really searches for, deep down, is a place to belong and the ability to just be accepted as herself. Even if she might punch you for saying that.&lt;br /&gt;
&lt;br /&gt;
= Background =&lt;br /&gt;
Suzume is the unexpected second child of the Fukura family and, to her, this explains an awful lot about her life.&lt;br /&gt;
&lt;br /&gt;
Suzume isn&#039;t generally very forthcoming these days, but she has been in the Gekkoukan school set since middle school - her family has always been in Tatsumi Port City - so it&#039;s not like nobody knows about her. Her father Kaito is blue collar and works in the industrial district, while her mother Yae is not employed.&lt;br /&gt;
&lt;br /&gt;
Previously she had a sister, elder by one year, Kiyomi. Suzume never lived up to her sister&#039;s image, who seemed to excel at everything she put her hand to. Her parents praised Kiyomi&#039;s success, and even when Suzume tried, she - a year younger, a year less educated, a year less grown - could very rarely match the achievements. Suzume internalized that if she tried to match her sister, she&#039;d fail.&lt;br /&gt;
&lt;br /&gt;
So Suzume spent a lot of time either holed up in her room buried in a game or a manga - some sort of escapism - or out away from the Fukura residence, acting as differently from Kiyomi in an attempt to differentiate herself, and to stand out. Which she did, if not always for positive reasons. She got a reputation as, depending on who you ask, a very active youth or an uncontrollable tomboy, especially in her last year of middle and first year of high school. Her close friends were mostly boys, including the trio of Jiro Yamamoto, Daiki Kimura and Hidemi Ito, despite her parents&#039; occasional attempts to get her to act more like a young lady.&lt;br /&gt;
&lt;br /&gt;
And then Kiyomi died in late 2011 at the hands of a driver suffering a psychotic breakdown. &lt;br /&gt;
&lt;br /&gt;
Something about Suzume changed then. It wasn&#039;t that much last year, but since the beginning of the school year in April it&#039;s been obvious. She doesn&#039;t talk about it either, of course. This year at Gekkoukan, Suzume has not been a cooperative student. She&#039;s been moody and short-tempered, and though she was never reserved she&#039;s pricklier than she used to be. She has not focused on academics or culture clubs; she has even skipped class a few times, and there&#039;s rumours she&#039;s done worse on the delinquency front - petty crime, even getting into scuffles - though there&#039;s no evidence, only gossip. She&#039;s tried to hold onto her old friends, though only Jiro feels like they have the same relationship as they used to. She&#039;s struggled to make new ones.&lt;br /&gt;
&lt;br /&gt;
That&#039;s the situation she was in when she decided to take the Mementos Dare...&lt;br /&gt;
&lt;br /&gt;
==Season 1, Episode 1==&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
= Persona =&lt;br /&gt;
&lt;br /&gt;
Suzune&#039;s Persona is Atalanta.&lt;br /&gt;
&lt;br /&gt;
Atalanta appears as a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a mane forming the upper bounds of it which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit. A bowgun is mounted on her right bracer.&lt;br /&gt;
&lt;br /&gt;
Atalanta is a story of an individual abandoned by her parents because they wanted a different kind of child and raised in the wild. She dedicated herself to the virgin hunter goddess Artemis and would defend herself against violent men, shooting a pair of centaurs dead when they attempted to violate her. She fought alongside men, but was not allowed to become a part of their team - the Argonauts allowed her to hunt the Calydonian boar with them but not travel with them on their quest for the Golden Fleece, for a woman would be a danger on a ship. &lt;br /&gt;
&lt;br /&gt;
She was a female hero, described as &#039;as skilled any man&#039; - her very name means &#039;equal in weight&#039;. But she was mostly ignored beyond a few myths, with some of even her more famous victories rating only a single line in a story. (&#039;...at the games held in honor of Pelias she wrestled with Peleus and won.&#039;, even though this event is by far the most common depiction of Atalanta in Greek art.) &lt;br /&gt;
&lt;br /&gt;
In a different legend, Atalanta was (re)discovered by her father who had abandoned her, King Schoenus. She was accepted as his daughter but he began to arrange a marriage for her. Atalanta agreed only if the chosen man could beat her in a footrace; any who tried and failed would be killed. Her father agreed, and several suitors died - but Hippomenes, who had fallen in love with her at first sight but knew he could not fairly win, prayed to Aphrodite for assistance. With the aid of her golden apples, he won, but forgot to thank Aphrodite, and so she cursed them with passion so that they would have sex in a sanctuary dedicated to a different god (usually Zeus or Cybele). For this insult, Atalanta and Hippomenes were turned into lions; the Greeks believed that lions mated with leopards, so as a pair of lions, they would never be with each other... though it is never said if Atalanta truly loved Hippomenes, or if she only married him to fill a role, and out of obligation.&lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s narrative combines both sets of legends. Ignored by her parents in favour of her more popular, more successful, and more feminine sister, she mostly raised herself, spending time online and in places her parents didn&#039;t approve of. She prefers direct, blunt action; she is not shy about defending herself, physically or verbally, and she is particularly aggressive about being told she can&#039;t do something (or must do something) because she is a girl. She has some issues with expressive femininity, or at least expressing it herself; she rebels against attempts to make her act in a more ladylike fashion.&lt;br /&gt;
&lt;br /&gt;
And, of course, she feels forgotten, overlooked; like anything she did right would not be remembered, or compared unfavourably to her sister. It&#039;s not entirely untrue, either, or wasn&#039;t until recently, with her parents seeming to push her to replace her sister... that&#039;s what it feels like to her, certainly.&lt;br /&gt;
&lt;br /&gt;
= Special Skills =&lt;br /&gt;
Coming soon!&lt;br /&gt;
&lt;br /&gt;
=Relationships=&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable sortable&amp;quot; style=&amp;quot;width: 75%; text-align: center;&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Name&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Arcana&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Social Link&lt;br /&gt;
! scope=&amp;quot;col&amp;quot; style=&amp;quot;background:#9370DB; border: 2px #800080 solid; font size: 110%;&amp;quot;class=&amp;quot;unsortable&amp;quot; | &amp;lt;span style=&amp;quot;color:#FFFFFF&amp;quot;&amp;gt; Info&lt;br /&gt;
|-&lt;br /&gt;
|-&lt;br /&gt;
|[[Minato Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;A little weird, but who isn&#039;t? And I owe him.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Minako Arisato]]&lt;br /&gt;
|0. Fool&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;Peppy. And I owe her. ...I&#039;m amazed her and her brother haven&#039;t killed each other yet.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Yukari Takeba]]&lt;br /&gt;
|6. Lovers&lt;br /&gt;
|☆☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;...I don&#039;t know. But she did save me, so I guess I owe her. Even if she told me not to save myself.&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|[[Hitomi Mandai]]&lt;br /&gt;
|10. Wheel of Fortune&lt;br /&gt;
|★☆☆☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;You had a flamethrower statue ghost all along and you didn&#039;t tell me?&#039;&#039;&lt;br /&gt;
|-&lt;br /&gt;
|Jiro Yamamoto&lt;br /&gt;
|17. Star&lt;br /&gt;
|★★★☆☆☆☆☆☆☆&lt;br /&gt;
|&#039;&#039;He&#039;s the only one who treats me the same way he used to.&#039;&#039;&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
= Logs and Cutscenes =&lt;br /&gt;
&lt;br /&gt;
==Season 1==&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = logs&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no logs on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
{{#dpl:&lt;br /&gt;
|category       = cutscenes&amp;amp;season 1&lt;br /&gt;
        |linksto        = {{PAGENAME}}&lt;br /&gt;
        |ordermethod    = title&lt;br /&gt;
        |columns          = 3&lt;br /&gt;
        |rowcolformat=width=50%&lt;br /&gt;
        |suppresserrors = yes&lt;br /&gt;
| addcategories = true&lt;br /&gt;
| mode = userformat&lt;br /&gt;
| format = ,,\n* [[%PAGE%]],&lt;br /&gt;
        |noresultsheader=There are no cutscenes on this wiki that {{PAGENAME}} participated in.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Characters]]&lt;br /&gt;
[[Category:Gekkoukan High School]]&lt;br /&gt;
[[Category:SEES]]&lt;br /&gt;
[[Category:Focus]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-07-01:_Equal_in_Weight&amp;diff=1550</id>
		<title>2025-07-01: Equal in Weight</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-07-01:_Equal_in_Weight&amp;diff=1550"/>
		<updated>2025-07-02T02:54:49Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot; *&amp;#039;&amp;#039;&amp;#039;Log: Equal in Weight&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Suzume Fukura (and NPC Jiro Yamamoto), Minako Arisato, Hitomi Mandai, Minato Arisato, Yukari Takeba, Junes (as Horde of Pixies) *&amp;#039;&amp;#039;&amp;#039;Where: Mementos -- Path of Qimranut&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; July 01, 2025 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; June 03, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;SEES makes an exploratory trip into Mementos and finds more than they expected...&amp;#039;&amp;#039;  ----    &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed. &amp;lt;poem&amp;gt;Mementos.  Nobody r...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
*&#039;&#039;&#039;Log: Equal in Weight&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Suzume Fukura]] (and NPC Jiro Yamamoto), [[Minako Arisato]], [[Hitomi Mandai]], [[Minato Arisato]], [[Yukari Takeba]], [[Junes]] (as Horde of Pixies)&lt;br /&gt;
*&#039;&#039;&#039;Where: Mementos -- Path of Qimranut&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; July 01, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 03, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;SEES makes an exploratory trip into Mementos and finds more than they expected...&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Mementos.&lt;br /&gt;
&lt;br /&gt;
Nobody really knows what Mementos is, and SEES is no exception. They know it&#039;s a supernatural space. They know that Shadows appear in it, though the Shadows are different from those they encounter in Tartarus. But they don&#039;t know how far it goes, or even if it has a bottom; they don&#039;t know what&#039;s in it, really; and they don&#039;t know if the Shadows can get out to join the ones that wander in the Dark Hour.&lt;br /&gt;
&lt;br /&gt;
But they do know how to get &amp;amp;#42;in&amp;amp;#42;. &lt;br /&gt;
&lt;br /&gt;
It&#039;s not hard: just use an Evoker at a transit station. Train or bus, it doesn&#039;t seem to matter. It doesn&#039;t even have to be the Dark Hour, so they might even be able to explore &amp;amp;#42;and&amp;amp;#42; get a full night&#039;s sleep. The hardest part will be not getting caught using something that looks like a gun in a place that is by its very nature extremely public. Maybe the bathroom really is a good idea... or around back, because you don&#039;t have to be inside the station. Nearby is enough.&lt;br /&gt;
&lt;br /&gt;
Once the SEES exploration team is inside, though...&lt;br /&gt;
&lt;br /&gt;
Even the upper floors of Mementos - Qimranut, the Thought-Robbing Path, though they might not know either proper name for it - are uncanny. It could be an abandoned subway track, if it wasn&#039;t for the fragmented blueness at the edge of vision and a constant, steady blowing of wind from... somewhere that seems to push you on.&lt;br /&gt;
&lt;br /&gt;
But look around and it&#039;s less pleasant. There are weird growths at the top of pillars, and alongside the tracks; at a distance they look bloody. The tracks wander everywhere and don&#039;t follow any kind of sensible pattern, regularly dead-ending into walls or splitting and then rejoining later. It feels like the same kind of almost abstract shaping as Tartarus, like an organic pattern you don&#039;t understand - more grown than built.&lt;br /&gt;
&lt;br /&gt;
At least you are not immediately ambushed. So there&#039;s that. But there is the sense there are Shadows around, and in the distance, they can sometimes be heard.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako is slightly unnerved that using an Evoker at a transit station works. It&#039;s the sort of incongruity with the supernatural and natural world that is a reminder of how little they know -- of how rules exist but those rules don&#039;t quite follow the expected pattern.&lt;br /&gt;
&lt;br /&gt;
She straightens up as they enter, back straight up; her Evoker is at her side, and a little blue mist trails after her. She was the one to pull the trigger.&lt;br /&gt;
&lt;br /&gt;
Her crimson eyes scan over the strange look of Qimranut. Almost an abandoned subwaytunnel -- except that they turn bloody in the distance, spiral out into odd patterns, and there are growths here and there.&lt;br /&gt;
&lt;br /&gt;
It reminds her of Tartarus, and not in a good way.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...This place is weird,&amp;quot; she says, her voice quiet. &amp;quot;I don&#039;t think I like it.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi Mandai isn&#039;t anyone&#039;s sucker. &lt;br /&gt;
&lt;br /&gt;
She went into the bathroom stall to -- &lt;br /&gt;
&lt;br /&gt;
Which means that she manifests in a half-crouch, her arms immediately sticking out and flailing as she straightens herself upright and looks down, patting herself for a moment, glancing towards the others. &amp;quot;Wow,&amp;quot; she says, as the mist dissipates. &amp;quot;It really worked!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She puts the Evoker away. &lt;br /&gt;
&lt;br /&gt;
After this, Hitomi breathes steadily, pausing to tighten the belt on the reinforced greave-like trousers and the arm guard. She snaps the top of the Evoker&#039;s holster down. &amp;quot;... It&#039;s so &#039;&#039;morbid&#039;&#039;,&amp;quot; Hitomi echoes after Minako speaks. &amp;quot;Is this... Are we even still on the island?&amp;quot; As she says this, she reaches to the other side of her extremely tactical belt, putting her hand in a hard-sided pouch. Something clicks inside as she fiddles with it. With &amp;amp;#42;them&amp;amp;#42;. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Excuse me,&amp;quot; Minato says, as he heads into the bathroom.&lt;br /&gt;
&lt;br /&gt;
    He doesn&#039;t clear his Tired status, though -- for one thing, that isn&#039;t even a &#039;&#039;mechanic&#039;&#039; any more, and for another thing, the bathroom trip is a RUSE.&lt;br /&gt;
&lt;br /&gt;
    Bang...&lt;br /&gt;
&lt;br /&gt;
    Minato, for one, has no way to divine the proper name of Qimranut. He could ask Igor, maybe, except that Igor doesn&#039;t really tell him anything aside from how exciting it is he&#039;s gaining more Personas and some ambiguous statements about destiny or something. He does know one thing, though:&lt;br /&gt;
&lt;br /&gt;
    This wind is terrible for his hair. His mop-over-an-eye is presently whipping around his entire face, and he looks mildly more displeased about it than he normally does. Maybe. Maybe it&#039;s just a trick of the wind, because he&#039;s not emoting &#039;&#039;that&#039;&#039; much.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Yeah,&amp;quot; he agrees with Minako, suitably ruffled.&lt;br /&gt;
&lt;br /&gt;
    He steps forward, anyway, pulling out a sword he was hiding in his bag before now, thank you very much.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Let&#039;s commence the mission.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Uhhh...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari gripped her bag tighter, &amp;quot;I feel pretty weird taking this into a train station.&amp;quot; She murmured to Minako. &amp;quot;Let&#039;s, do this in the girl&#039;s bathroom, and make sure noone else is there...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She definitely seems worried about being caught, but more than that.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;I hope noone hears us and freaks out. Like - what do &#039;&#039;other&#039;&#039; people hear when we do this?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Eventually the restroom clears enough that she feels - well not comfortable, but at least able to put it to her head.&lt;br /&gt;
 &lt;br /&gt;
&#039;Just put it to her head and pull the trigger.&#039;&lt;br /&gt;
 &lt;br /&gt;
There&#039;s a breaking noise within her head, like something shattering, the world around her distorts, as organic matter festoons the girl&#039;s restroom at the train station, everything changing before her eyes.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;AAAAAHHH!?&amp;quot; She shrieks, unable to help it, &amp;quot;What did I do!? ... This - this isn&#039;t like the Dark Hour at all! Oh- geez, where are we?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Eventually she recovers enough to go into the station itself, and things are little better here.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;I don&#039;t like it either...&amp;quot; She comments, quietly, as she takes her bow out of the case, and strings it on the spot, &amp;quot;... I thought a place called Mementos would be less... horrible.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She checks her shoes, somehow she doesn&#039;t think it&#039;s adequate to the task at hand... she thought she was used to the pools of blood, but...&lt;br /&gt;
 &lt;br /&gt;
... now she doesn&#039;t even know what she&#039;ll be stepping in.&lt;br /&gt;
 &lt;br /&gt;
Minato tells them to commence the mission, &amp;quot;Uh, sure, the mission. Right behind you.&amp;quot; She&#039;s glad she&#039;s not going first.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Mementos isn&#039;t a fun place to walk. Even if you follow the train tracks it&#039;s a confusing maze (and yes, Yukari, there are unpleasant things to step in if you don&#039;t watch your step), and there are parts where you can step away from them - side rooms not on the &#039;main line&#039;.&lt;br /&gt;
&lt;br /&gt;
In one of those rooms, there are two boxes, up on pedestals like treasure chests. One is locked and firmly closed, and nobody has a key that fits it. The other is open and empty.&lt;br /&gt;
&lt;br /&gt;
But as the group from SEES begins their exploration of the shallow levels of Mementos, the sounds of Shadows become louder. And though most of the Shadows in here are strange blobby things that only form into something stable when their mask is removed, or when they attack, the group eventually hears &amp;amp;#42;voices&amp;amp;#42;.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Hahaha!&amp;quot; There&#039;s laughter coming from down the way. It&#039;s high-pitched, girly, and delighted. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Humans! Humans!&amp;quot; a Pixie says, and another behind her says, &amp;quot;They&#039;ve got blood! Blood!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;What color is it? What color is it?&amp;quot; says a third. &lt;br /&gt;
&lt;br /&gt;
As it turns out, there&#039;s an entire group of Pixie-form Shadows, and on the other side of them is whatever they&#039;re interested in. &lt;br /&gt;
&lt;br /&gt;
It&#039;s ugly, here--and the Pixies, while they&#039;re having a good time, don&#039;t sound especially friendly. &lt;br /&gt;
&lt;br /&gt;
Because...&lt;br /&gt;
&lt;br /&gt;
...there are people there. Not Shadows, but humans. And, perhaps surprisingly, it&#039;s people you might very well know.&lt;br /&gt;
&lt;br /&gt;
One of them is a male student in a blue-green shirt that seems faintly shimmery in the uncomfortable fluorescent lights; some kind of stylish synthetic. He&#039;s noticably taller than the average, slender, and probably downright pretty under better circumstances than he&#039;s currently in. But right now he has hunched into a corner and is trying to make himself as small a target as possible for the Pixies - even his head is down... except for one leg he has stretched out.&lt;br /&gt;
&lt;br /&gt;
This is Jiro Yamamoto, second-year Gekkoukan art student. He&#039;s not in anyone here&#039;s class but he&#039;s been around. He does painting: he practices fine art, though this year he&#039;s also joined the animation club out of interest.&lt;br /&gt;
&lt;br /&gt;
In front of him is a much smaller student. A girl, currently wearing a billowy dark blue top tucked into a pair of slightly baggy, comfortable jeans held up with a belt. She has a somewhat incongruous pair of weapons: side-grip combat batons, like police use. Or like martial arts&#039; tonfa.&lt;br /&gt;
&lt;br /&gt;
This is Suzume Fukura, from 2-E, who has a reputation as a bit of a delinquent - she&#039;s cut class a few times, and though rumour says she&#039;s done more nobody can prove it. She isn&#039;t officially in any clubs at the moment except for a slightly unofficial gaming club and tends to ditch school as soon as she can, but she hangs out with some other students. One of them is Jiro.&lt;br /&gt;
&lt;br /&gt;
She takes a wild swing at the Pixies and is rewarded with more high-pitched laughter...&lt;br /&gt;
&lt;br /&gt;
&amp;amp;gt; Suzume struck!&lt;br /&gt;
&amp;amp;gt; But Suzume&#039;s attacks can&#039;t connect now...&lt;br /&gt;
&lt;br /&gt;
Suzume is as terrified as Jiro. She has her right tonfa held length-out, so she can strike with it like a club, and her hands are clearly shaking; her eyes are wide and she&#039;s taking shallow, frightened breaths. But she can&#039;t run - well, &amp;amp;#42;she&amp;amp;#42; can, but Jiro doesn&#039;t look like he&#039;s able to rise, let alone run; by his and his leg&#039;s positioning, he tripped on the track and twisted his ankle.&lt;br /&gt;
&lt;br /&gt;
There is no way Suzume can win this fight.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Junes has readied for combat with Pixie Mob! She is now fully healed! Ready for 4 opponents!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;It&#039;s okay, Takeba-chan,&amp;quot; Minako says. She glances sideways at her and smiles. &amp;quot;I mean... it&#039;s creepy. But we&#039;re all here together.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks at Hitomi -- looking for back-up. &amp;quot;Right, Mandai-chan?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Minako swings her naginata down, one-handed -- the way she practiced, so she can carry her Evoker when she needs it. Which, in a space where she might fight, she probably needs both. Her Evoker is in her other hand.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m with you, Minato-kun!&amp;quot; she tells her brother.&lt;br /&gt;
&lt;br /&gt;
They begin moving. Minako frowns as the sound of the Shadows get louder -- and then there&#039;s laughter. She frowns, as she spots the ones in a Pixie-like shape. Her eyes widen for a moment, as she realizes who is behind them. She sucks a breath in.&lt;br /&gt;
&lt;br /&gt;
She knows those people. Yamamoto-san and Fukura-san. Suzume is trying to fight with a tonfa. That prompts Minako to start running. &amp;quot;Both of you! Get away as soon as we make an opening! Minato-kun, I&#039;m going in!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
It&#039;s an old tactic: she rushes in to distract the Shadows, let the others summon their Personas, and then do it next. Her Evoker goes into her hip holster, and she grips her naginata with both hands. As she comes behind the pixies, she swings her naginata out in a wide arc.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;HYAH!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Weapon! Minako Arisato has used the Slash skill Naginata Slash on Junes! 2 Hits!&lt;br /&gt;
 AS: Minako Arisato&#039;s turn has ended.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
The rest of them assemble. Hitomi looks at Minato, then towards Yukari... &amp;quot;That&#039;s right,&amp;quot; Hitomi agrees with Minako, adding a &amp;quot;... i guess,&amp;quot; at the end, which may mute some of its impact. &lt;br /&gt;
&lt;br /&gt;
Even so, the mission commences. Eerie wind. Morbid decoration. Hitomi does not care for this place, even as she follows along with the others. She keeps click-clacking that pouch as she watches, as she looks, and as she hears something laugh. &lt;br /&gt;
&lt;br /&gt;
And identify them. &lt;br /&gt;
&lt;br /&gt;
And mention their blood. This is the point where Hitomi shoots Yukari Takeba an extremely Concerned expression. Classical C_C behind the glasses. &lt;br /&gt;
&lt;br /&gt;
And a moment later-- &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Shit!!&amp;quot; Hitomi exclaims. &amp;quot;Fukura, Yamamoto, how in the hell are you--&amp;quot; And then she can see that Suzume, who has something resembling weapons, is swinging them at the Pixies. Hitomi&#039;s mouth works faintly but thankfully Minako takes it better, or -- or something. Hitomi brings her hand up and takes a deep breath... And snaps her hand down! &lt;br /&gt;
&lt;br /&gt;
There is a whack and a clatter and a couple of small red objects glint brightly as they ricochet off the ground and up towards the Pixies. On the rebound, they seem to glitter with red light! (Though, they were already red translucent objects on the way out - they&#039;re casino-sized dice, and the edges, presumably, are sharp.)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Get behind me, nerds!&amp;quot; Hitomi then blurts, which is mostly &#039;loud&#039; with a side dish of &#039;anxious&#039;. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Weapon! Hitomi Mandai has used the Strike skill Casino Dice on Junes!&lt;br /&gt;
 AS: Hitomi Mandai&#039;s turn has ended.&lt;br /&gt;
 AS: Block Best! Junes takes 36 Slash damage from Minako Arisato&#039;s Naginata Slash. Critical Hit!&lt;br /&gt;
 AS: Avoid Worst! Junes takes 45 Slash damage from Minako Arisato&#039;s Naginata Slash.&lt;br /&gt;
 AS: Counter Best! Junes takes 18 Strike damage from Hitomi Mandai&#039;s Casino Dice.&lt;br /&gt;
 AS: COUNTER! Hitomi Mandai takes 11 Strike damage in return for her attack! &lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Minako handles reassuring the team. Minato reassures them by confidently striding forward. (He is not very good at the talking part.)&lt;br /&gt;
&lt;br /&gt;
    Minato pulls out a glowing blue shard from his pocket, and shoves it in the keyhole of the locked treasure chest.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;...&amp;quot;, he says.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;It won&#039;t open.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    That&#039;s because Twilight Shards don&#039;t open chests in Mementos, Minato!&lt;br /&gt;
&lt;br /&gt;
    He turns away from the chest, and looks up, as he hears a voice. Two voices. Three...&lt;br /&gt;
&lt;br /&gt;
    Minato approaches. Minato beholds the Pixie Shadows.&lt;br /&gt;
&lt;br /&gt;
    Minato registers that the Shadows are talking, and then files that off to the side of his brain, because there are &#039;&#039;people&#039;&#039; here, and they&#039;re in &#039;&#039;trouble.&#039;&#039; Like that girl he just saw at the festival the other day. Isn&#039;t she from the class next door?&lt;br /&gt;
&lt;br /&gt;
    She&#039;s trying to fight, but...&lt;br /&gt;
&lt;br /&gt;
    Minato runs in, on the heels of his sister. &amp;quot;Orpheus,&amp;quot; he intones, as he presses a GUN to his HEAD (it isn&#039;t a gun) and FIRES --&lt;br /&gt;
&lt;br /&gt;
    and --&lt;br /&gt;
&lt;br /&gt;
    What shatters isn&#039;t bone; it&#039;s glass. The strange, murky atmosphere of Mementos is briefly interrupted by blue, as another monster rises, behind him -- the Master of Strings, Orpheus. That doll-like creature strums his lyre, and the Tarunda tune he plays washes over the Pixies, to enervate them and make them less of a &#039;&#039;threat.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    He comes to a stop in front of Jiro, though he &#039;&#039;looks&#039;&#039; to Suzume. Hitomi tells them to get behind them, Minako tells them to get away; Minato doesn&#039;t waste his breath repeating their suggestions again.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;You can&#039;t fight them like you are,&amp;quot; he says, instead. &amp;quot;They&#039;re not human.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Minato Arisato has used the Almighty skill Tarunda on Junes!&lt;br /&gt;
 AS: Minato Arisato&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Junes takes 0 Almighty damage from Minato Arisato&#039;s Tarunda.&lt;br /&gt;
 AS: Atk_Dn added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Easy for you to say... they&#039;re together at the start of horror films too.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari says to Minako obviously tense, Hitomi&#039;s muted comment failing to calm her at all.&lt;br /&gt;
 &lt;br /&gt;
But she eases up some as they go, it&#039;s a horror film but it&#039;s not &#039;&#039;too&#039;&#039; unlike Tartarus.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What if-&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari takes out a Twilight Fragment only to see Minato already got the same idea. &amp;quot;Good thinking.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
But - The Locked Chest Remains Locked.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Worth a shot.&amp;quot; She sighs. It works in Tartarus, but... the chests there had a mechanism for it. &amp;quot;Wish I&#039;d brought some hairpins...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She looks at Minako&#039;s hairpin but doesn&#039;t - make that suggestion. It&#039;d be like someone asking her to take her Choker off, or Minato to take his earphones off.&lt;br /&gt;
 &lt;br /&gt;
And then things change... rapidly, as she hears voices, &amp;quot;What&#039;s that...?&amp;quot; She whispers, because Shadows don&#039;t... &#039;&#039;talk&#039;&#039;, in her experience.&lt;br /&gt;
 &lt;br /&gt;
Coming upon Pixies bullying people is surreal to her, &amp;quot;... Huh? Blood?&amp;quot; She shares a glance with Hitomi, like &#039;What did we walk into!?&#039;&lt;br /&gt;
 &lt;br /&gt;
They&#039;re- is someone in here!?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
As Minako charges in with Minato, Yukari stops as she looks puzzled at Suzume, does she look familiar? &amp;quot;No way... someone else!? Hey! Leave them alone!&amp;quot; But, no time to contemplate, as she puts the Evoker to her head...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;I can do it...&amp;quot; And pulls the trigger, with a sound like thunder in her head. It&#039;s like sinking through your own head, before something shatters!&lt;br /&gt;
 &lt;br /&gt;
And Io comes out, a fey girl chained to the hollow in a bull&#039;s skull. &amp;quot;Let&#039;s see how you like it!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She says to the Pixies, as energy floods the area, in twin spirals from other side... flooding them with a narrative of maddening erratic panic caused by continuous torment.&lt;br /&gt;
 &lt;br /&gt;
Hopefully that should keep them having time to get any bright ideas, like holding normal people hostage, and make them easier targets.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Almighty skill Pulinpa on Junes!&lt;br /&gt;
 AS: Yukari Takeba&#039;s turn has ended.&lt;br /&gt;
 &lt;br /&gt;
 AS: Take! Junes takes 0 Almighty damage from Yukari Takeba&#039;s Pulinpa.&lt;br /&gt;
 AS: Panic added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Junes has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Shadows, in these forms or otherwise, are far too much for ordinary teenagers. The SEES members start running, and it&#039;s a good thing, too.. Suzume&#039;s attack couldn&#039;t connect, and that Pixie&#039;s hands started crackling with electricity as she prepared a spell--&lt;br /&gt;
&lt;br /&gt;
But Minako &#039;&#039;slashes&#039;&#039; across her, and catches a second in the bargain. The first dissipates into shadow stuff. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;RUDE!&amp;quot; says the other pixie who was just hit--only to get brained by the dice and &#039;&#039;shove&#039;&#039; some ground back at Hitomi. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Greedy!!&amp;quot; another says to Minato, and they start whirling on the main group. &amp;quot;Ugh, as if!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
They have, for the moment, turned their backs to Suzume and Jiro, focusing on the Persona-users before them. But one is still dangerously close to Jiro... &lt;br /&gt;
&lt;br /&gt;
And lightning bolts crfash out for Hitomi! Another Pixie waves her hand, and strange blasting lights erupt from her fingertips, a spray of riotous color meant to confuse. Another just &#039;&#039;charges&#039;&#039; Minato, though thanks to his debuff, it won&#039;t be as bad as it could&#039;ve been. &lt;br /&gt;
&lt;br /&gt;
And the next? The next just prays. &amp;quot;Patra!&amp;quot; she calls.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Junes has used the Elec skill Zio on Hitomi Mandai!&lt;br /&gt;
 AS: Junes takes 27 damage from Panic!&lt;br /&gt;
 AS: Persona! Junes has used the Almighty skill Tentarafoo on Minako Arisato and Yukari Takeba!&lt;br /&gt;
 AS: Weapon! Junes has used the Strike skill Demon Bash on Minato Arisato!&lt;br /&gt;
 AS: Persona! Junes has used the Recovery skill Patra on Junes!&lt;br /&gt;
 AS: Junes: Panic removed!&lt;br /&gt;
 AS: Junes&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Junes takes 0 Recovery healing from Junes&#039;s Patra.&lt;br /&gt;
 AS: Block Worst! Hitomi Mandai takes 46 Elec damage from Junes&#039;s Zio.&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Junes gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Take! Yukari Takeba takes 0 Almighty damage from Junes&#039;s Tentarafoo.&lt;br /&gt;
 AS: Panic added!&lt;br /&gt;
 AS: Block Neutral! Minato Arisato takes 39 Strike damage from Junes&#039;s Demon Bash. Critical Hit!&lt;br /&gt;
 &lt;br /&gt;
 AS: Take! Minako Arisato takes 0 Almighty damage from Junes&#039;s Tentarafoo.&lt;br /&gt;
 AS: Panic added!&lt;br /&gt;
 AS: Junes gains 1 Limit from Schadenfreude!&lt;br /&gt;
 AS: Yukari Takeba spends Limit on Shift! Minato Arisato can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume squeezes the tonfa grips harder, her knuckles whitening slightly as the fairies - well, Pixies - continue to threaten her. And Jiro.&lt;br /&gt;
&lt;br /&gt;
She&#039;s not going to leave Jiro. She got him in here. And even if she&#039;s frightened, she can&#039;t just run and leave him. She&#039;d never be able to live with herself afterwards.&lt;br /&gt;
&lt;br /&gt;
Though at this point she&#039;s not quite sure she&#039;s going to survive at all. The Pixies are getting awfully close, and they can do something with electricity; the last time they only shot the tracks, but this time...&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...what??&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume snaps toward voices - human voices, not Pixie voices. At first, sans context, she doesn&#039;t even recognize them; one of the Arisatos with a &amp;amp;#42;naginata&amp;amp;#42;, Takeba with a bow (well, okay, that one makes some sense), Mandai with dice (that one does too)...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What are &amp;amp;#42;you&amp;amp;#42; doing here?&amp;quot; Suzume would normally be prickly at a time like this, but she&#039;s just been given a chance to survive. Even she isn&#039;t &amp;amp;#42;that&amp;amp;#42; ungrateful. &amp;quot;Why are you here?&amp;quot; She didn&#039;t exactly answer the questions asked of her. &lt;br /&gt;
&lt;br /&gt;
And then Minato runs in front of her and SHOOTS HIMSELF with a GUN.&lt;br /&gt;
&lt;br /&gt;
Suzume freezes for a moment. It&#039;s not a normal reaction for her, but she can&#039;t help it - she bit back a shout, or a scream (she will never, later, admit which one) as Minato summons something instead of falling to the ground, dead. As does Yukari, a moment later.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;You just - you shot - &amp;quot; And it summoned something. Some power... and Minato says she can&#039;t fight.&lt;br /&gt;
&lt;br /&gt;
She brings her tonfa up again. Her hands are still shaking. &amp;quot;I have to,&amp;quot; she says, a little unsteady. &amp;quot;I can&#039;t - can&#039;t leave Jiro.&amp;quot; But she hasn&#039;t managed to swat a Pixie yet, and whatever &amp;amp;#42;they&#039;re&amp;amp;#42; doing is working, impossible as it is. This whole day is impossible.&lt;br /&gt;
&lt;br /&gt;
Suzume steps back, still interposing herself as if to cover Jiro from Pixies. Her instinct is to act aggressively, decisively, but she&#039;s useless in this, and she hates it even though she&#039;s afraid of it. &amp;quot;C&#039;mon, I can&#039;t lift you anymore - &amp;quot; Jiro appears to be more shocked than Suzume is, perhaps more like people they have seen in Tartarus; he doesn&#039;t say anything as Suzume struggles to get him up, supporting his weight with her shoulders. It&#039;s awkward, because of the size difference between them.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;We just have to make sure we &#039;&#039;don&#039;t&#039;&#039; split up, then,&amp;quot; Minako says to Yukari, flashing a smile.&lt;br /&gt;
&lt;br /&gt;
She was disappointed that the Twilight Fragment didn&#039;t work. What do they do here? Do they need to find keys or something?&lt;br /&gt;
&lt;br /&gt;
As she charges the Pixies -- ducking aside, a little uncertainly, of Hitomi&#039;s dice toss -- she realizes on Yukari to, in fact, &#039;do&#039; it. Her brother does likewise.&lt;br /&gt;
&lt;br /&gt;
Her strike takes out one of them -- the other calls her rude. She frowns, before she looks at a Pixie -- which sends forth a spray of color that hits her. She stumbles back, eyes wide. &amp;quot;Oh, hell, there&#039;s a lot more than I thought!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks at Suzume -- and then there&#039;s a nervous laugh, but she &#039;&#039;tries&#039;&#039; to sound impressive. &amp;quot;We&#039;re here to save you two.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She frowns, before she reaches down. She draws her Evoker out. Her eyes are wide; panic is setting in, making her breathe hard. Her eyes, though, focus -- and then she puts the Evoker to her head. She squeezes the trigger.&lt;br /&gt;
&lt;br /&gt;
Blue glass explodes out of the side of her head, as she cries out: &amp;quot;Linos!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And it&#039;s the sister to Orpheus who appears. With a golden body, long brown-red hair, and a scarf -- and a harp on her back -- she takes form, and then throws both hands up over her head.&lt;br /&gt;
&lt;br /&gt;
Then, crimson light erupts around Hitomi Mandai -- and the world seems to come into sharper focus. &amp;quot;Mandai-chan!&amp;quot; Minako cries out. &amp;quot;Knock &#039;em dead!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Minako Arisato has used the Almighty skill Tarukaja on Hitomi Mandai!&lt;br /&gt;
 AS: Minako Arisato takes 27 damage from Panic!&lt;br /&gt;
 AS: Minako Arisato&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Hitomi Mandai takes 0 Almighty damage from Minako Arisato&#039;s Tarukaja.&lt;br /&gt;
 AS: Atk_Up added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
(The diversion to investigate the treasure chest got Hitomi watching, though she didn&#039;t join in on the approach. It&#039;s like a dead end, it&#039;s not like they&#039;re going to run off with a sackful of Incan gold. Maybe they&#039;ll find something good? Or useful? Oh, no. &amp;quot;Huh,&amp;quot; she had observed, at the lockpicking failure.) &lt;br /&gt;
&lt;br /&gt;
BUT:&lt;br /&gt;
&lt;br /&gt;
Hitomi is sweating, but she sweats kind of easily. (Fortunately, the Kirijo group has access to UNIQLO Airism technology, allowing her to dry out easily between battles. This has been a sponsored promotion.) After the dice rebound, she says to the Pixie who talked back to her, &amp;quot;Shut up!!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
A witty rejoinder indeed. The Pixie&#039;s argument of a lightning bolt gets a &amp;quot;Ghhhk!!&amp;quot; from Hitomi as she staggers back a pace and ends up sinking to one knee-- head lolling forwards, trembling visibly, even as those red dice clatter back to her immediate area. With a fumbling tremble of the fingers, she reclaims them. &lt;br /&gt;
&lt;br /&gt;
Her heart&#039;s pounding. The lightning, maybe. And then Minako&#039;s encouraging her. Oh no, pressure. Hitomi&#039;s eyes cut towards Fukura, and towards Y--&lt;br /&gt;
&lt;br /&gt;
No, that&#039;s not what Suzume said, is it? &lt;br /&gt;
&lt;br /&gt;
&amp;quot;... aha,&amp;quot; she wheezes through the numb, tingling feeling throughout random stretches of her body, passing over and around things like the soft fibers in a car wash.&lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s lips twitch back for a moment. It might be a grin, or a rictus of pain. With a lurch she pulls herself back upright, still trembling, which isn&#039;t that encouraging. &amp;quot;F-fine--&amp;quot; She raises a hand up to her forehead -- which is at least not shooting herself in the head. There is a pulsation of something like blue around her, the ambient reddish light putting some purple on its fringes, as she says, &amp;quot;Tyche--&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Get them all!&amp;quot; The light pulsates for a moment, and the manifestation comes over her as well. Perhaps this one is less horrifying - it just looks like a Greek statue out of a textbook, if one with something oddly like a magatama cradled in one outstretched hand. And then there is a sudden hiss-FLASH as flames gout outwards towards the cloud of Pixies, even as Hitomi starts lurching towards Jiro and Suzume. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Hitomi Mandai has used the Fire skill Fire Breath on Junes! 3 Hits!&lt;br /&gt;
 AS: Hitomi Mandai&#039;s turn has ended.&lt;br /&gt;
 AS: Avoid Best! Junes takes 14 Fire damage from Hitomi Mandai&#039;s Fire Breath.&lt;br /&gt;
 AS: Avoid Neutral! Junes takes 41 Fire damage from Hitomi Mandai&#039;s Fire Breath. Critical Hit!&lt;br /&gt;
 AS: Avoid Worst! Junes takes 28 Fire damage from Hitomi Mandai&#039;s Fire Breath.&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari begins to wonder why these weird little Pixies talk like they&#039;re horrible twisted teenage girls. But you know what! Some questions are better left unanswered. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Wait - I thought you realized there were this many!?&amp;quot; Yukari says of Minako&#039;s comment on there being a lot more than she thought, &amp;quot;Geez!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume asks a question of them, on what they&#039;re doing here. Yukari briefly considers all versions of the truth on how to respond.&lt;br /&gt;
&lt;br /&gt;
We just wanted to check this place out?&lt;br /&gt;
So we were carrying a GUN into a TRAIN STATION when we put it to our heads-&lt;br /&gt;
So our club is actually a secret organization dedicated to-&lt;br /&gt;
&lt;br /&gt;
All truthful options = Bad! That&#039;s Great!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Look that&#039;s not important!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
What is important is figuring out how Hitomi&#039;s dice work!? HOW DOES THAT MAKE SENSE? &lt;br /&gt;
&lt;br /&gt;
The riotous spray of color strikes her, and suddenly, something just wells up inside of her, confusion, panic! &amp;quot;Whahuh!? What&#039;s going on!? Well of course I&#039;ll pay the fare!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Yukari loses 2278 yen!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;m not some kind of freeloader!&amp;quot; She says, after she hurls yen out of her coin purse at the pixies.&lt;br /&gt;
&lt;br /&gt;
Suddenly her pupils dilate, and it wells up into her throat, as she puts her Persona back to her head: &amp;quot;Someone! Anyone!?&amp;quot; And pulls the trigger...!&lt;br /&gt;
&lt;br /&gt;
Io appears, head whipping wildly in the wind it summons, as Yukari pulls back her bow, and starts firing arrow after arrow at random - AT RANDOM!? &lt;br /&gt;
&lt;br /&gt;
In mid-air, each projectile gets imbued by Io&#039;s Wind energy, suddenly accelerating as they become a deadly barrage.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do something!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
In her fear and confusion, she may be calling out to anyone, but she&#039;s looking right at... Minato as she says that last comment. After all, he protected her before on that rooftop.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Tandem! Yukari Takeba has used the Wind skill Stinging Torment on Junes! 2 Hits!&lt;br /&gt;
 AS: Yukari Takeba takes 27 damage from Panic!&lt;br /&gt;
 AS: Yukari Takeba: Panic removed!&lt;br /&gt;
 AS: Yukari Takeba&#039;s turn has ended.&lt;br /&gt;
 AS: Block Best! Junes takes 34 Wind damage from Yukari Takeba&#039;s Stinging Torment.&lt;br /&gt;
 AS: Block Worst! Junes takes 68 Wind damage from Yukari Takeba&#039;s Stinging Torment. Critical Hit!&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Got it,&amp;quot; Minato says, as Yukari shrieks for someone to &#039;&#039;do something.&#039;&#039; She must be pressured, if she&#039;s paying the fare.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Persona.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Once again, he fires his Evoker against his temple; once again, Orpheus rises, because an Evoker doesn&#039;t shoot &#039;&#039;bullets&#039;&#039; into a user&#039;s brain. His lyre isn&#039;t just host to some sick beats, -- he can also just take it and physically &#039;&#039;slam&#039;&#039; it over a Pixie&#039;s head.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;We&#039;re exploring,&amp;quot; he explains why they&#039;re here, simply, apparently going through none of the internal monologue Yukari did to get to that answer. &amp;quot;And an Evoker isn&#039;t a gun.&amp;quot; Which would explain &#039;&#039;why&#039;&#039; it&#039;s not shooting bullets and he&#039;s not presently showing the Pixies what colour his blood is.&lt;br /&gt;
&lt;br /&gt;
    The Pixies don&#039;t take kindly to him &#039;&#039;doing something,&#039;&#039; though. One &#039;&#039;charges&#039;&#039; him, and he staggers as he&#039;s knocked back, his Evoker scattering from his hands and falling behind him. &amp;quot;Ugh,&amp;quot; he grunts, as he straightens up. His hand is empty, but the Pixie is still there, in front of him -- and Jiro and Suzume are still &#039;&#039;behind&#039;&#039; him.&lt;br /&gt;
&lt;br /&gt;
    He won&#039;t stop.&lt;br /&gt;
&lt;br /&gt;
    Minako said they&#039;re here to save them; Minato follows through, grasping his shortsword and slashing at the gossipy Shadow with a quick one-two-three.&lt;br /&gt;
&lt;br /&gt;
    He specifically targets the one Pixie who Hitomi landed a critical hit on, because that&#039;s tactics, baby.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Weapon! Minato Arisato has used the Slash skill Strong Slash on Junes! 3 Hits!&lt;br /&gt;
 AS: Persona! Minato Arisato has used the Strike skill Assault Dive on Junes! 2 Hits!&lt;br /&gt;
 AS: Minato Arisato&#039;s turn has ended.&lt;br /&gt;
 AS: Avoid Best! Junes takes 12 Slash damage from Minato Arisato&#039;s Strong Slash.&lt;br /&gt;
 AS: Avoid Neutral! Junes takes 27 Slash damage from Minato Arisato&#039;s Strong Slash. Critical Hit!&lt;br /&gt;
 AS: Avoid Worst! Junes takes 30 Slash damage from Minato Arisato&#039;s Strong Slash.&lt;br /&gt;
 AS: Block Best! Junes takes 25 Strike damage from Minato Arisato&#039;s Assault Dive.&lt;br /&gt;
 AS: Block Worst! Junes takes 39 Strike damage from Minato Arisato&#039;s Assault Dive.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Junes has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;She told me to shut up!&amp;quot; the Pixie cries, scandalized at Hitomi. &amp;quot;She actually told me to shut up!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Rude!&amp;quot; calls one, &amp;quot;Rude!&amp;quot; calls another, and another, and another. The lightning makes them feel a little better--but not for long. Minako&#039;s Persona comes out and supports Hitomi, which gets a few murmurs of discontent from the Pixies--&lt;br /&gt;
&lt;br /&gt;
Before Hitomi&#039;s Persona sets fire to the cloud, and another of the Pixies detonates outright. &amp;quot;Noo!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oooh yay!&amp;quot; says another, and picks up Yukari&#039;s money. It will never be seen again. &lt;br /&gt;
&lt;br /&gt;
But Yukari&#039;s &#039;&#039;arrows&#039;&#039; do hit. The Pixie is able to block one--but the second powers right through another, and the crowd is definitely thinning to something a little more manageable at this point, especially after Minato and Orpheus strike back, slamming more of them backward and away. Except... for... The one near Jiro and Suzume advances on them, floating as ominously as a cute girl in blue can--and as it turns out, with the bloodlust in her eyes, that&#039;s pretty damned ominous. Don&#039;t worry about that yet: there&#039;s more attacks to come. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Ugh you make me so MAD!&amp;quot; one says, and they all suddenly rise up into the air except for that one. &amp;quot;Haaaaah--!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Light begins to course around the Persona-users ahead, brilliant mirrors rising from the ground--and shining enervating light upon all of them in an effort to destroy them outright! &lt;br /&gt;
&lt;br /&gt;
But Minato, away with Jiro and Suzume, gets a &#039;&#039;blast&#039;&#039; straight to his face of lightning--and this will prevent him intervening directly with the one advancing even now on Suzume and Jiro again...&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Junes spends Limit on Blood! &lt;br /&gt;
 AS: Junes spends Limit on Break! &lt;br /&gt;
 AS: Persona! Junes has used the Light skill Mahama on Yukari Takeba, Minako Arisato, and Hitomi Mandai!&lt;br /&gt;
 AS: Persona! Junes has used the Elec skill Zionga on Minato Arisato!&lt;br /&gt;
 AS: Junes: Break removed!&lt;br /&gt;
 AS: Junes&#039;s turn has ended. It&#039;s time for an All-Out Attack!&lt;br /&gt;
 AS: Block Best! Minato Arisato takes 128 Elec damage from Junes&#039;s Zionga. Critical Hit! Weak!&lt;br /&gt;
 AS: Paralyze added!&lt;br /&gt;
 AS: Block Worst! Hitomi Mandai takes 121 Light damage from Junes&#039;s Mahama.&lt;br /&gt;
 AS: Avoid Neutral! Minako Arisato takes 81 Light damage from Junes&#039;s Mahama.&lt;br /&gt;
 AS: Avoid Worst! Yukari Takeba takes 122 Light damage from Junes&#039;s Mahama.&lt;br /&gt;
 AS: Minako Arisato spends Limit on Shift! Yukari Takeba can use another Weak skill this round!&lt;br /&gt;
 AS: Minato Arisato spends Limit on Shift! Minako Arisato can use another Weak skill this round!&lt;br /&gt;
 AS: Hitomi Mandai spends Limit on Shift! Minato Arisato can use another Weak skill this round!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;When it&#039;s someone Suzume has known since she was about eight, AND she&#039;s busy trying very hard not to die, she can be forgiven for leaving the honourific off of Jiro&#039;s name.&lt;br /&gt;
&lt;br /&gt;
Also, of all the things she thought to question in Mementos, why bloodthirsty pixies talked like some of the mean girls at school was not one of them. That was pretty much the only thing that made perfect sense to Suzume. &lt;br /&gt;
&lt;br /&gt;
Suzume&#039;s first instinct is to snap that she doesn&#039;t &amp;amp;#42;need&amp;amp;#42; help, but, well. She &amp;amp;#42;does&amp;amp;#42; need help. &amp;quot;How did you know I&#039;d be in here? &amp;amp;#42;I&amp;amp;#42; didn&#039;t know I&#039;d be in here! I don&#039;t even know where &#039;here&#039; is!&amp;quot; Oddly, having something to yell about helps make things feel... nothing in here is normal, but it&#039;s at least something she&#039;s used to.&lt;br /&gt;
&lt;br /&gt;
Though something appears to have gotten to Yukari, too. Freeloading...? This place doesn&#039;t take tickets!&lt;br /&gt;
&lt;br /&gt;
Suzume has gotten Jiro to his feet, which seems to have roused him slightly. He lets out a hiss as he puts his foot down wrong, but he can&#039;t look away from the Pixies, and all the Personas. Suzume might have had the guts to defend herself, even in the face of a demon she cannot hurt; he does not. Pressing himself against the wall, he hunches along it, Suzume moving with him.&lt;br /&gt;
&lt;br /&gt;
And they might actually have managed to flee, except for one thing. One Pixie, with bloodlust in her heart.&lt;br /&gt;
&lt;br /&gt;
Jiro flinches away from the light and the thunder. Suzume sees the bolt connect with Minato, the light surround some of the others, and her instinct is to lunge &amp;amp;#42;forward&amp;amp;#42;, not back - &lt;br /&gt;
&lt;br /&gt;
A gun skitters across the floor. She nearly puts her foot on it before she realizes it&#039;s there, jams her right-hand tonfa through a belt loop, picks it up, and points it at the Pixie like a pistol. Suzume does not know how to use a pistol; she&#039;s holding it like they do in the movies.&lt;br /&gt;
&lt;br /&gt;
&amp;amp;#42;click&amp;amp;#42;&lt;br /&gt;
&lt;br /&gt;
Nothing happens.&lt;br /&gt;
&lt;br /&gt;
Minato said it wasn&#039;t a gun, though. And how have all of the others been using it?&lt;br /&gt;
&lt;br /&gt;
She slowly turns it around to point it at herself. &amp;quot;Nobody dies to rescue me,&amp;quot; she says, nearly inaudible. &amp;quot;I&#039;ll do it - myself...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Something wells within her. Not a memory, just an instinct, as she jabs the Evoker under her jaw, angled upward, hard enough that she feels the flesh dimple a little bit but not hard enough to hurt. None of this is a good idea, but since when has Suzume let that stop her?&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...Persona! Come out...!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Atalanta!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume squeezes her eyes closed, and squeezes the trigger, all at once.&lt;br /&gt;
&lt;br /&gt;
The explosion of breaking glass is loud in her ears as it &amp;amp;#42;shatters&amp;amp;#42;, shards rising up and away from her. And there&#039;s someone there, a woman wearing a short tunic with a decorative silver-and-steel breastplate, matching greaves and bracers and belt, a golden bicep band. She has a lionskin cloak, a furred mane forming the upper bounds of it, which her blonde hair falls into, the two of them nearly indistinguishable. And she has cats-eyes, very very green and vertically slit.&lt;br /&gt;
&lt;br /&gt;
She also has a &amp;amp;#42;bow&amp;amp;#42;, or at least a bowgun, mounted on her right arm, which she raises, firing at the Pixie approaching Suzume and Jiro. It doesn&#039;t fire anything as mundane as an arrow, though; it releases a shockwave of cutting wind, as much slashing as gusting as whirling wind whips around Suzume herself.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Persona! Suzume Fukura has used the Wind skill Wind Cutter on Junes!&lt;br /&gt;
 AS: Suzume Fukura&#039;s turn has ended.&lt;br /&gt;
 AS: Block Worst! Junes takes 79 Wind damage from Suzume Fukura&#039;s Wind Cutter.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Good job, Mandai-chan!&amp;quot; Minako calls out to the glasses-wearing girl. Then, she looks sideways at Yukari. There is a moment&#039;s pause. Then, she laughs sheepishly. &amp;quot;I-It&#039;s fine, really!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
That may not be very convincing. And then she looks at Yukari -- and she hesitates. She is &#039;&#039;really&#039;&#039; panicking. And looking at Minato. But, her brother is moving in calmly.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Takeba-chan! It&#039;s okay, just... just focus!&amp;quot; she calls out. &amp;quot;You can do this!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Mirrors rise up all around Minako. Linos, half-faded from view, whirls after her as the red-haired girl looks to her left and right quickly. Then, light explodes outward -- slamming into her and knocking her to and fro. She yelps, wincing with the pain. Her eyes dart to Minato.&lt;br /&gt;
&lt;br /&gt;
She sees lightning engulf her brother; sparks fly. She smells ozone. She sees red, feels a pounding in her ears. Then, she looks at the Pixies.&lt;br /&gt;
&lt;br /&gt;
Her eyes flash with anger. &amp;quot;Persona!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Linos rematerializes behind her. This time, she swings her harp out -- and graceful, doll-like fingers strum across its strings. The notes it plays are light, beads of bright blue-white light flying out -- and shooting between the group of Pixies.&lt;br /&gt;
&lt;br /&gt;
Then, they explode out into bright bursts of nuclear flame, blueexplosions rippling amongst them. And Minako leaps up after that. Her naginata spins over her head -- and as it spins, Linos throws her hand out. Flame wreathes across the blade of the naginata.&lt;br /&gt;
&lt;br /&gt;
As the explosions clear, she slams down, slashing the naginata&#039;s blade across one of the Pixies.&lt;br /&gt;
&lt;br /&gt;
She lands, swings her naginata out behind her, and then she looks up -- at Suzume and, indeed, at Atalanta. &amp;quot;She--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;Oh&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
Her crimson eyes widen -- then she cracks a smile, and she nods to Suzume. &amp;quot;You&#039;ve got this!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Minako Arisato has used the Fire skill Trio Freila on Junes! 3 Hits!&lt;br /&gt;
 AS: Minako Arisato takes 27 damage from Panic!&lt;br /&gt;
 AS: Tandem! Minako Arisato has used the Fire skill Firebrand on Junes! 2 Hits!&lt;br /&gt;
 AS: Minako Arisato&#039;s turn has ended.&lt;br /&gt;
 AS: Avoid Neutral! Junes takes 32 Fire damage from Minako Arisato&#039;s Trio Freila.&lt;br /&gt;
 AS: Avoid Best! Junes takes 18 Fire damage from Minako Arisato&#039;s Trio Freila.&lt;br /&gt;
 AS: Block Neutral! Junes takes 34 Fire damage from Minako Arisato&#039;s Trio Freila.&lt;br /&gt;
 AS: Block Worst! Junes takes 45 Fire damage from Minako Arisato&#039;s Firebrand.&lt;br /&gt;
 AS: Block Worst! Junes takes 45 Fire damage from Minako Arisato&#039;s Firebrand.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Some things are terrifying to consider, Yukari. What matters is that they &amp;amp;#42;do&amp;amp;#42; work, somehow. There are probably videos of Hitomi demonstrating near-zero talent for any combat weapon as conventionally understood on some Kirijo hard drive somewhere. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;YOU&#039;RE rude,&amp;quot; Hitomi shouts back at the Shadows. She probably shouldn&#039;t, or at least it feels that way, but at the same time, these are Pixies. Ridiculous little things. Vapid airheads floating in the air. Creatures that wonder just what color your blood is. &lt;br /&gt;
&lt;br /&gt;
She pays for it. The light becomes enormous, suddenly. Too bright, game-cafe-to-outside and it only gets worse from there - she lets out another yelp of pain, and it might have been a scream, if the paralytic waves washing through her didn&#039;t mean that it doesn&#039;t hurt quite as bad afterwards. &lt;br /&gt;
&lt;br /&gt;
Hitomi doesn&#039;t even fall over. &lt;br /&gt;
&lt;br /&gt;
Blinking through the glare, she tries to see Suzume and Jiro. She tries, at least. It&#039;s probably stupid, because the enemy&#039;s in front of her and still seems to be overmatching them. But she&#039;s -- &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s eyebrows lift as Suzume points the Evoker at herself. &lt;br /&gt;
&lt;br /&gt;
What will happen? She hasn&#039;t been told. &lt;br /&gt;
&lt;br /&gt;
There was a safety briefing, of course. These things were valuable and could be disruptive. Only use it on official detail and for club purposes. &lt;br /&gt;
&lt;br /&gt;
But what &amp;amp;#42;happens&amp;amp;#42;? &lt;br /&gt;
&lt;br /&gt;
What happens when someone picks an Evoker off the ground and points it at themselves? &lt;br /&gt;
&lt;br /&gt;
Well, one answer is revealed. &amp;quot;ohh,&amp;quot; Hitomi says to herself, before shaking her head once and saying, &amp;quot;Get &#039;em, Fukura!!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
At which point Hitomi raises her hand to her forehead again - her palm faces outwards, incidentally, when she does this, and it hides one of her eyes almost completely - and there is another of those auroral glows. Tyche manifests again, looking downwards, perhaps with just the slightest of smiles, before the fireburst screams outwards, for the center of the &#039;cloud&#039; of Pixies. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Hitomi Mandai has used the Fire skill Agilao on Junes!&lt;br /&gt;
 AS: Hitomi Mandai: Paralyze removed!&lt;br /&gt;
 AS: Hitomi Mandai&#039;s turn has ended.&lt;br /&gt;
 &lt;br /&gt;
 AS: Mind Up! Junes&#039;s SP +8!&lt;br /&gt;
 AS: Block Worst! Junes takes 115 Fire damage from Hitomi Mandai&#039;s Agilao.&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
She&#039;s definitely gonna wonder if Hitomi is using those weird Shadows later. SHE WON&#039;T SAY IT, but she&#039;s definitely gonna THINK IT!&lt;br /&gt;
&lt;br /&gt;
&#039;Got it,&#039;&lt;br /&gt;
 &lt;br /&gt;
And at that moment when Minato calls his Persona, Minako calls out to her, &amp;quot;It&#039;s okay - I&#039;m okay.&amp;quot; Panic loosens from her, cast off with her assistance, her breathing calms down just subtly, and she notices...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;He really...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Did he do it because she was upset, and freaking out? Or... did he do it because she asked?&lt;br /&gt;
 &lt;br /&gt;
She didn&#039;t ask him specifically, and yet...&lt;br /&gt;
 &lt;br /&gt;
It&#039;s a disquieting moment, for her as the Pixies complain about being told to shut up, or call another Rude!&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Mad...?&amp;quot; Suddenly, light courses around them, brilliant mirrors rising, and Yukari tries to move, but before she can, the light converges, slamming into her with intense searing pain.&lt;br /&gt;
 &lt;br /&gt;
Io perhaps takes the worst of it, shattering in that moment, as she sees - Minato&#039;s Evoker slide away.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;You think YOU&#039;RE mad?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
She&#039;s furious-! And- &amp;quot;Wait...&amp;quot; Suzume picks it up and- her eyes grow wide, &amp;quot;Be careful with that-! Don&#039;t just-&amp;quot; Not because she&#039;s afraid she might hurt herself...&lt;br /&gt;
 &lt;br /&gt;
... but because once you do that...&lt;br /&gt;
 &lt;br /&gt;
... there&#039;s no going back.&lt;br /&gt;
 &lt;br /&gt;
It happens, and while she&#039;s impressed with the results. She&#039;s also... sorrowful, and &#039;&#039;angry&#039;&#039; on some level in equal measure.&lt;br /&gt;
 &lt;br /&gt;
Noone ever really has a choice, even when they think they do.&lt;br /&gt;
 &lt;br /&gt;
Her Evoker is put back to her head, and- &amp;quot;Please help, Io!&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Blue flames erupt, and Io, despite being shattered moments before - reappears. The Wind she summons comes forth to back up Atalanta, a great Tempest, focused on a small area, trying to shred a Pixie apart.&lt;br /&gt;
 &lt;br /&gt;
Then, with her eyes still aglow with borrowed power, she does what she truly is best at...&lt;br /&gt;
 &lt;br /&gt;
... Io spreads her arms wide, and a blue - healing glow spreads over Hitomi, Minako, and Minato, knitting wounds and stealing fatigue away.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Wind skill Garula on Junes!&lt;br /&gt;
 AS: Persona! Yukari Takeba has used the Recovery skill Media on Hitomi Mandai, Minako Arisato, and Minato Arisato!&lt;br /&gt;
 AS: Yukari Takeba&#039;s turn has ended.&lt;br /&gt;
 AS: Take! Minato Arisato takes 91 Recovery healing from Yukari Takeba&#039;s Media.&lt;br /&gt;
 AS: Yukari Takeba gains 1 Limit from Supporter!&lt;br /&gt;
 AS: Take! Minako Arisato takes 91 Recovery healing from Yukari Takeba&#039;s Media.&lt;br /&gt;
 AS: Yukari Takeba gains 1 Limit from Supporter!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;It&#039;s unclear why you&#039;re talking,&amp;quot; Minato points out, to the Pixies, when they fuss over being told to &#039;&#039;shut up.&#039;&#039; Is this rude, too?&lt;br /&gt;
&lt;br /&gt;
    He doesn&#039;t much think they&#039;re friendlier just because they&#039;re talking, though. Citation: the look in her &#039;&#039;eyes.&#039;&#039; Minato grasps his blade, moving forward to strike at the Pixie menacing the civilians --&lt;br /&gt;
&lt;br /&gt;
    AND THEN --&lt;br /&gt;
&lt;br /&gt;
    &amp;amp;#42;zap&amp;amp;#42;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Gah!&amp;quot; Minato barks, as he&#039;s knocked onto his rear end by the force of Zionga. Little stars dance around his head, and he&#039;s no help as a protector at all. Suzume will -- Jiro is going to --&lt;br /&gt;
&lt;br /&gt;
    By the time Minato blinks the lights out of his eyes and looks back, Atalanta is come. &amp;quot;...&amp;quot;, he says, staring at her as she rises up and assaults the Pixie.&lt;br /&gt;
&lt;br /&gt;
    You can&#039;t fight them like this... that isn&#039;t a gun... Persona. Did he know she had the Potential, when he told her all those things? No. But some part of him, intuitively, might have recognised that she had the will to fight in the face of her own demise. It must be the same part of him which isn&#039;t &#039;&#039;surprised,&#039;&#039; looking at her Persona made manifest.&lt;br /&gt;
&lt;br /&gt;
    She is... someone who can fight.&lt;br /&gt;
&lt;br /&gt;
    Thankfully, Hitomi has the words which are taken from him, as he registers that the death he thought he&#039;d witness was averted. (Thankfully, Minako is here to cover him, during those moments he was Knocked Down.) &amp;quot;Right,&amp;quot; he agrees, with Hitomi, as he pushes himself upright again. Io&#039;s winds wrap about him, and he nods, to Yukari. &amp;quot;Thanks.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    And much like Yukari and Suzume are united in their Wind skills, Minato joins the chorus which Minako and Hitomi began, as Orpheus rises behind him -- his previous Summoning still strong enough to call him out -- and strums his lyre, summoning flame upon flame.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 AS: Persona! Minato Arisato has used the Fire skill Agilao on Junes!&lt;br /&gt;
 AS: Persona! Minato Arisato has used the Fire skill Agi on Junes!&lt;br /&gt;
 AS: Minato Arisato&#039;s turn has ended.&lt;br /&gt;
 AS: Mind Up! Junes&#039;s SP +8!&lt;br /&gt;
 AS: Avoid Worst! Junes takes 134 Wind damage from Yukari Takeba&#039;s Garula.&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: Mind Up! Junes&#039;s SP +8!&lt;br /&gt;
 AS: Block Worst! Junes takes 97 Fire damage from Minato Arisato&#039;s Agilao.&lt;br /&gt;
 AS: Mind Up! Junes&#039;s SP +8!&lt;br /&gt;
 AS: Block Worst! Junes takes 70 Fire damage from Minato Arisato&#039;s Agi.&lt;br /&gt;
 AS: Haze added!&lt;br /&gt;
 AS: Junes is unable to continue fighting!&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Junes has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
This place indeed doesn&#039;t take tickets. But it&#039;ll take lives, if it can. &lt;br /&gt;
&lt;br /&gt;
Atalanta appears, and that broken glass shatters to allow her entry into the world. The Persona&#039;s bow manifests, and releases a shockwave of cutting wind--the Pixie that was approaching Jiro and Suzume takes the blast full-on. &amp;quot;Nooo!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Blue explosions rock the rest of the pixies, one after another, even as Minako and Linos slam their next attack. Another Pixie turns to dust. And Hitomi, too, throws a fireburst for the center--which is blasted even further apart and spreads thanks to Yukari&#039;s Garula. &lt;br /&gt;
&lt;br /&gt;
Finally, even as Yukari heals the other, Minato&#039;s Orpheus blasts the remaining pixies into dust. &lt;br /&gt;
&lt;br /&gt;
...It&#039;s not quiet, here. It&#039;s still windy. The danger hasn&#039;t passed. &lt;br /&gt;
&lt;br /&gt;
...But nobody&#039;s died yet, and probably won&#039;t in the next few moments. The Shadows are gone.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;None of the Pixies remain.&lt;br /&gt;
&lt;br /&gt;
Neither does Atalanta, who has vanished in the wake of Suzume&#039;s first, unpracticed summoning. Wind still spins around Suzume for a few moments, tornado-like, before even that breaks up, Mementos&#039; usual steady wind tugging at her hair instead of the whirling breeze.&lt;br /&gt;
&lt;br /&gt;
Suzume is one who can fight. She doesn&#039;t know any way to handle her problems except directly. It&#039;s just that, this time, just this once, she had the opportunity to hit some of them instead of them being problems that she can&#039;t just deck.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I think,&amp;quot; Suzume announces into the sudden silence, &amp;quot;that I am going to fall over now.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t, quite. But she does take one step back and then drops to a sitting position, head down as she tries to catch her breath. She brings it up a moment later, but doesn&#039;t rise. Her eyes are red, whether from stress or simply the wind.&lt;br /&gt;
&lt;br /&gt;
It&#039;s Jiro that speaks first, though. &amp;quot;I want to get out of here,&amp;quot; he says. &amp;quot;I want to go home! I don&#039;t want to stay in this godforsaken place!&amp;quot; He takes one hobbling step, and winces, unsteady at best.&lt;br /&gt;
&lt;br /&gt;
Suzume agrees, but: &amp;quot;I don&#039;t know why you were here - I mean, really. But you came in here. So... I owe you.&amp;quot; She holds up the Evoker. She still doesn&#039;t know what it is, really... Or what she did. Is that something she can... just do? She doesn&#039;t try it, though she turns it over in her hand once or twice. &amp;quot;Hey,&amp;quot; she calls, toward Minato.&lt;br /&gt;
&lt;br /&gt;
She rises, holding the Evoker up. &amp;quot;This is yours. I&#039;ll give it back...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...for some answers.&amp;quot; She doesn&#039;t quite meet anyone&#039;s gaze. Not Minato, whose Evoker this is; not Hitomi, who she knows better than the others and has apparently been keeping a secret; not Yukari, who just bailed them out with healing magic (so weird!); not Minako, even though she&#039;s just been encouraged by her.&lt;br /&gt;
&lt;br /&gt;
Especially not Jiro, who is looking at Suzume like she&#039;s grown a second head. Who wants to know MORE?&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I mean, you have a sword,&amp;quot; she admits, a moment later. &amp;quot;You could just take it away, I guess. But it seems like it&#039;d be more work than it&#039;s worth to save me and then stab me.&amp;quot; Some of her defensive prickle is coming back.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 AS: Take! Hitomi Mandai takes 91 Recovery healing from Yukari Takeba&#039;s Media.&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Healing light washes over Minako. By now, she is familiar with this -- but she is still grateful. She glances sideways at Yukari, then she gives her a quick nod. &amp;quot;Thanks!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
And the Pixies are all dispatched. Yukari lets out a sigh, wiping at her brow with her hand. A few droplets of sweat are brushed to the floor. &amp;quot;And that&#039;s a wrap!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She brushes her hands off. Then she turns, looking at Suzume, then at Jiro. &amp;quot;We need to get you both out of here. And--&amp;quot; She frowns, at the threat of withholding Minato&#039;s Evoker. But, no, be cool. &amp;quot;...there&#039;s some people you should talk to, I think.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She glances at her other SEES allies, then back at Suzume. &amp;quot;We&#039;ll get you caught up. Can you come back to the dorm with us?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
The bursts of flames and wind - especially the wind, which has a tendency to fan the flames - eventually clear out the Pixies. Destroying them outright! ... Perhaps not; Shadows are kind of confusing, at the best of times. &lt;br /&gt;
&lt;br /&gt;
Even as the healing rests on her, Hitomi&#039;s shoulders sag. &lt;br /&gt;
&lt;br /&gt;
She scratches the back of her neck. She also does a cross-body pass in order to put her... ...dice, back in the pouch, which she doesn&#039;t mention, even as her eyes return to Suzume and Jiro&#039;s position. Jiro speaks -- and he&#039;s freaking out. Hitomi seems to understand this. Her eyes don&#039;t rest on him, but rather on Suzume. &lt;br /&gt;
&lt;br /&gt;
It&#039;s an appraising look. For some reason, Hitomi seems like she&#039;s smiling, even if it doesn&#039;t quite reach her lips. She takes a deep breath and rests a hand on her hip, still looking at Suzume even as Minako speaks. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;You really ought to,&amp;quot; Hitomi says as she walks forwards, towards Jiro -- crouching down a little to get his arm over her shoulders. &amp;quot;I can&#039;t let you die here,&amp;quot; she continues, pushing her glasses up her nose, &amp;quot;I still have your booster paaacks.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s attention turns towards Minato and Yukari. &amp;quot;... Games club stuff,&amp;quot; she explains, before straightening up (which may jerk Jiro a little, but he can, potentially, cope). &amp;quot;Um... We&#039;re heading back now, yeah?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
&amp;quot;Any time...&amp;quot; She says, managing an awkward smile at Minako and Minato in the aftermath, like she&#039;s still... thinking about what just happened. &amp;quot;Yeah. Let&#039;s get you two out of...&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;... What&#039;s a booster pack?&amp;quot; She asks Hitomi, surprised.&lt;br /&gt;
 &lt;br /&gt;
But what Suzume does next? Minako tries to deescalate things.&lt;br /&gt;
&lt;br /&gt;
...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Uhhhh... wellll you don&#039;t really need to hold it hostage or anything.&amp;quot; Yukari notes, awkwardly, at Suzume&#039;s offer, &amp;quot;Now that you did what you did, you&#039;re gonna get answers.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
A beat.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Whether you like them or not. And Arisato-kun isn&#039;t the kind of guy who would just... stab you.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Yukari definitely didn&#039;t like the answers she got. Even if she&#039;s yet to receive all of them.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;That&#039;s... not what we do here, which... you&#039;ll find out.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
Hitomi however does explain things shortly, &amp;quot;Oh. That makes sense.&amp;quot; She&#039;s still trying to work out the context there some.&lt;br /&gt;
 &lt;br /&gt;
Then she remembers the dice.&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;You&#039;re not like, gambling on school property or something, right?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Minato is not surprised that Suzume wants to fall over. That&#039;s very common. Even &#039;&#039;he&#039;&#039; fell over, eventually.&lt;br /&gt;
&lt;br /&gt;
    But... she holds his Evoker up, and he steps over to her, reaching out to take it.&lt;br /&gt;
&lt;br /&gt;
    And to offer her his other hand. (He put his sword away on his belt before he approached. He&#039;ll need to hide it in his bag again before he leaves the bathroom. It&#039;s fine.)&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Come with us,&amp;quot; he says. &amp;quot;We&#039;ll explain everything to you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    A look, to Jiro, who Hitomi&#039;s already aiding.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;And we&#039;ll get you out of here,&amp;quot; he adds, for the art student.&lt;br /&gt;
&lt;br /&gt;
    Is Hitomi &#039;&#039;gambling?&#039;&#039; This is a questiom Minato does not linger on, though he looks between Suzume and Hitomi, for a moment.&lt;br /&gt;
&lt;br /&gt;
    He wonders what Mitsuru would think.&lt;br /&gt;
&lt;br /&gt;
    Silently, the Arisato&#039;s life of crime is delayed another day.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume, who has absolutely hustled a couple other students at poker, elects to let Hitomi answer Yukari instead. But she &amp;amp;#42;does&amp;amp;#42; meet Minato&#039;s gaze when he looks between them instead of looking elsewhere. Just for a moment.&lt;br /&gt;
&lt;br /&gt;
Jiro accepts the help from Hitomi. His ankle isn&#039;t broken, just strained; he&#039;ll be hobbling for a few days but, with aid, he&#039;s able to stand and move with her. He&#039;s also just enervated from being in Mementos. So he might end up missing a day or two &#039;sick&#039; (or end up at Tatsumi Memorial Hospital for the fine doctors that get paid by Kirijo Corp to look at) but he&#039;ll be fine. &amp;quot;Appreciated,&amp;quot; he says, followed by: &amp;quot;I gave Suzume the money already, to give to you.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume looks more or less innocent. She has not paid Hitomi yet.&lt;br /&gt;
&lt;br /&gt;
Suzume is less injured but more worn down - just better at hiding it. She&#039;s got both tonfa hooked through belt loops now to keep her hands free. She clearly is not used to doing it, though; they keep bonking into her thighs. &amp;quot;I can,&amp;quot; she agrees with Minako. &amp;quot;My parents will probably get annoyed, but too bad for them.&amp;quot; Suzume does not stay at Gekkoukan dorms, usually. (Jiro does - just a different dorm, so he assumes that he&#039;s going there.)&lt;br /&gt;
&lt;br /&gt;
She accepts Minato&#039;s hand... to give him the Evoker, anyway. It is his, after all.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Eeh,&amp;quot; Hitomi answers Yukari&#039;s question, with that weak watery smile you give when you&#039;re trying to be agreeable but really don&#039;t want to get into it. She takes a deep breath and lets it out -- only to wheeze for a moment as she says, &amp;quot;No!! This is a game we play! You buy cards, and then you -- buy more cards, so you can put them together for game strategies,&amp;quot; with a hastiness and a flush to her face as she continues onwards: &lt;br /&gt;
&lt;br /&gt;
&amp;quot;But in the leagues there&#039;s more rules about that since they want to keep it fresh so some cards become illegal, but at home or in clubs you can use whatever you want because they called it &#039;kotatsu Magic&#039; or something like that, I read it in English, but yeah then you might find that some cards you got last year are super expensive now, and you can -- I mean, that&#039;s just, um, that&#039;s just like investment!! You can&#039;t tell!! A lot of rares are total dogshit!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi stops after that, looking off to the side of the evil railroad tunnel. The wind tugs loose a strand of her hair. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minako Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Minako blinks when Hitomi says &#039;games club stuff.&#039; She isn&#039;t really sure what a booster pack is -- but of the Arisato twins, she isn&#039;t the one who will stay inside all day and play a video game. Her brother, now...&lt;br /&gt;
&lt;br /&gt;
She does look at Yukari, though, at the question. Minako considers this for a second. &amp;quot;I&#039;m sure Mandai-chan is innocent!&amp;quot; She glances at Hitomi. &amp;quot;Right?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She looks back at Suzume -- and then she nods. &amp;quot;Yeah. Well--let&#039;s get headed back, then. And... we&#039;ll get you caught up.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;It&#039;s like video games with expansions, just on paper,&amp;quot; Suzume adds, with a slight bit of embarrassment at being found out to actually like CCGs. &amp;quot;Or, I don&#039;t know, Team Fortress guns.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Suzume that is worse.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Minato Arisato has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Video games on paper,&amp;quot; Minato echoes Suzume, his gaze focusing in on her. He waits a moment to see if she&#039;ll accept help getting up. Another moment. Three, and he holsters his Evoker, and turns to Hitomi.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Now we have two critical briefings for the dorm.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Minato &#039;&#039;didn&#039;t&#039;&#039; know about card games. &#039;&#039;Until now.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
    This mission-critical status will at least mean he ushers everyone out of Mementos right quick.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Yukari Takeba has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
Yukari gets momentarily take aback by the &#039;Buy cards then buy more cards then put them together for game strategies...&#039;&lt;br /&gt;
 &lt;br /&gt;
Then Minako says she&#039;s &#039;&#039;innocent&#039;&#039;. &amp;quot;Saying that kinda makes it sound more suspicious... Arisato-chan.&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
More is forthcoming though. &amp;quot;Uh...&amp;quot; Well her opinion has changed some... as Suzume and Minato further backs it up. After a moment...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;I see... I think?&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
That&#039;s probably the end of it, or at least it would be, but on the way out of Mementos, she drifts towards Hitomi and...&lt;br /&gt;
 &lt;br /&gt;
&amp;quot;Uh... Mandai-chan, are you sure you&#039;re not being scammed out of your money? The way you describe it reminds me of the time a girl I knew in middle school joined a cult...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;No way, this is way too lame to be a cult,&amp;quot; Hitomi answers Yukari, which is perhaps the worst possible answer in the universe. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume does indeed accept the hand up. She shoves her hand in her pocket afterwards. It&#039;s not rude, it&#039;s habitual.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;She plays them more than I do,&amp;quot; Suzume admits to Yukari. The reason is because Suzume is broke (barring any poker shenanigans, or as she with the last set of cards, money matches at Punch Boxer) and Hitomi is at least slightly less broke. Some particular spark of mischief makes her add, glancing over at Hitomi, &amp;quot;It&#039;s only a cult if you go to Worlds.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She doesn&#039;t talk much for the rest of the trip out of Mementos, though. She has so many questions whirling around her brain that none of them come out. She does drop back to check on Jiro, but otherwise exits in more or less silence unless addressed.&lt;br /&gt;
&lt;br /&gt;
Suzume keeps the tonfa though. But she has to borrow someone else&#039;s bag to put them in so they won&#039;t get spotted, because she did not bring hers.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
	<entry>
		<id>https://www.velvetroom.wiki/index.php?title=2025-06-27:_Welcome_to_the_Cardboard_Dragon&amp;diff=1510</id>
		<title>2025-06-27: Welcome to the Cardboard Dragon</title>
		<link rel="alternate" type="text/html" href="https://www.velvetroom.wiki/index.php?title=2025-06-27:_Welcome_to_the_Cardboard_Dragon&amp;diff=1510"/>
		<updated>2025-07-01T00:45:22Z</updated>

		<summary type="html">&lt;p&gt;Almacia: Created page with &amp;quot;*&amp;#039;&amp;#039;&amp;#039;Log: Welcome to the Cardboard Dragon&amp;#039;&amp;#039;&amp;#039; *&amp;#039;&amp;#039;&amp;#039;Cast:&amp;#039;&amp;#039;&amp;#039; Myunghon Yeo, Ulala Serizawa, Hitomi Mandai, Suzume Fukura *&amp;#039;&amp;#039;&amp;#039;Where:&amp;#039;&amp;#039;&amp;#039;  *&amp;#039;&amp;#039;&amp;#039;OOC Date:&amp;#039;&amp;#039;&amp;#039; June 27, 2025 *&amp;#039;&amp;#039;&amp;#039;IC Date:&amp;#039;&amp;#039;&amp;#039; June 01, 2012 *&amp;#039;&amp;#039;&amp;#039;Summary&amp;#039;&amp;#039;&amp;#039;: &amp;#039;&amp;#039;A pair of schoolgirls drop in to the Cardboard Dragon, where Ulala is already trying to make a sketchy purchase of her own.&amp;#039;&amp;#039;  ----    &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed. &amp;lt;poem&amp;gt;     It&amp;#039;s a fine Friday at the Cardboard Dragon in the middle of June...&amp;quot;&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;*&#039;&#039;&#039;Log: Welcome to the Cardboard Dragon&#039;&#039;&#039;&lt;br /&gt;
*&#039;&#039;&#039;Cast:&#039;&#039;&#039; [[Myunghon Yeo]], [[Ulala Serizawa]], [[Hitomi Mandai]], [[Suzume Fukura]]&lt;br /&gt;
*&#039;&#039;&#039;Where:&#039;&#039;&#039; &lt;br /&gt;
*&#039;&#039;&#039;OOC Date:&#039;&#039;&#039; June 27, 2025&lt;br /&gt;
*&#039;&#039;&#039;IC Date:&#039;&#039;&#039; June 01, 2012&lt;br /&gt;
*&#039;&#039;&#039;Summary&#039;&#039;&#039;: &#039;&#039;A pair of schoolgirls drop in to the Cardboard Dragon, where Ulala is already trying to make a sketchy purchase of her own.&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
 &lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    It&#039;s a fine Friday at the Cardboard Dragon in the middle of June in Japan, by which we mean, WOW, it&#039;s kind of unreasonably muggy and therefore the miracle of refrigeration makes shops such as these a little bit of a reprieve from the sweltering heat blasting the old and battered streets of Hirasaka outside.&lt;br /&gt;
&lt;br /&gt;
    The Cardboard Dragon isn&#039;t Hirasaka&#039;s premiere book or card shop -- there&#039;s hotter properties elsewhere -- especially because finding it is something of a chore. You gotta go into a back alley that feels like a dragon might be present, and then you gotta go up a fire escape, and hope the plot to a yakuza movie isn&#039;t happening. Then you go in and...&lt;br /&gt;
&lt;br /&gt;
    Well, the AC is running at full blast, so that&#039;s a relief. The store is definitely a depressing plot that used to be an office that was once having the time of its life in the 80&#039;s and has since experienced the end of the economic bubble and hasn&#039;t seen a lick of renovation, but maybe that&#039;s what gives it some charm.&lt;br /&gt;
&lt;br /&gt;
    Half the store&#039;s dedicated to the bookstore side, which has fancy foreign and... old... books by authors that, for most of these teenagers, they probably haven&#039;t heard of, or have the reaction of like &#039;isn&#039;t that written by the guy on the 1,000 yen bill?&#039;. There&#039;s nothing written in the last ten years here.&lt;br /&gt;
&lt;br /&gt;
    The OTHER half is why everyone else is here: the card store! A bunch of regulars are quietly playing their game in the corner, and there are other open chairs, and there&#039;s a young blue-haired woman at the register. There&#039;s lots of glass shelves and displays with all sorts of colourful merch that you can spend way too much money on.&lt;br /&gt;
&lt;br /&gt;
    And of course, there&#039;s the RUMOUR that you can find Rumourmonger Merry and her Skill Cards here...&lt;br /&gt;
&lt;br /&gt;
    And then the CREATURE shows up -- a white-haired, lanky bean pole of a person, dressed in a strangely immaculate dress shirt, black tie and dress pants, with a long black suit jacket slung over her shoulders. Her face is half-draped in bandages, and so are neck and hands.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Oh! Welcome, welcome one and all! Welcome to the Cardboard Dragon!&amp;quot; the Creature exclaims with much aplomb and gusto with a surprisingly practiced half-pirouette. &amp;quot;We can cater to any vice you have on cardboard here... for a reasonable price indeed!&amp;quot;&lt;br /&gt;
Hyousuke Suzuki has left for Hirasaka - Main.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ulala Serizawa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Sometimes, life takes you in a twist of events. Taking a detour back to Hirasaka to grab something she left at work, Ulala planned to grab some street dumplings off an alleyway before the festival. As she waited for the line to thin out, however, she saw lights on... up a fire escape? Wait, is there a business up there? It&#039;s none of your business, Ulala, don&#039;t-&lt;br /&gt;
&lt;br /&gt;
Soon, Ulala was inside the Cardboard Dragon, squinting as she peered around. Of course, she knew the rumors about Merry - only vaguely, but she looked into this weird stuff after meeting Baofu.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;So... do you carry any trashy romance novels?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She&#039;ll probably like it here. But first, she has to understand what &#039;here&#039; is. Her outfit is bold, a green dress with black spider-web patterns, and then her entire makeup and hair situation is just Classic. Therefore, when she sees the Creature...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Are you... the owner?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She&#039;s surprised, looking between the blue-haired woman (that&#039;s fine, she dyes too) and Myunghon. The reason she&#039;s surprised...&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Second question. Are you magic?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
Is because this feels like that Time Count guy. It&#039;s not the same, is it?!&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
The door opens from the external world, bleeding precious conditioned air. The air hits someone who is squeezing through it, sliding in. &amp;quot;uuuuuuugh&amp;quot; is the comment from that young woman, who is towering (for a schoolgirl) and kind of doughy (by schoolgirl standards). She is big enough that she holds the door open behind her, moving laterally. An awkward pose, but it helps LET ALL THAT EXPENSIVE CONDITIONED AIR OUT -- &lt;br /&gt;
&lt;br /&gt;
-- no, it&#039;s letting someone else in. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I can&#039;t believe it took so long to get all the way out here,&amp;quot; gripes Hitomi Mandai, sweeping some sweaty hair out of her face. She still has most of it in a bun, but &#039;most of it&#039; is somewhat relative and she may have lost a hairpin somewhere. &amp;quot;But aaaaaat laaaaaaaast uuuuuuuuugh so hooooooooooooooot,&amp;quot; she concludes, which is probably an exaggeration. &lt;br /&gt;
&lt;br /&gt;
Once her confederate is inside, she straightens up. Slightly. Her eyes pan around... and those who dare to look at her can see, behind the slightly fogged up glasses, eyes widening. &amp;quot;Fukuraa, look, they&#039;ve got it. It&#039;s Abacin Reborn!!&amp;quot; She gestures at the counter, and behind it, what are HOPEFULLY NOT EMPTY boxes of booster packs for some kind of... &lt;br /&gt;
&lt;br /&gt;
Collectible Card Game. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I think I see a lot... how many packs did you say you could get in on? We might be able to get a &amp;amp;#42;box&amp;amp;#42; I think I see a closed one--&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;When the door remains open...&lt;br /&gt;
&lt;br /&gt;
SOMEONE ELSE SNEAKS IN.&lt;br /&gt;
&lt;br /&gt;
Suzume Fukura, who is a good half foot or more shorter than Hitomi, ducks in and ends up guiding the door closed with one foot so that it doesn&#039;t slam. Her hair&#039;s loose and so she runs her hand through it, shoving it back so that it stays out of her face and doesn&#039;t stick everywhere.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I thought we&#039;d never find it,&amp;quot; Suzume grumps, which is an exaggeration - she has been before, she knew where it was, though it&#039;s always both out of the way and makes her double-take in case she&#039;s actually going the wrong way.&lt;br /&gt;
&lt;br /&gt;
Letting out a breath of air and ruffling her hair a bit, Suzume doesn&#039;t &amp;amp;#42;quite&amp;amp;#42; flinch at the question but it&#039;s not one she&#039;s got a good answer for. &amp;quot;I don&#039;t think I can go in for a half box,&amp;quot; she admits, thinking about her budget. Which is not great. &amp;quot;But I could get a couple...&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Myunghon&#039;s singular eye twinkles as she claps her hands together and exclaims, &amp;quot;&amp;amp;#42;Trashy&amp;amp;#42; romance novels! Why, perish the doubt, milady! Of course!&amp;quot; &lt;br /&gt;
&lt;br /&gt;
    Crime and Punishment, by Fyodor Dostoevsky. Berlin Alexanderplatz, Alfred Doblin. The Decagon House Murders, Yukito Ayatsuji. The Makioka Sisters, Jun&#039;ichiro Tanizaki. Those are... those are not NOT trashy romance novels. They have a sexy, dark allure to them, right? It&#039;s all in the &amp;amp;#42;framing&amp;amp;#42; of the mind. The bodice doesn&#039;t need to be literal, it can be the metaphorical bodice of the mind to be ripped--&lt;br /&gt;
&lt;br /&gt;
    Is she &amp;amp;#42;magic&amp;amp;#42;, though.&lt;br /&gt;
&lt;br /&gt;
    Myunghon&#039;s eye half-closes as she practicedly flecks her long, bony fingers back to her sleeve, and then in an exaggerated &#039;PAF&#039; that she makes with her own hand--&lt;br /&gt;
&lt;br /&gt;
    TADA!&lt;br /&gt;
&lt;br /&gt;
    Spell Cards! Of course, they look just like regular trading cards for a fictitious doujin game involving a pocket dimension in the far South to normal people, but to the Awakened...&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Wow. &amp;amp;#42;Real&amp;amp;#42; magic,&amp;quot; Myunghon breathily half-whispers, as she spots the two students -- Gekkoukan? They&#039;ve come quite a way -- entering and beating the heat through the miraculous power of their AC. The blue-haired girl&#039;s the first one to speak up, since Myunghon&#039;s busy with Ulala--&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Good afternoooon,&amp;quot; she calls with that half-lidded, bored look. She doesn&#039;t look any older than either Hitomi or Suzume. She looks perpetually fed up at her boss&#039; antics, is the expression that&#039;s been cooked onto her face. She&#039;s in a denim dress and has a striped blue and white shirt underneath. &amp;quot;Abacin? Yeah, we just got the shipment in last Thursday. We&#039;re gonna run the event this weekend, but we&#039;re selling wholesale boxes for 15,000--&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Since you two&#039;ve come all the way out here, I&#039;ll let those slide for 12,000,&amp;quot; Myunghon interjects with surprising ease, her coat billowing gently in the breeze of the air conditioner.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ulala Serizawa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ulala glances over at the books again. &amp;quot;Are you sure? I see... thinking novels.&amp;quot; She sighs, though when Myunghon does the &#039;magic trick&#039; she glances at the cards carefully. Those are-&lt;br /&gt;
&lt;br /&gt;
&amp;quot;...I guess the rumors were true... then again, they&#039;re always true around here lately, aren&#039;t they?&amp;quot; Shaking her head, Ulala looks over to them. &amp;quot;You&#039;ve got anything that can...&amp;quot; She considers how to say it, when two teenagers arrive! Oh no, she has to be incognito! She hates being incognito, but it might make her seem cool!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Uh, go good against Killer...type...Magimon, I think they&#039;re called?&amp;quot; Ulala fakes it til she makes it, before looking over to Suzume and Hitomi.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Oh, are these for that Magimon thing? Where you crack cards and build decks? I never played but it was all the rage in high school. How much does it cost-&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The price is rattled off.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;What?!&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi&#039;s attention does not turn to the books at all. She has enough books. Books are comfortable and static and boring and tedious and good for construction projects. It is not that she does not like books. It is that instead: Jewel-like objects of wonder. &lt;br /&gt;
&lt;br /&gt;
CARDS. &lt;br /&gt;
&lt;br /&gt;
Hitomi&#039;s eyes flick for a moment towards the proffered Spell Cards and she purses her lips. Then, back to that blue-haired girl as she loosely folds her arms beneath her bust, not answering right away other than a slow nod. Visible radiating heat... though it&#039;s easing up, even if the &#039;Sweaty and Gross&#039; status effect will probably take several more pose rounds to clear. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Araa,&amp;quot; she says at the first price - but mid ara, Myunghon lowers the price. Her mouth stays open, a subtle little :o. &lt;br /&gt;
&lt;br /&gt;
Her eyes cut to Ulala. &amp;quot;...&amp;quot; In the clearing fog of Hitomi&#039;s glasses, there is mistrust. The natural response to the interjection of the Adult who is not providing a Good or Service. Somewhat more uneasily and less fluidly, she says, &amp;quot;It&#039;s a lot, but... you&#039;re getting a lot for it. Each of those is fifteen cards, and there&#039;s like, thirty-six packs. So if you look at it that way, you&#039;re paying like,&amp;quot; her eyes turn upwards for a second and a half. &lt;br /&gt;
&lt;br /&gt;
MATH! the job... of a STUDENT! &amp;quot;Like, three-forty a booster, or if you want to be a really nit picky, like 22 yen a card. And you need sixty to play. But, uhm.&amp;quot; Her eyes turn to Myunghon. Then back to Suzume... &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Do you think we could call the others...? If we could front the money, we could... hm...&amp;quot; Her lips thin. &amp;quot;Do you think we can trust the others...?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume already knows you are an adult. You cannot fool her, ULALA.&lt;br /&gt;
&lt;br /&gt;
Mostly because no teenager would be allowed to wear that dress by their parents, she&#039;s pretty sure. Not that she&#039;d want to, but she&#039;s entirely sure that if she showed up with it she&#039;d start &amp;amp;#42;another&amp;amp;#42; argument, and who has time for that? She does give Ulala a look over though, thoughtful, before turning her head slightly to regard the stranger image of Myunghon.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;I definitely can&#039;t take half of that,&amp;quot; Suzume starts to say, at the 15000. But then there&#039;s the 12000, and...&lt;br /&gt;
&lt;br /&gt;
Suzume still cannot afford half of that no matter how much she wants to. Her expression shifts from sullen disdain to thought, though - because she&#039;s &amp;amp;#42;really&amp;amp;#42; thinking about it. It&#039;s a good price, but unfortunately her parents don&#039;t have a lot, Suzume does not exactly rack up a lot of family money, and she does not currently have a job.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Uuugh,&amp;quot; Suzume groans, but not in dismay at the offer. She&#039;s thinking about it. &amp;quot;It&#039;s a lot, yeah, but...&amp;quot; How much does she even have? She starts doing mental math and briefly debates adding some of her snack budget to it. &amp;quot;I could probably sell a few packs to Yamamoto,&amp;quot; she says, which Hitomi at least knows means &#039;Jiro Yamamoto, who is one of Suzume&#039;s gaming buddies and is also a second year student&#039;. &amp;quot;Maybe some to Ito and Kimura too.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She&#039;s frowning. Which means she&#039;s thinking about it.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;Mmm, mmm,&amp;quot; Myunghon makes a deliberately exaggerated musing of nodding and rubbing her chin at Ulala&#039;s quandry, effortlessly folding up the Skill Cards back into her sleeve like they never existed. Maybe she is magic. She also ignores the Thinking Novels comment. DIFFICULT Books that Require Brain Meats... well, she doesn&#039;t disagree with that. Like Faulker is what Faulkner does, okay,.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I think I understand your predicament, miss!&amp;quot; Myunghon says, with a particular, almost jovial emphasis. &amp;quot;I, too, am often stuck at Drake Adventure III, because of those pesky Killers. They can do &amp;amp;#42;so&amp;amp;#42; much damage, can&#039;t they? I think your best bet would be to be able to heal or defend your party members. Be the rock that everyone can stand around!&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She&#039;s putting so much effort into making it sound like she&#039;s not an adult talking about a children&#039;s video game.&lt;br /&gt;
&lt;br /&gt;
    Myunghon and the blue-haired girl both look content to let Hitomi and Suzume deliberate between themselves, right down to the cost of an individual card. Hitomi&#039;s eyes turn back to her, and Myunghon seems happy to just give her a pleasant smile. The others. They&#039;re going to have to pool their money... ah, there&#039;s something nostalgic about going a far ways away just to get the best deal on something like a Treasure to share with others, on a hot summer day.&lt;br /&gt;
&lt;br /&gt;
    ...&lt;br /&gt;
&lt;br /&gt;
    No there isn&#039;t. She never had friends when she was a kid. Hahahaha!! Joke&#039;s on... joke&#039;s on... her.&lt;br /&gt;
&lt;br /&gt;
    Now that she&#039;s done making herself sad (internal), Myunghon does point out, tapping the glass cabinet, &amp;quot;22 yen a card, but we do purchase any singles you don&#039;t desire, often for quite a lot more.&amp;quot; Some of these Mythics are going for thousands of yen. &amp;quot;Aaand I&#039;ll be just happy to set aside a box for the lot of you until you&#039;re ready, even mail it free of charge to your address in Tatsumi.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    This is the manifestation of evil in which she&#039;s ensnaring children into games of chance. Just look at her arcana.&lt;br /&gt;
&lt;br /&gt;
    She is THE DEVIL.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ulala Serizawa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Ulala, despite them being THINKING NOVELS, is eying one of the books longingly, due to the cover and the fact it may look Cool on her bookshelf.&lt;br /&gt;
&lt;br /&gt;
Ulala could definitely not get through Faulkner&#039;s &#039;The Sound and the Fury&#039; but she&#039;s going to pretend she can! She picks it up, eying the price as someone who refuses to Leave A Store Empty-Handed due to embarrassment, before turning to Myunghon as she talks... video games. &amp;quot;So, how much do you think it&#039;d cost to... kit myself out for that, then?&amp;quot; She&#039;s figuring out the lingo.&lt;br /&gt;
&lt;br /&gt;
She also actually realizes &amp;amp;#42;exactly&amp;amp;#42; what Myunghon is doing. She works in retail. She glances to the teenagers, but...&lt;br /&gt;
&lt;br /&gt;
Adult secrets, right? They need to figure this out themselves.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Jiro&#039;s probably good for it, but he&#039;s not in the dorms,&amp;quot; Hitomi grouses to Suzume. She purses her lips. She pushes her glasses up the bridge of her nose. She looks at the floor. And then her eyes widen - and stop. She seems to be struggling. She settles on a frown, too. &lt;br /&gt;
&lt;br /&gt;
Hitomi seems to not respond to Myunghon&#039;s enthusiastic love of Dargon Warrior Tres, perhaps because that&#039;s completely normal to be hella into Dargon Warrior. Even if it&#039;s a retro version. Nevertheless, even if it&#039;s Dargon Warrior for old ladies, it&#039;s still real... to them. &lt;br /&gt;
&lt;br /&gt;
And then Myunghon speaks. Hitomi straightens up! Her eyes all but +_+ out behind her glasses. &amp;quot;Coooooooooould you...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Hitomi hesitates for a moment. She leans over to Suzume instead, as if her courage ran out mid-sentence. &amp;quot;I have an idea but is she just nice or is it okay to haggle cuz I think this is going to work but we need to cover like half of them. So that&#039;s sixty. I&#039;ve got forty-five... can we do it as a club fund thing?&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Unless,&amp;quot; Hitomi says, with something like anxiety, &amp;quot;If I did a third, not half...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume does not work in retail. And her inherent suspicion of... well, a whole lot of things doesn&#039;t apply to gaming.&lt;br /&gt;
&lt;br /&gt;
Unfortunately (?) for Myunghon, Suzume actually does know old video games. How does she know these? That particular game must be older than she is... &amp;quot;Try Manusa,&amp;quot; she suggests anyway, sounding slightly smug about actually giving advice. &amp;quot;They don&#039;t resist it and it shuts them down if it sticks.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
She might have missed the subtext with what Ulala was &amp;amp;#42;really&amp;amp;#42; trying to buy...&lt;br /&gt;
&lt;br /&gt;
But, to Hitomi: &amp;quot;&amp;amp;#42;I&#039;m&amp;amp;#42; not in the dorms,&amp;quot; Suzume points out. &amp;quot;I just don&#039;t live that far away.&amp;quot; Also, she spends as much time as possible not at home, because it prevents arguments (until she eventually shows up, and starts a worse argument).&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Probably can&#039;t haggle down any further than that,&amp;quot; she says, and scowls. &amp;quot;But we could put our names down and see what the others can contribute. I don&#039;t mind splitting it more ways if it means we can actually pull it off.&amp;quot; Even mailing it... well, Suzume probably wouldn&#039;t mind coming back again, if only to browse.&lt;br /&gt;
&lt;br /&gt;
The pull of the DEVIL is strong.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &amp;quot;How about that?&amp;quot; Myunghon sounds so chuffed to have Suzume chiming in on their video game conversation. &amp;quot;The young lady&#039;s so sharp, thinking of strategies even poor old me can&#039;t dream of in a hundred years.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The sharply dressed owner of the Cardboard Dragon swans over to the desk, where she pulls out a piece of note paper and a pen and starts writing it down. &amp;quot;Manusa, doesn&#039;t resist it... just make sure it sticks.&amp;quot; She rips the paper off the backing, and then folds it and hands it to Ulala. &amp;quot;Let&#039;s try that first, and if you&#039;re still struggling, feel free to come back and we can brainstorm more strategies, hmm?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    The folded paper, Ulala can feel, is heavier than just a folded up piece of note paper. Myunghon&#039;s slipped one of the Skill Cards in the middle in there with it.&lt;br /&gt;
&lt;br /&gt;
    It also reads: &#039;THIS ONE&#039;S ON THE HOUSE&#039;.&lt;br /&gt;
&lt;br /&gt;
    At this point in time, though, Hitomi&#039;s crooning with ambition and light behind her eyes if she cooould... if she coooould... and then it&#039;s back to strategising. Haggling, eh? It is true that it&#039;s already a big discount, as Suzume expects -- and this is for new merchandise, not an old set that&#039;s past its prime.&lt;br /&gt;
&lt;br /&gt;
    Myunghon raises her eyebrow across the room--&lt;br /&gt;
&lt;br /&gt;
    And then the blue-haired woman sighs. &amp;quot;... fine! Actually, I also wanted some boosters of my own.&amp;quot; A pause. &amp;quot;I&#039;m Gumiho, I go to Kasu High nearby. If I chip in my share, does that get us across the line?&amp;quot;&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ulala Serizawa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;As Myunghon steps aside, Ulala makes a face. The girl ruined her purchase...&lt;br /&gt;
&lt;br /&gt;
Up until Myunghon gives her a note, a free Skill Card, and invites her to come back some time.&lt;br /&gt;
&lt;br /&gt;
She knows the play. The first hit is free, she becomes a regular, purchases stuff, and has fallen right into her hands.&lt;br /&gt;
&lt;br /&gt;
It&#039;s absolutely going to work, too, as Ulala nods with a smile. &amp;quot;This will definitely help, yeah. Thanks! I&#039;ll come back sometime soon... but before I leave, why a book and game shop? Are they a hit these days? You have a really nice setup here...&amp;quot; she says with a light hum.&lt;br /&gt;
&lt;br /&gt;
And then she eyes Gumiho. A sale no matter what, huh? That&#039;s an interesting play... she turns back to Myunghon, though she&#039;s definitely watching the transaction with amusement. &amp;quot;Looks like you&#039;re in luck, huh?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;Right, yeah,&amp;quot; Hitomi says to Suzume about the dorms. She purses her lips. &amp;quot;... I think I can cover this. Hold on. Back me up, okay..?? And text Yamamoto cuz I don&#039;t want to end up losing out here.&amp;quot; After this... &lt;br /&gt;
&lt;br /&gt;
Hitomi advances... towards Myunghon, to whom she says, with that slight quaver of anyone addressing an adult. &amp;quot;So --&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Waah??&amp;quot; Hitomi then says to Gumiho, blinkblinking at her as if shocked. And then she smiles and leans over and looks at her, raises one finger to her lips, and winks. She saw it. She heard it. &lt;br /&gt;
&lt;br /&gt;
Back to Myunghon. &amp;quot;... So... as a club member, I have a responsibility.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
She reaches into her skirt pocket (go with it, Mitsuru probably killed somebody to get one added to the pattern) and brings out her phone case and attached clip of money and transit pass. &amp;quot;If I bought a third of that box... I bet you I can cover the REST of it with all the rares. What do you think? If I can&#039;t...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;quot;I&#039;ll sell them to you anyway,&amp;quot; Hitomi concludes, rather abruptly, &amp;quot;and we can maybe let Gumiho cover the balance with some boosters...?&amp;quot; But this seems almost afterthoughtish, and her attention is resting on Myunghon. &lt;br /&gt;
&lt;br /&gt;
Until they cut to Ulala for a moment. Her head turns slightly. She pushes her glasses up her nose again. &amp;quot;... Heh. Don&#039;t jinx it...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume has made a contribution using her vast and inexplicable knowledge of RPGs that predate her ability to read. If she knows she ruined Ulala&#039;s purchase attempt, she doesn&#039;t seem to care - &lt;br /&gt;
&lt;br /&gt;
Oh, wait. It&#039;s not ruined after all. Problem solved!&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Seems weird to buy from somewhere you&#039;re selling it from,&amp;quot; Suzume says, before adding, thoughtfully, &amp;quot;Do you get a discount?&amp;quot; What? You never know. Maybe she&#039;s thinking about asking for a job. It&#039;d be a pretty bad commute, though... so maybe not.&lt;br /&gt;
&lt;br /&gt;
She pauses a moment as Hitomi makes... a decision. &amp;quot;You sure? I definitely want in on &amp;amp;#42;some&amp;amp;#42; of them, I just can&#039;t drop a whole third of it myself.&amp;quot; She doesn&#039;t have that much spending money. Especially if she wants to stop at Big Bang Burger or Wilduck on the way home, which she does.&lt;br /&gt;
&lt;br /&gt;
Suzume pulls out her own phone, which is very slightly decorated; it has a chubby bird sticker stuck to it to differentiate it from all the other black-and-silver phones that everyone else has, though since hers is several years out of date it&#039;s not actually that easy to mistake for anyone else&#039;s anyway. She immediately starts typing on it with her thumbs, demonstrating a surprising speed - surprising to anyone who hasn&#039;t seen a teenager going at it, anyway.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Just don&#039;t expect me to completely bail you out if you hit every dud rare in the box,&amp;quot; Suzume says. Because she can&#039;t.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Myunghon has one of those quiet, but seemingly powerful smiles as she watches Ulala resolve to come back, planting a finger on her lip gently with a charming little look when the conversation transitions over to why the store.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I just wanted a bookstore, originally. Authors are my passion,&amp;quot; Myunghon is honest about that much, spreading her long, spindly arms and doing a slow, lazy twirl between two bookshelves. &amp;quot;But Gumiho pointed out, &#039;Boss, ain&#039;t no one gonna care about some stuffy old books written by old farts who carked it 100 years ago!&#039;. So I squeezed the juice out of my brain cell like an orange and thought, what kinda paper&#039;s hip with the kids these days??&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    She&#039;s so theatric as she does this, putting her fingers to her temples. &amp;quot;I think the results speak for themselves, hmm?&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    But it&#039;s deal time, so she&#039;s suddenly over towards the till with Gumiho when the camera transitions. Hitomi proposes her plan, and Myunghon&#039;s smile just seems to widen from ear to ear. &amp;quot;Oho, I like people who go for the long odds. And you&#039;ll be getting the excitement of opening the box right on the premises,&amp;quot; she chuckles.&lt;br /&gt;
&lt;br /&gt;
    Gumiho has a little smirk to Suzume to say, &amp;quot;Is it? Better to part-time playing with cards you like than flipping burgers, right? And I do get a tiny discount. And sometimes, dibs. Only sometimes, though. Boss is strict.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Her accent&#039;s a bit weird, not local, but it&#039;s not thick.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Ulala Serizawa has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Ah, a classic bookstore...&amp;quot; Ulala nods along. It makes sense, sell more things, get more customers, right? (She did not go to business school.)&lt;br /&gt;
&lt;br /&gt;
But as the sale continues on, Ulala just frowns at Hitomi. &amp;quot;If anyone&#039;s going to jinx anything...&amp;quot; She doesn&#039;t finish that sentence, instead looking through the books some more as an excuse to see if they Buy The Box or not.&lt;br /&gt;
&lt;br /&gt;
She really just wants to know how it pans out.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;That&#039;s the great thing here,&amp;quot; Hitomi tells Suzume. &amp;quot;You can&#039;t lose. If I do get good rares, we can definitely cover it. We can make Yamamoto come up here and show the money, and if it&#039;s really close I&#039;ll just -- I mean I can cover a LITTLE.&amp;quot; Back to Gumiho. &amp;quot;You&#039;d be -- maybe I shouldn&#039;t say this in front of your boss...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Who seems to be... ... going for it... Hitomi gets out what is, clearly, nearly all of the actual money she has, counting out the thousand yen notes and fishing out some change to get up to 4,000. &amp;quot;I&#039;ll wash my hands, if you want me to,&amp;quot; Hitomi continues, to Myunghon. &amp;quot;It IS pretty hot out there. And I don&#039;t want to ruin your near-mints...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
But she seems excited. &amp;quot;What&#039;s your rates? For the cards, I mean. If you buy them. I know not everyone, haha, I know not everyone buys them back...&amp;quot; She brings her hands together, a quiet little clap. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&amp;quot;Guess that makes sense,&amp;quot; Suzume agrees with Gumiho. She does not recognize the accent; she &amp;amp;#42;does&amp;amp;#42; think she recognizes the name, but the details aren&#039;t coming to her. She may look it up later, if she remembers. &amp;quot;I guess you don&#039;t handle the books section.&amp;quot; She doesn&#039;t seem particularly interested by them, so Myunghon might have the right idea about what the kids these days are here for...&lt;br /&gt;
&lt;br /&gt;
Type type type.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;He&#039;s in,&amp;quot; Suzume says, after a few moments. &amp;quot;I only had to bully him a little.&amp;quot; It is unclear if she is joking. She says it with a straight face and she&#039;s not smiling. &amp;quot;So. Good luck.&amp;quot; It&#039;s not her money so she can afford to let Hitomi play with it.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    &#039;Gumiho&#039; means &#039;kitsune&#039; in Korean. Pretty easy to look up.&lt;br /&gt;
&lt;br /&gt;
    It&#039;s totally not her real name. Maybe she&#039;s scared of sequence killers. Like the Killers Ulala&#039;s talking about. They could be three doors down.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Well,&amp;quot; Myunghon responds to Hitomi as she taps on the glass shelves, behind lock and key, &amp;quot;We do buy them, you are in luck. And there&#039;s a ledger by Gumiho for how much each card&#039;s worth.&amp;quot; This is entertainment for her, the way she understands probability and statistics are cooking in Hitomi&#039;s head. When all you have is 4,000 yen to entertain yourself, you wanna make every little bit of it count. &lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Just the till,&amp;quot; Gumiho answers Suzume. &amp;quot;Can&#039;t answer jack about the books. Boring stuff.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;I&#039;m interested now, young miss. Are you going to find the cardboard dragon in there, or are you going to come up with tin soldiers? It&#039;s not knowing that makes it exciting,&amp;quot; Myunghon smiles, radiating thrill and danger off her posture.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi gives Myunghon a bit of a &amp;quot;...&amp;quot; and a weak smile, as if what she says is embarrassing somehow. Then, she gets the cards... and moves to one of the unoccupied tables, rather quickly. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Good,&amp;quot; she tells Suzume, not looking up. &amp;quot;I mean, hopefully this is going to be really easy, unless you want to hustle him. We could charge him two hundred each and come out ahead... eheh... hey, do you want to like, bring the book over? I&#039;m hoping, but -&amp;quot; &lt;br /&gt;
&lt;br /&gt;
The packs begin to unwrap! &amp;quot;You never really can be sure...&amp;quot; &lt;br /&gt;
&lt;br /&gt;
Pack one! The rare is kind of mid. Hitomi ably separates the cards out, stacking the lands to one side, commons in another, uncommons in the other, and the single rare off to the side. Pack two! The same efficient sorting. No real deep reaction yet. Suzume has probably seen Hitomi handle cards at least twice now, so this may not be a surprise to HER. The other gawkers, though... &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume will probably remember what it means (if she doesn&#039;t look it up) at like 3am, because that&#039;s the way her brain works.&lt;br /&gt;
&lt;br /&gt;
While Hitomi is opening packs, Suzume wanders over to - assuming it&#039;s on her side - leaf through the ledger, or at least the list of how much they&#039;ll give you for certain cards. This isn&#039;t a set Suzume knows so she doesn&#039;t know what the expensive cards are, and she wants to see what she&#039;s supposed to be keeping her eyes open for as Hitomi sorts through her prizes.&lt;br /&gt;
&lt;br /&gt;
&amp;quot;Yeah, I bet,&amp;quot; she agrees with Gumiho. &amp;quot;Some books are okay.&amp;quot; But this stuff looks like what they give literature students... advanced literature students. Suzume can feel herself getting sleepy just looking at the covers.&lt;br /&gt;
&lt;br /&gt;
As for the hustling: &amp;quot;Eh. I have the money I brought because I beat him best of ten at Punch Boxer. Seems unsporting to do it twice.&amp;quot; Suzume...&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Myunghon&#039;s chin lifts a bit as she reclines against a desk in easy fashion, her eye glinting as she watches Hitomi work those cards. Yes... there&#039;s someone else inside of there, as she suspected. More than just a student who plays with cards and will forget about them in two years&#039; time when something else hot comes around. Well, she still might, about these cards, but--&lt;br /&gt;
&lt;br /&gt;
    The way she touches the cards, understanding that the human being is a disgusting pile of oil and discarded skin cells that will TARNISH the value of this cardboard. The efficient sorting-and-ordering. She could ask her for a perfect riffle shuffle and she could do it without damaging the cards one bit.&lt;br /&gt;
&lt;br /&gt;
    Exciting. Really gets her blood going.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Darn, you got kids you can bully on demand? That&#039;s me over at Kasu... I&#039;ll get one over &#039;em Bosses someday, though,&amp;quot; Gumiho grumbles.&lt;br /&gt;
&lt;br /&gt;
    Gumiho has a SPECIAL SKILL, like she&#039;s a Creature card. It simply reads:&lt;br /&gt;
&lt;br /&gt;
    If Gumiho gets into a fight, she loses.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
&amp;quot;He just has a bigger allowance than us,&amp;quot; Hitomi explains to Myunghon, not looking up from the cards. The cards, the cards... OPEN PACK THREE. Take a little trip into your future with me... &lt;br /&gt;
&lt;br /&gt;
In the end, Hitomi does not get the clutch rare. There&#039;s doubtless one in there that would have covered, perhaps not the whole box in a live set, but much of it - she gets a couple thousands and five in the 500-1000 zone. The uncommons are also decent, but, they&#039;re uncommons; maybe you need them but how many do you need. By the tenth pack she&#039;s looking tense, but after the twelfth, she sorts them out and sags back. &lt;br /&gt;
&lt;br /&gt;
As if her battery ran out. &lt;br /&gt;
&lt;br /&gt;
&amp;quot;Maybe I should have gone for the books,&amp;quot; she says to Suzume, mostly. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Suzume Fukura has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;Suzume was really hoping Hitomi pulled it off, because... well, because. But as the person leafing through the listing, she realizes that she hasn&#039;t hit one that&#039;s &amp;amp;#42;quite&amp;amp;#42; big enough, probably before Hitomi herself does unless she has the rares memorized.&lt;br /&gt;
&lt;br /&gt;
(Which she might. Suzume doesn&#039;t. She plays too many games and CCGs are one of the ones she plays least because of the expense.)&lt;br /&gt;
&lt;br /&gt;
&amp;quot;If you&#039;re getting a book, I&#039;m not chipping in,&amp;quot; Suzume says, with vigor as she steps away from the counter. Her hands would go into her pockets if she had pockets convenient enough to do it; as is she only has one, and she&#039;s just put her phone back in it.&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Hitomi Mandai has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt; &lt;br /&gt;
Hitomi hangs her head. &lt;br /&gt;
&lt;br /&gt;
This has delayed the inescapable three weeks. &lt;br /&gt;
&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
 &amp;lt;Pose Tracker&amp;gt; Myunghon Yeo has posed.&lt;br /&gt;
&amp;lt;poem&amp;gt;&lt;br /&gt;
    Myunghon lets out a luxurious little laugh and pats Hitomi on the shoulder gently, before swanning on over towards the till again. &amp;quot;Come on now! You might not have unearthed the aces you need, but was that not all part of the thrill? In exchange for such a good time,&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Pause. Pause.&lt;br /&gt;
&lt;br /&gt;
    &amp;quot;Gumiho will cover the rest.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    Gumiho hangs her head, letting out a little mushroom-shaped sigh from her mouth. &amp;quot;Seriously, Boss? You sure don&#039;t know how to read the room. A&#039;ight, well, I said I got an interest in this, so let&#039;s sort out who wants what.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
    And thus ends the daring saga of whether or not Hitomi Mandai will become a BIG SHOT. But, hours later, when the two students check their spoils from that strange shop in Hirasaka... a Skill Card&#039;s been snuck in there, perhaps by mistake?! Wow, that must have been a really clumsy owner. No wonder she slashes her prices so easily! Is that why her shopfront is such a trash heap from the 80&#039;s?&lt;br /&gt;
&amp;lt;/poem&amp;gt;&lt;br /&gt;
&lt;br /&gt;
[[Category:Logs]]&lt;br /&gt;
[[Category:Season 1]]&lt;br /&gt;
[[Category:Season 1, Episode 1]]&lt;/div&gt;</summary>
		<author><name>Almacia</name></author>
	</entry>
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